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Generation Harmonia Mundi, Vol. 1: The Age of Revolutions


Release Date: 05/11/2018 
Label:  Harmonia Mundi   Catalog #: 2908904  
Composer:  AnonymousFrancisco Soto de LangaNicolas GombertJosquin Des Préz,   ... 
Performer:  Francis ChapeletRené SaorginHelmut WinterIegor Reznikoff,   ... 
Conductor:  Gregorio PaniaguaAlfred DellerMarcel PérčsDominique Visse,   ... 
Orchestra/Ensemble:  Atrium MusicaeDeller ConsortEnsemble Organum,   ... 
Number of Discs: 16 
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Notes and Editorial Reviews

The harmonia mundi label was founded in 1958. Sixty years and several thousand recordings later, the company continues to affirm its unique identity with unflagging vitality. Anniversaries offer an opportunity to reflect on the distance traveled. This 16- disc set (volume one of two) invites listeners to re-live highlights of the label's first thirty years. It also pays tribute to the now legendary artists who built harmonia mundi in a passionate quest for excellence that caused a genuine revolution in the world of early music.

CONTENTS SUMMARY:

**CD 1-2 - A passion for the organ
Historic organs from Trujillo, Malaucène, Brescia & Trebel

**CD 3 - The discovery of the
Read more Old World
Ancient Greek music / Gauls / Roman chants

**CD 4 - From Renaissance to Baroque
Madrigals by Marenzio, Caccini, Bottrigari, Gesualdo, Monteverdi

**CD 5-11 - The Baroque revolution
Purcell: King Arthur/ Songs : O Solitude, Music for a while
Schütz: Motets / Kleine geistliche Konzerte & Symphoniae Sacrae
J. S. Bach: Magnificat BWV 243, Aria: Erbarme dich from (St. Matthew Passion)
Pergolesi: Stabat Mater / Cesti: Orontea (extraits/excerpts)
Lully: Atys (extraits/excerpts) / Le Bourgeois gentilhomme
Charpentier: Te Deum H.146 / Rameau: Les Indes galantes
De Lalande: Symphonies pour les Soupers du Roy 12eSuite

**CD 12-14 - A fresh look at the score
Mozart: Church Sonatas
Beethoven: Symphony “Eroica” transcribed by Franz Liszt
Johann Schobert: Piano Quartet op. VII n° 2
Chausson: Concert op. 21
Fauré: Requiem op. 48 (version 1893)
Brahms: Motets Op. 29 & Op. 74
Mélodies sur des poèmes de Victor Hugo

**CD 15 - The twentieth century
Schoenberg: Piano Pieces Opp. 11, 19, 23 & 25
Berio: Laborintus - 2 CD

**CD 16 - A window on the world of Iranian music, Arabo-Andalusian music, Byzantine chant, Corsica, La Folia de la Spagna. Read less

Works on This Recording

1.
Te matrem Dei laudamus by Anonymous
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: Spain 
2.
Tiento by Francisco Soto de Langa
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: Spain 
3.
Fabordón llano y fabordón glosado by Nicolas Gombert
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: 16th Century; Flanders, Belgium 
4.
Tiento by Francisco Soto de Langa
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: Spain 
5.
Kyrie by Josquin Des Préz
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: France 
6.
Tres by Josquin Des Préz
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: France 
7.
Villancico "Jesucristo hombre y dios" by Anonymous
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: Spain 
8.
Sacris solemnis by Anonymous
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: Spain 
9.
Je vous... by Anonymous
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: Spain 
10.
Pour ung plaisir by Thomas Crecquillon
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: by 1543 
11.
Réveillez vous cueurs endormis "Le chant des oiseaux" by Clément Janequin
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: 16th Century; France 
12.
Libro de tientos y discursos...: Tiento de medio registro de tiple de cuarto tono by Francisco Correa de Arauxo
Performer:  Francis Chapelet (Organ)
Period: Baroque 
Written: by 1626; Spain 
13.
Libro de tientos y discursos...: Tiento de medio registro de baxon de sexto tono by Francisco Correa de Arauxo
Performer:  Francis Chapelet (Organ)
Period: Baroque 
Written: by 1626; Spain 
14.
O lux beata trinitas by Antonio De Cabezón
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: 16th Century; Spain 
15.
Tiento del primer tono by Antonio De Cabezón
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: 16th Century; Spain 
16.
Versets (4) del primer tono sobre "Saeculorum amen" by Antonio De Cabezón
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: 16th Century; Spain 
17.
Die nobis Maria by Antonio De Cabezón
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: 16th Century; Spain 
18.
Diferencias (3) sobre "Ave maris stella" by Antonio De Cabezón
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: 16th Century; Spain 
19.
Tiento sobre “Malheur me bat” by Antonio De Cabezón
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: 16th Century; Spain 
20.
Tiento del primer tono by Antonio De Cabezón
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
Written: 16th Century; Spain 
21.
Dulce memoriae, Chanson- Intavolierung by Antonio De Cabezón
Performer:  Francis Chapelet (Organ)
Period: Renaissance 
22.
Apparatus musico-organisticus: Toccata no 10 in D major by Georg Muffat
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: by 1690; Germany 
23.
Apparatus musico-organisticus: Toccata no 2 in G minor by Georg Muffat
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: by 1690; Germany 
24.
Apparatus musico-organisticus: Toccata no 9 in E minor by Georg Muffat
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: by 1690; Germany 
25.
Apparatus musico-organisticus: Toccata no 3 in A minor by Georg Muffat
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: by 1690; Germany 
26.
Apparatus musico-organisticus: Toccata no 5 in C major by Georg Muffat
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: by 1690; Germany 
27.
Apparatus musico-organisticus: Toccata no 1 in D minor by Georg Muffat
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: by 1690; Germany 
28.
Canzoni alla francese in partitura...libro quarto, a 4: no 5, detta La Bellerofonte by Girolamo Frescobaldi
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: 1645; Italy 
29.
Canzoni alla francese in partitura...libro quarto, a 4: no 6, detta la Pesenti by Girolamo Frescobaldi
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: 1645; Italy 
30.
Canzoni alla francese in partitura...libro quarto, a 4: no 7, detta la Tarditi by Girolamo Frescobaldi
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: 1645; Italy 
31.
Canzoni alla francese in partitura...libro quarto, a 4: no 9, detta la Querina by Girolamo Frescobaldi
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: 1645; Italy 
32.
Ricercare decimo by Girolamo Frescobaldi
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: Italy 
33.
Canzone Prima by Girolamo Frescobaldi
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: Italy 
34.
Ricercare con obligo del basso by Girolamo Frescobaldi
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: Italy 
35.
Toccata per la Levatione by Girolamo Frescobaldi
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: Italy 
36.
Canzoni alla francese in partitura...libro quarto, a 4: no 1, detta la Rovetta by Girolamo Frescobaldi
Performer:  René Saorgin (Organ)
Period: Baroque 
Written: 1645; Italy 
37.
Bergamasca by Girolamo Frescobaldi
Performer:  René Saorgin (Organ)
38.
Toccata for Organ in C major by Johann Pachelbel
Performer:  Helmut Winter (Organ)
Period: Baroque 
Written: Germany 
39.
Chaconne for Organ in F minor by Johann Pachelbel
Performer:  Helmut Winter (Organ)
Period: Baroque 
Written: Germany 
40.
Werde munter, mein Gemüte by Johann Pachelbel
Performer:  Helmut Winter (Organ)
Period: Baroque 
Written: Germany 
41.
Ricercare for Organ in C minor by Johann Pachelbel
Performer:  Helmut Winter (Organ)
Period: Baroque 
Written: Germany 
42.
Was Gott tut, das ist wohlgetan by Johann Pachelbel
Performer:  Helmut Winter (Organ)
Period: Baroque 
Written: 1683; Germany 
43.
Fantasia for Organ in G minor by Johann Pachelbel
Performer:  Helmut Winter (Organ)
Period: Baroque 
Written: Germany 
44.
Orestes: Stasimon by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
45.
Contrapollinopolis: Instrumental fragments by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
46.
Premier Hymne Delphique ŕ Apollon by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
47.
Plaine de Tecmessa by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
48.
Papyrus 29825, Vienna by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
Written: 3rd c. BC 
49.
Hymne au Soleil by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
50.
Hymne a la Muse by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
51.
Hymne a Nemesis by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
52.
Papyrus Michigan Inv. 2958 by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
53.
Aenaoi Nefalai by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
54.
Alleluia Non vos reliquam by Anonymous
Performer:  Iegor Reznikoff (Voice)
Period: Medieval 
55.
Alleluia Sancte Michael by Anonymous
Performer:  Iegor Reznikoff (Voice)
Period: Medieval 
56.
Alleluia Oculis by Anonymous
Performer:  Iegor Reznikoff (Voice)
57.
Gloria laus et honor by Anonymous
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Medieval 
58.
Cum audisset populus by Anonymous
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Medieval 
59.
Collegerunt pontifices by Anonymous
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Medieval 
60.
Popule meus by Anonymous
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Medieval 
61.
Alleluia Pimenon ton Israhil by Anonymous
Conductor:  Marcel Pérčs
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
62.
Introit: Resurrexi (Mode IV) (B) by Anonymous
Conductor:  Marcel Pérčs
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
63.
Alleluia Epi si Kyrie by Anonymous
Conductor:  Marcel Pérčs
Orchestra/Ensemble:  Ensemble Organum
Period: Medieval 
64.
Madrigals a 5, Book 7: Cruda Amarilli che co 'l nom'ancora by Luca Marenzio
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: by 1595; Italy 
65.
Madrigals a 5, Book 7: Cruda Amarilli che co 'l nom'ancora by Luca Marenzio
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: by 1595; Italy 
66.
Madrigals a 5, Book 7: Care mie selve a Dio by Luca Marenzio
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: by 1595; Italy 
67.
Madrigals a 5, Book 7: Questi vaghi concenti by Luca Marenzio
Conductor:  Dominique Visse
Orchestra/Ensemble:  Clément Janequin Ensemble
Period: Renaissance 
Written: by 1595; Italy 
68.
Del cibo, onde il signor by Luca Marenzio
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Renaissance 
69.
Come inanti de l'alba ruggiadosa by Luca Marenzio
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Renaissance 
70.
Le nuove musiche: Amarilli mia bella by Giulio Caccini
Performer:  René Jacobs (Countertenor), Konrad Junghänel (Lute)
Period: Baroque 
Written: by 1602; Italy 
71.
Mi parto by Ercole Bottrigari
Performer:  René Jacobs (Countertenor), Konrad Junghänel (Lute)
72.
Poppea by Claudio Monteverdi
Performer:  René Jacobs (Countertenor), Konrad Junghänel (Lute)
73.
Scherzi musicali, volume 2: Eri giŕ tutta mia by Claudio Monteverdi
Performer:  René Jacobs (Countertenor), Konrad Junghänel (Lute)
Period: Baroque 
Written: by 1632; Italy 
74.
Madrigals, Book 3: Ahi, disperata vita by Carlo Gesualdo
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Renaissance 
Written: by 1595; Italy 
75.
Madrigals, Book 3: Sospirava il mio core by Carlo Gesualdo
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Renaissance 
Written: by 1595; Italy 
76.
Madrigals, Book 3: O malnati messaggi by Carlo Gesualdo
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Renaissance 
Written: by 1595; Italy 
77.
Madrigals, Book 3: Non t'amo, o voce ingrata by Carlo Gesualdo
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Renaissance 
Written: by 1595; Italy 
78.
Madrigals, Book 4: Luci serene e chiare by Carlo Gesualdo
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Renaissance 
Written: by 1596; Italy 
79.
Madrigals, Book 4: Sparge la morte al mio Signor by Carlo Gesualdo
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Renaissance 
Written: by 1596; Italy 
80.
Madrigals, Book 4: Arde il mio cor by Carlo Gesualdo
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Renaissance 
Written: by 1596; Italy 
81.
Madrigals, Book 8: Combattimento di Tancredi e Clorinda by Claudio Monteverdi
Conductor:  René Clemencic
Orchestra/Ensemble:  Clemencic Consort
Period: Baroque 
Written: 1624; Italy 
82.
Firste Booke of Songes or Ayres: no 17, Come againe, sweet love doth now envite by John Dowland
Performer:  Alfred Deller (Countertenor), Robert Spencer (Lute)
Period: Renaissance 
Written: 1597; England 
83.
Second Booke of Songes or Ayres: no 1, I saw my lady weepe by John Dowland
Performer:  Alfred Deller (Countertenor), Robert Spencer (Lute)
Period: Renaissance 
Written: by 1600; England 
84.
Orlando sleepeth, P 61 by John Dowland
Performer:  Alfred Deller (Countertenor), Robert Spencer (Lute)
Period: Renaissance 
Written: England 
85.
Second Booke of Songes or Ayres: no 19, Shall I sue, shall I seeke for grace? by John Dowland
Performer:  Alfred Deller (Countertenor), Robert Spencer (Lute)
Period: Renaissance 
Written: 1600; England 
86.
In darkness let mee dwell by John Dowland
Performer:  Alfred Deller (Countertenor), Robert Spencer (Lute)
Period: Renaissance 
Written: 1610; England 
87.
Firste Booke of Songes or Ayres: no 20, Come, heavy sleepe by John Dowland
Performer:  Alfred Deller (Countertenor), Robert Spencer (Lute)
Period: Renaissance 
Written: 1597; England 
88.
King Arthur, or The British Worthy, Z 628: Overture by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
89.
King Arthur, or The British Worthy, Z 628: Woden, first to thee by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
90.
King Arthur, or The British Worthy, Z 628: Brave souls, to be renown'd in story by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
91.
King Arthur, or The British Worthy, Z 628: Come if you dare by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
92.
King Arthur, or The British Worthy, Z 628: What ho! by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
93.
King Arthur, or The British Worthy, Z 628: How blest are shepherds by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
94.
King Arthur, or The British Worthy, Z 628: Shepherd, shepherd, leave decoying by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
95.
King Arthur, or The British Worthy, Z 628: Hornpipe by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
96.
King Arthur, or The British Worthy, Z 628: Act III, Scene 2 by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
97.
King Arthur, or The British Worthy, Z 628: Two daughters by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
98.
King Arthur, or The British Worthy, Z 628: How happy the lover by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
99.
King Arthur, or The British Worthy, Z 628: Ye blust'ring Brethren of the skies by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
100.
King Arthur, or The British Worthy, Z 628: Symphony in C major by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
101.
King Arthur, or The British Worthy, Z 628: Your hay it is mow'd by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
102.
King Arthur, or The British Worthy, Z 628: Fairest Isle by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
103.
King Arthur, or The British Worthy, Z 628: You say 'tis love by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
104.
King Arthur, or The British Worthy, Z 628: Trumpet Tune by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
105.
King Arthur, or The British Worthy, Z 628: St. George, the Patron of our Isle by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
106.
King Arthur, or The British Worthy, Z 628: Chaconne by Henry Purcell
Conductor:  Alfred Deller
Orchestra/Ensemble:  King's Musick,  Deller Consort
Period: Baroque 
Written: 1691; England 
107.
Retir'd from any mortal's sight, Z. 581 by Henry Purcell
Performer:  Jane Ryan (Bass Viola Da Gamba), Alfred Deller (Countertenor), William Christie (Harpsichord),
Wieland Kuijken (Bass Viola Da Gamba), Robert Elliott (Organ)
108.
Oedipus, Z 583: Music for a while by Henry Purcell
Performer:  Jane Ryan (Bass Viola Da Gamba), Alfred Deller (Countertenor), William Christie (Harpsichord),
Wieland Kuijken (Bass Viola Da Gamba), Robert Elliott (Organ)
Period: Baroque 
Written: ?1692; England 
109.
Prophetess, Z 627: Since from my dear Astrea's sight by Henry Purcell
Performer:  Jane Ryan (Bass Viola Da Gamba), Alfred Deller (Countertenor), William Christie (Harpsichord),
Wieland Kuijken (Bass Viola Da Gamba), Robert Elliott (Organ)
Period: Baroque 
Written: 1690; England 
110.
O solitude, my sweetest choice, Z 406 by Henry Purcell
Performer:  Jane Ryan (Bass Viola Da Gamba), Alfred Deller (Countertenor), William Christie (Harpsichord),
Wieland Kuijken (Bass Viola Da Gamba), Robert Elliott (Organ)
Period: Baroque 
Written: by 1687; England 
111.
Symphoniae sacrae, Op. 10: Wie ein Rubin in feinem, SWV 357 by Heinrich Schütz
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Baroque 
Written: 1647; Germany 
112.
Symphoniae sacrae, Op. 10: Was betrübst du dich, SWV 353 by Heinrich Schütz
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Baroque 
Written: 1647; Germany 
113.
Symphoniae sacrae, Op. 10: Herzlich lieb hab ich dich, o Herr, SWV 348 by Heinrich Schütz
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Baroque 
Written: 1647; Germany 
114.
Symphoniae sacrae, Op. 10: Herr, unser Herrscher, SWV 343 by Heinrich Schütz
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Baroque 
Written: 1647; Germany 
115.
Kleine geistliche Konzerte, Op. 9: Was hast du verwirket, SWV 307 by Heinrich Schütz
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Baroque 
Written: by 1639; Germany 
116.
Kleine geistliche Konzerte, Op. 9: O Jesu, nomen, SWV 308 by Heinrich Schütz
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Baroque 
Written: by 1639; Dresden, Germany 
117.
Kleine geistliche Konzerte, Op. 9: Habe deine Lust, SWV 311 by Heinrich Schütz
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Baroque 
Written: by 1639; Dresden, Germany 
118.
Kleine geistliche Konzerte, Op. 9: Bone Jesu, verbum Patris, SWV 313 by Heinrich Schütz
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Baroque 
Written: by 1639; Dresden, Germany 
119.
Kleine geistliche Konzerte, Op. 8: Wohl dem, der nicht wandelt, SWV 290 by Heinrich Schütz
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Baroque 
Written: 1636; Germany 
120.
Kleine geistliche Konzerte, Op. 8: O süsser, o freundlicher, SWV 285 by Heinrich Schütz
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Baroque 
Written: 1636; Germany 
121.
Kleine geistliche Konzerte, Op. 8: Ihr heiligen, lobsinget dem Herren, SWV 288 by Heinrich Schütz
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Baroque 
Written: 1636; Germany 
122.
Kleine geistliche Konzerte, Op. 8: Eile mich, Gott, zu erretten, SWV 282 by Heinrich Schütz
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Baroque 
Written: 1636; Germany 
123.
Kleine geistliche Konzerte, Op. 8: Bringt her dem Herren, SWV 283 by Heinrich Schütz
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Baroque 
Written: 1636; Germany 
124.
Kleine geistliche Konzerte, Op. 9: Ich bin die Auferstehung und das Leben, SWV 324 by Heinrich Schütz
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  La Chapelle Royale
Period: Baroque 
Written: by 1639; Dresden, Germany 
125.
Kleine geistliche Konzerte, Op. 8: O lieber Herre Got, SWV 287 by Heinrich Schütz
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  La Chapelle Royale
Period: Baroque 
Written: 1636; Germany 
126.
Geistliche Chormusik, Op. 11/SWV 369-397: So fahr ich hin zu Jesu, SWV 379 by Heinrich Schütz
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  La Chapelle Royale
Period: Baroque 
Written: Germany 
127.
Geistliche Chormusik, Op. 11/SWV 369-397: Selig sind die Toten, SWV 391 by Heinrich Schütz
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  La Chapelle Royale
Period: Baroque 
Written: 1648; Germany 
128.
Geistliche Chormusik, Op. 11/SWV 369-397: Die Himmel erzählen, SWV 386 by Heinrich Schütz
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  La Chapelle Royale
Period: Baroque 
129.
Geistliche Chormusik, Op. 11/SWV 369-397: Also hat Gott die welt, SWV 380 by Heinrich Schütz
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  La Chapelle Royale
Period: Baroque 
Written: 1648; Germany 
130.
Magnificat in D major, BWV 243 by Johann Sebastian Bach
Performer:  Peter Kooy (Bass), Howard Crook (Tenor), Gérard Lesne (Countertenor),
Barbara Schlick (Soprano), Agnčs Mellon (Soprano)
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  Ghent Collegium Vocale,  La Chapelle Royale
Period: Baroque 
Written: circa 1728-1731; Leipzig, Germany 
131.
Saint Matthew Passion, BWV 244 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor)
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  Ghent Collegium Vocale,  La Chapelle Royale
Period: Baroque 
Written: Circa 1727; Leipzig, Germany 
132.
Stabat Mater by Giovanni Battista Pergolesi
Performer:  Anthony Woodrow (Double Bass), Richte Van der Meer (Cello), Ruth Hesseling (Viola),
Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor), Dirk Vermeulen (Violin),
Staas Swierstra (Violin), Johan Huys (Organ)
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale
Period: Baroque 
Written: 1736; Pozzuoli, Italy 
133.
Orontea: Excerpts by Pietro Antonio Cesti
Performer:  Christopher Wilson (Lute), Konrad Junghänel (Lute), William Christie (Harpsichord),
Yvon Reperant (Harpsichord), Jaap ter Linden (Cello), Rainer Zipperling (Cello)
Conductor:  René Jacobs
Orchestra/Ensemble:  Concerto Vocale,  Ensemble Instrumental
Period: Baroque 
Written: Italy 
134.
Atys, LWV 53: Excerpt(s) by Jean-Baptiste Lully
Performer:  Michel Laplénie (Tenor), Bernard Delétré (Bass), Françoise Semellaz (Soprano),
Guy de Mey (Tenor), Noémi Rime (Soprano), Guillemette Laurens (Soprano),
Agnčs Mellon (Soprano), Gilles Ragon (Tenor), Jean-Francois Gardeil (Baritone),
Jean-Paul Fouchécourt (Tenor)
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1676; France 
135.
March for Kettledrums by Jacques Philidor
Performer:  Marie-Ange Petit (Percussion)
Period: Baroque 
Written: 1685; France 
136.
Te Deum in D major, H 146 by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: circa ?1690; France 
137.
Sinfonies pour les soupers du roi: Suite no 2 in G major by Michel Richard Delalande
Conductor:  Hugo Reyne
Orchestra/Ensemble:  La Simphonie du Marais
Period: Baroque 
Written: circa 1690-1700; France 
138.
Les Indes galantes by Jean-Philippe Rameau
Performer:  Kenneth Gilbert (Harpsichord)
Period: Baroque 
Written: 1735/1761; France 
139.
Church Sonata for Organ and Strings no 6 in B flat major, K 212 by Wolfgang Amadeus Mozart
Orchestra/Ensemble:  London Baroque
Period: Classical 
Written: 1775; Salzburg, Austria 
140.
Church Sonata for Organ and Strings no 1 in E flat major, K 67 (41h) by Wolfgang Amadeus Mozart
Orchestra/Ensemble:  London Baroque
Period: Classical 
Written: 1772; Salzburg, Austria 
141.
Church Sonata for Organ and Strings no 2 in B flat major, K 68 (41i) by Wolfgang Amadeus Mozart
Orchestra/Ensemble:  London Baroque
Period: Classical 
Written: 1772; Salzburg, Austria 
142.
Church Sonata for Organ and Strings no 5 in F major, K 145 (124b) by Wolfgang Amadeus Mozart
Orchestra/Ensemble:  London Baroque
Period: Classical 
Written: 1774; Salzburg, Austria 
143.
Church Sonata for Organ and Strings no 7 in F major, K 224 (241a) by Wolfgang Amadeus Mozart
Orchestra/Ensemble:  London Baroque
Period: Classical 
Written: 1776; Salzburg, Austria 
144.
Church Sonata for Organ and Strings no 10 in F major, K 244 by Wolfgang Amadeus Mozart
Orchestra/Ensemble:  London Baroque
Period: Classical 
Written: 1776; Salzburg, Austria 
145.
Church Sonata for Organ and Strings no 17 in C major, K 336 (336d) by Wolfgang Amadeus Mozart
Orchestra/Ensemble:  London Baroque
Period: Classical 
Written: 1780; Salzburg, Austria 
146.
Symphonies (9) after Beethoven for Piano, S 464: no 3 in E flat major by Franz Liszt
Performer:  Georges Pludermacher (Piano)
Period: Romantic 
Written: 1863-1864 
147.
Sonatas en quatuor (3) for Harpsichord and Strings, Op. 7: no 2 in F minor by Johann Schobert
Performer:  Véronique Méjean (Violin), Luciano Sgrizzi (Piano), Chiara Banchini (Violin),
Philipp Bosbach (Cello)
Period: Classical 
Written: 1764 
148.
Concert for Piano, Violin and String Quartet in D major, Op. 21 by Ernest Chausson
Performer:  Bruno Pasquier (Viola), Genevieve Simonot (Violin), Régis Pasquier (Violin),
Jean-Claude Pennetier (Piano), Roland Daugareil (Violin), Roland Pidoux (Cello)
Period: Romantic 
Written: 1889-1891; France 
149.
Sérénade by Charles Gounod
Performer:  Felicity Lott (Soprano), Graham Johnson (Piano)
Period: Romantic 
Written: 1857; France 
150.
Feuilles d'album: no 4, Guitare by Georges Bizet
Performer:  Felicity Lott (Soprano), Graham Johnson (Piano)
Period: Romantic 
Written: 1866; France 
151.
Eglogue by Léo Delibes
Performer:  Felicity Lott (Soprano), Graham Johnson (Piano)
Period: Romantic 
Written: France 
152.
S'il est un charmant gazon, M 78 by César Franck
Performer:  Felicity Lott (Soprano), Graham Johnson (Piano)
Period: Romantic 
Written: France 
153.
Le papillon et la fleur, Op. 1 no 1 by Gabriel Fauré
Performer:  Felicity Lott (Soprano), Graham Johnson (Piano)
Period: Romantic 
Written: 1861; France 
154.
Requiem, Op. 48 by Gabriel Fauré
Performer:  Agnčs Mellon (Soprano), Peter Kooy (Bass)
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  Musique Oblique,  Les Petits Chanteurs de St. Louis,  La Chapelle Royale
Period: Romantic 
Written: 1887-1890; France 
155.
Motets (2), Op. 29 by Johannes Brahms
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  Ghent Collegium Vocale,  La Chapelle Royale
Period: Romantic 
Written: ?1860; Germany 
156.
Motets (2), Op. 74 by Johannes Brahms
Conductor:  Philippe Herreweghe
Orchestra/Ensemble:  Ghent Collegium Vocale,  La Chapelle Royale
Period: Romantic 
Written: 1863-1877; Austria 
157.
Pieces (5) for Piano, Op. 23 by Arnold Schoenberg
Performer:  Claude Helffer (Piano)
Period: 20th Century 
Written: 1920-1923; Vienna, Austria 
158.
Suite for Piano, Op. 25 by Arnold Schoenberg
Performer:  Claude Helffer (Piano)
Period: 20th Century 
Written: 1921-1923; Vienna, Austria 
159.
Pieces (3) for Piano, Op. 11 by Arnold Schoenberg
Performer:  Claude Helffer (Piano)
Period: 20th Century 
Written: 1909; Vienna, Austria 
160.
Little Pieces (6) for Piano, Op. 19 by Arnold Schoenberg
Performer:  Claude Helffer (Piano)
Period: 20th Century 
Written: 1911; Vienna, Austria 
161.
Laborintus no 2 by Luciano Berio
Performer:  Edoardo Sanguineti (Spoken Vocals), Christiane Legrand (Soprano), Janette Baucomont (Soprano),
Claudine Meunier (Alto)
Conductor:  Luciano Berio
Orchestra/Ensemble:  Chorale Experimentale,  Ensemble Musique Vivante
Period: 20th Century 
Written: 1965; USA 
162.
Improvisation a 6 temps by Anonymous
Performer:  Djamchid Chemirani (Zarb)
163.
M'saddar - Sana'a by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
164.
M'shalya - Touchia - Sana'a by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
165.
Iqbalni-l-yawm by Anonymous
Conductor:  Sister Marie Keyrouz
Orchestra/Ensemble:  St. Julien-le-Pauvre Byzantine Choir
166.
Ya Rabbi by Anonymous
Conductor:  Sister Marie Keyrouz
Orchestra/Ensemble:  St. Julien-le-Pauvre Byzantine Choir
Period: Medieval 
167.
Alyāwma-’Ulliga by Anonymous
Conductor:  Sister Marie Keyrouz
Orchestra/Ensemble:  St. Julien-le-Pauvre Byzantine Choir
168.
U primu fiore by Anonymous
Conductor:  Marcel Pérčs
Orchestra/Ensemble:  E Voce di U Cumune
169.
Lettera a Mamma by Anonymous
Conductor:  Marcel Pérčs
Orchestra/Ensemble:  E Voce di U Cumune
170.
Ponte novu by Anonymous
Conductor:  Marcel Pérčs
Orchestra/Ensemble:  E Voce di U Cumune
171.
Nana andaluza by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
Written: Spain 
172.
Antidotum tarantulć by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
173.
Chorea by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
Period: Renaissance 
Written: 16th Century 
174.
Tarentella neapoli tonum phrygium by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
175.
Fons vitć - Dementia prćcox angelorum - Supra solfamirevt by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
176.
Extravagans - Laurea minima - In vitro by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
177.
Vulgaris - Sine populi notione - Vagula et blandula by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae
178.
De tolerentia ćtherea - Fuga ficta et carrus triumphalis by Anonymous
Conductor:  Gregorio Paniagua
Orchestra/Ensemble:  Atrium Musicae

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