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Vivarte Collection, Vol. 2


Release Date: 11/18/2016 
Label:  Sony   Catalog #: 2367   Spars Code: DDD 
Composer:  AnonymousJohann Sebastian BachLudwig van BeethovenJohannes Brahms,   ... 
Performer:  Markus SchäferJonas WillJohannes PohlHarry Van der Kamp,   ... 
Conductor:  Konrad RuhlandGustav LeonhardtFrieder BerniusBruno Weil,   ... 
Orchestra/Ensemble:  Niederaltaich ScholarsTölz Boys ChoirBaroque Orchestra,   ... 
Number of Discs: 60 
Recorded in: Stereo 
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Notes and Editorial Reviews

VIVARTE is the legendary Sony Classical period music label known for producing outstanding recordings on period instruments. The recordings by legendary producer Wolf Erichson are done with the best recording technologies and by one of the best production teams in the world (Tritonus Music Production, Stuttgart). The label started producing when Sony Classical was founded (in 1989). The production came to a standstill recently when Wolf Erichson retired and DHM became the new label of period music within Sony Classical. Among the outstanding artists which recorded for Vivarte are: Anner Bylsma, Gustav Leonhardt, Jos Van Immerseel, Tafelmusik, Huelgas Ensemble and others.

The box contains a perfect overview of VIVARTE’s
Read more legendary catalogue of ancient music ranging from Vivaldi to Brahms. Most of the recordings received critical acclaim all over the world, many of them won prestigious awards and many are reference recordings. Box set includes recordings with specialists in historically informed performance practice such as Anner Bylsma, Gustav Leonhardt, Tafelmusik, Huelgas Ensemble, L'Archibudelli and others. The CDs are in papersleeves with the original artwork of the former CDs. 240 page booklet with tracklistings and original liner notes of each recording. High quality packaging with lift-of-lid-box laminated. Read less

Works on This Recording

1.
Ave maris stella by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
2.
Gaudens gaudebo by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
3.
Benedicta es tu, Virgo Maria by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
4.
Ave Maria, gratia plena by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
5.
Nativitas tua by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
6.
Ave Maria, gratia plena by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
7.
Ave Maria by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
8.
Ecce virgo concipiet by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
9.
Cum audisset salutationem Mariae by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
10.
Magnificat anima mea Dominum by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
11.
Magnificat by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
12.
Kyrie "Virginitatis amator" by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
13.
Salve sancta parens by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
Written: by 1350; England 
14.
Alma Redemptoris mater by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
Written: 10th Century 
15.
Lumen ad revelationem gentium by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
16.
Adorna thalamum tuum by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
17.
Stabat sancta Maria by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
18.
Stabat Mater by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
19.
Recordare, Virgo Mater by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
20.
Gaudeamus omnes by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
21.
Lectio libri Sapientiae by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
22.
Assumpta est by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
23.
Sancta Maria by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
24.
Salve Regina [Medieval] by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
25.
Wer weiss, wie nahe mir mein Ende, BWV 27 by Johann Sebastian Bach
Performer:  Markus Schäfer (Tenor), Jonas Will (Boy Alto), Johannes Pohl (Boy Soprano),
Harry Van der Kamp (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Tölz Boys Choir,  Baroque Orchestra
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 06/1995 
Venue:  Doopsgezinde Church, Haarlem 
Language: German 
26.
O ewiges Feuer, O Ursprung der Liebe, BWV 34 by Johann Sebastian Bach
Performer:  Markus Schäfer (Tenor), Harry Van der Kamp (Bass), Michael Sapara (Alto)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Tölz Boys Choir,  Baroque Orchestra
Period: Baroque 
Written: after 1740; Leipzig, Germany 
Date of Recording: 06/1995 
Venue:  Doopsgezinde Church, Haarlem 
Language: German 
27.
Jesu, nun sei gepreiset, BWV 41 by Johann Sebastian Bach
Performer:  Matthias Ritter (Boy Soprano), Jonas Will (Boy Alto), Harry Van der Kamp (Bass),
Markus Schäfer (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Tölz Boys Choir,  Baroque Orchestra
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 06/1995 
Venue:  Doopsgezinde Church, Haarlem 
Language: German 
28.
Singet Dem Hern, BWV 225 by Johann Sebastian Bach
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Stuttgart Baroque Orchestra,  Stuttgart Chamber Choir
Date of Recording: 1989 
Venue:  Evangelische Kirche, Grönningen, Germany 
29.
Der Geist hilft unser Schwachheit auf, BWV 226 by Johann Sebastian Bach
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Stuttgart Baroque Orchestra,  Stuttgart Chamber Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
30.
Jesu, meine Freude, BWV 227 by Johann Sebastian Bach
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Stuttgart Baroque Orchestra,  Stuttgart Chamber Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
31.
Fürchte dich nicht, ich bin bei dir, BWV 228 by Johann Sebastian Bach
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Stuttgart Baroque Orchestra,  Stuttgart Chamber Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
32.
Komm, Jesu, komm!, BWV 229 by Johann Sebastian Bach
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Stuttgart Baroque Orchestra,  Stuttgart Chamber Choir
Period: Baroque 
Written: circa 1725-1749; Leipzig, Germany 
33.
Concerto for Piano no 1 in C major, Op. 15 by Ludwig van Beethoven
Performer:  Jos van Immerseel (Fortepiano)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1795; Vienna, Austria 
Date of Recording: 1995 
Venue:  Kurhaus Bad Tölz & K 
34.
Concerto for Piano no 2 in B flat major, Op. 19 by Ludwig van Beethoven
Performer:  Jos van Immerseel (Fortepiano)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1793/1798; Vienna, Austria 
Date of Recording: 1995 
Venue:  Kurhaus Bad Tölz & K 
35.
Concerto for Piano no 3 in C minor, Op. 37 by Ludwig van Beethoven
Performer:  Jos van Immerseel (Fortepiano)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1800; Vienna, Austria 
Date of Recording: 1996 
Venue:  Kurhaus Bad Tölz & K 
36.
Concerto for Piano no 4 in G major, Op. 58 by Ludwig van Beethoven
Performer:  Jos van Immerseel (Fortepiano)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1806; Vienna, Austria 
Date of Recording: 1996 
Venue:  Kurhaus Bad Tölz & K 
37.
Concerto for Piano no 5 in E flat major, Op. 73 "Emperor" by Ludwig van Beethoven
Performer:  Jos van Immerseel (Fortepiano)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1809; Vienna, Austria 
Date of Recording: 1997 
Venue:  Kurhaus Bad Tölz & K 
38.
Concerto for Violin in D major, Op. 61 by Ludwig van Beethoven
Performer:  Vera Beths (Violin)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1806; Vienna, Austria 
Date of Recording: 1997 
Venue:  Kurhaus Bad Tölz & K 
39.
Sextet for Strings no 1 in B flat major, Op. 18 by Johannes Brahms
Performer:  Anner Bylsma (Cello), Marilyn McDonald (Violin), Vera Beths (Violin),
Jürgen Kussmaul (Viola), Guus Jeukendrup (Viola), Kenneth Slowik (Cello)
Orchestra/Ensemble:  L'Archibudelli
Period: Romantic 
Written: 1859-1860; Germany 
Date of Recording: 06/1995 
40.
Sextet for Strings no 2 in G major, Op. 36 by Johannes Brahms
Performer:  Marilyn McDonald (Violin), Jürgen Kussmaul (Viola), Kenneth Slowik (Cello),
Guus Jeukendrup (Viola), Vera Beths (Violin), Anner Bylsma (Cello)
Orchestra/Ensemble:  L'Archibudelli
Period: Romantic 
Written: 1864-1865; Austria 
Date of Recording: 06/1995 
41.
Missa "Et ecce terrae motus" by Antoine Brumel
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: France 
Date of Recording: 05/1990 
Venue:  Chapel, Irish College, Leuven, Belgium 
Length: 47 Minutes 37 Secs. 
Language: Latin 
42.
Dies irae by Antoine Brumel
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: France 
Date of Recording: 05/1990 
Venue:  Chapel, Irish College, Leuven, Belgium 
Length: 19 Minutes 11 Secs. 
Language: Latin 
43.
Lamentationes Jeremiae: Zum karmittwoch by Johann Rosenmüller
Performer:  Harry Van der Kamp (Bass)
Orchestra/Ensemble:  Period Instrument Ensemble
Period: Baroque 
Written: 17th Century 
Date of Recording: 06/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 6 Minutes 40 Secs. 
Language: German 
44.
Wie bist du denn, o Gott by Johann Christoph Bach
Performer:  Harry Van der Kamp (Bass)
Orchestra/Ensemble:  Period Instrument Ensemble
Period: Baroque 
Written: Germany 
Date of Recording: 06/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 12 Minutes 10 Secs. 
Language: German 
45.
Mein Herz ist bereit, BuxWV 73 by Dietrich Buxtehude
Performer:  Harry Van der Kamp (Bass)
Orchestra/Ensemble:  Period Instrument Ensemble
Period: Baroque 
Written: Germany 
Date of Recording: 06/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 8 Minutes 18 Secs. 
Language: German 
46.
Ich bin der Auferstehung, BuxWV 44 by Dietrich Buxtehude
Performer:  Harry Van der Kamp (Bass)
Orchestra/Ensemble:  Period Instrument Ensemble
Period: Baroque 
Written: Germany 
Date of Recording: 06/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 6 Minutes 3 Secs. 
Language: German 
47.
Kommet her zu mir alle by Matthias Weckmann
Performer:  Harry Van der Kamp (Bass)
Orchestra/Ensemble:  Period Instrument Ensemble
Period: Baroque 
Written: 1664; Germany 
Date of Recording: 06/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 7 Minutes 43 Secs. 
Language: German 
48.
Kleine geistliche Konzerte, Op. 9: Ich liege und schlafe, SWV 310 by Heinrich Schütz
Performer:  Harry Van der Kamp (Bass)
Orchestra/Ensemble:  Period Instrument Ensemble
Period: Baroque 
Written: by 1639; Dresden, Germany 
Date of Recording: 06/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 3 Minutes 27 Secs. 
Language: German 
49.
Symphoniae sacrae, Op. 6: Fili mi, Absalon, SWV 269 by Heinrich Schütz
Performer:  Harry Van der Kamp (Bass)
Orchestra/Ensemble:  Period Instrument Ensemble
Period: Baroque 
Written: 1629; Venice, Italy 
Date of Recording: 06/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 6 Minutes 9 Secs. 
Language: Latin 
50.
Salve coelestis pater by Franz Tunder
Performer:  Harry Van der Kamp (Bass)
Orchestra/Ensemble:  Period Instrument Ensemble
Period: Baroque 
Written: 17th Century; Germany 
Date of Recording: 06/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 5 Minutes 34 Secs. 
Language: Latin 
51.
De profundis clamavi by Nicolaus Bruhns
Performer:  Harry Van der Kamp (Bass)
Orchestra/Ensemble:  Period Instrument Ensemble
Period: Baroque 
Written: ?1689-91; Germany 
Date of Recording: 06/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 13 Minutes 21 Secs. 
Language: Latin 
52.
Lamentationes Jeremiae: Zum Gründonnerstag by Johann Rosenmüller
Performer:  Harry Van der Kamp (Bass)
Orchestra/Ensemble:  Period Instrument Ensemble
Period: Baroque 
Written: 17th Century 
Date of Recording: 06/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 5 Minutes 32 Secs. 
Language: German 
53.
Ex illustri by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: 13th Century; Spain 
54.
Crucifigat omnes by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: circa 1200 
55.
O Maria, maris stella by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
56.
Ex agone sanguinis by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: 13th Century; Spain 
57.
Belial vocatur by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: 13th Century; Spain 
58.
Sanctus "Divinum misterium" by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: 13th Century; Spain 
59.
Agnus Dei "Exultet hec concio" by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: 13th Century; Spain 
60.
Benedicamus Domino by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: circa 1200 
61.
Flavit auster by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: 13th Century; Spain 
62.
Eva mater by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: 13th Century; Spain 
63.
Quis dabit capiti meo acquam by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: 13th Century; Spain 
64.
Casta catholica by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: 13th Century; Spain 
65.
Homo miserabilis by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: 13th Century; Spain 
66.
Toccata by Giovanni Gabrieli
Performer:  Graham Nicholson (Trumpet), Peter Sommer (Bass Sackbut), Henning Plumeyer (Bass Sackbut),
Cas Gevers (Tenor Sackbut), Ole Andersen (Tenor Sackbut), Sebastian Krause (Tenor Sackbut),
Detlef Reimers (Tenor Sackbut), Yuji Fujimoto (Tenor Sackbut), Matthias Sprinz (Alto Sackbut),
Martin Lubenow (Trumpet), François Petit-Laurent (Trumpet), Sebastian Scharr (Trumpet)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata
Period: Renaissance 
Written: Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 2 Minutes 41 Secs. 
67.
Symphoniae sacrae, liber secundus: Buccinate in neomenia tuba, 19vv by Giovanni Gabrieli
Performer:  Klaus Eichhorn (Organ), Hartwig Groth (Violone), Christoph Lehmann (Organ),
Martin Lubenow (Organ), Peter Sommer (Bass Sackbut), Cas Gevers (Tenor Sackbut),
Henning Plumeyer (Bass Sackbut), Ole Andersen (Tenor Sackbut), Sebastian Krause (Tenor Sackbut),
Detlef Reimers (Tenor Sackbut), Yuji Fujimoto (Tenor Sackbut), Matthias Sprinz (Alto Sackbut),
Arno Paduch (Alto Cornet), Hans-Peter Westermann (Cornett), François Petit-Laurent (Cornett),
Wilfried Jochens (Tenor), David Cordier (Countertenor), Harry Van der Kamp (Bass),
Lee Santana (Chitarrone), Richard Lister (Bass Sackbut), Wolfgang Katschner (Chitarrone)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Written: pub 1615 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 3 Minutes 32 Secs. 
Language: Latin 
68.
Canzoni et sonate (21): Canzon XVII a 12, C 210 by Giovanni Gabrieli
Performer:  William Dongois (Cornett), Volker Mühlberg (Violin), Henning Plumeyer (Bass Sackbut),
Ole Andersen (Tenor Sackbut), Sebastian Krause (Tenor Sackbut), Detlef Reimers (Tenor Sackbut),
Hans-Peter Westermann (Cornett), Paolo Fanciullacci (Cornett), Richard Lister (Bass Sackbut),
Martin Lubenow (Organ), Peter Sommer (Bass Sackbut), Christoph Lehmann (Organ),
Klaus Eichhorn (Organ), Ghislaine Wauters (Violin), Michael Dücker (Chitarrone),
Wolfgang Katschner (Chitarrone), Lee Santana (Chitarrone)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata
Period: Renaissance 
Written: Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 3 Minutes 43 Secs. 
69.
Il secondo libro de motetti: Heu mihi - Quid ploras by Alessandro Grandi
Performer:  Hartwig Groth (Viola da gamba), Christoph Lehmann (Organ), Hildegard Perl (Lirone),
Lee Santana (Chitarrone), Harry Van der Kamp (Bass), Reinhard Dingel-Schulten (Countertenor),
Gerd Türk (Countertenor), Wilfried Jochens (Tenor)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: by 1613; Ferrara, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 4 Minutes 32 Secs. 
Language: Latin 
70.
Sonatas (6) "Concerti ecclesiastici": no 1 for Violin, Cello/Violone and Cornetto by Giovanni Paolo Cima
Performer:  Anette Sichelschmidt (Violin), Christoph Lehmann (Organ), Hartwig Groth (Violone),
Roland Wilson (Cornett)
Period: Baroque 
Written: by 1610; Milan, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 3 Minutes 24 Secs. 
71.
O quam tu pulchra es by Alessandro Grandi
Performer:  Lee Santana (Chitarrone), David Cordier (Countertenor), Hildegard Perl (Lirone)
Period: Baroque 
Written: by 1625; Venice, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 3 Minutes 20 Secs. 
Language: Latin 
72.
Dulcis Jesu patris imago by Giovanni Gabrieli
Performer:  Arno Paduch (Alto Cornet), Anette Sichelschmidt (Viola), Ghislaine Wauters (Viola),
Martin Lubenow (Organ), Klaus Eichhorn (Organ), Christoph Lehmann (Organ),
Hartwig Groth (Violone), Wolfgang Katschner (Chitarrone), Lee Santana (Chitarrone),
Richard Lister (Bass Sackbut), Henning Plumeyer (Bass Sackbut), Peter Sommer (Bass Sackbut),
Ole Andersen (Tenor Sackbut), Sebastian Krause (Tenor Sackbut), Detlef Reimers (Tenor Sackbut),
Yuji Fujimoto (Tenor Sackbut), Hans-Peter Westermann (Cornett), Wilfried Jochens (Tenor),
Matthias Sprinz (Tenor Sackbut), Raimund Fürst (Countertenor), William Dongois (Cornett),
Paolo Fanciullacci (Cornett)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Renaissance 
Written: Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 5 Minutes 53 Secs. 
Language: Latin 
73.
Canzon in echo a 12, C 192 by Giovanni Gabrieli
Performer:  William Dongois (Cornett), Ghislaine Wauters (Viola), Anette Sichelschmidt (Viola),
Christoph Lehmann (Organ), Sebastian Krause (Tenor Sackbut), Detlef Reimers (Tenor Sackbut),
Yuji Fujimoto (Tenor Sackbut), Arno Paduch (Cornett), Hans-Peter Westermann (Cornett),
François Petit-Laurent (Cornett), Wilfried Jochens (Tenor), Roland Wilson (Cornett),
Volker Mühlberg (Viola), Paolo Fanciullacci (Cornett)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata
Period: Renaissance 
Written: Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 3 Minutes 56 Secs. 
74.
Timor et Tremor by Giovanni Gabrieli
Performer:  Christoph Lehmann (Organ), Eric Mentzel (Countertenor), Reinhard Dingel-Schulten (Countertenor),
Wilfried Jochens (Tenor), Harry Van der Kamp (Bass), Gerd Türk (Countertenor),
David Cordier (Countertenor)
Conductor:  Roland Wilson
Orchestra/Ensemble:  La Capella Ducale
Period: Renaissance 
Written: by 1615; Venice, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 5 Minutes 58 Secs. 
Language: Latin 
75.
Sonatas (6) "Concerti ecclesiastici": no 2 for Trombone and Cornetto by Giovanni Paolo Cima
Performer:  Christoph Lehmann (Organ), Henning Plumeyer (Bass Sackbut), Roland Wilson (Cornett)
Period: Baroque 
Written: by 1610; Milan, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 4 Minutes 13 Secs. 
76.
Il secondo libro de motetti: Cantemus Domino by Alessandro Grandi
Performer:  Wilfried Jochens (Tenor), Gerd Türk (Countertenor), Hans-Peter Westermann (Cornett),
David Cordier (Countertenor), Ghislaine Wauters (Violin), Christoph Lehmann (Organ),
Anette Sichelschmidt (Violin), Wolfgang Katschner (Theorbo), Lee Santana (Chitarrone)
Period: Baroque 
Written: by 1617; Ferrara, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 3 Minutes 28 Secs. 
Language: Latin 
77.
Canzoni et sonate (21): Sonata XIX a 15 by Giovanni Gabrieli
Performer:  Yuji Fujimoto (Tenor Sackbut), Matthias Sprinz (Tenor Sackbut), Christoph Lehmann (Organ),
Cas Gevers (Tenor Sackbut), Klaus Eichhorn (Organ), Martin Lubenow (Organ),
Irmelin Heiseke (Viola da gamba), Richard Lister (Bass Sackbut), Peter Sommer (Bass Sackbut),
Henning Plumeyer (Bass Sackbut), Ole Andersen (Tenor Sackbut), Sebastian Krause (Tenor Sackbut),
Detlef Reimers (Tenor Sackbut), Hartwig Groth (Viola da gamba), Volker Mühlberg (Violin),
Ghislaine Wauters (Violin), Anette Sichelschmidt (Violin), Hildegard Perl (Viola da gamba)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 5 Minutes 43 Secs. 
78.
In Ecclesiis a 14, C. 78 by Giovanni Gabrieli
Performer:  Martin Lubenow (Organ), Irmelin Heiseke (Violone), Klaus Eichhorn (Organ),
Richard Lister (Bass Sackbut), Wolfgang Katschner (Chitarrone), Lee Santana (Chitarrone),
Hartwig Groth (Violone), Henning Plumeyer (Bass Sackbut), Cas Gevers (Tenor Sackbut),
Gerd Türk (Countertenor), David Cordier (Countertenor), Wilfried Jochens (Tenor),
François Petit-Laurent (Cornett), Hans-Peter Westermann (Cornett), Arno Paduch (Alto Cornet),
Rufus Müller (Tenor), Anette Sichelschmidt (Viola), Detlef Reimers (Tenor Sackbut),
Sebastian Krause (Tenor Sackbut), William Dongois (Cornett), Christoph Lehmann (Organ)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Renaissance  
Written: Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 7 Minutes 20 Secs. 
Language: Latin 
79.
Canzoni et sonate (21): Canzon V a 7 by Giovanni Gabrieli
Performer:  Wolfgang Katschner (Chitarrone), Christoph Lehmann (Organ), François Petit-Laurent (Cornett),
Roland Wilson (Cornett), Yuji Fujimoto (Tenor Sackbut), Matthias Sprinz (Tenor Sackbut),
Arno Paduch (Cornett), Detlef Reimers (Tenor Sackbut), Lee Santana (Chitarrone),
Ghislaine Wauters (Viola), Anette Sichelschmidt (Viola)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 3 Minutes 24 Secs. 
80.
Jubilate Deo a 10 by Giovanni Gabrieli
Performer:  Klaus Eichhorn (Organ), Stephen Grant (Bass), Wolfgang Katschner (Chitarrone),
Lee Santana (Chitarrone), Christian Walter (Bass Dulcian), Eric Mentzel (Countertenor),
Ole Andersen (Tenor Sackbut), David Cordier (Countertenor), Wilfried Jochens (Tenor),
Henning Plumeyer (Bass Sackbut), Gerd Türk (Countertenor), Raimund Fürst (Countertenor),
Paolo Fanciullacci (Cornett), François Petit-Laurent (Cornett), Yuji Fujimoto (Tenor Sackbut),
Detlef Reimers (Tenor Sackbut), Sebastian Krause (Tenor Sackbut), Christoph Lehmann (Organ),
Reinhard Dingel-Schulten (Countertenor), Martin Lubenow (Organ), Harry Van der Kamp (Bass)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Renaissance 
Written: 1615; Venice, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 5 Minutes 24 Secs. 
Language: Latin 
81.
Motetti con sinfonie, libro terzo: Salvum me fac, Deus by Alessandro Grandi
Performer:  Harry Van der Kamp (Bass), Lee Santana (Chitarrone), Christoph Lehmann (Organ)
Period: Baroque 
Written: by 1629; Bergamo, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 5 Minutes 32 Secs. 
Language: Latin 
82.
Canzoni et sonate (21): Sonata XVIII a 14 by Giovanni Gabrieli
Performer:  Klaus Eichhorn (Organ), Matthias Sprinz (Tenor Sackbut), Peter Sommer (Tenor Sackbut),
Robin Schwerdtfeger (Tenor Sackbut), Yuji Fujimoto (Tenor Sackbut), Arno Paduch (Alto Cornet),
Wolfgang Katschner (Chitarrone), Sebastian Krause (Tenor Sackbut), Detlef Reimers (Tenor Sackbut),
Ole Andersen (Tenor Sackbut), Henning Plumeyer (Bass Sackbut), Cas Gevers (Tenor Sackbut),
William Dongois (Cornett), Paolo Fanciullacci (Cornett), Irmelin Heiseke (Violone),
Martin Lubenow (Organ), Christoph Lehmann (Organ), Hartwig Groth (Violone),
Hans-Peter Westermann (Cornett), Lee Santana (Chitarrone), Richard Lister (Bass Sackbut)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 6 Minutes 15 Secs. 
83.
Cantate Domino by Giovanni Gabrieli
Performer:  Lee Santana (Chitarrone), Christoph Lehmann (Organ), Harry Van der Kamp (Bass),
Wilfried Jochens (Tenor), Raimund Fürst (Countertenor), Stephen Grant (Bass),
David Cordier (Countertenor), Reinhard Dingel-Schulten (Countertenor), Gerd Türk (Countertenor),
Gundula Anders (Soprano), Klaus Eichhorn (Organ)
Conductor:  Roland Wilson
Orchestra/Ensemble:  La Capella Ducale
Period: Renaissance 
Written: by 1597; Venice, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 3 Minutes 2 Secs. 
Language: Latin 
84.
Sonatas (6) "Concerti ecclesiastici": no 3 for Violin and Cello by Giovanni Paolo Cima
Performer:  Christoph Lehmann (Organ), Hartwig Groth (Violone), Anette Sichelschmidt (Violin)
Period: Baroque 
Written: by 1610; Milan, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 4 Minutes 27 Secs. 
85.
Misericordia tua Domine by Giovanni Gabrieli
Performer:  Peter Sommer (Bass Sackbut), Henning Plumeyer (Bass Sackbut), Wolfgang Katschner (Chitarrone),
Lee Santana (Chitarrone), Richard Lister (Bass Sackbut), Michael Dücker (Chitarrone),
Sebastian Krause (Tenor Sackbut), Cas Gevers (Tenor Sackbut), Christoph Lehmann (Organ),
Martin Lubenow (Organ), Yuji Fujimoto (Tenor Sackbut), Detlef Reimers (Tenor Sackbut),
Wilfried Jochens (Tenor), Gerd Türk (Countertenor), David Cordier (Countertenor),
Ole Andersen (Tenor Sackbut), Matthias Sprinz (Tenor Sackbut), Klaus Eichhorn (Organ)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 4 Minutes 6 Secs. 
Language: Latin 
86.
Sacrae symphoniae, Book 1: Canzon primi toni a 10 by Giovanni Gabrieli
Performer:  Matthias Sprinz (Tenor Sackbut), Arno Paduch (Cornett), Peter Sommer (Bass Sackbut),
Henning Plumeyer (Bass Sackbut), Klaus Eichhorn (Organ), Ole Andersen (Tenor Sackbut),
Hans-Peter Westermann (Cornett), Sebastian Krause (Tenor Sackbut), François Petit-Laurent (Cornett),
Yuji Fujimoto (Tenor Sackbut), William Dongois (Cornett)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata
Period: Renaissance 
Written: by 1597; Venice, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 3 Minutes 6 Secs. 
87.
Canzoni et sonate (21): Canzon X a 8 by Giovanni Gabrieli
Performer:  Klaus Eichhorn (Organ), Christoph Lehmann (Organ), Hartwig Groth (Viola da gamba),
Wolfgang Katschner (Chitarrone), Lee Santana (Chitarrone), Detlef Reimers (Tenor Sackbut),
Arno Paduch (Alto Cornet), François Petit-Laurent (Cornett), Roland Wilson (Cornett),
Volker Mühlberg (Viola), Ghislaine Wauters (Violin), Anette Sichelschmidt (Violin)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 4 Minutes 15 Secs. 
88.
O sacrum convivium by Bartolomeo Barbarino
Performer:  Gerd Türk (Countertenor), Lee Santana (Chitarrone)
Period: Renaissance 
Written: 1590s; Urbino, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 2 Minutes 33 Secs. 
Language: Latin 
89.
Toccata del primo tono by Giovanni Gabrieli
Performer:  Christoph Lehmann (Organ)
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 3 Minutes 11 Secs. 
90.
Magnificat a 33 by Giovanni Gabrieli
Performer:  David Cordier (Countertenor), Wilfried Jochens (Tenor), Edmund Brownless (Countertenor),
Werner Buchin (Countertenor), Gerd Türk (Countertenor)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 5 Minutes 25 Secs. 
Language: Latin 
91.
Symphoniae sacrae, Book 2: Benedictus es, Dominus by Giovanni Gabrieli
Performer:  Klaus Eichhorn (Organ), Christoph Lehmann (Organ), Lee Santana (Chitarrone),
Henning Plumeyer (Bass Sackbut), Detlef Reimers (Tenor Sackbut), Yuji Fujimoto (Tenor Sackbut),
François Petit-Laurent (Alto Cornet), Roland Wilson (Cornett), Arno Paduch (Alto Cornet),
Volker Mühlberg (Violin), David Cordier (Countertenor), Wolfgang Katschner (Chitarrone),
Gerd Türk (Countertenor)
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 4 Minutes 32 Secs. 
Language: Latin 
92.
Salve, O regina by Claudio Monteverdi
Performer:  Wilfried Jochens (Tenor), Christoph Lehmann (Organ), Lee Santana (Chitarrone)
Period: Baroque 
Written: by 1624; Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 5 Minutes 2 Secs. 
Language: Latin 
93.
Capricci a 2 stromenti cioè tiorba e tiorbino e per sonar solo: Capriccio detto svegliatoio by Bellerofonte Castaldi
Performer:  Lee Santana (Chitarrone), Wolfgang Katschner (Theorbo)
Period: Baroque 
Written: by 1622; Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 3 Minutes 11 Secs. 
94.
Canzoni et sonate (21): Sonata XXI con tre violoni by Giovanni Gabrieli
Performer:  Volker Mühlberg (Violin), Anette Sichelschmidt (Violin), Christoph Lehmann (Organ),
Lee Santana (Chitarrone), Ghislaine Wauters (Violin), Hartwig Groth (Viola da gamba)
Period: Renaissance 
Written: Venice, Italy 
Date of Recording: 06/1994 
Venue:  St. Osdag Church, Mandelsloh, Germany 
Length: 4 Minutes 8 Secs. 
95.
Concerto for Flute in G major, Op. 29 by Carl Stamitz
Performer:  Barthold Kuijken (Flute)
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: Germany 
Date of Recording: 01/1991 
Venue:  Centre In The Square, Kitchener, Canada 
96.
Concerto for Flute in E minor by Franz Xaver Richter
Performer:  Barthold Kuijken (Flute)
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Date of Recording: 01/1991 
Venue:  Centre In The Square, Kitchener, Canada 
97.
Concerto for Flute in G major by Johann Wenzel Stamitz
Performer:  Barthold Kuijken (Flute)
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Date of Recording: 01/1991 
Venue:  Centre In The Square, Kitchener, Canada 
98.
Concerto for Flute in D major, H 7f no D1 by Franz Joseph Haydn
Performer:  Barthold Kuijken (Flute)
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Date of Recording: 01/1991 
Venue:  Centre In The Square, Kitchener, Canada 
99.
Orfeo ed Euridice: Dance of the Blessed Spirits by Christoph W. Gluck
Performer:  Claire Guimond (Flute)
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1762/1774; Vienna, Austria 
Date of Recording: 01/1991 
Venue:  Centre In The Square, Kitchener, Canada 
100.
Pièces de viole: Suite no 3 in D major by Antoine Forqueray
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: France 
Date of Recording: 09/1991 
Venue:  Lutherse Kerk, Haarlem, Netherlands 
Length: 22 Minutes 25 Secs. 
101.
Pièces de viole: Suite no 4 in G minor by Antoine Forqueray
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: France 
Date of Recording: 09/1991 
Venue:  Lutherse Kerk, Haarlem, Netherlands 
Length: 26 Minutes 57 Secs. 
102.
Pièces de clavecin, Book 3: Ordre 17 in E minor - La superbe ou la Forqueray by François Couperin
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: by 1722; Paris, France 
Date of Recording: 09/1991 
Venue:  Lutherse Kerk, Haarlem, Netherlands 
Length: 4 Minutes 49 Secs. 
103.
Pièces de clavecin, Book 3: no 1, La Forqueray by Jacques Duphly
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: by 1756; France 
Date of Recording: 09/1991 
Venue:  Lutherse Kerk, Haarlem, Netherlands 
Length: 6 Minutes 14 Secs. 
104.
Concerti grossi (6), Op. 2: no 3 in D minor by Francesco Geminiani
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: 1732; England 
Date of Recording: 04/1990 
Venue:  Notre Dame Convent, Waterdown, Canada 
Length: 6 Minutes 45 Secs. 
105.
Concerti grossi (6), Op. 2: no 1 in C minor by Francesco Geminiani
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: 1732; England 
Date of Recording: 04/1990 
Venue:  Notre Dame Convent, Waterdown, Canada 
Length: 6 Minutes 59 Secs. 
106.
Concerti grossi (6), Op. 2: no 6 in A major by Francesco Geminiani
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: 1732; England 
Date of Recording: 04/1990 
Venue:  Notre Dame Convent, Waterdown, Canada 
Length: 6 Minutes 20 Secs. 
107.
Concerti grossi (6), Op. 2: no 2 in C minor by Francesco Geminiani
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: 1732; England 
Date of Recording: 04/1990 
Venue:  Notre Dame Convent, Waterdown, Canada 
Length: 8 Minutes 47 Secs. 
108.
Concerti grossi (6), Op. 2: no 4 in D major by Francesco Geminiani
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: 1732; England 
Date of Recording: 04/1990 
Venue:  Notre Dame Convent, Waterdown, Canada 
Length: 6 Minutes 22 Secs. 
109.
Concerti grossi (6), Op. 2: no 5 in D minor by Francesco Geminiani
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: 1732; England 
Date of Recording: 04/1990 
Venue:  Notre Dame Convent, Waterdown, Canada 
Length: 6 Minutes 27 Secs. 
110.
Concerti grossi (12) after Op. 5 of Arcangelo Corelli: no 3 in C major by Francesco Geminiani
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: by 1726; London, England 
Date of Recording: 04/1990 
Venue:  Notre Dame Convent, Waterdown, Canada 
Length: 9 Minutes 23 Secs. 
111.
Concerti grossi (12) after Op. 5 of Arcangelo Corelli: no 5 in G minor by Francesco Geminiani
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: by 1726; London, England 
Date of Recording: 04/1990 
Venue:  Notre Dame Convent, Waterdown, Canada 
Length: 7 Minutes 53 Secs. 
112.
Orfeo ed Euridice by Christoph W. Gluck
Performer:  Michael Chance (Countertenor), Stefan Beckerbauer (Boy Soprano), Nancy Argenta (Soprano)
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra,  Stuttgart Chamber Choir
Period: Classical 
Written: 1762/1774; Vienna, Austria 
Date of Recording: 1992 
Length: 83 Minutes 0 Secs. 
Language: French 
113.
Don Juan by Christoph W. Gluck
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1761; Vienna, Austria 
Date of Recording: 02/1992 
Venue:  Centre in the Square, Kitchener, Ontario 
Length: 43 Minutes 22 Secs. 
114.
Semiramis by Christoph W. Gluck
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1765; Vienna, Austria 
Date of Recording: 02/1992 
Venue:  Centre in the Square, Kitchener, Ontario 
Length: 20 Minutes 30 Secs. 
115.
Missa Sancti Bernardi von Offida, H 22 no 10 "Heiligmesse" by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tölz Boys Choir,  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1796; Vienna, Austria 
116.
Mare Clausum, H 24a no 9 (Fragment) by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tölz Boys Choir,  Tafelmusik Baroque Orchestra
117.
Insanae et vanae curae, B 8 by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tölz Boys Choir,  Tafelmusik Baroque Orchestra
Period: Classical 
Written: by 1798; Vienna, Austria 
118.
Lauda Sion, H 23c no 5 "Hymnus de venerabili Sacramento" by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tölz Boys Choir,  Tafelmusik Baroque Orchestra
Period: Classical 
Written: circa ?1750; Austria 
119.
Te Deum in C major, H 23c no 2 by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tölz Boys Choir,  Tafelmusik Baroque Orchestra
Period: Classical 
Written: by 1800; Vienna, Austria 
120.
Mass in B flat major, H 22 no 12 "Theresien-Messe" by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tölz Boys Choir,  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1799; Vienna, Austria 
121.
Mass in D minor, H 22 no 11 "Nelsonmesse" by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tölz Boys Choir,  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1798; Vienna, Austria 
122.
Missa in tempore belli, H 22 no 9 "Paukenmesse" by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tölz Boys Choir,  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1796; Vienna, Austria 
123.
Salve Regina in G minor, H 23b no 2 "Organ solo" by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tölz Boys Choir,  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1771; Eszterhazá, Hungary 
124.
O coelitum beati, H 23a no G9 by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tölz Boys Choir,  Tafelmusik Baroque Orchestra
125.
Symphony no 82 in C major, H 1 no 82 "The Bear" by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1786; Eszterhazá, Hungary 
126.
Symphony no 83 in G minor, H 1 no 83 "The Hen" by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1785; Eszterhazá, Hungary 
127.
Symphony no 84 in E flat major, H 1 no 84 by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1786; Eszterhazá, Hungary 
128.
Symphony no 85 in B flat major, H 1 no 85 "La Reine" by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: ?1785; Eszterhazá, Hungary 
129.
Symphony no 86 in D major, H 1 no 86 by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1786; Eszterhazá, Hungary 
130.
Symphony no 87 in A major, H 1 no 87 by Franz Joseph Haydn
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1785; Eszterhazá, Hungary 
131.
Passacaglia for Keyboard in D minor by Johann Kaspar Kerll
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Written: 17th Century; Germany 
Venue:  Prämonstratenserstift, Schlägl, Austria 
132.
Libro quarto di toccate: Ricercare no 2 in G minor by Johann Jacob Froberger
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Written: by 1656; Germany 
Venue:  Prämonstratenserstift, Schlägl, Austria 
133.
Chaconne(s) by Johann Caspar Fischer
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Written: Salzburg, Austria 
Venue:  Prämonstratenserstift, Schlägl, Austria 
134.
Toccata no 4 in D minor by Johann Speth
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Written: Germany 
Venue:  Prämonstratenserstift, Schlägl, Austria 
135.
Wir glauben all' an einen Gott by Johann Pachelbel
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Written: 1693; Germany 
Venue:  Prämonstratenserstift, Schlägl, Austria 
136.
Aria con Variazoni in F by Johann Pachelbel
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Written: Germany 
Venue:  Prämonstratenserstift, Schlägl, Austria 
137.
Toccata for Organ no 1 in D minor by Gottlieb Muffat
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Written: 18th Century; Vienna, Austria 
Venue:  Prämonstratenserstift, Schlägl, Austria 
138.
Toccata for Organ in G major by Jakob Hassler
Performer:  Gustav Leonhardt (Organ)
Period: Renaissance 
Venue:  Klosterneuberg, Austria 
139.
Canzona im 4 toni by Christian Erbach
Performer:  Gustav Leonhardt (Organ)
Period: Renaissance 
Written: Germany 
Venue:  Klosterneuberg, Austria 
140.
Toccata no 1 in D major by Johann Speth
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Written: Germany 
Venue:  Klosterneuberg, Austria 
141.
Ricercar for Keyboard in D minor by Alessandro Poglietti
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Written: 17th Century; Austria 
Venue:  Klosterneuberg, Austria 
142.
Canzona for Organ no 5 by Johann Kaspar Kerll
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Written: 17th Century; Germany 
Venue:  Klosterneuberg, Austria 
143.
Toccata for Organ in C major by Johann Pachelbel
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Written: Germany 
Venue:  Klosterneuberg, Austria 
144.
Hexachordum Apollinis: no 6, Aria Sebaldina for Organ in F minor by Johann Pachelbel
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Written: 1699; Germany 
Venue:  Klosterneuberg, Austria 
145.
Toccata for Organ no 5 in C minor by Gottlieb Muffat
Performer:  Gustav Leonhardt (Organ)
Period: Baroque 
Written: 18th Century; Germany 
Venue:  Klosterneuberg, Austria 
146.
Lagrime di San Pietro by Orlando de Lassus
Conductor:  Erik Van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: 16th Century 
Length: 62 Minutes 44 Secs. 
Language: Latin 
147.
German Dances (6), K 509 by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1787; Prague, Czech Republ 
148.
German Dances (6), K 536 by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1788; Vienna, Austria 
149.
German Dances (6), K 571 by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1789; Vienna, Austria 
150.
German Dances (12), K 586 by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1789; Vienna, Austria 
151.
Eine musikalischer Spass, K 522 by Wolfgang Amadeus Mozart
Performer:  Ab Koster (French Horn), Vera Beths (Violin), Jürgen Kussmaul (Viola),
Anner Bylsma (Cello), Lucy Van Dael (Violin), Anthony Woodrow (Double Bass),
Knut Hasselmann (French Horn)
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1787; Vienna, Austria 
Date of Recording: 05/1990 
Venue:  Lutherse Kerk, Haarlem, The Netherlands 
Length: 18 Minutes 23 Secs. 
152.
Quintet for Horn, Violin, 2 Violas and Cello in E flat major, K 407 (386c) by Wolfgang Amadeus Mozart
Performer:  Ab Koster (French Horn), Vera Beths (Violin), Lucy Van Dael (Violin),
Jürgen Kussmaul (Viola), Anner Bylsma (Cello)
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1782; Vienna, Austria 
Date of Recording: 05/1990 
Venue:  Lutherse Kerk, Haarlem, The Netherlands 
Length: 17 Minutes 23 Secs. 
153.
March in D major, K 445 (320c) by Wolfgang Amadeus Mozart
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1780; Salzburg, Austria 
Date of Recording: 05/1990 
Venue:  Lutherse Kerk, Haarlem, The Netherlands 
Length: 2 Minutes 30 Secs. 
154.
March in F major, K 248 by Wolfgang Amadeus Mozart
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1776; Salzburg, Austria 
Date of Recording: 05/1990 
Venue:  Lutherse Kerk, Haarlem, The Netherlands 
Length: 4 Minutes 28 Secs. 
155.
March in D major, K 290 (167AB) by Wolfgang Amadeus Mozart
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1772; Salzburg, Austria 
Date of Recording: 05/1990 
Venue:  Lutherse Kerk, Haarlem, The Netherlands 
Length: 3 Minutes 26 Secs. 
156.
Duos (12) for 2 Horns, K 487 (496a): no 5, Larghetto by Wolfgang Amadeus Mozart
Performer:  Knut Hasselmann (French Horn), Ab Koster (French Horn)
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1785; Berlin, Germany 
Date of Recording: 05/1990 
Venue:  Lutherse Kerk, Haarlem, The Netherlands 
Length: 1 Minutes 19 Secs. 
157.
Duos (12) for 2 Horns, K 487 (496a): no 2, Menuetto by Wolfgang Amadeus Mozart
Performer:  Knut Hasselmann (French Horn), Ab Koster (French Horn)
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1785; Vienna, Austria 
Date of Recording: 05/1990 
Venue:  Lutherse Kerk, Haarlem, The Netherlands 
Length: 2 Minutes 32 Secs. 
158.
Duos (12) for 2 Horns, K 487 (496a): no 10, Andante by Wolfgang Amadeus Mozart
Performer:  Knut Hasselmann (French Horn), Ab Koster (French Horn)
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1785; Vienna, Austria 
Date of Recording: 05/1990 
Venue:  Lutherse Kerk, Haarlem, The Netherlands 
Length: 1 Minutes 15 Secs. 
159.
Duos (12) for 2 Horns, K 487 (496a): no 8, Allegro by Wolfgang Amadeus Mozart
Performer:  Knut Hasselmann (French Horn), Ab Koster (French Horn)
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1785; Vienna, Austria 
Date of Recording: 05/1990 
Venue:  Lutherse Kerk, Haarlem, The Netherlands 
Length: 1 Minutes 28 Secs. 
160.
Allegro for 2 Horns, Violin, Viola and Double Bass in F major, K 288 (246c) [Fragment] by Wolfgang Amadeus Mozart
Performer:  Ab Koster (French Horn), Knut Hasselmann (French Horn), Jürgen Kussmaul (Viola),
Vera Beths (Violin), Anner Bylsma (Cello)
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1776; Salzburg, Austria 
Date of Recording: 05/1990 
Venue:  Lutherse Kerk, Haarlem, The Netherlands 
Length: 2 Minutes 27 Secs. 
161.
Divertimento for 2 Horns and Strings in D major, K 246b (320B) [Fragment] by Wolfgang Amadeus Mozart
Performer:  Knut Hasselmann (French Horn), Ab Koster (French Horn), Vera Beths (Violin),
Jürgen Kussmaul (Viola), Lucy Van Dael (Violin), Anner Bylsma (Cello)
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1772-1773 
Date of Recording: 05/1990 
Venue:  Lutherse Kerk, Haarlem, The Netherlands 
Length: 1 Minutes 22 Secs. 
162.
Idomeneo, K 366: Overture by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1781; Munich, Germany 
163.
Le nozze di Figaro, K 492: Overture by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
164.
Don Giovanni, K 527: Overture by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1787; Prague, Czech Republ 
165.
Così fan tutte, K 588: Overture by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1790; Vienna, Austria 
166.
La clemenza di Tito, K 621: Overture by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1791; Prague, Czech Republ 
167.
Die Entführung aus dem Serail, K 384: Overture by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1782; Vienna, Austria 
168.
Die Zauberflöte, K 620: Overture by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
169.
Serenade no 13 in G major, K 525 "Eine kleine Nachtmusik" by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1787; Vienna, Austria 
170.
Cassation in D major, K 100 (62a) by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1769; Salzburg, Austria 
Venue:  Centre In The Square, Kitchener, Canada 
171.
Serenade no 4 in D major, K 203 (189b) by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1774; Salzburg, Austria 
Venue:  Centre In The Square, Kitchener, Canada 
172.
Serenade no 7 in D major, K 250 (248b) "Haffner" by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1776; Salzburg, Austria 
Venue:  Centre In The Square, Kitchener, Canada 
173.
Serenade no 3 in D major, K 185 (167a) by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1773; Vienna, Austria 
Venue:  Centre In The Square, Kitchener, Canada 
174.
Serenade no 5 in D major, K 204 (213a) by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1775; Salzburg, Austria 
Venue:  Centre In The Square, Kitchener, Canada 
175.
Serenade no 9 in D major, K 320 "Posthorn" by Wolfgang Amadeus Mozart
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1779; Salzburg, Austria 
Venue:  Centre In The Square, Kitchener, Canada 
176.
Concerto for Horn no 2 in E flat major, K 417 by Wolfgang Amadeus Mozart
Performer:  Ab Koster (French Horn)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1783; Vienna, Austria 
Date of Recording: 09/1992 
Venue:  Doopsgezinde Church, Haarlem, Netherland 
Length: 13 Minutes 45 Secs. 
177.
Concerto for Horn no 3 in E flat major, K 447 by Wolfgang Amadeus Mozart
Performer:  Ab Koster (French Horn)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1784-1787; Vienna, Austria 
Date of Recording: 09/1992 
Venue:  Doopsgezinde Church, Haarlem, Netherland 
Length: 16 Minutes 22 Secs. 
178.
Concerto for Horn no 4 in E flat major, K 495 by Wolfgang Amadeus Mozart
Performer:  Ab Koster (French Horn)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Date of Recording: 09/1992 
Venue:  Doopsgezinde Church, Haarlem, Netherland 
Length: 17 Minutes 22 Secs. 
179.
Concerto for Horn no 1 in D major, K 412 (386b) by Wolfgang Amadeus Mozart
Performer:  Ab Koster (French Horn)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 05/1993 
Venue:  Glenn Gould Studio, Toronto, Canada 
Length: 8 Minutes 57 Secs. 
180.
Rondo for Horn and Orchestra in E flat major, K 371 by Wolfgang Amadeus Mozart
Performer:  Ab Koster (French Horn)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Classical 
Written: 1781; Vienna, Austria 
181.
Quintet for 2 Violins, 2 Violas and Cello no 3 in C major, K 515 by Wolfgang Amadeus Mozart
Performer:  Vera Beths (Violin), Lucy Van Dael (Violin), Jürgen Kussmaul (Viola),
Gijs Beths (Viola), Anner Bylsma (Cello)
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1787; Vienna, Austria 
182.
Quintet for 2 Violins, 2 Violas and Cello no 4 in G minor, K 516 by Wolfgang Amadeus Mozart
Performer:  Anner Bylsma (Cello), Lucy Van Dael (Violin), Jürgen Kussmaul (Viola),
Gijs Beths (Viola), Vera Beths (Violin)
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1787; Vienna, Austria 
183.
Sonata for Piano no 14 in C minor, K 457 by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano)
Period: Classical 
Written: 1784; Vienna, Austria 
Date of Recording: 1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 19 Minutes 41 Secs. 
184.
Fantasy for Piano in C minor, K 475 by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano)
Period: Classical 
Written: 1785; Vienna, Austria 
Date of Recording: 1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 12 Minutes 11 Secs. 
185.
Minuet for Piano in D major, K 355 (576b) by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano)
Period: Classical 
Written: 1786-1787; Vienna, Austria 
Date of Recording: 1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 3 Minutes 2 Secs. 
186.
Rondo for Piano no 1 in D major, K 485 by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano)
Period: Classical 
Written: 1786; Vienna, Austria 
Date of Recording: 1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 6 Minutes 49 Secs. 
187.
Sonata for Piano no 15 in F major, K 533 by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano)
Period: Classical 
Written: 1788; Vienna, Austria 
Date of Recording: 1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 23 Minutes 48 Secs. 
188.
Fantasia for Piano in D minor, K 397 (385g) by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano)
Period: Classical 
Written: 1782; Vienna, Austria 
Date of Recording: 1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 5 Minutes 36 Secs. 
189.
Rondo for Piano no 3 in A minor, K 511 by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano)
Period: Classical 
Written: 1787; Vienna, Austria 
Date of Recording: 1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 10 Minutes 48 Secs. 
190.
Sonata for Piano no 16 in C major, K 545 by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano)
Period: Classical 
Written: 1788; Vienna, Austria 
Date of Recording: 1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 7 Minutes 52 Secs. 
191.
Adagio for Piano in B minor, K 540 by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano)
Period: Classical 
Written: 1788; Vienna, Austria 
Date of Recording: 1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 6 Minutes 47 Secs. 
192.
Sonata for Piano no 17 in B flat major, K 570 by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano)
Period: Classical 
Written: 1789; Vienna, Austria 
Date of Recording: 1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 18 Minutes 21 Secs. 
193.
Sonata for Piano no 18 in D major, K 576 "Hunt" by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano)
Period: Classical 
Written: 1789; Vienna, Austria 
Date of Recording: 1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 14 Minutes 16 Secs. 
194.
Fantasia for Piano in C minor, K 396 (385f) by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano)
Period: Classical 
Written: 1782; Vienna, Austria 
Date of Recording: 1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
Length: 8 Minutes 0 Secs. 
195.
Quintet for Strings no 1 in A major, Op. 18 by Felix Mendelssohn
Performer:  Lucy Van Dael (Violin), Vera Beths (Violin), Jürgen Kussmaul (Viola),
Guus Jeukendrup (Viola), Anner Bylsma (Cello)
Orchestra/Ensemble:  L'Archibudelli
Period: Romantic 
Written: 1826/1832; Germany 
Date of Recording: 02/1999 
Venue:  Lutheran Church, Haarlem, Netherlands 
196.
Quintet for Strings no 2 in B flat major, Op. 87 by Felix Mendelssohn
Performer:  Anner Bylsma (Cello), Guus Jeukendrup (Viola), Jürgen Kussmaul (Viola),
Lucy Van Dael (Violin), Vera Beths (Violin)
Orchestra/Ensemble:  L'Archibudelli
Period: Romantic 
Written: 1845; Germany 
Date of Recording: 02/1999 
Venue:  Lutheran Church, Haarlem, Netherlands 
197.
Octet for Strings in E flat major, Op. 20 by Felix Mendelssohn
Performer:  Lisa Rautenberg (Violin), Vera Beths (Violin), Kenneth Slowik (Cello),
Jody Gatwood (Violin), Gijs Beths (Violin), Steven Dann (Viola),
David Cerutti (Viola), Anner Bylsma (Cello)
Orchestra/Ensemble:  L'Archibudelli,  Smithsonian Chamber Players
Period: Romantic 
Written: 1825; Germany 
Date of Recording: 01/1986 
Venue:  Festeburg-Kirche, Frankfurt 
Length: 30 Minutes 9 Secs. 
198.
Octet for Strings in F major, Op. 17 by Niels Gade
Performer:  Gijs Beths (Violin), Jody Gatwood (Violin), Lisa Rautenberg (Violin),
Steven Dann (Viola), David Cerutti (Viola), Anner Bylsma (Cello),
Vera Beths (Violin), Kenneth Slowik (Cello)
Orchestra/Ensemble:  L'Archibudelli,  Smithsonian Chamber Players
Period: Romantic 
Written: 1848; Denmark 
Date of Recording: 01/1986 
Venue:  Festeburg-Kirche, Frankfurt 
Length: 28 Minutes 34 Secs. 
199.
Historia, der freuden und gnadenreichen Geburth...Die Geburt unsers Herren Jesu Christi, SWV 435 by Heinrich Schütz
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Stuttgart Baroque Ensemble,  Cologne Musica Fiata,  Stuttgart Chamber Choir
Period: Baroque 
Written: 1664; Germany 
Date of Recording: 05/1990 
Venue:  Evangelische Kirche, Gönningen 
Length: 31 Minutes 39 Secs. 
200.
Die Auferstehung unsres Herren Jesu Christ, Op. 3/SWV 50 by Heinrich Schütz
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Stuttgart Baroque Ensemble,  Cologne Musica Fiata,  Stuttgart Chamber Choir
Period: Baroque 
Written: 1623-1627; Germany 
Date of Recording: 05/1990 
Venue:  Evangelische Kirche, Gönningen 
Length: 39 Minutes 31 Secs. 
201.
Symphoniae sacrae, Op. 10: Freuet euch des Herrn, SWV 367 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
202.
Symphoniae sacrae, Op. 10: Hütet euch, dass eure Herzen, SWV 351 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
203.
Symphoniae sacrae, Op. 10: Was betrübst du dich, SWV 353 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
204.
Symphoniae sacrae, Op. 10: Mein Seele erhebt..., SWV 344 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
205.
Symphoniae sacrae, Op. 10: Von Aufgang der Sonnen, SWV 362 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
206.
Symphoniae sacrae, Op. 10: Der Herr ist meine Stärke, SWV 345 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
207.
Symphoniae sacrae, Op. 10: Drei schöne Dinge seind, SWV 365 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
208.
Symphoniae sacrae, Op. 10: Ich danke dir, Herr..., SWV 347 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
209.
Symphoniae sacrae, Op. 10: Wie ein Rubin in feinem, SWV 357 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
210.
Symphoniae sacrae, Op. 10: Zweierlei bitte ich..., SWV 360 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
211.
Symphoniae sacrae, Op. 10: Frohlocket mit Händen, SWV 349 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
212.
Symphoniae sacrae, Op. 10: Es steh Gott auf, SWV 356 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
213.
Symphoniae sacrae, Op. 10: Herr, nun lässet du deinen Diener, SWV 352 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
214.
Symphoniae sacrae, Op. 10: Mein Herz ist bereit, SWV 341 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
215.
Symphoniae sacrae, Op. 10: Die, so ihr den Herren..., SWV 364 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
216.
Symphoniae sacrae, Op. 10: Lobet den Herrn in seinem Heiligtum, SWV 350 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
217.
Symphoniae sacrae, Op. 10: Iss dein Brot mit Freuden, SWV 358 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
218.
Symphoniae sacrae, Op. 10: Der Herr ist mein Licht, SWV 359 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
219.
Symphoniae sacrae, Op. 10: Herzlich lieb hab ich dich, o Herr, SWV 348 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
220.
Symphoniae sacrae, Op. 10: Herr, neige dein Himmel, SWV 361 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
221.
Symphoniae sacrae, Op. 10: Singet dem Herren, SWV 342 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
222.
Symphoniae sacrae, Op. 10: Von Gott will..., SWV 366 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
223.
Symphoniae sacrae, Op. 10: Lobet den Herrn..., SWV 363 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
224.
Symphoniae sacrae, Op. 10: Herr, unser Herrscher, SWV 343 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
225.
Symphoniae sacrae, Op. 10: Verleih uns Frieden..., SWV 354 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
226.
Symphoniae sacrae, Op. 10: Gib unserm Fürsten, SWV 355 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
227.
Symphoniae sacrae, Op. 10: Ich werde nicht sterben, SWV 346 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: 1647; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
228.
Vater Abraham, erbarme dich mein, SWV 477 by Heinrich Schütz
Conductor:  Roland Wilson
Orchestra/Ensemble:  Cologne Musica Fiata,  La Capella Ducale
Period: Baroque 
Written: by 1664; Germany 
Venue:  St. Amandus Church, Cologne, Germany 
Language: German 
229.
Quintet for 2 Violins, Viola and 2 Cellos in F minor, Op 42 no 1/G 348 by Luigi Boccherini
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1789; Spain 
230.
Quintet for 2 Violins, Viola and 2 Cellos in C major, Op. 42 no 2/G 349 by Luigi Boccherini
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1789; Spain 
231.
Stabat mater in G minor, Op. 61/G 532 by Luigi Boccherini
Performer:  Roberta Invernizzi (Soprano)
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: 1781; Spain 
232.
Mass no 1 in F major, D 105 by Franz Schubert
Performer:  Alexander Nader (Boy Soprano), Thomas Puchegger (Boy Soprano), Georg Leskovich (Boy Alto),
Arno Hartmann (Organ), Harry Van der Kamp (Bass), Kurt Azesberger (Tenor),
Jörg Hering (Tenor)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Chorus Viennensis,  Orchestra of the Age of Enlightenment,  Vienna Boys' Choir
Period: Romantic 
Written: 1814; Vienna, Austria 
Date of Recording: 09/1995 
Venue:  Casino Zögernitz, Vienna, Austria 
Language: Latin 
233.
Mass no 2 in G major, D 167 by Franz Schubert
Performer:  Harry Van der Kamp (Bass), Thomas Puchegger (Boy Soprano), Arno Hartmann (Organ),
Jörg Hering (Tenor)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Chorus Viennensis,  Orchestra of the Age of Enlightenment,  Vienna Boys' Choir
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 09/1995 
Venue:  Casino Zögernitz, Vienna, Austria 
Language: Latin 
234.
Mass no 3 in B flat major, D 324/Op. 141 by Franz Schubert
Performer:  Georg Leskovich (Boy Alto), Alexander Nader (Boy Soprano), Jörg Hering (Tenor),
Harry Van der Kamp (Bass), Arno Hartmann (Organ)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Chorus Viennensis,  Orchestra of the Age of Enlightenment,  Vienna Boys' Choir
Period: Romantic 
Written: 1815; Vienna, Austria 
Date of Recording: 09/1995 
Venue:  Casino Zangernitz, Vienna, Austria 
Length: 27 Minutes 41 Secs. 
Language: Latin 
235.
Mass no 4 in C major, D 452/Op. 48 by Franz Schubert
Performer:  Harry Van der Kamp (Bass), Thomas Puchegger (Boy Soprano), Belà Fischer (Boy Alto),
Jörg Hering (Tenor), Arno Hartmann (Organ)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Chorus Viennensis,  Orchestra of the Age of Enlightenment,  Vienna Boys' Choir
Period: Romantic 
Written: 1816; Vienna, Austria 
Date of Recording: 09/1995 
Venue:  Casino Zangernitz, Vienna, Austria 
Length: 21 Minutes 19 Secs. 
Language: Latin 
236.
Mass no 6 in E flat major, D 950 by Franz Schubert
Performer:  Harry Van der Kamp (Bass), Albin Lenzer (Boy Alto), Benjamin Schmidinger (Boy Soprano),
Kurt Azesberger (Tenor)
Conductor:  Bruno Weil
Orchestra/Ensemble:  Chorus Viennensis,  Orchestra of the Age of Enlightenment,  Vienna Boys' Choir
Period: Romantic 
Written: 1828; Vienna, Austria 
237.
Le nozze di Figaro, K 492: Harmonie arrangements by Wolfgang Amadeus Mozart
Performer:  Charles Neidich (Clarinet)
Orchestra/Ensemble:  Mozzafiato
Period: Classical 
Written: 1786; Vienna, Austria 
238.
Il barbiere di Siviglia: Harmonie arrangements by Gioachino Rossini
Performer:  Charles Neidich (Clarinet)
Orchestra/Ensemble:  Mozzafiato
Period: Romantic 
Written: 1816; Italy 
239.
Quintet for 2 Clarinets, 2 Horns and Bassoon in F major "Harmoniemusik" by Gioachino Rossini
Performer:  Charles Neidich (Clarinet)
Orchestra/Ensemble:  Mozzafiato
Period: Romantic 
Written: Italy 
Date of Recording: 1992 
Venue:  American Academy of Arts & Letters, NYC 
Length: 13 Minutes 28 Secs. 
240.
Sonata for Flute and Basso Continuo in E minor by Frederick the Great
Performer:  Bob van Asperen (Harpsichord), Barthold Kuijken (Flute)
Period: Classical 
Date of Recording: 03/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 7 Minutes 31 Secs. 
241.
Sonata for Flute and Basso Continuo in G major by Carl Heinrich Graun
Performer:  Wieland Kuijken (Cello), Bob van Asperen (Harpsichord), Barthold Kuijken (Flute)
Period: Baroque 
Written: 18th Century; Germany 
Date of Recording: 03/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 9 Minutes 25 Secs. 
242.
Sonata for Flute and Basso Continuo in G major by Johann Philipp Kirnberger
Performer:  Barthold Kuijken (Flute), Bob van Asperen (Harpsichord), Wieland Kuijken (Cello)
Period: Baroque 
Written: 18th Century; Germany 
Date of Recording: 03/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 7 Minutes 51 Secs. 
243.
Sonata for Flute and Basso Continuo in D major by Johann Gottfried Müthel
Performer:  Wieland Kuijken (Cello), Bob van Asperen (Harpsichord), Barthold Kuijken (Flute)
Period: Classical 
Written: 18th Century; Germany 
Date of Recording: 03/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 12 Minutes 48 Secs. 
244.
Sonata for flute (or violin) & continuo in E minor, L. III-57 by Franz Benda
Performer:  Barthold Kuijken (Flute), Wieland Kuijken (Cello), Bob van Asperen (Harpsichord)
Period: Classical 
Written: 1756 
245.
Sonata in C major by Johann Gottlieb Graun
Performer:  Wieland Kuijken (Cello), Bob van Asperen (Harpsichord), Barthold Kuijken (Flute)
Period: Baroque 
Written: 18th Century; Germany 
Date of Recording: 03/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 8 Minutes 18 Secs. 
246.
Sonata for Flute and Basso Continuo no 275 in B flat major, QV 1 no 161 by Johann Joachim Quantz
Performer:  Wieland Kuijken (Cello), Bob van Asperen (Harpsichord), Barthold Kuijken (Flute)
Period: Baroque 
Written: 18th Century; Germany 
Date of Recording: 03/1995 
Venue:  Baptist Church, Haarlem, Netherlands 
Length: 9 Minutes 23 Secs. 
247.
Toccata for Harpsichord in E minor by Matthias Weckmann
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: 17th Century; Germany 
Date of Recording: 06/12/1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
248.
Tombeau sur la mort de Monsieur Blancrocher, FbWV 632 by Johann Jacob Froberger
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: by 1652; Germany 
Date of Recording: 06/12/1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
249.
Libro quarto di toccate: Suite no 7 in E minor by Johann Jacob Froberger
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: by 1656; Germany 
Date of Recording: 06/12/1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
250.
Libro di capricci e ricercate: Capriccio no 12 in C/G by Johann Jacob Froberger
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: circa 1658; Germany 
Date of Recording: 06/12/1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
251.
Libro quarto di toccate: Ricercare no 5 in D minor by Johann Jacob Froberger
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: by 1656; Germany 
Date of Recording: 06/12/1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
252.
Suite for Keyboard no 3 in B minor by Matthias Weckmann
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: 17th Century; Germany 
Date of Recording: 06/12/1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
253.
Suite for Keyboard no 1 in D minor by Matthias Weckmann
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: 17th Century; Germany 
Date of Recording: 06/12/1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
254.
Suite for Keyboard no 2 in C minor by Matthias Weckmann
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: 17th Century; Germany 
Date of Recording: 06/12/1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
255.
Canzon for Keyboard no 4 in C major by Matthias Weckmann
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Date of Recording: 06/12/1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
256.
Toccata for Harpsichord no 1 in D minor by Matthias Weckmann
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: 17th Century; Germany 
Date of Recording: 06/12/1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
257.
Toccata for Keyboard no 4 in A minor by Matthias Weckmann
Performer:  Gustav Leonhardt (Harpsichord)
Period: Baroque 
Written: 17th Century; Germany 
Date of Recording: 06/12/1996 
Venue:  Lutheran Church, Haarlem, Netherlands 
258.
Quintet for Clarinet and String Quartet in B flat major, Op. 89 by Anton Reicha
Performer:  Lucy Van Dael (Violin), Charles Neidich (Clarinet), Anner Bylsma (Cello),
Jürgen Kussmaul (Viola), Vera Beths (Violin)
Orchestra/Ensemble:  L'Archibudelli
Period: Classical 
Written: by 1809; France 
259.
Quartet for Clarinet, Violin, Viola and Cello in E flat major, S 78/WoO 5 by Johann Nepomuk Hummel
Performer:  Anner Bylsma (Cello), Charles Neidich (Clarinet), Vera Beths (Violin),
Jürgen Kussmaul (Viola)
Orchestra/Ensemble:  L'Archibudelli
Period: Romantic 
Written: 1808 
260.
Quintet for Clarinet and Strings in B flat major, J 182/Op. 34 by Carl Maria von Weber
Performer:  Charles Neidich (Clarinet), Lucy Van Dael (Violin), Jürgen Kussmaul (Viola),
Anner Bylsma (Cello), Vera Beths (Violin)
Orchestra/Ensemble:  L'Archibudelli
Period: Romantic 
Written: 1815; Germany 
261.
Sanctus in eternis/Sanctus et ingenitus by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: circa 1400; Cyprus 
262.
Si doulchement mon ceur je sens souspris by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: circa 1400; Cyprus 
263.
Je suis trestout d'amour raimpli by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: 14th Century; Cyprus 
264.
Je prens d'amour by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: Cyprus 
265.
Gloria in excelsis by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
266.
Certes mout fu/Nous devons tresfort amer by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: circa 1400; Cyprus 
267.
Je prens plaisir en une dame by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: circa 1400; Cyprus 
268.
Motet "Credo in unum Deum" by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: circa 1400; Cyprus 
269.
Personet armonia by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: circa 1400; Cyprus 
270.
Si doulcement me fait amours/Nulz vrais amans by Anonymous
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Medieval 
Written: circa 1400; Cyprus 
271.
Vray dieu d'amours by Matthaeus Pipelare
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 04/1995 
Venue:  Begijnhofkerk, St. Truiden, Belgium 
Length: 9 Minutes 32 Secs. 
Language: French 
272.
Een vrouelic wesen by Matthaeus Pipelare
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 04/1995 
Venue:  Begijnhofkerk, St. Truiden, Belgium 
Length: 3 Minutes 45 Secs. 
Language: Dutch 
273.
Fors seulement by Matthaeus Pipelare
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 4/1995 
Venue:  Begijnhofkerk, St. Truiden, Belgium 
Length: 2 Minutes 10 Secs. 
Language: French 
274.
Fors seulement by Matthaeus Pipelare
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 4/1995 
Venue:  Begijnhofkerk, St. Truiden, Belgium 
Length: 1 Minutes 44 Secs. 
Language: Latin 
275.
Memorare Mater Christi by Matthaeus Pipelare
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 04/1995 
Venue:  Begijnhofkerk, St. Truiden, Belgium 
Length: 8 Minutes 0 Secs. 
Language: Latin 
276.
Missa "L'homme armé" by Matthaeus Pipelare
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: Netherlands (Holland 
Date of Recording: 04/1995 
Venue:  Begijnhofkerk, St. Truiden, Belgium 
Length: 31 Minutes 7 Secs. 
277.
El fuego by Mateo Flecha
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: 16th Century; Spain 
Date of Recording: 10/1990 
Venue:  Chapel, Irish College, Leuven, Belgium 
Length: 19 Minutes 22 Secs. 
Language: Spanish 
278.
La Negrina by Mateo Flecha
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: 16th Century 
Date of Recording: 12/1990 
Venue:  Chapel, Irish College, Leuven, Belgium 
Length: 16 Minutes 25 Secs. 
Language: Spanish 
279.
La justa by Mateo Flecha
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: 16th Century 
Date of Recording: 10/1990 
Venue:  Chapel, Irish College, Leuven, Belgium 
Length: 25 Minutes 2 Secs. 
Language: Spanish 
280.
Magnificat septimi toni a 4 by Costanzo Festa
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: 16th Century; Italy 
Language: Latin 
281.
Super flumina Babylonis by Costanzo Festa
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: 16th Century; Italy 
Language: Latin 
282.
Missa "Se congie pris": Kyrie by Costanzo Festa
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: 16th Century; Italy 
Language: Latin 
283.
Missa "Se congie pris": Gloria by Costanzo Festa
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: 16th Century; Italy 
Language: Latin 
284.
Constantia 'l vo' pur dire by Costanzo Festa
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: by 1540; Italy 
285.
E morta la speranza by Costanzo Festa
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: by 1537; Italy 
286.
Quando ritrovo la mia pastorella by Costanzo Festa
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: by 1541; Italy 
287.
Madonna ohimè by Costanzo Festa
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: by 1544; Italy 
288.
Chi vuol veder by Costanzo Festa
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: by 1549; Italy 
289.
Quis dabit oculis by Costanzo Festa
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: by 1514; Italy 
290.
Tribus miraculis by Costanzo Festa
Conductor:  Paul van Nevel
Orchestra/Ensemble:  Huelgas Ensemble
Period: Renaissance 
Written: by 1519; Italy 
291.
Rorate caeli desuper by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
Written: Scotland 
292.
Ecce virgo concipiet by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
293.
Veni, Redemptor gentium by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
294.
Veni, o sapientia by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
295.
Gaudens in domino by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
296.
Natus est Altissimi hodie filius by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
297.
Puer natus est nobis by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
298.
Nato canunt omnia by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
299.
Hodie Christus natus est by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
300.
Magnificat by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
301.
Puer natus in Bethlehem by Johann Stadlmayr
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Renaissance 
302.
Gloria laus et honor by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
303.
Nos autem by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
304.
Ubi caritas est vera by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
305.
Vespere autem sabbati by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
306.
Resurrexi et adhuc tecum sum by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
307.
Kyrie eleison by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
308.
Victimae paschali laudes by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
309.
Alleluia by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
310.
Surrexit Christus hodie by Leonhard Paminger
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Renaissance 
311.
Alleluia, Spiritus Domini by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
312.
Venite exsultemus Domino by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
313.
Spiritus Domini by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
314.
Veni sancte spiritus by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
315.
Factus est repente by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
316.
Psalm 67 by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
317.
Veni creator spiritus by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
Written: after 1300; France 
318.
Spiritus Paraclitus by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
319.
Hodie completi sunt by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
320.
Spiritus sancti gratia by Urban Loth
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Renaissance 
321.
Angelus Domini by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
322.
Ave Maria by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
323.
Sub tuum praesidium by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
324.
Mittit ad Virginem by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
325.
Agmina celsa sunt by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
326.
Gaudeamus omnes by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
327.
Concordi laetitia by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
328.
Ave maris stella by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
329.
Virgo prudentissima by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
330.
Maria mater gratiae by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
331.
Litaniae Lauretanae by Girolamo Giaccobbi
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Renaissance 
332.
Confitemini by Anonymous
Conductor:  Konrad Ruhland
Orchestra/Ensemble:  Niederaltaich Scholars
Period: Medieval 
333.
Das jüngste Gericht, BuxWV Anh 3 "Wacht! Euch zum Streit gefasset macht" by Dietrich Buxtehude
Conductor:  Roland Wilson
Orchestra/Ensemble:  La Capella Ducale,  Musica Fiata
Period: Baroque 
Written: Germany 
334.
Concerto for Cello in A minor, RV 418 by Antonio Vivaldi
Performer:  Anner Bylsma (Cello)
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 06/1990 
Venue:  Hervormde Kerk, Bennebroek, Netherlands 
Length: 9 Minutes 45 Secs. 
335.
Concerto for Strings in C major, RV 117 by Antonio Vivaldi
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 06/1990 
Venue:  Hervormde Kerk, Bennebroek, Netherlands 
Length: 5 Minutes 41 Secs. 
336.
Concerto for Strings in F minor, RV 143 by Antonio Vivaldi
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 06/1990 
Venue:  Hervormde Kerk, Bennebroek, Netherlands 
Length: 5 Minutes 26 Secs. 
337.
Concerto for Violin and Cello in B flat major, RV 547 by Antonio Vivaldi
Performer:  Anner Bylsma (Cello), Jeanne Lamon (Violin)
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 06/1990 
Venue:  Hervormde Kerk, Bennebroek, Netherlands 
Length: 8 Minutes 40 Secs. 
338.
Concerto for 2 Violins and 2 Cellos in G major, RV 575 by Antonio Vivaldi
Performer:  Christina Mahler (Cello), Stephen Marvin (Violin), Jeanne Lamon (Violin),
Anner Bylsma (Cello)
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 06/1990 
Venue:  Hervormde Kerk, Bennebroek, Netherlands 
Length: 10 Minutes 0 Secs. 
339.
Concerto for 4 Violins in D major, Op. 3 no 1/RV 549 by Antonio Vivaldi
Performer:  Christina Mahler (Cello), Jeanne Lamon (Violin), Chantal Rémillard (Violin),
Stephen Marvin (Violin), Cynthia Roberts (Violin)
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: 1711; Venice, Italy 
Date of Recording: 06/1990 
Venue:  Hervormde Kerk, Bennebroek, Netherlands 
Length: 7 Minutes 38 Secs. 
340.
Concerto for Cello in G major, RV 413 by Antonio Vivaldi
Performer:  Anner Bylsma (Cello)
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 06/1990 
Venue:  Hervormde Kerk, Bennebroek, Netherlands 
Length: 7 Minutes 52 Secs. 
341.
Concerto for Strings in E minor, RV 134 by Antonio Vivaldi
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 06/1990 
Venue:  Hervormde Kerk, Bennebroek, Netherlands 
Length: 5 Minutes 17 Secs. 
342.
Concerto for Strings in A major, RV 159 by Antonio Vivaldi
Conductor:  Jeanne Lamon
Orchestra/Ensemble:  Tafelmusik Baroque Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 06/1990 
Venue:  Hervormde Kerk, Bennebroek, Netherlands 
Length: 5 Minutes 2 Secs. 
343.
Du aber, Daniel, gehe hin, TV 4 no 17 by Georg Philipp Telemann
Performer:  Stephan MacLeod (Bass)
Conductor:  Stephan MacLeod
Orchestra/Ensemble:  Gli Angeli Geneve
Period: Baroque 
Written: 18th Century; Germany 
344.
Ach dass ich Wassers gnug hätte by Johann Christian Bach
Performer:  Stephan MacLeod (Bass)
Conductor:  Stephan MacLeod
Orchestra/Ensemble:  Gli Angeli Geneve
345.
Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer:  Stephan MacLeod (Bass)
Conductor:  Stephan MacLeod
Orchestra/Ensemble:  Gli Angeli Geneve
Period: Baroque 
Written: 1727; Cöthen, Germany 
346.
Jesu, meines Lebens Leben, BuxWV 62 by Dietrich Buxtehude
Performer:  Stephan MacLeod (Bass)
Conductor:  Stephan MacLeod
Orchestra/Ensemble:  Gli Angeli Geneve
Period: Baroque 
Written: Germany 
347.
Jauchzet dem Herren alle Welt by Nicolaus Bruhns
Performer:  Stephan MacLeod (Bass)
Conductor:  Stephan MacLeod
Orchestra/Ensemble:  Gli Angeli Geneve
Period: Baroque 
Written: 17th Century; Germany 

Customer Reviews

Average Customer Review:  4 Customer Reviews )
 Like a box of fine chocolates... September 17, 2017 By H. Ventura (Mililani, HI) See All My Reviews "The sixty CD’s contained in this box make up a wondrous collection. Even though I already have a few of these discs, this is too good an offer to pass up. Some 400 years of music are represented here. The performances are top notch and the recordings on period instruments are beyond expectation. Snap this up while available. By the way, in addition to the the beautifully crafted cube housing the collection, there is an enclosed booklet (it’s a book really!) of 239 pages which is well presented and informative. It covers each disc thoroughly with interesting side notes. An amazing read on its own. Enjoy this box of musical confections!" Report Abuse
 A Pleasant Surprise at an Excellent Price March 3, 2017 By Louis Galie (Leander, TX) See All My Reviews "I was largely unfamiliar with this budget label from SONY. The sound engineering is superb. The range of music on the 60 CDs goes from Gregorian Chant to Beethoven (and beyond). There are some very wll known artists as well as less known - but the playing ranges from very good to outstanding. I highly recommend this collection." Report Abuse
 Amazing set February 28, 2017 By Paul M. (Brooklyn, NY) See All My Reviews "For shear value this collection cannot be beat. It contains an exceptional assortment of music from some of the most well known composers of the medieval through romantic ages. The performances and recordings are all superior, with many being on period instruments. This is a most welcome set to my collection." Report Abuse
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