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The Complete Argo Recordings / The Choir of St. John's College Cambridge, Guest


Release Date: 06/23/2017 
Label:  Decca   Catalog #: 4831252  
Composer:  Otto GoldschmidtFelix MendelssohnJohann Sebastian BachWolfgang Amadeus Mozart,   ... 
Performer:  Alastair RobertsPeter WhiteGeorge GuestOwen Brannigan,   ... 
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College ChoirAcademy of St. Martin in the FieldsLondon Brass,   ... 
Number of Discs: 42 
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Notes and Editorial Reviews

The complete recorded legacy on Decca of one of the most influential music directors of English Cathedral music: George Guest; 42 CDs, mastered from the original tapes, and presented with original jackets. Extensive notes with photos from the College's archives and from Guest's family archives. Under him St John's established a reputation as one of the finest choirs in the world. During his tenure he brought a vibrant continental edge to the traditionally smooth Anglican tone. The complete recorded legacy on Decca of one of the most influential music directors of English Cathedral music: George Guest; 42 CDs, mastered from the original tapes, and presented with original jackets. Extensive notes with photos from the College's archives and from Guest's family archives. Under him St John's established a reputation as one of the finest choirs in the world. During his tenure he brought a vibrant continental edge to the traditionally smooth Anglican tone. Read less

Works on This Recording

1.
A Tender Shoot by Otto Goldschmidt
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: England 
2.
Hear my prayer by Felix Mendelssohn
Performer:  Alastair Roberts (Treble)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: 1844; Germany 
3.
Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" by Johann Sebastian Bach
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
4.
Ave verum corpus in D major, K 618 by Wolfgang Amadeus Mozart
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Classical 
Written: 1791; Austria 
5.
I Saw the Lord by John Stainer
Performer:  Peter White (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: after 1856; England 
6.
German Requiem, Op. 45: Ihr habt nun Traurigkeit by Johannes Brahms
Performer:  Peter White (Organ), Alastair Roberts (Treble)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: 1854-1868; Austria 
7.
Sonata de premier tono by José Lidón
Performer:  George Guest (Organ)
Period: Classical 
Written: Spain 
8.
Te deum by Thomas Tallis
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: 16th Century; England 
9.
Jam lucis orto sidere by Thomas Tallis
Performer:  Peter White (Organ)
Period: Renaissance 
Written: 16th Century; England 
10.
Clarifica me Pater no 1 by Thomas Tallis
Performer:  Peter White (Organ)
Period: Renaissance 
Written: 16th Century; England 
11.
Fantasia by Thomas Tallis
Performer:  Peter White (Organ)
Period: Renaissance 
Written: England 
12.
Alleluia, I heard a voice by Thomas Weelkes
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: England 
13.
Service for Trebles: Nunc dimittis by Thomas Weelkes
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: England 
14.
Voluntarie I by Thomas Weelkes
Performer:  Peter White (Organ)
Period: Renaissance 
Written: England 
15.
Voluntary by Anonymous
Performer:  Peter White (Organ)
16.
Give ear, O Lord by Thomas Weelkes
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: England 
17.
When David heard that Absalom was slain by Thomas Weelkes
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: England 
18.
Hosanna to the Son of David by Thomas Weelkes
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: England 
19.
Crucifixion by John Stainer
Performer:  Owen Brannigan (Bass), Richard Lewis (Tenor), Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: 1887; England 
20.
Festival Te Deum in E major, Op. 32 by Benjamin Britten
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1944; England 
21.
Let all mortal flesh keep silence by Edward Bairstow
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1925; England 
22.
Anthems (4) for Chorus: no 3, Like as the hart desireth by Herbert Howells
Performer:  Brian Runnett (Organ), Peter Owen (Trumpet)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1941; England 
23.
Lord, thou hast been our refuge by Ralph Vaughan Williams
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1921; England 
24.
Jubilate Deo in C major by Benjamin Britten
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1961; England 
25.
A Litany by Sir William Walton
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1916/1930; England 
26.
Greater love hath no man by John Ireland
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1912; England 
27.
They that put their trust in the Lord by Robin Orr
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1946; Scotland 
28.
Hymn to the Virgin by Benjamin Britten
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1930/1934; England 
29.
Magnificat and Nunc dimittis "Evening canticles" by Michael Tippett
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1961; England 
30.
Magnificat and Nunc Dimittis in D minor by Thomas Attwood Walmisley
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
31.
The souls of the righteous by James Nares
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: 1734; England 
32.
If we believe that Jesus died by John Goss
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: 1852; England 
33.
In exitu Israel by Samuel Wesley
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Classical 
Written: 1810; England 
34.
The wilderness and the solitary place by Samuel Sebastian Wesley
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: England 
35.
Thou wilt keep him in perfect peace by Samuel Sebastian Wesley
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: circa 1850; England 
36.
Blessed be the God and Father by Samuel Sebastian Wesley
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: 1833-1835; England 
37.
Praise my soul, the King of Heaven by John Goss
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: 19th Century; England 
38.
Come thou long expected Jesus by John Stainer
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: 1900; England 
39.
O for a closer walk with God by Anonymous
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
40.
Behold the Great Creator Makes by Anonymous
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
41.
Brightest and best of the sons of the morning by Anonymous
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
42.
Let all mortal flesh keep silence by Anonymous
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Written: France 
43.
The strife is o'er by Melchior Vulpius
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
44.
When morning gilds the skies by Joseph Barnby
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: 19th Century; England 
45.
The Lord ascendeth up on high by Michael Praetorius
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
46.
Spirit of mercy, truth and love by Samuel Webbe
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Classical 
47.
Lead us, Heavenly Father, lead us (Tune: Mannheim) by Friedrich Filitz
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
48.
Give me the wings of Faith by Orlando Gibbons
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
49.
Immortal, invisible, God only wise by Anonymous
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
50.
Jesus, Lover of My Soul (tune: Aberystwyth) by Joseph Parry
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
51.
They that go down to the sea in ships, Z 57 by Henry Purcell
Performer:  Inia Te Wiata (Bass), Charles Brett (Countertenor), Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Baroque 
Written: 1685; England 
52.
Jehova, quam multi sunt, Z 135 by Henry Purcell
Performer:  Christopher Keyte (Bass), Robert Tear (Tenor), Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: circa 1680; England 
53.
My beloved spake, Z 28 by Henry Purcell
Performer:  Robert Tear (Tenor), Christopher Bevan (Baritone), Charles Brett (Countertenor),
Christopher Keyte (Bass), Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Baroque 
Written: by 1678; England 
54.
O sing unto the Lord, Z 44 by Henry Purcell
Performer:  Brian Runnett (Organ), Charles Brett (Countertenor), Roger Parker (Treble),
Wilfred Brown (Tenor), Christopher Keyte (Bass)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Baroque 
Written: 1688; England 
55.
Lord, how long wilt thou be angry?, Z 25 by Henry Purcell
Performer:  Wilfred Brown (Tenor), Charles Brett (Countertenor), Christopher Keyte (Bass),
Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: circa 1680-1682; England 
56.
Who hath believed our reports?, Z 64 by Henry Purcell
Performer:  Robert Tear (Tenor), Charles Brett (Countertenor), Wilfred Brown (Tenor),
Christopher Keyte (Bass), Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: circa 1679-1680; England 
57.
Rejoice in the Lamb, Op. 30 by Benjamin Britten
Performer:  Roger Parker (Treble), Brian Runnett (Organ), Michael Pearce (Countertenor),
Robert Tear (Tenor), Forbes Robinson (Bass)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1943; England 
58.
Missa Brevis in D major, Op. 63 by Benjamin Britten
Performer:  Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1959; England 
59.
A Ceremony of Carols, Op. 28 by Benjamin Britten
Performer:  Marisa Robles (Harp), Michael Turner (Treble)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1942; England 
60.
Mass in B flat major, H 22 no 12 "Theresien-Messe" by Franz Joseph Haydn
Performer:  Erna Spoorenberg (Soprano), John Mitchinson (Tenor), Bernadette Greevy (Mezzo Soprano),
Tom Krause (Baritone), Brian Runnett (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Classical 
Written: 1799; Vienna, Austria 
61.
Mass for 4 voices da cappella, for 4 voices & organ (from Mass for 4 voices & Psalms), SV 190 by Claudio Monteverdi
Performer:  Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: circa 1650 
62.
Laudate pueri by Claudio Monteverdi
Performer:  Christopher Hogwood (Harpsichord), Gareth Keene (Bass), Peter Birts (Tenor),
Michael Turner (Treble), Benjamin Odom (Treble), Robert Bishop (Tenor),
Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Baroque 
Written: by 1640; Italy 
63.
Selva morale e spirituale: Ut queant laxis by Claudio Monteverdi
Performer:  Christopher Hogwood (Harpsichord), Benjamin Odom (Treble), Michael Turner (Treble),
Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Baroque 
Written: by 1640; Italy 
64.
Messa da capella a 4 by Claudio Monteverdi
Performer:  Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: by 1640; Italy 
65.
Voluntary for Organ "Verse in the Phrygian Mode" by Henry Purcell
Performer:  George Guest (Organ)
Period: Baroque 
Written: England 
66.
Gradualia, Volume 2: Psallite Domino by William Byrd
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: by 1607; England 
67.
Preces and Responses (Lesser Litany) by Richard Ayleward
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
68.
Psalm 24: The earth is the Lord's by J. Robinson
Performer:  Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
69.
Psalm 47: O clap your hands together by J. Davy
Performer:  Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
70.
Psalm 108: O God, my heart is ready by J.A. Stevenson
Performer:  Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
71.
The head that once was crowned with thorns by Jeremiah Clarke
Performer:  Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: England 
72.
Evening Service in G major: Magnificat by Herbert Sumsion
Performer:  Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1942; England 
73.
Evening Service in G major: Nunc dimittis by Herbert Sumsion
Performer:  Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1942; England 
74.
The Creed & Lesser Litany by Anonymous
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
75.
The Lord's Prayer by John Farmer
Performer:  Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: England 
76.
Service in D: Preces by Richard Ayleward
Performer:  Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: England 
77.
O clap your hands by Ralph Vaughan Williams
Performer:  Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  London Brass,  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1921; England 
78.
The Lord ascendeth up on high by Michael Praetorius
Performer:  Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  London Brass,  Cambridge St. John's College Choir
79.
Orgelbüchlein: Heut' triumphieret Gottes Sohn, BWV 630 by Johann Sebastian Bach
Performer:  George Guest (Organ)
Period: Baroque 
Written: 1714-1715; Weimar, Germany 
80.
Mass in B flat major, H 22 no 14 "Harmoniemesse" by Franz Joseph Haydn
Performer:  Brian Runnett (Organ), Helen Watts (Alto), Joseph Rouleau (Bass),
Erna Spoorenberg (Soprano), Alexander Young (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Classical 
Written: 1802; Vienna, Austria 
81.
Officium defunctorum by Tomás Luis de Victoria
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: Spain 
82.
Missa Sancti Bernardi von Offida, H 22 no 10 "Heiligmesse" by Franz Joseph Haydn
Performer:  Christopher Keyte (Bass), Shirley Minty (Alto), April Cantelo (Soprano),
Ian Partridge (Tenor), Jonathan Bielby (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Classical 
Written: 1796; Vienna, Austria 
83.
Torches, for chorus & organ, Op. 7a by John Joubert
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
84.
First Sentence & Collect by Anonymous
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
85.
Adam lay ybounden by Peter Warlock
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1922; England 
86.
Linden Tree Carol by Anonymous
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
87.
There is no rose, Op. 14 by John Joubert
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1954; England 
88.
My Dancing Day by Anonymous
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
89.
Second Sentence & Collect by Anonymous
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
90.
Up! Good Christen Folk by Anonymous
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
91.
Rocking by Anonymous
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
92.
Balulalow by Peter Warlock
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1919; England 
93.
Third Sentence & Collect by Anonymous
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
94.
The Seven Joys of Mary by Anonymous
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
95.
The Cherry Tree Carol by Anonymous
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
96.
Fourth Sentence & Collect by Anonymous
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
97.
Ding Dong! Merrily on High by Malcolm Williamson
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: Australia 
98.
Eastern Monarchs by Peter Naylor
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
99.
King Jesus Hath a Garden by Anonymous
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
100.
Adeste fideles "O come, all ye faithful" by John Francis Wade
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Classical 
Written: by 1782; England 
101.
Veni sponsa Christi by Giovanni Palestrina
Performer:  Michael Turner (Treble)
Period: Renaissance 
Written: by 1563; Italy 
102.
Missa "Veni sponsa Christi" by Giovanni Palestrina
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: 16th Century; Italy 
103.
Hymnus in Adventu Dei by Giovanni Palestrina
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: Italy 
104.
Jesu Rex admirabilis by Giovanni Palestrina
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: 16th Century; Italy 
105.
Exsultate Deo by Giovanni Palestrina
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: by 1584; Italy 
106.
Tua Jesu dilectio by Giovanni Palestrina
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: Italy 
107.
Magnificat VI toni by Giovanni Palestrina
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: Italy 
108.
Hymn of St Columba by Benjamin Britten
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1962; England 
109.
Thy word is a lantern unto my feet, Z 61 by Henry Purcell
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: England 
110.
Hymn to St Peter, Op. 56a by Benjamin Britten
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1955; England 
111.
Magnificat and Nunc dimittis "St John's" by Herbert Howells
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: England 
112.
Angelus Domini by Claudio Casciolini
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
113.
Missa brevis nel modo di Re by Andrea Gabrieli
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: Italy 
114.
O vos omnes, unspecified by Carlo Gesualdo
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: circa 1610; Italy 
115.
Omnes gentes by Adriano Banchieri
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: Italy 
116.
Mass in B flat major, H 22 no 13 "Schöpfungmesse" by Franz Joseph Haydn
Performer:  Stephen Cleobury (Organ), Helen Watts (Alto), Forbes Robinson (Bass),
April Cantelo (Soprano), Robert Tear (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Classical 
Written: 1801; Vienna, Austria 
117.
O quam gloriosum by Tomás Luis de Victoria
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: by 1572; Spain 
118.
Missa "O quam gloriosum" by Tomás Luis de Victoria
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: by 1583; Spain 
119.
Iste sanctus pro lege by Tomás Luis de Victoria
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: by 1585; Spain 
120.
Magnificat primi toni a 8 by Tomás Luis de Victoria
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: by 1576; Spain 
121.
Hic vir despiciens mundum by Tomás Luis de Victoria
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: by 1585 
122.
Veni, sponsa Christi by Tomás Luis de Victoria
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: by 1858 
123.
Estote fortes in bello by Tomás Luis de Victoria
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: by 1585 
124.
Litaniae de Beata Vergine by Tomás Luis de Victoria
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: by 1583; Spain 
125.
Missa in tempore belli, H 22 no 9 "Paukenmesse" by Franz Joseph Haydn
Performer:  Barry McDaniel (Baritone), Stephen Cleobury (Organ), Helen Watts (Alto),
April Cantelo (Soprano), Robert Tear (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Classical 
Written: 1796; Vienna, Austria 
126.
Ave Regina by Michael Haydn
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Classical 
Written: Salzburg, Austria 
127.
Messe solennelle, Op. 67 by Jean Langlais
Performer:  Stephen Cleobury (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1949; France 
128.
Motets (4) on Gregorian themes, Op. 10 by Maurice Duruflé
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1960; France 
129.
Messe basse by Gabriel Fauré
Performer:  Andrew Brunt (Treble), Stephen Cleobury (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: 1882/1906; France 
130.
O sacrum convivium! by Olivier Messiaen
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1937; France 
131.
Litanies à la vierge noire de Rocamadour by Francis Poulenc
Performer:  Stephen Cleobury (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1936; France 
132.
Assumpta est Maria by Giovanni Palestrina
Performer:  Thomas Hunt (Treble)
Period: Renaissance 
Written: 16th Century; Italy 
133.
Missa "Assumpta est Maria" by Giovanni Palestrina
Performer:  John Tudhope (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: 16th Century; Italy 
134.
Missa Brevis by Giovanni Palestrina
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: by 1570; Italy 
135.
Te Deum and Jubilate in D major, Z 232 by Henry Purcell
Performer:  Forbes Robinson (Bass), James Bowman (Countertenor), Charles Brett (Countertenor),
Ian Partridge (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  English Chamber Orchestra,  Cambridge St. John's College Choir,  Symphoniae Sacrae Chamber Ensemble
Period: Baroque 
Written: 1694; England 
136.
Funeral sentences by Henry Purcell
Performer:  Ian Partridge (Tenor), Charles Brett (Countertenor), Forbes Robinson (Bass),
Stephen Cleobury (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: England 
137.
Missa Choralis, S 10 by Franz Liszt
Performer:  Stephen Cleobury (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: 1865; Rome, Italy 
138.
Afferentur regi, WAB 1 by Anton Bruckner
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Romantic 
Written: 1861; Linz, Austria 
139.
Os justi meditabitur sapientiam, WAB 30 by Anton Bruckner
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: 1879; Linz, Austria 
140.
Inveni David in F minor, WAB 19 by Anton Bruckner
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Romantic 
Written: 1868; Linz, Austria 
141.
Pange lingua, WAB 33 "Tantum ergo" by Anton Bruckner
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: 1868; Vienna, Austria 
142.
Ecce sacerdos magnus in A minor, WAB 13 by Anton Bruckner
Performer:  Stephen Cleobury (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Romantic 
Written: 1885; Vienna, Austria 
143.
Mass in C major, Op. 86 by Ludwig van Beethoven
Performer:  Stephen Cleobury (Organ), Helen Watts (Alto), Christopher Keyte (Bass),
Felicity Palmer (Soprano), Robert Tear (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Classical 
Written: 1807; Vienna, Austria 
144.
Ding Dong! Merrily on high by Traditional
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: 16th Century; France 
145.
O little town of Bethlehem by Henry Walford Davies
Performer:  Stephen Cleobury (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: England 
146.
Born on earth the Divine Christ child by Traditional
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
147.
Twelve Days of Christmas by Traditional
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Written: England 
148.
Up! Good Christian folk by Traditional
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
149.
Silent Night by Franz Xaver Gruber
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Classical 
Written: 1818; Austria 
150.
Good King Wenceslas by Traditional
Performer:  Simon Keenlyside (Baritone), Richard Suart (Bass), Stephen Cleobury (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Written: England 
151.
While shepherds watched their flocks by night by Traditional
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: by 1592; England 
152.
God rest ye merry, gentlemen by Traditional
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Written: England 
153.
The Holly and the Ivy by Traditional
Performer:  William Kendall (Tenor), Antony Dawson (Tenor), Robert King (Treble),
Mark Tinkler (Treble), Hugh Hetherington (Tenor), Stephen Cleobury (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Written: England 
154.
Away in a manger by William James Kirkpatrick
Performer:  Mark Tinkler (Treble)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: USA 
155.
Shepherd's Pipe Carol by John Rutter
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: England 
156.
The first nowell by Traditional
Performer:  Stephen Cleobury (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Written: England 
157.
I saw three ships by Traditional
Performer:  William Kendall (Tenor), Mark Tinkler (Treble), Stephen Cleobury (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Written: England 
158.
Suo Gan by Traditional
Performer:  Simon Keenlyside (Treble), Lynton Atkinson (Treble), Robert King (Treble),
Stephen Cleobury (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Written: Wales, UK 
159.
Festgesang "Hark! The herald angels sing" by Felix Mendelssohn
Performer:  Stephen Cleobury (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: 1840; Germany 
160.
Requiem, Op. 9 by Maurice Duruflé
Performer:  Stephen Cleobury (Organ), Christopher Keyte (Bass), Robert King (Treble)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1947; Paris, France 
161.
Prelude et fugue sur le nom d'Alain, Op. 7 by Maurice Duruflé
Performer:  Stephen Cleobury (Organ)
Period: 20th Century 
Written: 1942; France 
162.
Mass no 6 in E flat major, D 950 by Franz Schubert
Performer:  Wynford Evans (Tenor), Helen Watts (Alto), Christopher Keyte (Bass),
Felicity Palmer (Soprano), Kenneth Bowen (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Romantic 
Written: 1828; Vienna, Austria 
163.
Behold, I bring you glad tidings, Z 2 by Henry Purcell
Performer:  Ian Partridge (Tenor), Paul Esswood (Countertenor), Stafford Dean (Bass),
John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: 1687; England 
164.
In thee, O Lord, do I put my trust, Z 16 by Henry Purcell
Performer:  Ian Partridge (Tenor), Paul Esswood (Countertenor), Stafford Dean (Bass),
John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: circa 1682 
165.
I was glad when they said unto me, O Lord, Z 19 by Henry Purcell
Performer:  Ian Partridge (Tenor), Paul Esswood (Countertenor), Stafford Dean (Bass),
John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: 1682-1683; England 
166.
O Lord God of hosts, Z 37 by Henry Purcell
Performer:  Stafford Dean (Bass), Paul Esswood (Countertenor), Lynton Atkinson (Treble),
Ian Partridge (Tenor), Antony Dawson (Tenor), John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: circa 1680-1682; England 
167.
O give thanks unto the Lord, Z 33 by Henry Purcell
Performer:  Stafford Dean (Bass), Ian Partridge (Tenor), Paul Esswood (Countertenor),
Lynton Atkinson (Treble), John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Baroque 
Written: 1693; England 
168.
Requiem, Op. 48 by Gabriel Fauré
Performer:  Benjamin Luxon (Baritone), Stephen Cleobury (Organ), Jonathon Bond (Treble)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: 1887-1890; France 
169.
The King Shall Rejoice by Matthew Locke
Performer:  Christopher Keyte (Bass), James Bowman (Countertenor), Robert Tear (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Philomusica of London,  Cambridge St. John's College Choir,  Matheson Consort
Period: Baroque 
Written: England 
170.
When the Son of Man Shall Come in All His Glory by Matthew Locke
Performer:  Christopher Keyte (Bass), James Bowman (Countertenor), Robert Tear (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Philomusica of London,  Cambridge St. John's College Choir,  Matheson Consort
Period: Baroque 
Written: England 
171.
Sing unto the Lord, O ye saints by John Blow
Performer:  Christopher Keyte (Bass), James Bowman (Countertenor), Robert Tear (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Philomusica of London,  Cambridge St. John's College Choir,  Matheson Consort
Period: Baroque 
Written: England 
172.
O Give Thanks unto the Lord by Pelham Humfrey
Performer:  Christopher Keyte (Bass), James Bowman (Countertenor), Robert Tear (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Philomusica of London,  Cambridge St. John's College Choir,  Matheson Consort
Period: Baroque 
Written: England 
173.
Hear O Heav'ns by Pelham Humfrey
Performer:  Christopher Keyte (Bass), James Bowman (Countertenor), Robert Tear (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Philomusica of London,  Cambridge St. John's College Choir,  Matheson Consort
Period: Baroque 
Written: England 
174.
By the Waters of Babylon by Pelham Humfrey
Performer:  Christopher Keyte (Bass), James Bowman (Countertenor), Robert Tear (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Philomusica of London,  Cambridge St. John's College Choir,  Matheson Consort
Period: Baroque 
Written: England 
175.
Mass in G major by Francis Poulenc
Performer:  Jonathon Bond (Treble)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1937; France 
176.
Missa Festiva, Op. 62 by Flor Peeters
Performer:  John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: 20th Century 
Written: 1947; Belgium 
177.
Mass no 5 in A flat major, D 678 by Franz Schubert
Performer:  John Scott (Organ), Wendy Eathorne (Soprano), Wynford Evans (Tenor),
Bernadette Greevy (Mezzo Soprano), Christopher Keyte (Bass)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Romantic 
Written: 1822; Vienna, Austria 
178.
Crucifixus a 8 by Antonio Lotti
Conductor:  George Guest
Orchestra/Ensemble:  Philomusica of London,  Cambridge St. John's College Choir
Period: Baroque 
Written: Italy 
179.
Stabat Mater by Giovanni Bononcini
Performer:  Philip Langridge (Tenor), Paul Esswood (Countertenor), Christopher Keyte (Bass),
Felicity Palmer (Soprano)
Conductor:  George Guest
Orchestra/Ensemble:  Philomusica of London,  Cambridge St. John's College Choir
Period: Baroque 
Written: Italy 
180.
Crucifixus by Antonio Caldara
Conductor:  George Guest
Orchestra/Ensemble:  Philomusica of London,  Cambridge St. John's College Choir
Period: Baroque 
Written: Italy 
181.
Missa Cellensis in honorem, H 22 no 5 "Cäcilienmesse" by Franz Joseph Haydn
Performer:  Benjamin Luxon (Baritone), John Scott (Organ), Helen Watts (Alto),
Jennifer Smith (Soprano), Robert Tear (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Classical 
Written: 1766; Eszterhazá, Hungary 
182.
Missa brevis Sancti Joannis de Deo, H 22 no 7 "Kleine Orgelmesse" by Franz Joseph Haydn
Performer:  John Scott (Organ), Jennifer Smith (Soprano)
Conductor:  George Guest
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge St. John's College Choir
Period: Classical 
Written: by 1778; Eszterhazá, Hungary 
183.
Psalm 139: O Lord, Thou hast searched me out by H. Skeats
Performer:  John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
184.
Psalm 49 "O hear ye this, o ye people" by Thomas Attwood Walmisley
Performer:  John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: England 
185.
God be merciful unto us by Bertram Luard-Selby
Performer:  John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: England 
186.
Psalm 39: I said I will take heed to my ways by Charles Hylton Stewart
Performer:  John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
187.
Psalm 96 "O sing unto the Lord a new song" by Charles Villiers Stanford
Performer:  John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: England 
188.
Psalm 130: Out of the deep have I called unto Thee by Charles Hylton Stewart
Performer:  John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
189.
Psalm 150: O praise God in his holiness, for soprano, chorus & orchestra, Op. 27 by Charles Villiers Stanford
Performer:  John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Post-Romantic 
Written: 1887; United Kingdom 
190.
Psalm 121 "I will lift up mine eyes" by Henry Walford Davies
Performer:  John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Romantic 
Written: England 
191.
Like as the hart desireth the waterbrooks by Samuel Wesley
Performer:  John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Classical 
Written: England 
192.
Psalm 23 for chorus "Dominus Pastor Meus" by Charles Hylton Stewart
Performer:  John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
193.
Psalm 90: Lord, Thou hast been my refuge by Charles Hylton Stewart
Performer:  John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
194.
Psalm 69: Save me, o God by Charles Hylton Stewart
Performer:  John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
195.
Psalm 98 "O sing unto the Lord a new song" by Thomas Attwood
Performer:  John Scott (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Classical 
Written: England 
196.
Messa di Santa Cecilia by Alessandro Scarlatti
Performer:  John Scott (Organ), Christopher Keyte (Bass), Wendy Eathorne (Soprano),
Margaret Cable (Alto), Elizabeth Harwood (Soprano), Wynford Evans (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Wren Orchestra,  Cambridge St. John's College Choir
Period: Baroque 
Written: 1720; Rome, Italy 
197.
Stabat Mater by Giovanni Battista Pergolesi
Performer:  Felicity Palmer (Soprano), Alfreda Hodgson (Alto)
Conductor:  George Guest
Orchestra/Ensemble:  Argo Chamber Orchestra,  Cambridge St. John's College Choir
Period: Baroque 
Written: 1736; Pozzuoli, Italy 
198.
Vesperae solennes de confessore, K 339 by Wolfgang Amadeus Mozart
Performer:  Philip Langridge (Tenor), Felicity Palmer (Soprano), Margaret Cable (Alto),
Stephen Roberts (Bass)
Conductor:  George Guest
Orchestra/Ensemble:  Wren Orchestra,  Cambridge St. John's College Choir
Period: Classical 
Written: 1780; Salzburg, Austria 
199.
Missa brevis in C major, K 258 "Spaur" by Wolfgang Amadeus Mozart
Performer:  Philip Langridge (Tenor), Felicity Palmer (Soprano), Margaret Cable (Alto),
Stephen Roberts (Bass)
Conductor:  George Guest
Orchestra/Ensemble:  Wren Orchestra,  Cambridge St. John's College Choir
Period: Classical 
Written: 1776; Salzburg, Austria 
200.
Vesperae de Dominica, K 321 by Wolfgang Amadeus Mozart
Performer:  David Hill (Organ), Margaret Cable (Alto), Stephen Roberts (Bass),
Margaret Marshall (Soprano), Wynford Evans (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Wren Orchestra,  Cambridge St. John's College Choir
Period: Classical 
Written: 1779; Salzburg, Austria 
201.
Litaniae de venerabili altaris sacramento, K 243 by Wolfgang Amadeus Mozart
Performer:  Wynford Evans (Tenor), Margaret Marshall (Soprano), Margaret Cable (Alto),
Stephen Roberts (Bass)
Conductor:  George Guest
Orchestra/Ensemble:  Wren Orchestra,  Cambridge St. John's College Choir
Period: Classical 
Written: 1774; Salzburg, Austria 
202.
Gloria in D major, RV 588 by Antonio Vivaldi
Performer:  Anne Wilkens (Mezzo Soprano), Kenneth Bowen (Tenor), Patrizia Kwella (Soprano),
Lynda Russell (Soprano)
Conductor:  George Guest
Orchestra/Ensemble:  Wren Orchestra,  Cambridge St. John's College Choir
Period: Baroque 
Written: Venice, Italy 
203.
Gloria in D major, RV 589 by Antonio Vivaldi
Performer:  Anne Wilkens (Mezzo Soprano), Lynda Russell (Soprano), Patrizia Kwella (Soprano)
Conductor:  George Guest
Orchestra/Ensemble:  Wren Orchestra,  Cambridge St. John's College Choir
Period: Baroque 
Written: Venice, Italy 
204.
Salve intemerata virgo by Thomas Tallis
Performer:  Ian Shaw (Organ)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: 16th Century; England 
205.
Mass "Western Wynde" by John Sheppard
Performer:  Angus Smith (Tenor)
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: 16th Century; England 
206.
Verbum caro factum est by John Sheppard
Conductor:  George Guest
Orchestra/Ensemble:  Cambridge St. John's College Choir
Period: Renaissance 
Written: 16th Century; England 

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