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Schutz: Complete Recordings, Vol. 2 / Rademann, Dresden Chamber Choir


Release Date: 10/06/2017 
Label:  Carus   Catalog #: 83042  
Composer:  Heinrich Schütz
Performer:  Ludger RémyHille PerlLee SantanaStefan Kunath,   ... 
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber ChoirSirius ViolsInstrumenta Musica,   ... 
Number of Discs: 8 
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Notes and Editorial Reviews

The first part of the Heinrich Schutz Complete Recording with the Dresdner Kammerchor under Hans-Christoph Rademann has set new artistic and editorial standards. Now the second of three album sets is being released. It encompasses Volumes 9 to 14 of the Complete Recording, including the St John Passion. This work, representative of the high standard of the whole series, was awarded the German Record Critics’ Award in 2016. Once again, top performers such as Hille Perl, Lee Santana, Dorothee Mields, Harry van der Kamp, and many others join the ensemble. Vol. 9 Auferstehungshistorie (The Resurrection) (album 12) Vol. 10 Weihnachtshistorie (Christmas History) (album 13) Vol. 11 Matthäuspassion (St Matthew Passion) (CD 14) Vol. 12 Read more Symphoniae Sacrae III (CD 15–16) Vol. 13 Johannespassion (St John Passion) (album 17) Vol. 14 Symphoniae Sacrae I (albums 18–19). Read less

Works on This Recording

1.
Ich weiß, daß mein Erlöser lebet, for 2 sopranos, alto, 2 tenors & bass, SWV 457 by Heinrich Schütz
Performer:  Ludger Rémy (Organ)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir
Period: Baroque 
2.
Christ ist erstanden von der Marter alle, SWV 470 by Heinrich Schütz
Performer:  Ludger Rémy (Harpsichord), Hille Perl (Viola Da Gamba), Lee Santana (Lute),
Stefan Kunath (Alto), Gerlinde Sämann (Soprano), Georg Poplutz (Tenor)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir,  Sirius Viols,  Instrumenta Musica
Period: Baroque 
Written: 1614-1615; Germany 
3.
Die Auferstehung unsres Herren Jesu Christ, Op. 3/SWV 50 by Heinrich Schütz
Performer:  Georg Poplutz (Tenor), Marie Luise Werneburg (Soprano), Gerlinde Sämann (Soprano),
Ludger Rémy (Organ), Hille Perl (Viola Da Gamba), Isabel Jantschek (Soprano),
Lee Santana (Lute), Tobias Mäthger (Tenor), Oliver Kaden (Tenor),
Felix Rumpf (Baritone)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir,  Sirius Viols,  Instrumenta Musica
Period: Baroque 
Written: 1623-1627; Germany 
4.
Cantate Domino canticum novum, for double chorus (after G. Gabrieli's "Cantate Domino" for 8 voices) by Heinrich Schütz
Performer:  Hille Perl (Viola Da Gamba), Ludger Rémy (Organ)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir,  Sirius Viols
Period: Baroque 
Written: 1650-1651 
5.
Surrexit pastor bonus, SWV 469 by Heinrich Schütz
Performer:  Ludger Rémy (Organ), Hille Perl (Viola Da Gamba), Lee Santana (Lute),
Margret Baumgartl (Violin), Tobias Mäthger (Tenor), Stefan Kunath (Alto),
Gerlinde Sämann (Soprano), Georg Poplutz (Tenor), Marie Luise Werneburg (Soprano),
Felix Schwandtke (Bass)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir,  Sirius Viols,  Instrumenta Musica
Period: Baroque 
Written: Germany 
6.
Es gingen zween Menschen hinauf, SWV 444 by Heinrich Schütz
Performer:  Felix Rumpf (Baritone), Hille Perl (Viola Da Gamba), Stefan Kunath (Alto),
Gerlinde Sämann (Soprano), Lee Santana (Lute), Maria Stosiek (Soprano),
Ludger Rémy (Organ)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir,  Sirius Viols,  Instrumenta Musica
Period: Baroque 
Written: Germany 
7.
Magnificat anima mea, SWV 468 by Heinrich Schütz
Performer:  Felix Schwandtke (Bass), Stefan Kunath (Alto), Tobias Mäthger (Tenor),
Gerlinde Sämann (Soprano), Georg Poplutz (Tenor)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir,  Dresden Baroque Orchestra
Period: Baroque 
Written: by 1665; Germany 
8.
Hodie Christus natus est, SWV 456 by Heinrich Schütz
Performer:  Felix Schwandtke (Bass), Tobias Mäthger (Tenor), Marie Luise Werneburg (Soprano),
Stefan Kunath (Alto), Gerlinde Saemann (Soprano), Georg Poplutz (Tenor)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir,  Dresden Baroque Orchestra
Written: 1640-50 
9.
Heute ist Christus der Herr geboren, SWV 439 by Heinrich Schütz
Performer:  Gerlinde Saemann (Soprano), Isabel Jantschek (Soprano)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Baroque Orchestra
Period: Baroque 
Written: 1632; Germany 
10.
Ach Herr, du Schöpfer aller Ding, SWV 450 by Heinrich Schütz
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir,  Dresden Baroque Orchestra
Period: Baroque 
Written: Germany 
11.
O bone Jesu, fili Mariae, SWV 471 by Heinrich Schütz
Performer:  Georg Poplutz (Tenor), Maria Stosiek (Soprano), Gerlinde Saemann (Soprano),
Isabel Jantschek (Soprano), Felix Schwandtke (Bass)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir,  Dresden Baroque Orchestra
Period: Baroque 
Written: Germany 
12.
Historia, der freuden und gnadenreichen Geburth...Die Geburt unsers Herren Jesu Christi, SWV 435 by Heinrich Schütz
Performer:  Felix Schwandtke (Bass), Martin Schicketanz (Bass), Cenek Svoboda (Tenor),
Gerlinde Saemann (Soprano), Georg Poplutz (Tenor), Stefan Kunath (Alto),
Tobias Mäthger (Tenor)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir,  Dresden Baroque Orchestra
Period: Baroque 
Written: 1664; Germany 
13.
Litania, SWV 458 by Heinrich Schütz
Performer:  Ulrike Hofbauer (Soprano), Ludger Rémy (Organ), Sarah Perl (Violone)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir
Period: Baroque 
Written: Germany 
14.
O du allersüßester und liebster Herr Jesu, SWV 340 by Heinrich Schütz
Performer:  Sarah Perl (Violone), Karina Muller (Violin), Margret Baumgartl (Violin),
Tobias Mäthger (Bass), Stefan Kunath (Alto), Ulrike Hofbauer (Soprano),
Isabel Jantschek (Soprano), Felix Schwandtke (Bass), Ludger Rémy (Organ)
Conductor:  Hans-Christoph Rademann
Period: Baroque 
Written: Germany 
15.
In dich habe ich gehoffet, Herr, SWV 446 by Heinrich Schütz
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir
Period: Baroque 
Written: Germany 
16.
Saint Matthew Passion, SWV 479 by Heinrich Schütz
Performer:  Sandra Bernhardt (Soprano), Isabel Jantschek (Soprano), Martin Schicketanz (Bass),
Tobias Mäthger (Bass), Felix Schwandtke (Bass), Felix Rumpf (Baritone),
Georg Poplutz (Tenor), Stefan Kunath (Alto), Cenek Svoboda (Tenor),
Franziska Neumann (Contralto)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir
Period: Baroque 
Written: 1666; Germany 
17.
Symphoniae Sacrae, Book 3, motets (21) for voices, instruments & continuo, SWV 398-418 (Op. 12) by Heinrich Schütz
Performer:  Maria Stosiek (Soprano), Georg Poplutz (Tenor), Ulrike Hofbauer (Soprano),
Felix Schwandtke (Bass), David Erler (Tenor), Isabel Jantschek (Soprano),
Dorothee Mields (Soprano), Martin Schicketanz (Bass)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir,  Dresden Baroque Orchestra
Period: Baroque 
18.
Litania, SWV 458 by Heinrich Schütz
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir
Period: Baroque 
Written: Germany 
19.
Saint John Passion, SWV 481 by Heinrich Schütz
Performer:  Frauke Hess (Violone), Ludger Rémy (Organ), Lee Santana (Theorbo),
Harry van der Kamp (Bass), Jan Kobow (Tenor), Tobias Mäthger (Tenor),
Marie Luise Werneburg (Soprano), Felix Rumpf (Baritone), Friedemann Condé (Tenor)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir
Period: Baroque 
Written: 1692-1697; Germany 
20.
Geistliche Gesänge, Op. 13: Unser Herr Jesus Christus, SWV 423 by Heinrich Schütz
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir
21.
Ach Herr, du Sohn Davids, SWV Anh. 2 by Heinrich Schütz
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir
Period: Baroque 
Written: Germany 
22.
Symphoniae sacrae, Op. 6 by Heinrich Schütz
Performer:  Karina Muller (Violin), Dorothee Mields (Soprano), Julian Nagel (Trombone),
Andreas Arend (Theorbo), Ludger Rémy (Organ), Fernando Gunther (Trombone),
Felix Schwandtke (Bass), Matthias Müller (Violone), Masafumi Sakamoto (Trombone),
Sebastian Krause (Trombone), Margret Baumgartl (Violin)
Conductor:  Hans-Christoph Rademann
Orchestra/Ensemble:  Dresden Chamber Choir,  Dresden Baroque Orchestra
Period: Baroque 
Written: 1629; Germany 

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