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Living Colours: Pacific Sounds & Spirit / Harvey, Edwardes

Crossman / Edwardes / Harvey / Williams
Release Date: 05/12/2017 
Label:  Navona   Catalog #: 6095  
Composer:  Bruce Crossman
Performer:  Michael Kieran HarveyClaire EdwardesJames CuddefordLotte Latukefu,   ... 
Number of Discs: 1 
In Stock: Usually ships in 24 hours.  

Notes and Editorial Reviews

A potent representation of Australian composer Bruce Crossman's music, Living Colours is inspired by his strong spirituality and eclectic, multicultural interests. Both overtly and subtly, Crossman's music seems to embody the expansive geography of Oceania. To this end, the works on the album draw explicitly on the native music of other Asia-Pacific cultures - particularly the Philippines, Korea, and China - and feature vast musical spaces that seem to symbolize the great distances that separate Australia from its neighbors. In his own words, Crossman describes his desire to evoke a "resonance of space" with his music, which arises from a "deep-felt emotion and sensibility linking heaven and earth." Crossman's works are Read more probing and profound, offering listeners an array of unique, primal listening moments. The sense of space that so deeply characterizes his music is epitomized in the opening of Double Resonances, for piano and percussion. The work begins with an echoing, disembodied piano sound - one of a few special timbres Crossman uses in the piece - which is only responded to by the percussion after a few minutes have passed. Double Resonances also represents one way Crossman makes his music eclectic: the use of non-western instruments. Here, in addition to more conventional items in the percussion battery. Crossman calls for kulintang - a set of pitched gongs originating from the Philippines - and the ching - a type of Korean Samul Nori flat-going - among other indigenously Asian instruments. Crossman essentially builds a new musical voice with this enhanced set of percussion instruments, which are paired with the piano to explore resonance in this piece. Both these instruments also appear in the song cycle Gentleness-Suddenness. The composition may be the most overtly spiritual work on the album, as part of its text is from the Bible. Crossman's writing features a kaleidoscopic array of musical elements, from instrumental noise common to Western avant-garde music to melodic and rhythmic elements of various Southeast Asian, East Asian, and Cantonese traditions. Read less

Works on This Recording

Double Resonances by Bruce Crossman
Performer:  Michael Kieran Harvey (Piano), Claire Edwardes (Percussion)
Period: Contemporary 
Written: 2008; Australia 
Not Broken Bruised-Reed by Bruce Crossman
Performer:  Claire Edwardes (Percussion), Michael Kieran Harvey (Piano), James Cuddeford (Violin)
Period: Contemporary 
Written: 2010; Australia 
Gentleness-Suddenness by Bruce Crossman
Performer:  Michael Kieran Harvey (Piano), Claire Edwardes (Percussion), James Cuddeford (Violin),
Lotte Latukefu (Mezzo Soprano)
Period: Contemporary 
Written: 2010-2012; Australia 
Where Are the Sounds of Joy? by Bruce Crossman
Performer:  Peter Neville (Percussion), Michael Kieran Harvey (Piano), Tristram Williams (Trumpet)
Period: Contemporary 
Written: 2015; Australia 

Customer Reviews

Average Customer Review:  1 Customer Review )
 Dynamic September 28, 2017 By Colin McKellar (Melbourne, Victoria) See All My Reviews "Bombshell of aural awareness. When first my musical attention was awoken by Free Jazz, my perception stirred..Now so many decades later, that awareness has not decayed. Overjoyed to be hearing another unfolding of Free Thought..the cross over complete and without distinction, there never was or has been any categorization. .Bruce Crossman earns his Colours Here." Report Abuse
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