As a team, Osmo Vänskä and his Minnesota Orchestra began their collaboration with BIS in 2004, launching a Beethoven symphony cycle that made reviewers worldwide sit up and take notice: "a modern reference edition" was the verdict on web site ClassicsToday.com, while
Gramophone Magazine described it as "a Beethoven reforged for today's world". Twelve years later saw the release of the third and final disc in the Minnesota-Vänskä cycle of Sibelius's symphonies, with individual discs receiving distinctionsRead more such as a 2014 Grammy Award (for symphonies Nos. 1 and 4),
Gramophone's Editor's Choice, Choice of the Month in
BBC Music Magazine and inclusion on the annual list of best classical recordings in
New York Times.
The present disc launches yet another series, of even more monumental proportions, with Gustav Mahler's Fifth Symphony, recorded by the orchestra under Osmo Vänskä in Orchestra Hall in Minneapolis in June 2016. Composed in 1902, the purely instrumental work followed upon three symphonies that had all included vocal parts. This and the opening trumpet motif, an allusion to the rhythm that begins Beethoven's Fifth have been interpreted as Mahler's return to a more conventional idea of the symphonic genre. Other features are less traditional, however –a sometimes bewildering mixture of musical idioms reminds us of the melting-pot that Vienna was at the time, with allusions to Austrian, Bohemian and Hungarian styles. To an unsuspecting audience, the famous Adagietto for strings and harp –probably the best-known of all of Mahler's music –must also have been surprising, appearing at the heart of a work which is otherwise lavishly scored and orchestrated.
The orchestral playing is crisp; the conductor, although determined to avoid histrionics, cognizant that emotional extremism is an essential part of Mahler’s idiom even if it need not be indulged. While some might prefer to look elsewhere for the customary Mahlerian blend of anguish, heft, and geniality, there’s more going on here than a thoughtful seating plan and state-of-the-art production.
BIS’s SACD format is certain to wow audiophiles. Even heard through two channels the recording is spacious yet precise and, true to form, the dynamic range is vast, complementing Osmo Vänskä’s partiality for music-making on the threshold of audibility. –
Gramophone Read less
Works on This Recording
Symphony no 5 in C sharp minorby Gustav Mahler Conductor:
Period: Romantic Written: 1901-1902; Vienna, Austria
Average Customer Review: ( 2 Customer Reviews )
A great Mahler Fifth!February 21, 2020By Gail M. (Goleta, CA)See All My Reviews"In this recording I hear more interesting detail, played so that it contributes to the strong emotions of the piece, than I recall from an excellent live performance by a great conductor under fine conditions. With powerful dynamics and precise playing, this is a wonderful Mahler 5, with a possible exception of the adagietto movement. That movement is played extremely slowly and softly. I can say that it sounds better to me after repeated hearings. In any case this recording is worth having for the other four movements - they are extraordinary!"Report Abuse
Magnificent!! One of the best Mahler recordings.February 1, 2018By Gerald B. (Eugene, OR)See All My Reviews"Vanska and the Minnesota Orchestra has achieved one of the finest recordings of this wonderful symphony. Why?...the intelligent interpretation of the musical ideas with perfect phrasing, sound levels and balance has achieved a complete and satisfying musical journey. Listen to the Scherzo and hear the joy of music thrillingly achieved. One of many reasons to appreciate this magnificent recording."Report Abuse