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The Early Music Collection


Release Date: 06/14/2019 
Label:  Naxos   Catalog #: 8503297  
Composer:  AnonymousHildegard of BingenBerenguier de PalazolGiraut de Bornelh,   ... 
Performer:  Marco AmbrosiniMaria D. LafitteThomas WimmerRiccardo Delfino,   ... 
Conductor:  Alberto TurcoJeremy SummerlyMichael PoschMarco Ambrosini,   ... 
Orchestra/Ensemble:  Nova Schola GregorianaOxford CamerataEnsemble Unicorn,   ... 
Number of Discs: 30 
Back Order: Usually ships in 2 to 3 weeks.  

Notes and Editorial Reviews

The Early Music Collection is a wide-ranging survey that traces the history of Western music from plainchant, the music of the Catholic Church, through polyphony, to the end of the 17th century. It includes leading ensembles and instrumentalists. Many of the individual albums have been critically lauded.

Recent years have brought a vast expansion in our understanding and knowledge of early music periods. There has been investigation into the repertoire and techniques of other ages, coupled with a movement that has favored the use of instruments and ways of playing them that are more or less authentic. Even where surviving historical instruments or modern reproductions of them are not used, the styles of
Read more performance have been influenced. Above all the myth of unending progress has been abandoned in favor of an evaluation of each period and type of music on its own terms. Early Music, in fact, has become a flourishing industry, stimulated by the remarkable growth in production and distribution of early music. For our present purposes we limit the term Early Music to cover a period ranging from plainchant to the end of the 17th century. The period that followed, the age of Bach and Handel and the great synthesis of the Late Baroque, is generally more familiar to listeners and is, in any case, another story.

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Excerpts of select reviews from previously releases included in this set:

Gesualdo: Madrigals, Book 1 / Longhini, Delitiae Musicare

The nuances of dynamics and phrasing--not to mention the exceptional breath control and intonation--show an ensemble, like the music's composer, working at the highest artistic level.

– ClassicsToday

Ockeghem: Requiem / Holten, Musica Ficta

The account of the Missa Prolationum is particularly rich-textured, and beautifully balanced: the Sanctus and Benedictus strikingly so. The Requiem is also superbly sung, if with the rough edges smoothed off. The Intemerata Dei Mater opens the programme. It is sung with considerable feeling and immediately shows the splendid inner blend commanded by this group.

– Penguin Guide

Monteverdi: Madrigals Book 5 / Longhini, Delitiae Musicae


The singing here is superb--characterful and expressive in a way that often happens when singers are working with their native language. The basses in particular put an impressively firm bottom on the ensemble, and the two countertenors never sound strained.

– ClassicsToday Read less

Works on This Recording

1.
Adorate Deum by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 4 Minutes 2 Secs. 
Language: Latin 
2.
Da pacem by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 4 Minutes 33 Secs. 
Language: Latin 
3.
Dominus illuminatio mea by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 5 Minutes 45 Secs. 
Language: Latin 
4.
Laetetur cor by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 4 Minutes 6 Secs. 
Language: Latin 
5.
Dirigatur by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 3 Minutes 9 Secs. 
Language: Latin 
6.
Domine, Domine noster by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 3 Minutes 22 Secs. 
Language: Latin 
7.
Iacta cogitatum tuum by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 3 Minutes 45 Secs. 
Language: Latin 
8.
Laetatus sum by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 3 Minutes 14 Secs. 
Language: Latin 
9.
Adorabo ad templum by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 2 Minutes 17 Secs. 
Language: Latin 
10.
De profundis by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 3 Minutes 16 Secs. 
Language: Latin 
11.
Deus, iudex iustus by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 2 Minutes 51 Secs. 
Language: Latin 
12.
Laudate Deum by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 1 Minutes 49 Secs. 
Language: Latin 
13.
De profundis by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 3 Minutes 26 Secs. 
Language: Latin 
14.
Domine convertere by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 2 Minutes 17 Secs. 
Language: Latin 
15.
Iubilate Deo universa terra by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 7 Minutes 45 Secs. 
Language: Latin 
16.
Iustitiae Domini by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 4 Minutes 15 Secs. 
Language: Latin 
17.
Circuibo by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 2 Minutes 4 Secs. 
Language: Latin 
18.
Dicit Dominus: Implete hydria by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 3 Minutes 51 Secs. 
Language: Latin 
19.
Dominus firmamentum meum by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 2 Minutes 23 Secs. 
Language: Latin 
20.
Qui manducat by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 2 Minutes 17 Secs. 
Language: Latin 
21.
Psalm 33 by Anonymous
Conductor:  Alberto Turco
Orchestra/Ensemble:  Nova Schola Gregoriana
Period: Medieval 
Date of Recording: 8/3/1992 
Venue:  Church of the Nativity, Mantua, Italy 
Length: 3 Minutes 29 Secs. 
Language: Latin 
22.
O Euchari, in leta via by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
23.
O virga mediatrix by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
24.
Ave generosa by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
25.
Laus Trinitati by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
26.
Kyrie eleison by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
27.
O presul vere civitatis by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
28.
O pastor animarum by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
29.
O viridissima virga, Ave by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
30.
O virga ac diadema purpurae regis by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
31.
O ignis spiritus Paracliti by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
32.
Ordo virtutum: Procession by Hildegard of Bingen
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 12th Century; Germany 
33.
Tan m'abelis jois et amors e chans by Berenguier de Palazol
Performer:  Marco Ambrosini (Shawm), Maria D. Lafitte (Voice), Thomas Wimmer (Fiddle),
Thomas Wimmer (Lute), Riccardo Delfino (Harp), Riccardo Delfino (Hurdy-gurdy),
Riccardo Delfino (Bagpipe), Peter Rabanser (Gaita), Peter Rabanser (Bujo),
Peter Rabanser (Oud), Michael Posch (Recorder), Peter Rabanser (Saz),
Peter Rabanser (Nay), Katharina Dustmann (Davul), Marco Ambrosini (Fiddle),
Michael Posch (Reed Pipe), Wolfgang Reithofer (Drum), Katharina Dustmann (Zarb),
Katharina Dustmann (Deff), Katharina Dustmann (Bendir), Wolfgang Reithofer (Tambourine)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: 12th Century; Catalonia, Spain 
Date of Recording: 06/1996 
Venue:  W.A.R. Sound Studio, Vienna, Austria 
Length: 4 Minutes 56 Secs. 
34.
Domna, pos vos ay chausida by Anonymous
Performer:  Michael Posch (Reed Pipe), Peter Rabanser (Bujo), Wolfgang Reithofer (Drum),
Thomas Wimmer (Fiddle), Thomas Wimmer (Lute), Peter Rabanser (Gaita),
Peter Rabanser (Oud), Peter Rabanser (Nay), Katharina Dustmann (Davul),
Riccardo Delfino (Bagpipe), Riccardo Delfino (Hurdy-gurdy), Riccardo Delfino (Harp),
Katharina Dustmann (Zarb), Katharina Dustmann (Bendir), Katharina Dustmann (Deff),
Marco Ambrosini (Shawm), Marco Ambrosini (Fiddle), Wolfgang Reithofer (Tambourine),
Michael Posch (Recorder), Peter Rabanser (Saz)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: 13th Century 
Date of Recording: 06/1996 
Venue:  W.A.R. Sound Studio, Vienna, Austria 
Length: 2 Minutes 23 Secs. 
35.
Non posc sofrir qu'a la dolor by Giraut de Bornelh
Performer:  Katharina Dustmann (Bendir), Katharina Dustmann (Zarb), Katharina Dustmann (Davul),
Peter Rabanser (Saz), Peter Rabanser (Nay), Peter Rabanser (Oud),
Peter Rabanser (Bujo), Peter Rabanser (Gaita), Riccardo Delfino (Bagpipe),
Riccardo Delfino (Hurdy-gurdy), Riccardo Delfino (Harp), Thomas Wimmer (Lute),
Thomas Wimmer (Fiddle), Michael Posch (Recorder), Wolfgang Reithofer (Drum),
Maria D. Lafitte (Voice), Michael Posch (Reed Pipe), Marco Ambrosini (Shawm),
Marco Ambrosini (Fiddle), Katharina Dustmann (Deff), Wolfgang Reithofer (Tambourine)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Date of Recording: 06/1996 
Venue:  W.A.R. Sound Studio, Vienna, Austria 
Length: 8 Minutes 20 Secs. 
36.
Ar mi posc en lauzar d'amor by Peire Cardenal
Performer:  Katharina Dustmann (Bendir), Katharina Dustmann (Deff), Marco Ambrosini (Fiddle),
Michael Posch (Recorder), Marco Ambrosini (Shawm), Wolfgang Reithofer (Drum),
Wolfgang Reithofer (Tambourine), Katharina Dustmann (Davul), Peter Rabanser (Saz),
Peter Rabanser (Nay), Peter Rabanser (Oud), Peter Rabanser (Bujo),
Peter Rabanser (Gaita), Riccardo Delfino (Bagpipe), Katharina Dustmann (Zarb),
Riccardo Delfino (Hurdy-gurdy), Riccardo Delfino (Harp), Thomas Wimmer (Fiddle),
Thomas Wimmer (Lute), Maria D. Lafitte (Voice), Michael Posch (Reed Pipe)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: 1204-1208; France 
Date of Recording: 06/1996 
Venue:  W.A.R. Sound Studio, Vienna, Austria 
37.
Bujo by Anonymous
Performer:  Riccardo Delfino (Bagpipe)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Date of Recording: 06/1996 
Venue:  W.A.R. Sound Studio, Vienna, Austria 
Length: 2 Minutes 42 Secs. 
38.
Bel m'es q'ieu chant e coindei by Raimon de Miraval
Performer:  Marco Ambrosini (Shawm), Riccardo Delfino (Harp), Peter Rabanser (Bujo),
Peter Rabanser (Gaita), Riccardo Delfino (Bagpipe), Peter Rabanser (Nay),
Peter Rabanser (Oud), Wolfgang Reithofer (Tambourine), Wolfgang Reithofer (Drum),
Katharina Dustmann (Deff), Katharina Dustmann (Bendir), Katharina Dustmann (Zarb),
Katharina Dustmann (Davul), Peter Rabanser (Saz), Thomas Wimmer (Lute),
Thomas Wimmer (Fiddle), Maria D. Lafitte (Voice), Michael Posch (Reed Pipe),
Michael Posch (Recorder), Marco Ambrosini (Fiddle), Riccardo Delfino (Hurdy-gurdy)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Date of Recording: 06/1996 
Venue:  W.A.R. Sound Studio, Vienna, Austria 
Length: 6 Minutes 4 Secs. 
39.
Cantaben els osells by Ramon Llull
Performer:  Riccardo Delfino (Harp), Riccardo Delfino (Hurdy-gurdy), Peter Rabanser (Gaita),
Peter Rabanser (Bujo), Riccardo Delfino (Bagpipe), Marco Ambrosini (Fiddle),
Marco Ambrosini (Shawm), Maria D. Lafitte (Voice), Michael Posch (Reed Pipe),
Peter Rabanser (Oud), Thomas Wimmer (Fiddle), Wolfgang Reithofer (Tambourine),
Thomas Wimmer (Lute), Wolfgang Reithofer (Drum), Katharina Dustmann (Deff),
Katharina Dustmann (Bendir), Katharina Dustmann (Zarb), Katharina Dustmann (Davul),
Peter Rabanser (Saz), Peter Rabanser (Nay), Michael Posch (Recorder)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: Mallorca (Majorca), 
Date of Recording: 06/1996 
Venue:  W.A.R. Sound Studio, Vienna, Austria 
Length: 5 Minutes 53 Secs. 
40.
Aital domna com eu sai by Berenguier de Palazol
Performer:  Riccardo Delfino (Bagpipe), Thomas Wimmer (Lute), Thomas Wimmer (Fiddle),
Peter Rabanser (Gaita), Riccardo Delfino (Harp), Peter Rabanser (Bujo),
Peter Rabanser (Oud), Peter Rabanser (Nay), Peter Rabanser (Saz),
Katharina Dustmann (Davul), Katharina Dustmann (Zarb), Katharina Dustmann (Bendir),
Katharina Dustmann (Deff), Wolfgang Reithofer (Drum), Maria D. Lafitte (Voice),
Wolfgang Reithofer (Tambourine), Michael Posch (Reed Pipe), Michael Posch (Recorder),
Marco Ambrosini (Shawm), Marco Ambrosini (Fiddle), Riccardo Delfino (Hurdy-gurdy)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: 12th Century; Catalonia, Spain 
Date of Recording: 06/1996 
Venue:  W.A.R. Sound Studio, Vienna, Austria 
Length: 3 Minutes 24 Secs. 
41.
Reis glorios, verais lums e clardatz by Giraut de Bornelh
Performer:  Thomas Wimmer (Fiddle), Riccardo Delfino (Harp), Riccardo Delfino (Hurdy-gurdy),
Peter Rabanser (Bujo), Peter Rabanser (Oud), Peter Rabanser (Nay),
Peter Rabanser (Saz), Katharina Dustmann (Davul), Katharina Dustmann (Zarb),
Katharina Dustmann (Bendir), Katharina Dustmann (Deff), Wolfgang Reithofer (Drum),
Michael Posch (Reed Pipe), Peter Rabanser (Gaita), Wolfgang Reithofer (Tambourine),
Riccardo Delfino (Bagpipe), Marco Ambrosini (Fiddle), Marco Ambrosini (Shawm),
Michael Posch (Recorder), Maria D. Lafitte (Voice), Thomas Wimmer (Lute)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 06/1996 
Venue:  W.A.R. Sound Studio, Vienna, Austria 
Length: 2 Minutes 38 Secs. 
42.
Ara Lauzatz by Anonymous
Performer:  Peter Rabanser (Oud), Peter Rabanser (Nay), Maria D. Lafitte (Voice),
Peter Rabanser (Saz), Katharina Dustmann (Zarb), Katharina Dustmann (Bendir),
Katharina Dustmann (Davul), Katharina Dustmann (Deff), Wolfgang Reithofer (Drum),
Thomas Wimmer (Fiddle), Wolfgang Reithofer (Tambourine), Peter Rabanser (Bujo),
Peter Rabanser (Gaita), Riccardo Delfino (Hurdy-gurdy), Riccardo Delfino (Bagpipe),
Riccardo Delfino (Harp), Marco Ambrosini (Fiddle), Thomas Wimmer (Lute),
Michael Posch (Recorder), Marco Ambrosini (Shawm), Michael Posch (Reed Pipe)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: Provence, France 
Date of Recording: 06/1996 
Venue:  W.A.R. Sound Studio, Vienna, Austria 
Length: 2 Minutes 17 Secs. 
43.
Humils, forfaitz, repres e penedens by Guiraut Riquier
Performer:  Peter Rabanser (Gaita), Peter Rabanser (Bujo), Riccardo Delfino (Harp),
Riccardo Delfino (Bagpipe), Peter Rabanser (Nay), Peter Rabanser (Oud),
Peter Rabanser (Saz), Katharina Dustmann (Davul), Katharina Dustmann (Zarb),
Katharina Dustmann (Bendir), Katharina Dustmann (Deff), Wolfgang Reithofer (Drum),
Wolfgang Reithofer (Tambourine), Marco Ambrosini (Fiddle), Michael Posch (Recorder),
Marco Ambrosini (Shawm), Riccardo Delfino (Hurdy-gurdy), Michael Posch (Reed Pipe),
Thomas Wimmer (Lute), Maria D. Lafitte (Voice), Thomas Wimmer (Fiddle)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: 1273; Provence, France 
Date of Recording: 06/1996 
Venue:  W.A.R. Sound Studio, Vienna, Austria 
Length: 6 Minutes 59 Secs. 
44.
Quan vei la lauzeta mover by Bernart de Ventadorn
Performer:  Thomas Wimmer (Lute), Peter Rabanser (Gaita), Riccardo Delfino (Bagpipe),
Wolfgang Reithofer (Tambourine), Wolfgang Reithofer (Drum), Katharina Dustmann (Deff),
Katharina Dustmann (Bendir), Katharina Dustmann (Zarb), Katharina Dustmann (Davul),
Peter Rabanser (Saz), Peter Rabanser (Nay), Peter Rabanser (Oud),
Peter Rabanser (Bujo), Marco Ambrosini (Shawm), Riccardo Delfino (Hurdy-gurdy),
Marco Ambrosini (Fiddle), Michael Posch (Recorder), Michael Posch (Reed Pipe),
Maria D. Lafitte (Voice), Thomas Wimmer (Fiddle), Riccardo Delfino (Harp)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 06/1996 
Venue:  W.A.R. Sound Studio, Vienna, Austria 
Length: 6 Minutes 3 Secs. 
45.
Lanquan il jorn son lonc en may by Jaufre Rudel
Performer:  Katharina Dustmann (Bendir), Katharina Dustmann (Deff), Wolfgang Reithofer (Tambourine),
Wolfgang Reithofer (Drum), Marco Ambrosini (Fiddle), Marco Ambrosini (Shawm),
Michael Posch (Recorder), Michael Posch (Reed Pipe), Thomas Wimmer (Fiddle),
Thomas Wimmer (Lute), Maria D. Lafitte (Voice), Riccardo Delfino (Harp),
Riccardo Delfino (Hurdy-gurdy), Riccardo Delfino (Bagpipe), Peter Rabanser (Gaita),
Peter Rabanser (Oud), Peter Rabanser (Bujo), Peter Rabanser (Nay),
Peter Rabanser (Saz), Katharina Dustmann (Davul), Katharina Dustmann (Zarb)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 06/1996 
Venue:  W.A.R. Sound Studio, Vienna, Austria 
Length: 17 Minutes 31 Secs. 
46.
Der han by Baptiste Romain
Performer:  Marc Lewon (Lute/Veille/Voice), Baptiste Romain (Vielle/Lute/Voice)
Orchestra/Ensemble:  Ensemble Leones
47.
Mir ist ummaten leyde by Neidhart von Reuenthal
Orchestra/Ensemble:  Ensemble Leones
48.
Summer unde winder by Neidhart von Reuenthal
Orchestra/Ensemble:  Ensemble Leones
49.
Sinc an, guldîn huon! by Neidhart von Reuenthal
Orchestra/Ensemble:  Ensemble Leones
Period: Medieval 
50.
Willekomen sumerweter süeze by Neidhart von Reuenthal
Orchestra/Ensemble:  Ensemble Leones
Period: Medieval 
Written: 13th Century; Germany 
51.
Clausula by Baptiste Romain
Orchestra/Ensemble:  Ensemble Leones
52.
Guoten wib wol uch der eren by Neidhart von Reuenthal
Orchestra/Ensemble:  Ensemble Leones
53.
Non veul mari by Baptiste Romain
Orchestra/Ensemble:  Ensemble Leones
54.
Ich claghe de blomen by Neidhart von Reuenthal
Orchestra/Ensemble:  Ensemble Leones
55.
Der hedamerschol by Baptiste Romain
Orchestra/Ensemble:  Ensemble Leones
56.
Allez daz den sumer by Neidhart von Reuenthal
Orchestra/Ensemble:  Ensemble Leones
57.
Vil wol gelopter got by Walther von der Vogelweide
Orchestra/Ensemble:  Ensemble Leones
Period: Medieval 
Written: Germany 
58.
Je muir, je muir by Adam de la Halle
Orchestra/Ensemble:  Ensemble Leones
Period: Medieval 
Written: France 
59.
Carmina burana: no 200, Bache bene venies by Anonymous
Conductor:  Michael Posch,  Marco Ambrosini
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Date of Recording: 05/1997 
Venue:  Charterhouse, Mauerbach, Vienna 
Length: 5 Minutes 55 Secs. 
Language: Latin 
60.
Carmina burana: no 71, Axe Phebus aureo by Anonymous
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: France 
Date of Recording: 05/1997 
Venue:  Charterhouse, Mauerbach, Vienna 
Length: 5 Minutes 47 Secs. 
Language: Latin 
61.
Carmina burana: no 73, Clauso Chronos by Anonymous
Conductor:  Michael Posch,  Marco Ambrosini
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: France 
Date of Recording: 05/1997 
Venue:  Charterhouse, Mauerbach, Vienna 
Length: 3 Minutes 7 Secs. 
Language: Latin 
62.
Carmina burana: Katerine collaudemus by Anonymous
Performer:  Bernhard Landauer (Countertenor), Eric Mentzel (Tenor)
Period: Medieval 
Written: France 
Date of Recording: 05/1997 
Venue:  Charterhouse, Mauerbach, Vienna 
Length: 3 Minutes 27 Secs. 
Language: Latin 
63.
Carmina burana: no 153, Tempus transit gelidum by Anonymous
Conductor:  Michael Posch,  Marco Ambrosini
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: France 
Date of Recording: 05/1997 
Venue:  Charterhouse, Mauerbach, Vienna 
Length: 5 Minutes 5 Secs. 
Language: Latin 
64.
Carmina burana: no 185, Ich was ein chint so wolgetan by Anonymous
Conductor:  Michael Posch,  Marco Ambrosini
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: France 
Date of Recording: 05/1997 
Venue:  Charterhouse, Mauerbach, Vienna 
Length: 3 Minutes 14 Secs. 
Language: German 
65.
Carmina burana: no 3, Ecce torpet probitas by Anonymous
Conductor:  Michael Posch,  Marco Ambrosini
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: France 
Date of Recording: 05/1997 
Venue:  Charterhouse, Mauerbach, Vienna 
Length: 6 Minutes 3 Secs. 
Language: Latin 
66.
Carmina burana: no 90, Exiit diluculo by Anonymous
Conductor:  Michael Posch,  Marco Ambrosini
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Date of Recording: 05/1997 
Venue:  Charterhouse, Mauerbach, Vienna 
Length: 2 Minutes 45 Secs. 
Language: Latin 
67.
Carmina burana: no 31, Vite perdite me legi by Anonymous
Conductor:  Michael Posch,  Marco Ambrosini
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Date of Recording: 05/1997 
Venue:  Charterhouse, Mauerbach, Vienna 
Length: 5 Minutes 39 Secs. 
Language: Latin 
68.
Carmina burana: no 12, Procurans odium by Anonymous
Conductor:  Michael Posch,  Marco Ambrosini
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: France 
Date of Recording: 05/1997 
Venue:  Charterhouse, Mauerbach, Vienna 
Length: 5 Minutes 30 Secs. 
Language: Latin 
69.
Carmina burana: no 179, Tempus est jocundum by Anonymous
Conductor:  Michael Posch,  Marco Ambrosini
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: France 
Date of Recording: 05/1997 
Venue:  Charterhouse, Mauerbach, Vienna 
Length: 6 Minutes 1 Secs. 
Language: Latin 
70.
Carmina burana: no 19, Fas et Nefas by Anonymous
Conductor:  Michael Posch,  Marco Ambrosini
Orchestra/Ensemble:  Ensemble Unicorn,  Ensemble Oni Wytars
Period: Medieval 
Written: France 
Date of Recording: 05/1997 
Venue:  Charterhouse, Mauerbach, Vienna 
Length: 3 Minutes 36 Secs. 
Language: Latin 
71.
Carmina burana: no 15, Celum non animum by Anonymous
Performer:  Bernhard Landauer (Countertenor)
Period: Medieval 
Written: France 
Date of Recording: 05/1997 
Venue:  Charterhouse, Mauerbach, Vienna 
Length: 2 Minutes 58 Secs. 
Language: Latin 
72.
Messe de Nostre Dame by Guillaume de Machaut
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 02/1996 
Venue:  Cathedral, Reims, France 
Length: 30 Minutes 22 Secs. 
Language: Latin 
73.
Plourés dames by Guillaume de Machaut
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 02/1996 
Venue:  B. B. C. Studio 1, Maida Vale, London 
Length: 8 Minutes 58 Secs. 
Language: French 
74.
Nes que on porroit by Guillaume de Machaut
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 02/1996 
Venue:  B. B. C. Studio 1, Maida Vale, London 
Length: 8 Minutes 20 Secs. 
Language: French 
75.
Sanc cuer, dolens by Guillaume de Machaut
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 02/1996 
Venue:  B. B. C. Studio 1, Maida Vale, London 
Length: 4 Minutes 15 Secs. 
Language: French 
76.
Longuement me sui tenus "Lai de bonne esperance" by Guillaume de Machaut
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 02/1996 
Venue:  B. B. C. Studio 1, Maida Vale, London 
Length: 19 Minutes 31 Secs. 
Language: French 
77.
Puis qu'en oubli by Guillaume de Machaut
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 02/1996 
Venue:  B. B. C. Studio 1, Maida Vale, London 
Length: 1 Minutes 52 Secs. 
Language: French 
78.
Dix et sept, cinq by Guillaume de Machaut
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 02/1996 
Venue:  B. B. C. Studio 1, Maida Vale, London 
Length: 4 Minutes 33 Secs. 
Language: French 
79.
Vyol - Urlaub hab der wintter (The violet - Winter, be gone) by Neidhart von Reuenthal
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 6 Minutes 35 Secs. 
80.
Ich fragt ain wachter (I asked a watchman) by Hugo von Montfort
Performer:  Miriam Andersen (Cow Horn)
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 6 Minutes 13 Secs. 
81.
Das Kchühorn by Monk of Salzburg
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Medieval 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 1 Minutes 38 Secs. 
82.
Frölich geschrai so well wir machen, K 93 by Oswald von Wolkenstein
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Medieval 
Written: Germany 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 1 Minutes 13 Secs. 
83.
Sois tart, tempre, main ou soir by Anonymous
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 1 Minutes 32 Secs. 
84.
Or sus vous dormés trop by Anonymous
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Written: 13th Century 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 5 Minutes 56 Secs. 
85.
Durch Barbarei, Arabia, K 17 by Oswald von Wolkenstein
Performer:  Tobie Miller (Symphonia)
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Medieval 
Written: Germany 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 2 Minutes 31 Secs. 
86.
Der sunnen glanst (The glittering sun) by Neidhart von Reuenthal
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 4 Minutes 47 Secs. 
87.
Do man den gumpel gampel sank (When it was the season to sing the hip-swing dance) by Neidhart von Reuenthal
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 8 Minutes 13 Secs. 
88.
Freu dich, du weltlich creatur, K 91 by Oswald von Wolkenstein
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Medieval 
Written: Germany 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 2 Minutes 19 Secs. 
89.
Zergangen ist meins herzens we by Oswald von Wolkenstein
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Medieval 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 4 Minutes 59 Secs. 
90.
Gegrusset seistu maria (Hail Mary, purest of virgins) by Anonymous
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 5 Minutes 35 Secs. 
91.
Rondeau by Hermann Edlerawer
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 2 Minutes 57 Secs. 
92.
Von osterreich - Sig, säld und heil (From Austria - Victory, happiness and health) by Anonymous
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 1 Minutes 1 Secs. 
93.
So stee ich hie auff diser erd (Thus I stand here on this earth) by Anonymous
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 0 Minutes 59 Secs. 
94.
My ladi, my ladi, myn happ (My lady, my lady, my joy) by Anonymous
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 1 Minutes 27 Secs. 
95.
Seigneur Leon, vous soyes bienvenus by Guillaume Dufay
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Written: 15th Century; France 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 1 Minutes 22 Secs. 
96.
Gespile, liebe gespile gút (Beloved, dear good beloved) by Anonymous
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 0 Minutes 47 Secs. 
97.
Es sassen höld in ainer stuben (Sitting in a room, fair to behold) by Anonymous
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 0 Minutes 51 Secs. 
98.
Ich sachs eins mals by Anonymous
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 1 Minutes 11 Secs. 
99.
Heya, heya nun wie si grollen (Hey, hey how they are raging) (attrib.) by Oswald von Wolkenstein
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 0 Minutes 58 Secs. 
100.
La Martinella by Johannes Martini
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 2 Minutes 4 Secs. 
101.
Pavane by Anonymous
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 1 Minutes 29 Secs. 
102.
Mantúaner dantz (Mantuan Dance) by Anonymous
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 1 Minutes 23 Secs. 
103.
Maria zart, von edler art (Dear Mary, of noble descent) by Pfabinschwantz
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 3 Minutes 8 Secs. 
104.
Alle dei filius (Hallelujah. God's son) by Anonymous
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 2 Minutes 16 Secs. 
105.
Gottes namen faren wir (In God's name we travel), song for 4 voices by Paul Hofhaimer
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 1 Minutes 47 Secs. 
106.
Argentum et aurum, motet for 4 voices by Isaac Albeniz
Conductor:  Marc Lewon
Orchestra/Ensemble:  Ensemble Leones
Period: Renaissance 
Venue:  Schloss Beuggen, Rheinfelden, Germany 
Length: 3 Minutes 10 Secs. 
107.
J'ay mis mon cuer by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 3 Minutes 31 Secs. 
108.
Par droit je puis bien complaindre by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 3 Minutes 48 Secs. 
109.
Quel fronte signorille by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 6 Minutes 4 Secs. 
110.
Puisque vous estez campieur by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 3 Minutes 32 Secs. 
111.
Belle, que vous ay je mesfait by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 3 Minutes 38 Secs. 
112.
Vergene bella by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 4 Minutes 19 Secs. 
113.
Se la face ay pale by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 2 Minutes 36 Secs. 
114.
Donnés l'assault by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 4 Minutes 38 Secs. 
115.
Par le regard de vos beaux yeux by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 4 Minutes 3 Secs. 
116.
Resvelons nous/Alons ent bien tos by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 2 Minutes 26 Secs. 
117.
Ce jour de l'an by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 2 Minutes 20 Secs. 
118.
Mon chier amy by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 2 Minutes 24 Secs. 
119.
Pour l'amour de ma doulce amye by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 3 Minutes 41 Secs. 
120.
Helas, mon dueil by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 4 Minutes 2 Secs. 
121.
Bon jour, bon mois by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 3 Minutes 0 Secs. 
122.
Resvelons nous/Alons ent bien tos by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 15th Century; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 2 Minutes 47 Secs. 
123.
Adieu ces bon vins de Lannoys by Guillaume Dufay
Performer:  Bernhard Landauer (Countertenor)
Conductor:  Michael Posch
Orchestra/Ensemble:  Ensemble Unicorn
Period: Renaissance 
Written: 1426; France 
Date of Recording: 04/1995 
Venue:  Evangelical Church, Vienna, Austria 
Length: 5 Minutes 35 Secs. 
124.
Missa pro defunctis by Johannes Ockeghem
Conductor:  Bo Holten
Orchestra/Ensemble:  Musica Ficta Vocal Ensemble Copenhagen
Period: Renaissance 
Written: 15th Century; Flanders, Belgium 
Language: Latin 
125.
Missa prolationum by Johannes Ockeghem
Conductor:  Bo Holten
Orchestra/Ensemble:  Musica Ficta Vocal Ensemble Copenhagen
Period: Renaissance 
Written: 15th Century; Flanders, Belgium 
Language: Latin 
126.
Intemerata Dei mater by Johannes Ockeghem
Conductor:  Bo Holten
Orchestra/Ensemble:  Musica Ficta Vocal Ensemble Copenhagen
Period: Renaissance 
Written: 15th Century; Flanders, Belgium 
Language: Latin 
127.
Nesciens mater by Walter Lambe
Conductor:  Antony Pitts
Orchestra/Ensemble:  Tonus Peregrinus
Period: Renaissance 
Written: by 1490; England 
128.
Magnificat by William of Stratford
Conductor:  Antony Pitts
Orchestra/Ensemble:  Tonus Peregrinus
Period: Renaissance 
Written: England 
129.
Nesciens mater by Anonymous
Conductor:  Antony Pitts
Orchestra/Ensemble:  Tonus Peregrinus
Period: Medieval 
Written: circa 1400 
130.
Passio Domini by Richard Davy
Conductor:  Antony Pitts
Orchestra/Ensemble:  Tonus Peregrinus
Period: Renaissance  
131.
Stabat mater by John Browne
Conductor:  Antony Pitts
Orchestra/Ensemble:  Tonus Peregrinus
Period: Renaissance 
Written: by 1490; England 
132.
Magnificat by Hugh Kellyk
Conductor:  Antony Pitts
Orchestra/Ensemble:  Tonus Peregrinus
Period: Renaissance  
133.
Credi in Deum/Jesus autem by Robert Wilkinson
Conductor:  Antony Pitts
Orchestra/Ensemble:  Tonus Peregrinus
Period: Renaissance  
134.
O Sapientia (from The "O" Antiphons, Mode I) by Anonymous
Conductor:  Michael Alan Anderson
Date of Recording: 12/08/2012 
Venue:  St Josaphat Parish, Chicago, Illinois, U 
Length: 5 Minutes 28 Secs. 
135.
O Adonai, antiphon, Mode 2 by Anonymous
Conductor:  Michael Alan Anderson
Period: Medieval 
Written: Europe 
Date of Recording: 12/08/2012 
Venue:  St Josaphat Parish, Chicago, Illinois, U 
Length: 1 Minutes 2 Secs. 
136.
O radix Iesse by Sarum Chant
Conductor:  Michael Alan Anderson
Date of Recording: 12/08/2012 
Venue:  St Josaphat Parish, Chicago, Illinois, U 
Length: 1 Minutes 3 Secs. 
137.
O clavis David, antiphon, Mode 2 by Anonymous
Conductor:  Michael Alan Anderson
Period: Medieval 
Written: Europe 
Date of Recording: 12/08/2012 
Venue:  St Josaphat Parish, Chicago, Illinois, U 
Length: 1 Minutes 11 Secs. 
138.
O oriens splendor lucis aeternae, antiphon in mode 2 by Anonymous
Conductor:  Michael Alan Anderson
Period: Medieval 
Written: Europe 
Date of Recording: 12/08/2012 
Venue:  St Josaphat Parish, Chicago, Illinois, U 
Length: 0 Minutes 52 Secs. 
139.
O Rex Gentium by Anonymous
Conductor:  Michael Alan Anderson
Date of Recording: 12/08/2012 
Venue:  St Josaphat Parish, Chicago, Illinois, U 
Length: 0 Minutes 55 Secs. 
140.
O Emmanuel, antiphon by Anonymous
Conductor:  Michael Alan Anderson
Period: Medieval 
Written: Europe 
Date of Recording: 12/08/2012 
Venue:  St Josaphat Parish, Chicago, Illinois, U 
Length: 0 Minutes 55 Secs. 
141.
Missa Conceptio Tua by Pierre de La Rue
Conductor:  Michael Alan Anderson
Period: Renaissance 
Written: 1510s 
Date of Recording: 12/08/2012 
Venue:  St Josaphat Parish, Chicago, Illinois, U 
Length: 30 Minutes 20 Secs. 
142.
Alma Redemptoris Mater, antiphon by Anonymous
Conductor:  Michael Alan Anderson
Period: Medieval 
Written: Germany 
Date of Recording: 12/08/2012 
Venue:  St Josaphat Parish, Chicago, Illinois, U 
Length: 2 Minutes 22 Secs. 
143.
Ther Is No Rose of Swych Vertu, carol (English) by Traditional
Conductor:  Michael Alan Anderson
Period: Medieval 
Date of Recording: 12/08/2012 
Venue:  St Josaphat Parish, Chicago, Illinois, U 
Length: 5 Minutes 19 Secs. 
144.
Hail Mary Full of Grace (15th Century) by Traditional
Conductor:  Michael Alan Anderson
Period: Renaissance 
Written: United Kingdom 
Date of Recording: 12/08/2012 
Venue:  St Josaphat Parish, Chicago, Illinois, U 
Length: 5 Minutes 14 Secs. 
145.
Nova! nova! Ave fit ex Eva by Traditional
Conductor:  Michael Alan Anderson
Date of Recording: 12/08/2012 
Venue:  St Josaphat Parish, Chicago, Illinois, U 
Length: 1 Minutes 58 Secs. 
146.
Adiutorium nostrum by Antoine de Févin
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: 16th Century; France 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Language: Latin 
147.
Mater floreat by Pierre Moulu
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: 16th Century 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 5 Minutes 27 Secs. 
Language: Latin 
148.
Maudit soyt by Heinrich Isaac
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: 16th Century; Netherlands 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 1 Minutes 22 Secs. 
149.
Plus oultre by Anonymous
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: 16th Century 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 2 Minutes 38 Secs. 
Language: French 
150.
Plaine de dueil by Josquin Des Préz
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: France 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 5 Minutes 38 Secs. 
Language: French 
151.
Dulces exuviae by Marbrianus de Orto
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: 16th Century; France 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 2 Minutes 43 Secs. 
Language: Latin 
152.
Missa "Myn herte heeft altyt verlanghen": Kyrie by Mattias Gascogne
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: 16th Century; Netherlands (Holland 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 3 Minutes 42 Secs. 
Language: Latin 
153.
Caeleste beneficium introivit by Jean Mouton
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: France 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 6 Minutes 11 Secs. 
Language: Latin 
154.
Pie Jhesu by Josquin Des Préz
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: 16th Century 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 2 Minutes 46 Secs. 
Language: Latin 
155.
Pie Jhesu by Josquin Des Préz
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: 16th Century 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Language: Latin 
156.
Agnus Dei by Adrian Willaert
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: 16th Century 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 3 Minutes 57 Secs. 
Language: Latin 
157.
Salve Regina [Medieval] by Anonymous
Orchestra/Ensemble:  Capilla Flamenca
Period: Medieval 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 7 Minutes 25 Secs. 
Language: Latin 
158.
Autant en emporte by Pierre de La Rue
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 1 Minutes 10 Secs. 
159.
Mijn hert heeft altijt by Pierre de La Rue
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: by 1518 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 2 Minutes 21 Secs. 
Language: Dutch 
160.
Celle que j'ay by Cornelius Rigo
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: 16th Century 
Date of Recording: 07/1997 
Venue:  Irish College, Leuven, Belgium 
Length: 2 Minutes 32 Secs. 
161.
Myn hert altyt heeft verlangen by Hans Neusidler
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: 16th Century 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 3 Minutes 34 Secs. 
Language: Dutch 
162.
Soubz ce tumbel by Pierre de La Rue
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: 16th Century; France 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 5 Minutes 0 Secs. 
Language: French 
163.
Jam sauche by Pierre de La Rue
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Written: 16th Century; France 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 1 Minutes 14 Secs. 
164.
T'andernaken by Pierre Alamire
Orchestra/Ensemble:  Capilla Flamenca
Period: Renaissance 
Date of Recording: 07/1999 
Venue:  Irish College, Leuven, Belgium 
Length: 3 Minutes 9 Secs. 
165.
Mass(es) by Juan de Anchieta
Performer:  Loreto Fernández Imaz (Organ)
Conductor:  Josep Cabré
Orchestra/Ensemble:  Capilla Peńaflorida,  Ministriles de Marsias
Period: Renaissance 
Written: Spain 
166.
La Vida de Culin by Anonymous
Orchestra/Ensemble:  Ring Around Quartet
Period: Renaissance 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 2 Minutes 24 Secs. 
167.
Vecchie letrose by Adrian Willaert
Orchestra/Ensemble:  Ring Around Quartet
Period: Renaissance 
Written: by 1545; Italy 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 2 Minutes 15 Secs. 
168.
Che faralla, che diralla, song by Michele Pesenti
Orchestra/Ensemble:  Ring Around Quartet
Period: Renaissance 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 3 Minutes 39 Secs. 
169.
Poi che volse la mia stella by Joan Ambrosio Dalza
Performer:  Giuliano Lucini (Lute)
Period: Renaissance 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 1 Minutes 36 Secs. 
170.
L'ultimo di di maggio by Sebastian Festa
Orchestra/Ensemble:  Ring Around Quartet
Period: Renaissance 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 2 Minutes 1 Secs. 
171.
Zephiro spira il bel tempo rimena, for accompanied voice by Bartolomeo Tromboncino
Orchestra/Ensemble:  Ring Around Quartet
Period: Renaissance 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 4 Minutes 49 Secs. 
172.
Alle stamenge, canto, CM 133 by Canciero de Mo Anonymous
Orchestra/Ensemble:  Ring Around Quartet
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 2 Minutes 26 Secs. 
173.
Sú, sú, leva, alza le ciglia by Bartolomeo Tromboncino
Orchestra/Ensemble:  Ring Around Quartet
Period: Renaissance 
Written: Italy 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 5 Minutes 5 Secs. 
174.
Ahimč sospiri by Anonymous
Orchestra/Ensemble:  Ring Around Quartet
Period: Renaissance 
Written: 15th Century; Italy 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 3 Minutes 7 Secs. 
175.
Per dolor mi bagno il viso by Marchetto Cara
Orchestra/Ensemble:  Ring Around Quartet
Period: Renaissance 
Written: by 1514; Italy 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 5 Minutes 55 Secs. 
176.
Ricercare ottavo by Vincenzo Capirola
Performer:  Giuliano Lucini (Lute)
Period: Renaissance 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 1 Minutes 45 Secs. 
177.
Un cavalier di Spagna by Francesco Patavino
Orchestra/Ensemble:  Ring Around Quartet
Period: Renaissance 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 1 Minutes 25 Secs. 
178.
Virgine bella by Bartolomeo Tromboncino
Orchestra/Ensemble:  Ring Around Quartet
Period: Renaissance 
Written: Italy 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 4 Minutes 2 Secs. 
179.
Non č tempo d'aspectare by Marchetto Cara
Orchestra/Ensemble:  Ring Around Quartet
Period: Renaissance 
Written: 1504; Italy 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 3 Minutes 25 Secs. 
180.
D'un bel mattin d'amore by Giovanni Battista Zesso
Orchestra/Ensemble:  Ring Around Quartet
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 2 Minutes 11 Secs. 
181.
Lirum bililirum (Un sonar de piva in fachinesco), madrigal by Rossino Mantovano
Orchestra/Ensemble:  Ring Around Quartet
Period: Renaissance 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 6 Minutes 0 Secs. 
182.
L'amor, donna, ch'io te porto, for vocal ensemble by Giacomo Fogliano
Orchestra/Ensemble:  Ring Around Quartet
Written: by 1507 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 3 Minutes 10 Secs. 
183.
Occhi miei, al pianger nati, frottola by Anonymous
Orchestra/Ensemble:  Ring Around Quartet
Period: Renaissance 
Venue:  Chiesa di San Lorenzo di Premanico, Geno 
Length: 4 Minutes 41 Secs. 
184.
Missa "L'homme armé" sexti toni by Josquin Des Préz
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
185.
Ave Maria by Josquin Des Préz
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
186.
Absalon, fili mi by Josquin Des Préz
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: France 
187.
L'homme armé by Anonymous
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: 15th Century; France 
188.
Laeta quies magni ducis by Anonymous
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Medieval 
189.
O mors inevitabilis by Jheronimus Vinders
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
190.
Libro de música de vihuela de mano intitulado El maestro: Fantasia no 10 by Luis de Milan
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Venue:  St Andrew's Church, Toddington, England 
191.
Libro de música de vihuela de mano intitulado El maestro: Fantasia no 3 by Luis de Milan
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1536; Valencia, Spain 
Venue:  St Andrew's Church, Toddington, England 
192.
Libro de música de vihuela de mano intitulado El maestro: Fantasia no 5 by Luis de Milan
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1536; Valencia, Spain 
Venue:  St Andrew's Church, Toddington, England 
193.
Libro de música de vihuela de mano intitulado El maestro: Fantasia no 18 by Luis de Milan
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1536; Valencia, Spain 
Venue:  St Andrew's Church, Toddington, England 
194.
Libro de música de vihuela de mano intitulado El maestro: Fantasia no 7 by Luis de Milan
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1536; Valencia, Spain 
Venue:  St Andrew's Church, Toddington, England 
195.
Libro de música de vihuela de mano intitulado El maestro: Fantasia no 26 by Luis de Milan
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1536; Valencia, Spain 
Venue:  St Andrew's Church, Toddington, England 
196.
Libro de música de vihuela de mano intitulado El maestro: Fantasia no 35 by Luis de Milan
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1536; Valencia, Spain 
Venue:  St Andrew's Church, Toddington, England 
197.
Libro de música de vihuela de mano intitulado El maestro: Fantasia no 21 by Luis de Milan
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1536; Valencia, Spain 
Venue:  St Andrew's Church, Toddington, England 
198.
Fantasia del quinto tono by Luis de Narváez
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1538; Spain 
Venue:  St Andrew's Church, Toddington, England 
199.
Fantasia del tercer tono by Luis de Narváez
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1538; Spain 
Venue:  St Andrew's Church, Toddington, England 
200.
Fantasia del segundo tono by Luis de Narváez
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1538; Spain 
Venue:  St Andrew's Church, Toddington, England 
201.
Cum sancto spiritu by Luis de Narváez
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1538; Spain 
Venue:  St Andrew's Church, Toddington, England 
202.
Ya se asienta el Ramiro by Luis de Narváez
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1538; Spain 
Venue:  St Andrew's Church, Toddington, England 
203.
Paseavase el rey Moro by Luis de Narváez
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1538; Spain 
Venue:  St Andrew's Church, Toddington, England 
204.
Fantasia del primer tono by Luis de Narváez
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1538; Spain 
Venue:  St Andrew's Church, Toddington, England 
205.
Diferencias sobre "O gloriosa domina" by Luis de Narváez
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1538; Spain 
Venue:  St Andrew's Church, Toddington, England 
206.
Diferencias sobre "Conde claros" by Luis de Narváez
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1538; Spain 
Venue:  St Andrew's Church, Toddington, England 
207.
Libro de música de vihuela de mano intitulado El maestro: Pavana no 5 by Luis de Milan
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1536; Valencia, Spain 
Venue:  St Andrew's Church, Toddington, England 
208.
Libro de música de vihuela de mano intitulado El maestro: Tiento no 1 by Luis de Milan
Performer:  Christopher Wilson (Vihuela)
Period: Renaissance 
Written: by 1536; Valencia, Spain 
Venue:  St Andrew's Church, Toddington, England 
209.
Spem in alium by Thomas Tallis
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: after 1559; England 
Venue:  All Hallows, Gospel Oak, London, England 
Length: 12 Minutes 19 Secs. 
Language: Latin 
210.
Salve intemerata virgo by Thomas Tallis
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: 16th Century; England 
Venue:  All Hallows, Gospel Oak, London, England 
Length: 23 Minutes 9 Secs. 
Language: Latin 
211.
Discomfort them, O Lord by Thomas Tallis
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: England 
Venue:  All Hallows, Gospel Oak, London, England 
Length: 6 Minutes 36 Secs. 
Language: English 
212.
Mass ŕ 5 "Salve intemerata" by Thomas Tallis
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: circa 1540; England 
Venue:  All Hallows, Gospel Oak, London, England 
Length: 27 Minutes 51 Secs. 
Language: Latin 
213.
I call and cry to thee by Thomas Tallis
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: 16th Century; England 
Venue:  All Hallows, Gospel Oak, London, England 
Length: 4 Minutes 12 Secs. 
Language: English 
214.
Salvator mundi, salva nos I by Thomas Tallis
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: by 1575; England 
Venue:  All Hallows, Gospel Oak, London, England 
Length: 3 Minutes 15 Secs. 
Language: English 
215.
Missa "Papae Marcelli" by Giovanni Palestrina
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: by 1567; Italy 
Date of Recording: 9/1991 
Venue:  Dorchester Abbey, Oxon, England 
Length: 35 Minutes 12 Secs. 
Language: Latin 
216.
Missa "Aeterna Christi munera" by Giovanni Palestrina
Conductor:  Jeremy Summerly
Orchestra/Ensemble:  Oxford Camerata
Period: Renaissance 
Written: by 1590; Italy 
Date of Recording: 9/1991 
Venue:  Dorchester Abbey, Oxon, England 
Length: 19 Minutes 59 Secs. 
Language: Latin 
217.
Lagrime di San Pietro by Orlando de Lassus
Conductor:  Bo Holten
Orchestra/Ensemble:  Ars Nova Vocal Ensemble
Period: Renaissance 
Written: 16th Century 
Date of Recording: 06/1994 
Venue:  Grundtvigskirken, Copenhagen 
Length: 54 Minutes 44 Secs. 
218.
Prelude in G major, MB 116 by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: Renaissance 
Written: England 
219.
Fantasy in G major no 2, MB 62 by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: Renaissance 
Written: by 1570; Lincoln, England 
220.
Prelude in A minor, MB 12 by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: Renaissance 
Written: England 
221.
Fantasia in A minor, MB 13 by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: Renaissance 
Written: England 
222.
Prelude in C major, MB 24 by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: Renaissance 
Written: England 
223.
Fantasia in C major no 2, MB 25 by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: Renaissance 
Written: by 1591; England 
224.
Fantasia in G minor by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: Renaissance 
Written: England 
225.
Ut re mi fa sol la, in G major, MB 64 by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: Renaissance 
Written: England 
226.
Ut mi re, MB 65 by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: Renaissance 
Written: England 
227.
Fantasia in D minor, BK 46 by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: Renaissance 
Written: by 1591; England 
228.
Prelude "Doric Music" by John Bull
Performer:  Glen Wilson (Harpsichord)
Period: Baroque 
229.
Praeludium by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: Renaissance 
Written: England 
230.
Ut re mi fa sol la in F major, MB 58 by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: Renaissance 
Written: England 
231.
Prelude in G minor, MB 1 by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: Renaissance 
Written: England 
232.
Fantasy in G major no 3, MB 63 by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: 20th Century 
Written: England 
233.
Fantasia in C major no 1, MB 26 by William Byrd
Performer:  Glen Wilson (Harpsichord)
Period: Renaissance 
Written: England 
234.
Canzon a 12 by Giovanni Gabrieli
Conductor:  Eric Crees
Orchestra/Ensemble:  London Symphony Orchestra Brass
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 11/28/1997 
Venue:  All Hallows Church, London, England 
Length: 3 Minutes 30 Secs. 
235.
Canzoni et sonate (21): Sonata XVIII a 14 by Giovanni Gabrieli
Conductor:  Eric Crees
Orchestra/Ensemble:  London Symphony Orchestra Brass
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 03/12/1996 
Venue:  All Hallows Church, London, England 
Length: 6 Minutes 21 Secs. 
236.
Canzoni (6), 1608: Canzona seconda a 4 by Giovanni Gabrieli
Conductor:  Eric Crees
Orchestra/Ensemble:  London Symphony Orchestra Brass
Period: Renaissance 
Date of Recording: 11/29/1997 
Venue:  All Hallows Church, London, England 
Length: 2 Minutes 38 Secs. 
237.
Sacrae symphoniae, Book 1: Canzon primi toni a 8 by Giovanni Gabrieli
Conductor:  Eric Crees
Orchestra/Ensemble:  London Symphony Orchestra Brass
Period: Renaissance 
Written: by 1597; Venice, Italy 
Date of Recording: 11/28/1997 
Venue:  All Hallows Church, London, England 
Length: 4 Minutes 4 Secs. 
238.
Canzoni et sonate (21): Sonata XIX a 15 by Giovanni Gabrieli
Conductor:  Eric Crees
Orchestra/Ensemble:  London Symphony Orchestra Brass
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 03/12/1996 
Venue:  All Hallows Church, London, England 
Length: 5 Minutes 9 Secs. 
239.
Sacrae symphoniae, Book 1: Sonata octavi toni a 12 by Giovanni Gabrieli
Conductor:  Eric Crees
Orchestra/Ensemble:  London Symphony Orchestra Brass
Period: Renaissance 
Written: by 1597; Venice, Italy 
Date of Recording: 03/12/1996 
Venue:  All Hallows Church, London, England 
Length: 5 Minutes 2 Secs. 
240.
Canzoni (6), 1608: Canzon terza a 4 by Giovanni Gabrieli
Conductor:  Eric Crees
Orchestra/Ensemble:  London Symphony Orchestra Brass
Period: Renaissance 
Written: by 1608; Venice, Italy 
Date of Recording: 11/29/1997 
Venue:  All Hallows Church, London, England 
Length: 1 Minutes 56 Secs. 
241.
Canzoni et sonate (21): Canzon XII a 8, C 205 by Giovanni Gabrieli
Conductor:  Eric Crees
Orchestra/Ensemble:  London Symphony Orchestra Brass
Date of Recording: 11/28/1997 
Venue:  All Hallows Church, London, England 
Length: 3 Minutes 3 Secs. 
242.
Canzoni et sonate (21): Canzon III a 6 by Giovanni Gabrieli
Conductor:  Eric Crees
Orchestra/Ensemble:  London Symphony Orchestra Brass
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 11/28/1997 
Venue:  All Hallows Church, London, England 
Length: 2 Minutes 50 Secs. 
243.
Canzoni et sonate (21): Canzon VI a 7, C 200 by Giovanni Gabrieli
Conductor:  Eric Crees
Orchestra/Ensemble:  London Symphony Orchestra Brass
Period: Renaissance 
Written: Italy 
Date of Recording: 03/13/1996 
Venue:  All Hallows Church, London, England 
Length: 3 Minutes 5 Secs. 
244.
Canzoni (6), 1608: Canzon a 4, C 186 "La Spiritata" by Giovanni Gabrieli
Conductor:  Eric Crees
Orchestra/Ensemble:  London Symphony Orchestra Brass
Period: Renaissance 
Written: Italy 
Date of Recording: 11/29/1997 
Venue:  All Hallows Church, London, England 
Length: 2 Minutes 34 Secs. 
245.
Canzoni et sonate (21): Canzon XVI a 12 by Giovanni Gabrieli
Conductor:  Eric Crees
Orchestra/Ensemble:  London Symphony Orchestra Brass
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 10/19/1995 
Venue:  All Hallows Church, London, England 
Length: 3 Minutes 45 Secs. 
246.
Canzoni et sonate (21): Canzon V a 7 by Giovanni Gabrieli
Conductor:  Eric Crees
Orchestra/Ensemble:  London Symphony Orchestra Brass
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 03/13/1996 
Venue:  All Hallows Church, London, England 
Length: 2 Minutes 51 Secs. 
247.
Canzoni et sonate (21): Canzon II a 6 by Giovanni Gabrieli
Conductor:  Eric Crees
Orchestra/Ensemble:  London Symphony Orchestra Brass
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 11/28/1997 
Venue:  All Hallows Church, London, England 
Length: 3 Minutes 25 Secs. 
248.
Ah, alas you salt sea gods by Richard Farrant
Performer:  Catherine King (Mezzo Soprano), Sarah Groser (Viola da gamba), Roy Marks (Bass Viola da gamba),
Peter Wendland (Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 3 Minutes 11 Secs. 
Language: English 
249.
In Nomine ŕ 4 by John Taverner
Performer:  John Bryan (Viola da gamba), Roy Marks (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba),
Alison Crum (Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 2 Minutes 22 Secs. 
250.
In nomine by Anonymous
Performer:  Peter Wendland (Bass Viola da gamba), John Bryan (Viola da gamba), Sarah Groser (Viola da gamba),
Roy Marks (Bass Viola da gamba), Catherine King (Mezzo Soprano)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 3 Minutes 47 Secs. 
251.
In Nomine "Reporte" by Christopher Tye
Performer:  Alison Crum (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), John Bryan (Viola da gamba),
Roy Marks (Viola da gamba), Sarah Groser (Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 2 Minutes 11 Secs. 
252.
In Nomine "Crye" by Christopher Tye
Performer:  Sarah Groser (Viola da gamba), Peter Wendland (Bass Viola da gamba), Roy Marks (Viola da gamba),
John Bryan (Viola da gamba), Alison Crum (Bass Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 1 Minutes 50 Secs. 
253.
Send forth thy sighs by Nathaniel Pattrick
Performer:  Roy Marks (Bass Viola da gamba), Catherine King (Mezzo Soprano), John Bryan (Viola da gamba),
Peter Wendland (Viola da gamba), Sarah Groser (Bass Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 2 Minutes 54 Secs. 
Language: English 
254.
Climb not too high by Nathaniel Pattrick
Performer:  Catherine King (Mezzo Soprano), Roy Marks (Bass Viola da gamba), Sarah Groser (Bass Viola da gamba),
John Bryan (Viola da gamba), Alison Crum (Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 3 Minutes 1 Secs. 
Language: English 
255.
De la court by Robert Parsons
Performer:  Roy Marks (Viola da gamba), Sarah Groser (Viola da gamba), Peter Wendland (Bass Viola da gamba),
John Bryan (Viola da gamba), Alison Crum (Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 5 Minutes 47 Secs. 
256.
Eliza, her name gives honour by John Bennet
Performer:  Roy Marks (Viola da gamba), Peter Wendland (Bass Viola da gamba), Alison Crum (Viola da gamba),
Catherine King (Mezzo Soprano), John Bryan (Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 1 Minutes 44 Secs. 
Language: English 
257.
Pavin of Albarti by Innocenzio Alberti
Performer:  Sarah Groser (Viola da gamba), Roy Marks (Bass Viola da gamba), John Bryan (Viola da gamba),
Alison Crum (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 1 Minutes 16 Secs. 
258.
Gallyard by Anonymous
Performer:  Alison Crum (Bass Viola da gamba), John Bryan (Viola da gamba), Sarah Groser (Viola da gamba),
Roy Marks (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 0 Minutes 47 Secs. 
259.
O Jove, from stately throne by Richard Farrant
Performer:  Roy Marks (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), Catherine King (Mezzo Soprano),
John Bryan (Viola da gamba), Sarah Groser (Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 2 Minutes 12 Secs. 
Language: English 
260.
Solfaing Song ŕ 5 by Thomas Tallis
Performer:  Peter Wendland (Bass Viola da gamba), Sarah Groser (Viola da gamba), Alison Crum (Bass Viola da gamba),
Roy Marks (Bass Viola da gamba), John Bryan (Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 2 Minutes 49 Secs. 
261.
Ah, silly poor Joas by Anonymous
Performer:  John Bryan (Viola da gamba), Peter Wendland (Bass Viola da gamba), Catherine King (Mezzo Soprano),
Alison Crum (Bass Viola da gamba), Sarah Groser (Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 1 Minutes 29 Secs. 
Language: English 
262.
Ye sacred muses "Elegy for Thomas Tallis" by William Byrd
Performer:  Alison Crum (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba), Catherine King (Mezzo Soprano),
John Bryan (Viola da gamba), Roy Marks (Bass Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: by 1585; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 3 Minutes 52 Secs. 
Language: English 
263.
Fantasia for 5 Viols by William Mundy
Performer:  Sarah Groser (Viola da gamba), Alison Crum (Viola da gamba), John Bryan (Viola da gamba),
Peter Wendland (Bass Viola da gamba), Roy Marks (Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 3 Minutes 57 Secs. 
264.
A Songe of Mr. R. Parsons by Robert Parsons
Performer:  Sarah Groser (Viola da gamba), John Bryan (Viola da gamba), Alison Crum (Bass Viola da gamba),
Peter Wendland (Bass Viola da gamba), Roy Marks (Bass Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 1 Minutes 54 Secs. 
265.
Mr. Parsons his Songe "The Songe called Trumpetts" by Robert Parsons
Performer:  Sarah Groser (Viola da gamba), John Bryan (Viola da gamba), Susanna Pell (Bass Viola da gamba),
Roy Marks (Bass Viola da gamba), Alison Crum (Viola da gamba), Peter Wendland (Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 2 Minutes 9 Secs. 
Language: English 
266.
Pandolpho 1 "Pour down, you pow'rs divine" by Robert Parsons
Performer:  Catherine King (Mezzo Soprano), Sarah Groser (Viola da gamba), John Bryan (Viola da gamba),
Peter Wendland (Bass Viola da gamba), Alison Crum (Bass Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 5 Minutes 10 Secs. 
Language: English 
267.
Ut re mi fa sol by Robert Parsons
Performer:  Roy Marks (Bass Viola da gamba), Sarah Groser (Viola da gamba), John Bryan (Viola da gamba),
Alison Crum (Bass Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 6 Minutes 4 Secs. 
268.
Quis me statim rupto vetat fato mori? by William Byrd
Performer:  Sarah Groser (Bass Viola da gamba), Roy Marks (Bass Viola da gamba), Alison Crum (Bass Viola da gamba),
Peter Wendland (Viola da gamba), Catherine King (Mezzo Soprano)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 2 Minutes 29 Secs. 
Language: Latin 
269.
Penelope that longed for the sight by William Byrd
Performer:  John Bryan (Viola da gamba), Alison Crum (Bass Viola da gamba), Catherine King (Mezzo Soprano),
Sarah Groser (Viola da gamba), Peter Wendland (Bass Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 1589; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 3 Minutes 17 Secs. 
Language: English 
270.
In Nomine by Thomas Tallis
Performer:  John Bryan (Viola da gamba), Sarah Groser (Viola da gamba), Peter Wendland (Bass Viola da gamba),
Roy Marks (Bass Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 2 Minutes 41 Secs. 
271.
Oh death, rock me asleep by Traditional
Performer:  Sarah Groser (Viola da gamba), John Bryan (Viola da gamba), Catherine King (Mezzo Soprano),
Roy Marks (Bass Viola da gamba), Peter Wendland (Bass Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 09/1997 
Venue:  St. Andrew's, Gloucestershire, England 
Length: 4 Minutes 20 Secs. 
Language: English 
272.
Toccata for Keyboard "Ionian" by Jan Pieterszoon Sweelinck
Performer:  James Christie (Organ)
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 06/23/1993 
Venue:  Houghton Chapel, Wellesley College, USA 
Length: 4 Minutes 34 Secs. 
273.
Ballo del granduca by Jan Pieterszoon Sweelinck
Performer:  James Christie (Organ)
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 06/23/1993 
Venue:  Houghton Chapel, Wellesley College, USA 
Length: 4 Minutes 57 Secs. 
274.
Ricercar for Keyboard "Aeolian" by Jan Pieterszoon Sweelinck
Performer:  James Christie (Organ)
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 06/23/1993 
Venue:  Houghton Chapel, Wellesley College, USA 
Length: 11 Minutes 20 Secs. 
275.
Malle Sijmen (Silly Simon), variations for organ (doubtful), SwWV 323 by Jan Pieterszoon Sweelinck
Performer:  James Christie (Organ)
Period: Renaissance 
Written: Netherlands 
Date of Recording: 06/23/1993 
Venue:  Houghton Chapel, Wellesley College, USA 
Length: 1 Minutes 33 Secs. 
276.
Mein junges Leben hat ein End by Jan Pieterszoon Sweelinck
Performer:  James Christie (Organ)
Period: Renaissance 
Written: Netherlands 
Date of Recording: 06/23/1993 
Venue:  Houghton Chapel, Wellesley College, USA 
Length: 6 Minutes 19 Secs. 
277.
Echo Fantasia for Keyboard "Aeolian" by Jan Pieterszoon Sweelinck
Performer:  James Christie (Organ)
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 06/23/1993 
Venue:  Houghton Chapel, Wellesley College, USA 
Length: 4 Minutes 9 Secs. 
278.
Onder een linde groen "Unter der Linden grüne" by Jan Pieterszoon Sweelinck
Performer:  James Christie (Organ)
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 06/23/1993 
Venue:  Houghton Chapel, Wellesley College, USA 
Length: 5 Minutes 29 Secs. 
279.
Toccata for Keyboard "Aeolian" by Jan Pieterszoon Sweelinck
Performer:  James Christie (Organ)
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 06/23/1993 
Venue:  Houghton Chapel, Wellesley College, USA 
Length: 5 Minutes 54 Secs. 
280.
Erbarm dich mein, o Herre Gott by Jan Pieterszoon Sweelinck
Performer:  James Christie (Organ)
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 06/23/1993 
Venue:  Houghton Chapel, Wellesley College, USA 
Length: 11 Minutes 20 Secs. 
281.
Polish Dance for Keyboard by Jan Pieterszoon Sweelinck
Performer:  James Christie (Organ)
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 06/23/1993 
Venue:  Houghton Chapel, Wellesley College, USA 
Length: 7 Minutes 47 Secs. 
282.
Solus cum sola, P 10 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
283.
Mellancholy Galliard, P 25 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
284.
Sir John Smith, his Almaine, P 47 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
285.
The Lady Russells Paven, P 17 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
286.
Lady Rich, her Galliard, P 43 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
287.
Lady Laiton's Almain, P 48 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
288.
Mr Knights Galliard, P 36 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
289.
Mrs Cliftons Allmaine, P 53 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
290.
Dr. Cases Paven, P 12 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
291.
Sir Robert Sydney, his Galliard by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
292.
Sir Henry Guilford, his Almain by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
293.
Pavana Johan Douland, P 94 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
294.
Earl of Derby, his Galliard by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
295.
Almain for Lute, P 51 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
296.
La mia Barbara, P 95 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
297.
The Battle Galliard by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
298.
Almain for Lute, P 49 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
299.
Galliard after Daniel Bacheler, P 28 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
300.
Almain for Lute, P 96 by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
301.
Mrs Brigide Fleetwoods Paven, P 11 "Solus sine sola" by John Dowland
Performer:  Nigel North (Lute)
Period: Renaissance 
Written: England 
302.
Madrigals, Book 1 by Carlo Gesualdo
Performer:  Carmen Leoni (Harpsichord)
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Renaissance 
Written: by 1594; Italy 
Venue:  Chiesa di San Pietro in Vincoli, Azzago, 
303.
Come let us sound with melodie the praises by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1601; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 52 Secs. 
Language: English 
304.
Tune thy musicke to thy hart by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1613; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 1 Minutes 36 Secs. 
Language: English 
305.
Come, you pretty false-ey'd wanton by Thomas Campion
Performer:  Dorothy Linell (Lute), Steven Rickards (Countertenor)
Period: Renaissance 
Written: by 1613; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 1 Minutes 43 Secs. 
Language: English 
306.
There is none, O none but you by Thomas Campion
Performer:  Dorothy Linell (Lute), Steven Rickards (Countertenor)
Period: Renaissance 
Written: by 1613; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 7 Secs. 
Language: English 
307.
Sweet exclude me not nor be divided by Thomas Campion
Performer:  Dorothy Linell (Lute), Steven Rickards (Countertenor)
Period: Renaissance 
Written: by 1613; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 3 Minutes 15 Secs. 
Language: English 
308.
(21) Ayres: I care not for these ladies by Thomas Campion
Performer:  Dorothy Linell (Lute), Steven Rickards (Countertenor)
Written: pub 1601 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 34 Secs. 
Language: English 
309.
Though you are yoong and I am olde by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1601; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 3 Minutes 7 Secs. 
Language: English 
310.
Fire, fire, fire, fire loe here I burne by Thomas Campion
Performer:  Dorothy Linell (Lute), Steven Rickards (Countertenor)
Period: Renaissance 
Written: by 1617; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 1 Minutes 59 Secs. 
Language: English 
311.
What then is love but mourning? by Philip Rosseter
Performer:  Dorothy Linell (Lute), Steven Rickards (Countertenor)
Period: Renaissance 
Written: England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 43 Secs. 
Language: English 
312.
Shall I come sweet love to thee? by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1617; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 31 Secs. 
Language: English 
313.
Beauty, since you so much desire by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1617; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 1 Minutes 46 Secs. 
Language: English 
314.
What is it that all men possesse, among themselves conversing? by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1617; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 1 Minutes 43 Secs. 
Language: English 
315.
The sypres curten of the night is spread by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1601; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 5 Minutes 17 Secs. 
Language: English 
316.
Jacke and Jone they thinke no ill by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1613; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 37 Secs. 
Language: English 
317.
It fell on a sommers daie by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1601; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 36 Secs. 
Language: English 
318.
When to her lute Corrina sings by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1601; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 1 Minutes 46 Secs. 
Language: English 
319.
My sweetest Lesbia by Philip Rosseter
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 4 Minutes 41 Secs. 
Language: English 
320.
Her rosie cheekes, her ever smiling eyes by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1613; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 31 Secs. 
Language: English 
321.
Faire, if you expect admiring by Thomas Campion
Performer:  Dorothy Linell (Lute), Steven Rickards (Countertenor)
Period: Renaissance 
Written: by 1601; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 1 Minutes 20 Secs. 
Language: English 
322.
There is a garden in her face by Thomas Campion
Performer:  Dorothy Linell (Lute), Steven Rickards (Countertenor)
Period: Renaissance 
Written: by 1617; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 42 Secs. 
Language: English 
323.
Author of light, revive my dying spright by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1613; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 59 Secs. 
Language: English 
324.
Never weather-beaten saile more willing bent to shore by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1613; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 14 Secs. 
Language: English 
325.
Most sweet and pleasing are thy waes O God by Thomas Campion
Performer:  Dorothy Linell (Lute), Steven Rickards (Countertenor)
Period: Renaissance 
Written: by 1613; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 45 Secs. 
Language: English 
326.
To musicke bent is my retyred minde by Thomas Campion
Performer:  Dorothy Linell (Lute), Steven Rickards (Countertenor)
Period: Renaissance 
Written: by 1613; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 26 Secs. 
Language: English 
327.
Thou joy'st fond boy, to be by many loved by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1617; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 1 Secs. 
Language: English 
328.
Turne all thy thoughts to eyes by Thomas Campion
Performer:  Dorothy Linell (Lute), Steven Rickards (Countertenor)
Period: Renaissance 
Written: by 1617; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 1 Minutes 30 Secs. 
Language: English 
329.
Vayle love mine eyes, O hide from me by Thomas Campion
Performer:  Steven Rickards (Countertenor), Dorothy Linell (Lute)
Period: Renaissance 
Written: by 1617; England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 2 Minutes 12 Secs. 
Language: English 
330.
Miserere my maker by Anonymous
Performer:  Dorothy Linell (Lute), Steven Rickards (Countertenor)
Period: Renaissance 
Written: England 
Date of Recording: 02/1996 
Venue:  The Lodge, Indianapolis, Indiana 
Length: 5 Minutes 21 Secs. 
Language: English 
331.
Madrigals, Book 5: Cruda Amarilli by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Mantua, Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 36 Secs. 
Language: Italian 
332.
Madrigals, Book 5: O Mirtillo, Mirtill'anima mia by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 36 Secs. 
Language: Italian 
333.
Madrigals, Book 5: Era l'anima mia giŕ presso a l'ultim' hore by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Mantua, Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 4 Minutes 19 Secs. 
Language: Italian 
334.
Madrigals, Book 5: Ecco Silvio by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 7 Minutes 58 Secs. 
Language: Italian 
335.
Madrigals, Book 5: Dorinda, ah dirň mia by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 2 Minutes 41 Secs. 
Language: Italian 
336.
Madrigals, Book 5: Ecco piegando le ginocchie a terra by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 18 Secs. 
Language: Italian 
337.
Madrigals, Book 5: Ferir quel petto, Silvio by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 5 Minutes 6 Secs. 
Language: Italian 
338.
Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Mantua, Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 2 Minutes 25 Secs. 
Language: Italian 
339.
Madrigals, Book 5: Deh, bella e cara by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 11 Secs. 
Language: Italian 
340.
Madrigals, Book 5: Ma tu piů che mai dura by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Mantua, Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 4 Minutes 23 Secs. 
Language: Italian 
341.
Madrigals, Book 5: Che dar piů vi poss'io? by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 47 Secs. 
Language: Italian 
342.
Madrigals, Book 5: M'č piů dolce il penar per Amarilli by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 4 Minutes 12 Secs. 
Language: Italian 
343.
Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita - Ahi, come a un vago sol cortese giro by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 6 Minutes 8 Secs. 
Language: Italian 
344.
Madrigals, Book 5: Troppo ben puň questo tiranno amore by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 27 Secs. 
Language: Italian 
345.
Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita - Amor, se giusto sei by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 4 Minutes 15 Secs. 
Language: Italian 
346.
Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita - T'amo, mia vita! by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 29 Secs. 
Language: Italian 
347.
Madrigals, Book 5: E cosi a poc'a pocco torno farfalla by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 35 Secs. 
Language: Italian 
348.
Madrigals, Book 5: Questi vaghi concenti by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 9 Minutes 8 Secs. 
Language: Italian 
349.
Madrigals, Book 5: Cruda Amarilli by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Mantua, Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 36 Secs. 
Language: Italian 
350.
Madrigals, Book 5: O Mirtillo, Mirtill'anima mia by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 36 Secs. 
Language: Italian 
351.
Madrigals, Book 5: Era l'anima mia giŕ presso a l'ultim' hore by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Mantua, Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 4 Minutes 19 Secs. 
Language: Italian 
352.
Madrigals, Book 5: Ecco Silvio by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 7 Minutes 58 Secs. 
Language: Italian 
353.
Madrigals, Book 5: Dorinda, ah dirň mia by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 2 Minutes 41 Secs. 
Language: Italian 
354.
Madrigals, Book 5: Ecco piegando le ginocchie a terra by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 18 Secs. 
Language: Italian 
355.
Madrigals, Book 5: Ferir quel petto, Silvio by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 5 Minutes 6 Secs. 
Language: Italian 
356.
Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Mantua, Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 2 Minutes 25 Secs. 
Language: Italian 
357.
Madrigals, Book 5: Deh, bella e cara by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 11 Secs. 
Language: Italian 
358.
Madrigals, Book 5: Ma tu piů che mai dura by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Mantua, Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 4 Minutes 23 Secs. 
Language: Italian 
359.
Madrigals, Book 5: Che dar piů vi poss'io? by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 47 Secs. 
Language: Italian 
360.
Madrigals, Book 5: M'č piů dolce il penar per Amarilli by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 4 Minutes 12 Secs. 
Language: Italian 
361.
Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita - Ahi, come a un vago sol cortese giro by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 6 Minutes 8 Secs. 
Language: Italian 
362.
Madrigals, Book 5: Troppo ben puň questo tiranno amore by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 27 Secs. 
Language: Italian 
363.
Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita - Amor, se giusto sei by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 4 Minutes 15 Secs. 
Language: Italian 
364.
Madrigals, Book 5: Ch'io t'ami e t'ami piu de la mia vita - T'amo, mia vita! by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 29 Secs. 
Language: Italian 
365.
Madrigals, Book 5: E cosi a poc'a pocco torno farfalla by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 3 Minutes 35 Secs. 
Language: Italian 
366.
Madrigals, Book 5: Questi vaghi concenti by Claudio Monteverdi
Conductor:  Marco Longhini
Orchestra/Ensemble:  Delitiae Musicae
Period: Baroque 
Written: by 1605; Italy 
Venue:  St. Peter's Church, Vincoli, Azzago, Ver 
Length: 9 Minutes 8 Secs. 
Language: Italian 
367.
Pavane and Allemand a 4 in F major by Thomas Tomkins
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 4 Minutes 57 Secs. 
368.
In nomine a 3 no 1 by Thomas Tomkins
Performer:  Timothy Roberts (Organ)
Period: Renaissance 
Written: 1648; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 2 Minutes 51 Secs. 
369.
Above the stars my saviour dwells by Thomas Tomkins
Orchestra/Ensemble:  Red Byrd,  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 3 Minutes 52 Secs. 
Language: English 
370.
Fantasias (15) ŕ 3: no 14 by Thomas Tomkins
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 3 Minutes 32 Secs. 
371.
Fantasias (15) ŕ 3: no 1 by Thomas Tomkins
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 2 Minutes 5 Secs. 
372.
A Fancy for two to play (Musica Britannica 32) by Thomas Tomkins
Performer:  John Bryan (Harpsichord), Timothy Roberts (Harpsichord)
Period: Baroque 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 2 Minutes 21 Secs. 
373.
Ut re mi a 4 by Thomas Tomkins
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 6 Minutes 46 Secs. 
374.
O Lord, let me know mine end by Thomas Tomkins
Orchestra/Ensemble:  Red Byrd,  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 5 Minutes 35 Secs. 
Language: English 
375.
Fantasias (15) ŕ 3: no 12 by Thomas Tomkins
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 2 Minutes 51 Secs. 
376.
In nomine a 3 no 2 by Thomas Tomkins
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 1652; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 2 Minutes 33 Secs. 
377.
Pavan and Galliard "Lord Strafford" by Thomas Tomkins
Performer:  Timothy Roberts (Harpsichord)
Period: Renaissance 
Written: England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 7 Minutes 22 Secs. 
378.
Fantasia a 6 by Thomas Tomkins
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 3 Minutes 38 Secs. 
379.
Pavan in A minor by Thomas Tomkins
Performer:  Timothy Roberts (Organ)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 4 Minutes 34 Secs. 
380.
Galliard by Thomas Simpson
Performer:  Timothy Roberts (Organ)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 1617; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 2 Minutes 2 Secs. 
381.
Thou art my king by Thomas Tomkins
Orchestra/Ensemble:  Red Byrd,  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 4 Minutes 0 Secs. 
382.
Consort Sett a 4 in G minor by William Lawes
Performer:  Jacob Heringman (Theorbo), David Miller (Theorbo)
Period: Baroque 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 9 Minutes 48 Secs. 
383.
Consort Sett a 5 in C major by William Lawes
Performer:  Timothy Roberts (Organ)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Baroque 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 9 Minutes 54 Secs. 
384.
Royall Consorts (10): Suite no 1 in D minor by William Lawes
Performer:  Jacob Heringman (Theorbo), David Miller (Theorbo)
Period: Baroque 
Written: circa 1630; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 14 Minutes 6 Secs. 
385.
Alman for 2 Lutes by William Lawes
Performer:  David Miller (Lute), Jacob Heringman (Lute)
Period: Baroque 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 2 Minutes 41 Secs. 
386.
Corant I for 2 Lutes by William Lawes
Performer:  David Miller (Lute), Jacob Heringman (Lute)
Period: Baroque 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 2 Minutes 7 Secs. 
387.
Corant II for 2 Lutes by William Lawes
Performer:  David Miller (Lute), Jacob Heringman (Lute)
Period: Baroque 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 1 Minutes 54 Secs. 
388.
Divisions for 2 Bass Viols and Organ in G minor by William Lawes
Performer:  Timothy Roberts (Organ)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Baroque 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 6 Minutes 10 Secs. 
389.
Consort Sett a 5 in A minor by William Lawes
Performer:  Timothy Roberts (Organ)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Baroque 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 9 Minutes 7 Secs. 
390.
Royall Consorts (10): Suite no 6 in D major by William Lawes
Performer:  David Miller (Theorbo), Jacob Heringman (Theorbo)
Period: Baroque 
Written: circa 1630; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 12 Minutes 42 Secs. 

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