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Wolf-Ferrari: Il Segreto di Susanna & Serenade for Strings / Haider, Oviedo Filarmonia


Release Date: 03/08/2019 
Label:  Naxos Opera Classics   Catalog #: 8660385  
Composer:  Ermanno Wolf-Ferrari
Performer:  Angel OdenaJudith Howarth
Conductor:  Friedrich Haider
Orchestra/Ensemble:  Oviedo Philharmonic
Number of Discs: 1 
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Notes and Editorial Reviews

Ermanno Wolf-Ferrari’s prolific early career succeeded in launching a fundamental renewal of opera buffa, offering a clear alternative to the dominance of Wagner and Puccini, while his Venetian upbringing inspired a songlike and lyrical style. With its subtle orchestration and vivacious Mediterranean charm, Il segreto di Susanna (‘Susanna’s Secret’) is a magical comic opera that became a box office success in its day and remains one of Wolf-Ferrari’s most frequently performed works. The early Serenade reveals his innate gift for inspired melody, expressing both carefree bliss and bitter melancholy.

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REVIEW:

The comic opera's music is very good, witty but never banal. Indeed, it's almost on a
Read more par with such first-rate Italian composers as Martucci and late Verdi, which is saying something.. Soprano Howarth has an absolutely gorgeous voice and, as the performances progresses, reveals herself as a fine vocal actress.

– Arts Music Lounge Read less

Works on This Recording

1.
Il segreto di Susanna by Ermanno Wolf-Ferrari
Performer:  Angel Odena (Baritone), Judith Howarth (Soprano)
Conductor:  Friedrich Haider
Orchestra/Ensemble:  Oviedo Philharmonic
Period: 20th Century 
Written: 1909; Munich, Germany 
2.
Serenade for Strings in E flat major by Ermanno Wolf-Ferrari
Conductor:  Friedrich Haider
Orchestra/Ensemble:  Oviedo Philharmonic
Period: Romantic 
Written: ?1893; Italy 

Customer Reviews

Average Customer Review:  1 Customer Review )
 Boffo performances June 3, 2019 By Ralph Graves (Hood, VA) See All My Reviews "Ermanno Wolf-Ferrari perfectly captured the spirit of opera buffa with "The Secret of Susanna." As the genre dictates, the cast consists of only three roles (one non-singing). The action is quick, farcical, the story concise. Wolf-Ferrari's work follows the consequences of Suzanna hiding a secret from her increasingly jealous husband. The secret, mildly shocking for 1909, was that Suzanna smoked. The 50-minute work is packed full of near-misses, misunderstandings, and misdirections. For this opera to work, the comedic timing has to be dead on. And this performance succeeds on all counts. Friedrich Haider and the Oviedo Filarmonía play with energy and enthusiasm. They dig into the large, overwrought dramatic passages. But they do so with a lightness and transparency that undercuts any serious intent. Baritone Àngel Òdena sings in a similar fashion. His near-exaggerated vibrato and phrasing just add to the fun. Judith Howarth also delivers a light, frothy performance. It's easy for the listener to image these two singers interacting onstage with comic effect." Report Abuse
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