Notes and Editorial Reviews
Deutsche Grammophon is proud to celebrate its 111th birthday this year (December 6th, to be exact) and as part of the celebration will release a host of products designed to celebrate its rich history from the perspectives of both artistry and technology. Since its founding in 1898, Deutsche Grammophon has strived to be the leader in the classical music recording industry offering the most technologically advanced, highest quality recordings of the newest, brightest stars, as well as prominent, well-established artists. DG’s 111 celebration commemorates the label’s history (it is Universal Music Group’s oldest active label) and forward-thinking ideology (DG introduced the first commercial classical CD in 1983).
President
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Michael Lang said, “Deutsche Grammophon remains the preeminent classical recording company—presenting the finest in recorded music by the best artists—while anticipating and fulfilling the evolving interests of its old and new audiences. Deutsche Grammophon is poised for a vibrant future as remarkable as its storied past.”
This unique collection of 55 CDs forms Deutsche Grammophon’s major release in its 111th-anniversary celebrations. The limited-edition boxed set gathers together many landmark recordings from the past to the present. Most of them appear complete, as originally programmed, in their original cover-art, and several include additional material.
Boxed set contains:
Brahms: 21 Hungarian Dances / Abbado, Vienna Philharmonic
"The playing of the VPO under Abbado is altogether exhilarating and sparkles like a good champagne." -- Gramophone
Beethoven: Quartets Op. 59 no 1 & Op. 131 / Amadeus Quartet (currently only available as part of this box)
Chopin: Preludes, Piano Sonata No 2 / Martha Argerich
Ravel: Bolero, La Valse, Pavane, Daphnis Suite 2 / Barenboim, Orchestre de Paris
Debussy: Preludes Vol 1, Images / Arturo Benedetti Michelangeli
Bernstein Conducts West Side Story / Te Kanawa, Carreras
"This historic set is superb entertainment and great music-making on every level." -- Gramophone
Mozart: Requiem / Böhm, Mathis, Hamari, Ochmann, Ridderbusch
Stravinsky: Pétrouchka, Le Sacre Du Printemps / Boulez, Cleveland Orchestra
Vivaldi: Violin Concertos / Carmignola, Marcon, Venice Baroque Orchestra
"No one wrote more outlandish, outrageously challenging, audience-pleasing music for the violin than Vivaldi, and no one is better suited to show off its attributes than Carmignola." -- ClassicsToday.com
Opera Gala / Domingo, Giulini (currently only available as part of this box)
Mahler: Symphony No 5 / Dudamel, Simón Bolívar Youth Orchestra
"This is a thoughtful, thought-provoking performance. The accomplishment of this orchestra is little short of astonishing, and the synergy between orchestra and conductor is evident in every minute of this recording." -- Fanfare
Bach: The Art Of Fugue / Emerson String Quartet
"An ideal way to get to know Bach's last masterpiece." -- ClassicsToday.com
Schubert: Winterreise / Fischer-Dieskau, Moore
"Fischer-Dieskau and Moore were a dream partnership, both at the height of their powers when these recordings were made." -- MusicWeb International
Bach: 6 Suites For Solo Cello / Pierre Fournier [2 CDs]
"Fournier's Bach playing is crowned with an eloquence, a lyricism and a grasp both of the formal and stylistic content of the music which will not easily be matched." -- Gramophone
Verdi: Requiem / Ferenc Fricsay
Musik... Sprache Der Welt - Schumann: Symphony No 4; Haydn / Furtwängler, Berlin Philharmonic
"The Schumann is one of the classics of the gramophone: a vibrant performance." -- BBC Music
Monteverdi: Vespro Della Beata Vergine / John Eliot Gardiner [2 CDs]
Beethoven: Sonaten "Waldstein", "Les Adieux" / Emil Gilels
"Immediately establishes a claim to being one of the most desirable of all Beethoven piano sonata collections." -- Gramophone
Pachelbel: Canon & Gigue; Bach, Handel, Vivaldi / Goebel, Musica Antiqua Köln
Credo / Grimaud, Salonen, Swedish Radio
"Great fun, beautifully played, and a very cleverly assembled program that offers more than the sum of its highly diverse parts." -- ClassicsToday.com
Bach: Violin Concertos / Hahn, Kahane, Los Angeles CO
"This is Bach playing of truly extraordinary quality." -- ClassicsToday.com
Horowitz In Moscow
Orff: Carmina Burana / Jochum, Janowitz, Stolze, Berlin Deutsche Oper Orchestra
"Jochum's performance has consistently been a prime recommendation for this much-recorded piece. Listening to it again in the superbly remastered sound, one can easily hear why." -- Gramophone
Beethoven: Symphony No 9 / Karajan, Berlin Philharmonic
Beethoven: Piano Concertos No 4 & 5 / Kempff, Leitner, Berlin Philharmonic
Beethoven: Symphonies No 5 & 7 / Kleiber, Vienna Philharmonic
"It is wonderful to have these two legendary performances so expertly restored and placed together on one disc." -- Gramophone
Ah! Mio Cor - Handel Arias / Kožená, Marcon, Venice Baroque Orchestra
"One of the most satisfying Handel recitals, or even Baroque recitals, I have encountered in a long time. Kožená brings the listener deeply inside Handel’s genius." -- Fanfare
Dvo?ák: Symphonies Nos 8 & 9 / Kubelik, Berlin Philharmonic
"Kubelik's performances of the last Dvo?ák symphonies are also among the finest ever recorded, superbly played." -- Penguin Guide
Tchaikovsky, Mendelssohn: First Piano Concertos / Lang Lang, Barenboim, Chicago
Mendelssohn: Symphonies No 4 & 5 / Maazel, Berlin Philharmonic (currently only available as part of this box)
Adagio - Mischa Maisky
"Solo playing of the very first order." -- Gramophone
Berlioz: Symphonie Fantastique / Markevitch, Lamoureux
"This is a singularly compulsive reading -- a real performance, which grips this listener unreservedly." -- Gramophone
Praetorius: Mass For Christmas Morning / McCreesh, Gabrieli Consort & Players
"A refreshing antidote to all those unimaginative festive compilations, this beautifully presented disc demands your attention." -- MusicWeb International
Rameau - Une Symphonie Imaginaire / Minkowski, Les Musiciens du Louvre
"If you love Rameau's instrumental music, you will want this disc. It's really marvelous." -- ClassicsToday.com
Brahms: Violin Concerto, Double Concerto / Mutter, Meneses, Karajan, Berlin Philharmonic
Anna Netrebko - Opera Arias / Noseda, Vienna Philharmonic
"In her recital debut, Anna Netrebko sings an impressive and difficult collection of arias and comes off like a champion." -- Fanfare
Tchaikovsky: Violin Concerto; Wieniawski, Sarasate / David Oistrakh (currently only available as part of this box)
Lamenti - Monteverdi, Vivaldi, Purcell / Anne Sofie von Otter
"This fine and much-lauded artist adds to her laurels with this issue, which belies any doom and gloom suggested by its title with singing of an intensity of expression, subtlety of nuance and rich palette of vocal colour that leave one full of admiration. An outstanding disc." -- Gramophone
Vivaldi: Four Seasons / Standage, Pinnock, English Concert
Chopin: Nocturnes / Maria João Pires [2 CDs] (currently only available as part of this box)
Scarlatti: Sonaten / Ivo Pogorelich
Chopin: Etudes / Maurizio Pollini
"Splendidly fresh, vividly characterized accounts, masterly and with the sound eminently present." -- Penguin Guide
Evening Star - German Opera Arias / Thomas Quasthoff
"Thomas Quasthoff puts us in his debt with a recital wholly out of the ordinary, executed confidently in singing of such strength and beauty as to almost silence criticism." -- Gramophone
Bach: Mass In B Minor / Fischer-Dieskau, Richter, Munich Bach Orchestra [2 CDs]
Dvo?ák: Cello Concerto; Tchaikovsky / Rostropovich, Karajan, Berlin Philharmonic
"The Rostropovich/Karajan partnership is an inspired one and these are great performances." -- Gramophone
The Vagabond / Bryn Terfel
"One after another, these songs are brought to a full life. There is a boldness about Terfel's art that is marvellously well guided by musicianship, intelligence and the genuine flash of inspiration." -- Gramophone
Cielo e mar - Rolando Villazón
"This recital is simply glorious. Villazón's curiosity and musicianship set him apart in a crowded field. Bravo!" -- ClassicsToday.com
Bach: Organ Works / Helmut Walcha
"Walcha's carefully calculated interpretations create a genuine sense of organic unity and a deeply musical sense of line and phrase, which gains from felicitous registration using highly suitable organs, splendidly recorded." -- Penguin Guide
Schumann: Dichterliebe / Fritz Wunderlich
"One of the most beautiful lyric tenor voices of the 20th century." -- MusicWeb International
Liszt: Piano Concertos 1 & 2, Totentanz / Zimerman, Ozawa, Boston
Rachmaninov: Piano Concerto No 2, 6 Preludes / Sviatoslav Richter (currently only available as part of this box)
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Works on This Recording
4.
Boléro by Maurice Ravel
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Orchestre de Paris
Period: 20th Century
Written: 1928; France
5.
Pavane pour une infante défunte by Maurice Ravel
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Orchestre de Paris
Period: 20th Century
Written: 1899; France
6.
La valse by Maurice Ravel
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Orchestre de Paris
Period: 20th Century
Written: 1920; France
7.
Daphnis et Chloé Suite no 2 by Maurice Ravel
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Orchestre de Paris
Period: 20th Century
Written: 1913; France
14.
Navarra for 2 Violins and Piano, Op. 33 by Pablo de Sarasate
Performer:
David Oistrakh (Violin),
Igor Oistrakh (Violin)
Conductor:
Franz Konwitschny
Orchestra/Ensemble:
Leipzig Gewandhaus Orchestra
Period: Romantic
Written: 1899
26.
Préludes, Book 1 by Claude Debussy
Performer:
Arturo Benedetti Michelangeli (Piano)
Period: 20th Century
Written: 1909-1910; France
27.
Images for Piano, Set 1 by Claude Debussy
Performer:
Arturo Benedetti Michelangeli (Piano)
Period: 20th Century
Written: 1905; France
28.
Images for Piano, Set 2 by Claude Debussy
Performer:
Arturo Benedetti Michelangeli (Piano)
Period: 20th Century
Written: 1907; France
29.
West Side Story by Leonard Bernstein
Performer:
Marilyn Horne (Mezzo Soprano),
Louise Edeiken (Soprano),
José Carreras (Tenor),
Dame Kiri Te Kanawa (Soprano),
Nina Bernstein (Spoken Vocals),
Angelina Réaux (Soprano),
Stella Zambalis (Soprano),
David Livingston (Voice),
Marty Nelson (Voice),
Stephen Bogardus (Voice),
Alexander Bernstein (Spoken Vocals),
Kurt Ollmann (Baritone),
Tatiana Troyanos (Mezzo Soprano),
Peter Thom (Voice),
Tod Lester (Voice),
Richard Harrell (Voice)
Conductor:
Leonard Bernstein
Orchestra/Ensemble:
Orchestra,
Chorus
Period: 20th Century
Written: 1957; USA
Date of Recording: 09/1984
Venue: RCA Studio A, New York, NY
Length: 76 Minutes 36 Secs.
Language: English
30.
Requiem in D minor, K 626 by Wolfgang Amadeus Mozart
Performer:
Julia Hamari (Alto),
Karl Ridderbusch (Bass),
Edith Mathis (Soprano),
Wieslaw Ochman (Tenor)
Conductor:
Karl Böhm
Orchestra/Ensemble:
Vienna Philharmonic Orchestra,
Vienna State Opera Concert Choir
Period: Classical
Written: 1791; Vienna, Austria
Date of Recording: 1971
Length: 64 Minutes 26 Secs.
Language: Latin
31.
Pétrouchka by Igor Stravinsky
Conductor:
Pierre Boulez
Orchestra/Ensemble:
Cleveland Orchestra
Period: 20th Century
Written: Switzerland
Date of Recording: 03/1991
Venue: Masonic Auditorium, Cleveland
Length: 34 Minutes 58 Secs.
32.
Le sacre du printemps by Igor Stravinsky
Conductor:
Pierre Boulez
Orchestra/Ensemble:
Cleveland Orchestra
Period: 20th Century
Written: 1911-1913
Date of Recording: 03/1991
Venue: Masonic Auditorium, Cleveland
Length: 33 Minutes 29 Secs.
33.
Concerto for Violin in C major, RV 190 by Antonio Vivaldi
Performer:
Giuliano Carmignola (Violin)
Conductor:
Andrea Marcon
Orchestra/Ensemble:
Venice Baroque Orchestra
Period: Baroque
Written: Venice, Italy
Date of Recording: 01/2006
Venue: Gustav Mahler Hall, Toblach, Italy
Length: 14 Minutes 3 Secs.
34.
Concerto for Violin in D major, RV 217 by Antonio Vivaldi
Performer:
Giuliano Carmignola (Violin)
Conductor:
Andrea Marcon
Orchestra/Ensemble:
Venice Baroque Orchestra
Period: Baroque
Written: Venice, Italy
Date of Recording: 01/2006
Venue: Gustav Mahler Hall, Toblach, Italy
Length: 12 Minutes 29 Secs.
35.
Concerto for Violin in G minor, RV 331 by Antonio Vivaldi
Performer:
Giuliano Carmignola (Violin)
Conductor:
Andrea Marcon
Orchestra/Ensemble:
Venice Baroque Orchestra
Period: Baroque
Date of Recording: 01/2006
Venue: Gustav Mahler Hall, Toblach, Italy
Length: 12 Minutes 57 Secs.
36.
Concerto for Violin in G minor, RV 325 by Antonio Vivaldi
Performer:
Giuliano Carmignola (Violin)
Conductor:
Andrea Marcon
Orchestra/Ensemble:
Venice Baroque Orchestra
Period: Baroque
Written: Venice, Italy
Date of Recording: 01/2006
Venue: Gustav Mahler Hall, Toblach, Italy
Length: 7 Minutes 32 Secs.
37.
Concerto for Violin in G major, RV 303 by Antonio Vivaldi
Performer:
Giuliano Carmignola (Violin)
Conductor:
Andrea Marcon
Orchestra/Ensemble:
Venice Baroque Orchestra
Period: Baroque
Written: Venice, Italy
Date of Recording: 01/2006
Venue: Gustav Mahler Hall, Toblach, Italy
Length: 12 Minutes 20 Secs.
38.
L'Elisir d'Amore: Una furtiva lagrima by Gaetano Donizetti
Performer:
Placido Domingo (Tenor)
Conductor:
Carlo Maria Giulini
Orchestra/Ensemble:
Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1832; Italy
Language: Italian
39.
Lucia di Lammermoor: Fra poco a me ricovero by Gaetano Donizetti
Performer:
Placido Domingo (Tenor)
Conductor:
Carlo Maria Giulini
Orchestra/Ensemble:
Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1835; Italy
Language: Italian
41.
Il trovatore: Ah si, ben mio...Di quella pira by Giuseppe Verdi
Performer:
Placido Domingo (Tenor)
Conductor:
Carlo Maria Giulini
Orchestra/Ensemble:
Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1853; Italy
Language: Italian
42.
La juive: Rachel, quand du Seigneur by Jacques Halévy
Performer:
Placido Domingo (Tenor)
Conductor:
Carlo Maria Giulini
Orchestra/Ensemble:
Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1835; Paris, France
Language: French
43.
L'Africaine: O paradis sorti de l'onde by Giacomo Meyerbeer
Performer:
Placido Domingo (Tenor)
Conductor:
Carlo Maria Giulini
Orchestra/Ensemble:
Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1865; Germany
Language: French
44.
Les pęcheurs de perles: Je crois entendre encore by Georges Bizet
Performer:
Placido Domingo (Tenor)
Conductor:
Carlo Maria Giulini
Orchestra/Ensemble:
Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1863; France
Language: French
45.
Carmen: La fleur que tu m'avais jetée "Flower song" by Georges Bizet
Performer:
Placido Domingo (Tenor)
Conductor:
Carlo Maria Giulini
Orchestra/Ensemble:
Roger Wagner Chorale,
Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1873-1874; France
Language: German
46.
Aida: Celeste Aida by Giuseppe Verdi
Performer:
Placido Domingo (Tenor)
Conductor:
Carlo Maria Giulini
Orchestra/Ensemble:
Los Angeles Philharmonic Orchestra
Period: Romantic
Written: 1871; Italy
Language: Italian
47.
Symphony no 5 in C sharp minor by Gustav Mahler
Conductor:
Gustavo Dudamel
Orchestra/Ensemble:
Simon Bolivar Youth Orchestra of Venezuela
Period: Romantic
Written: 1901-1902; Vienna, Austria
Date of Recording: 02/2006
Venue: Aula Magna, Caracas, Venezuela
Length: 69 Minutes 25 Secs.
48.
The Art of Fugue, BWV 1080 by Johann Sebastian Bach
Performer:
Philip Setzer (Violin),
Eugene Drucker (Violin),
Lawrence Dutton (Viola),
David Finckel (Cello)
Orchestra/Ensemble:
Emerson String Quartet
Period: Baroque
Written: circa 1745-1750; Leipzig, Germany
Date of Recording: 2003
Venue: American Academy of Arts & Letters, NYC
Length: 80 Minutes 8 Secs.
49.
Winterreise, D 911/Op. 89 by Franz Schubert
Performer:
Dietrich Fischer-Dieskau (Baritone),
Gerald Moore (Piano)
Period: Romantic
Written: 1827; Vienna, Austria
Language: German
56.
Requiem Mass by Giuseppe Verdi
Performer:
Maria Stader (Soprano),
Marianna Radev (Alto),
Helmut Krebs (Tenor),
Kim Borg (Bass)
Conductor:
Ferenc Fricsay
Orchestra/Ensemble:
Berlin RIAS Chamber Chorus,
St. Hedwig's Cathedral Choir,
Berlin RIAS Symphony Orchestra
Period: Romantic
Written: 1874; Italy
Date of Recording: 09/1953
Venue: Jesus Christus Kirche, Berlin
Length: 75 Minutes 28 Secs.
Language: Latin
57.
Symphony no 4 in D minor, Op. 120 by Robert Schumann
Conductor:
Wilhelm Furtwängler
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Romantic
Written: 1851; Germany
Date of Recording: 05/14/1953
Venue: Live Jesus Christus Kirche, Berlin
Length: 30 Minutes 56 Secs.
58.
Symphony no 88 in G major, H 1 no 88 by Franz Joseph Haydn
Conductor:
Wilhelm Furtwängler
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Classical
Written: circa 1787 ; Eszterhazá, Hungary
Date of Recording: 12/05/1951
Venue: Live Jesus Christus Kirche, Berlin
Length: 21 Minutes 4 Secs.
59.
Vespro della Beata Vergine by Claudio Monteverdi
Performer:
Alastair Miles (Bass),
Nigel Robson (Tenor),
Sandro Naglia (Tenor),
Bryn Terfel (Bass),
Mark Tucker (Tenor),
Michael Chance (Countertenor),
Marinella Pennicchi (Soprano),
Ann Monoyios (Soprano)
Conductor:
John Eliot Gardiner
Orchestra/Ensemble:
English Baroque Soloists,
Monteverdi Choir,
His Majesties Sagbutts and Cornetts
...
Period: Baroque
Written: by 1610; Mantua, Italy
Date of Recording: 05/1989
Venue: Live St Mark's Basilica, Venice
Length: 105 Minutes 0 Secs.
Language: Latin
66.
Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: 1738-1739; Leipzig, Germany
Date of Recording: 1982
Venue: Friedrich Ebert Hall, Hamburg - Harburg
Length: 22 Minutes 8 Secs.
67.
Fantasia on an Ostinato by John Corigliano
Performer:
Hélčne Grimaud (Piano)
Period: 20th Century
Written: 1985; USA
Date of Recording: 09/2003
Venue: Sveriges Radio, Stockholm, Sweden
Length: 12 Minutes 4 Secs.
69.
Fantasia in C minor, Op. 80 "Choral Fantasy" by Ludwig van Beethoven
Performer:
Hélčne Grimaud (Piano)
Conductor:
Esa-Pekka Salonen
Orchestra/Ensemble:
Swedish Radio Symphony Orchestra,
Swedish Radio Chorus
Period: Classical
Written: 1808; Vienna, Austria
Date of Recording: 09/2003
Venue: Sveriges Radio, Stockholm, Sweden
Length: 19 Minutes 3 Secs.
Language: German
70.
Credo by Arvo Pärt
Performer:
Hélčne Grimaud (Piano)
Conductor:
Esa-Pekka Salonen
Orchestra/Ensemble:
Swedish Radio Symphony Orchestra,
Swedish Radio Chorus
Period: 20th Century
Written: 1968; Estonia
Date of Recording: 09/2003
Venue: Live Sveriges Radio, Stockholm, Sweden
Length: 15 Minutes 16 Secs.
Language: Latin
71.
Concerto for Violin no 2 in E major, BWV 1042 by Johann Sebastian Bach
Performer:
Hilary Hahn (Violin)
Conductor:
Jeffrey Kahane
Orchestra/Ensemble:
Los Angeles Chamber Orchestra
Period: Baroque
Written: 1717-1723; Cöthen, Germany
Date of Recording: 10/2002
Venue: Colburn School of Performing Arts, CA
Length: 16 Minutes 29 Secs.
72.
Concerto for 2 Violins in D minor, BWV 1043 by Johann Sebastian Bach
Performer:
Margaret Batjer (Violin),
Hilary Hahn (Violin)
Conductor:
Jeffrey Kahane
Orchestra/Ensemble:
Los Angeles Chamber Orchestra
Period: Baroque
Written: 1717-1723; Cöthen, Germany
Date of Recording: 10/2002
Venue: Colburn School of Performing Arts, CA
Length: 14 Minutes 18 Secs.
73.
Concerto for Violin no 1 in A minor, BWV 1041 by Johann Sebastian Bach
Performer:
Hilary Hahn (Violin)
Conductor:
Jeffrey Kahane
Orchestra/Ensemble:
Los Angeles Chamber Orchestra
Period: Baroque
Written: 1717-1723; Cöthen, Germany
Date of Recording: 01/2003
Venue: Colburn School of Performing Arts, CA
Length: 13 Minutes 29 Secs.
74.
Concerto for Oboe and Violin in C minor, BWV 1060 by Johann Sebastian Bach
Performer:
Allan Vogel (Oboe),
Hilary Hahn (Violin)
Conductor:
Jeffrey Kahane
Orchestra/Ensemble:
Los Angeles Chamber Orchestra
Period: Baroque
Date of Recording: 01/2003
Venue: Colburn School of Performing Arts, CA
Length: 13 Minutes 6 Secs.
75.
Sonata for Harpsichord in E major, K 380/L 23 by Domenico Scarlatti
Performer:
Vladimir Horowitz (Piano)
Period: Baroque
Written: 18th Century
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 4 Minutes 0 Secs.
76.
Sonata for Piano no 10 in C major, K 330 (300h) by Wolfgang Amadeus Mozart
Performer:
Vladimir Horowitz (Piano)
Period: Classical
Written: 1781-1783
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 17 Minutes 0 Secs.
82.
Soirées de Vienne (9) after Schubert, S 427: no 6 by Franz Liszt
Performer:
Vladimir Horowitz (Piano)
Period: Romantic
Written: 1852; Weimar, Germany
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 6 Minutes 33 Secs.
83.
Mazurkas (5) for Piano, B 61/Op. 7: no 3 in F minor by Frédéric Chopin
Performer:
Vladimir Horowitz (Piano)
Period: Romantic
Written: 1831; Vienna, Austria
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 2 Minutes 15 Secs.
85.
Kinderszenen, Op. 15: no 7, Träumerei by Robert Schumann
Performer:
Vladimir Horowitz (Piano)
Period: Romantic
Written: 1838; Germany
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 2 Minutes 24 Secs.
87.
Lachtäubchen (Behr) "Polka de W.R." by Sergei Rachmaninov
Performer:
Vladimir Horowitz (Piano)
Period: Romantic
Written: 1911
Date of Recording: 04/1986
Venue: Live Great Hall, Tchaikovsky Consv, Moscow
Length: 4 Minutes 4 Secs.
88.
Carmina burana by Carl Orff
Performer:
Gundula Janowitz (Soprano),
Gerhard Stolze (Tenor),
Dietrich Fischer-Dieskau (Baritone)
Conductor:
Eugen Jochum
Orchestra/Ensemble:
Schöneberg Boys Choir,
Berlin Deutsche Oper Chorus,
Berlin Deutsche Oper Orchestra
Period: 20th Century
Written: 1936; Germany
Date of Recording: 10/1967
Venue: UFA-Studio, Berlin, Germany
Length: 56 Minutes 15 Secs.
Language: Latin
89.
Symphony no 9 in D minor, Op. 125 "Choral" by Ludwig van Beethoven
Performer:
Walter Berry (Bass Baritone),
Gundula Janowitz (Soprano),
Hilde Rössl-Majdan (Mezzo Soprano),
Waldemar Kmentt (Tenor)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Berlin Philharmonic Orchestra,
Vienna Singverein
Period: Classical
Written: 1822-1824; Vienna, Austria
Date of Recording: 1962
Venue: Jesus Christus Kirche, Berlin
Length: 66 Minutes 47 Secs.
Language: German
90.
Coriolan Overture in C minor, Op. 62 by Ludwig van Beethoven
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Classical
Written: 1807; Vienna, Austria
Date of Recording: 09/1965
Venue: Jesus Christus Kirche, Berlin
Length: 9 Minutes 0 Secs.
91.
Concerto for Piano no 4 in G major, Op. 58 by Ludwig van Beethoven
Performer:
Wilhelm Kempff (Piano)
Conductor:
Ferdinand Leitner
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Classical
Written: 1806; Vienna, Austria
Date of Recording: 07/1961
Venue: UFA-Studio, Berlin, Germany
Length: 32 Minutes 34 Secs.
92.
Concerto for Piano no 5 in E flat major, Op. 73 "Emperor" by Ludwig van Beethoven
Performer:
Wilhelm Kempff (Piano)
Conductor:
Ferdinand Leitner
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Classical
Written: 1809; Vienna, Austria
Date of Recording: 07/1961
Venue: UFA-Studio, Berlin, Germany
Length: 38 Minutes 26 Secs.
93.
Symphony no 5 in C minor, Op. 67 by Ludwig van Beethoven
Conductor:
Carlos Kleiber
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Classical
Written: 1807
Date of Recording: 1974
Venue: Musikverein, Vienna, Austria
Length: 33 Minutes 22 Secs.
94.
Symphony no 7 in A major, Op. 92 by Ludwig van Beethoven
Conductor:
Carlos Kleiber
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Classical
Written: 1811-1812; Vienna, Austria
Venue: Musikverein, Vienna, Austria
Length: 38 Minutes 36 Secs.
95.
Alcina, HWV 34: Ah! mio cor! schemito sei! by George Frideric Handel
Performer:
Magdalena Kozená (Mezzo Soprano)
Conductor:
Andrea Marcon
Orchestra/Ensemble:
Venice Baroque Orchestra
Period: Baroque
Written: 1735; London, England
96.
Giulio Cesare, HWV 17: Cara speme, questo core by George Frideric Handel
Performer:
Magdalena Kozená (Mezzo Soprano)
Conductor:
Andrea Marcon
Orchestra/Ensemble:
Venice Baroque Orchestra
Period: Baroque
Written: 1724; London, England
97.
Joshua, HWV 64: O had I Jubal's lyre by George Frideric Handel
Performer:
Magdalena Kozená (Mezzo Soprano)
Conductor:
Andrea Marcon
Orchestra/Ensemble:
Venice Baroque Orchestra
Period: Baroque
Written: 1748; London, England
100.
Ariodante, HWV 33: Dopo notte by George Frideric Handel
Performer:
Magdalena Kozená (Mezzo Soprano)
Conductor:
Andrea Marcon
Orchestra/Ensemble:
Venice Baroque Orchestra
Period: Baroque
Written: 1734-1735; London, England
102.
Hercules, HWV 60: Where shall I fly? by George Frideric Handel
Performer:
Magdalena Kozená (Mezzo Soprano)
Conductor:
Andrea Marcon
Orchestra/Ensemble:
Venice Baroque Orchestra
Period: Baroque
Written: 1744; London, England
103.
Agrippina, HWV 6: Pensieri, voi mi tormente by George Frideric Handel
Performer:
Magdalena Kozená (Mezzo Soprano)
Conductor:
Andrea Marcon
Orchestra/Ensemble:
Venice Baroque Orchestra
Period: Baroque
Written: 1709; Venice, Italy
104.
Theodora, HWV 68: With Darkness deep by George Frideric Handel
Performer:
Magdalena Kozená (Mezzo Soprano)
Conductor:
Andrea Marcon
Orchestra/Ensemble:
Venice Baroque Orchestra
Period: Baroque
Written: 1749-1750; London, England
106.
Symphony no 8 in G major, Op. 88/B 163 by Antonín Dvorák
Conductor:
Rafael Kubelik
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Romantic
Written: 1889; Bohemia
Date of Recording: 06/1966
Venue: Jesus Christus Kirche, Berlin
Length: 35 Minutes 44 Secs.
108.
Concerto for Piano no 1 in B flat minor, Op. 23 by Peter Ilyich Tchaikovsky
Performer:
Lang Lang (Piano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Chicago Symphony Orchestra
Period: Romantic
Written: Russia
Date of Recording: 02/2003
Venue: Orchestra Hall, Chicago, Illinois
Length: 38 Minutes 25 Secs.
109.
Concerto for Piano no 1 in G minor, Op. 25 by Felix Mendelssohn
Performer:
Lang Lang (Piano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Chicago Symphony Orchestra
Period: Romantic
Written: 1831; Germany
Date of Recording: 02/2003
Venue: Orchestra Hall, Chicago, Illinois
Length: 20 Minutes 50 Secs.
110.
Carnival of the animals: no 13, The swan by Camille Saint-Saëns
Performer:
Mischa Maisky (Cello)
Conductor:
Semyon Bychkov
Orchestra/Ensemble:
Orchestre de Paris
Period: Romantic
Written: 1886; France
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 3 Minutes 57 Secs.
111.
Elégie for Cello and Piano, Op. 24 by Gabriel Fauré
Performer:
Mischa Maisky (Cello)
Conductor:
Semyon Bychkov
Orchestra/Ensemble:
Orchestre de Paris
Period: Romantic
Written: 1880; France
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 6 Minutes 26 Secs.
112.
Adagio con variazioni for Cello and Orchestra by Ottorino Respighi
Performer:
Mischa Maisky (Cello)
Conductor:
Semyon Bychkov
Orchestra/Ensemble:
Orchestre de Paris
Period: 20th Century
Written: 1920; Rome, Italy
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 12 Minutes 54 Secs.
114.
Chant du ménéstrel, Op. 71 by Alexander Glazunov
Performer:
Mischa Maisky (Cello)
Conductor:
Semyon Bychkov
Orchestra/Ensemble:
Orchestre de Paris
Written: 1900
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 4 Minutes 29 Secs.
116.
Kol Nidrei for Cello and Orchestra, Op. 47 by Max Bruch
Performer:
Mischa Maisky (Cello)
Conductor:
Semyon Bychkov
Orchestra/Ensemble:
Orchestre de Paris
Period: Romantic
Written: 1881; Liverpool, England
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 10 Minutes 49 Secs.
117.
Romance for Cello and Orchestra in F major, AV 75 by Richard Strauss
Performer:
Mischa Maisky (Cello)
Conductor:
Semyon Bychkov
Orchestra/Ensemble:
Orchestre de Paris
Period: Romantic
Written: 1883; Germany
Date of Recording: 06/1991
Venue: Salle Wagram, Paris
Length: 12 Minutes 45 Secs.
119.
Symphonie fantastique, Op. 14 by Hector Berlioz
Conductor:
Igor Markevitch
Orchestra/Ensemble:
Lamoureux Concerts Association Orchestra
Period: Romantic
Written: 1830; France
Date of Recording: 01/1961
Venue: Salle de la Mutualité, Paris
Length: 52 Minutes 12 Secs.
120.
Anacréon: Overture by Luigi Cherubini
Conductor:
Igor Markevitch
Orchestra/Ensemble:
Lamoureux Concerts Association Orchestra
Period: Classical
Written: 1803; France
Date of Recording: 01/1961
Venue: Salle de la Mutualité, Paris
Length: 9 Minutes 44 Secs.
121.
La muette de Portici: Overture by Daniel-François Auber
Conductor:
Igor Markevitch
Orchestra/Ensemble:
Lamoureux Concerts Association Orchestra
Period: Romantic
Written: 1828; France
Date of Recording: 01/1961
Venue: Salle de la Mutualité, Paris
Length: 8 Minutes 18 Secs.
122.
Christum wir sollen loben schon by Martin Luther
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: 16th Century; Germany
Language: German
124.
Wir gläuben all an einen Gott by Martin Luther
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: 16th Century; Germany
125.
Resonet in laudibus by Anonymous
Performer:
Timothy Roberts (Organ)
Period: Renaissance
Written: circa 1470
128.
Puer natus in Bethlehem by Michael Praetorius
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players,
Roskilde Cathedral Boys' Choir
Period: Renaissance
Written: by 1619; Germany
Language: Latin
129.
Polyhymnia caduceatrix et panegyrica: Missa gantz Teudsch - Kyrie by Michael Praetorius
Performer:
Sarah Pendlebury (Soprano),
Tessa Bonner (Soprano),
Tom Phillips (Tenor),
Angus Smith (Tenor)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: by 1619; Germany
Language: German
130.
Polyhymnia caduceatrix et panegyrica: Missa gantz Teudsch - Gloria by Michael Praetorius
Performer:
Tessa Bonner (Soprano),
Robert Horn (Tenor),
Angus Smith (Tenor),
Sarah Pendlebury (Soprano),
Tom Phillips (Tenor),
Simon Grant (Bass),
Julian Podger (Tenor),
Stephen Charlesworth (Bass)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: by 1619; Germany
Language: German
133.
Musae Sioniae, Book 5: Vom Himmel hoch da komm ich her by Michael Praetorius
Performer:
Simon Grant (Bass),
Donald Greig (Baritone)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players,
Roskilde Cathedral Boys' Choir
Period: Renaissance
Written: by 1607; Germany
Language: German
134.
So schreibt der heilige Lukas by Michael Praetorius
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: Germany
Language: German
135.
Quem pastores by Michael Praetorius
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players,
Roskilde Cathedral Boys' Choir
Period: Renaissance
Written: Germany
Language: Latin
136.
Vater unser im Himmelreich by Michael Praetorius
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: by 1612; Germany
Language: German
137.
Polyhymnia caduceatrix et panegyrica: Jesaja dem Propheten das geschah by Michael Praetorius
Performer:
Susan Hemington Jones (Soprano),
Angus Smith (Tenor),
Constanze Backes (Soprano),
Sarah Pendlebury (Soprano),
Donald Greig (Baritone),
Mark Le Brocq (Tenor),
Simon Grant (Bass),
Tessa Bonner (Soprano)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: by 1619; Germany
Language: German
138.
Wie schön leuchtet der Morgenstern by Michael Praetorius
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: by 1619; Germany
Language: German
139.
Musae Sioniae, Book 6: Uns ist ein Kindlein heut geborn by Michael Praetorius
Performer:
Sarah Pendlebury (Soprano),
Hannelore Devaere (Harp)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players
Period: Renaissance
Written: by 1609; Germany
Language: German
141.
Musae Sioniae, Book 6: Puer nobis nascitur by Michael Praetorius
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players,
Roskilde Cathedral Boys' Choir
Period: Renaissance
Written: by 1609; Germany
Language: Latin
143.
In dulci jubilo by Michael Praetorius
Performer:
Susan Hemington Jones (Soprano),
Mark Le Brocq (Tenor),
Tessa Bonner (Soprano)
Conductor:
Paul McCreesh
Orchestra/Ensemble:
Gabrieli Consort,
Gabrieli Players,
Roskilde Cathedral Boys' Choir
Period: Renaissance
Written: by 1619; Germany
Language: Latin
144.
Zaďs: Overture by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 5 Minutes 47 Secs.
145.
Castor et Pollux: Scčne funčbre by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1737; Paris, France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 3 Minutes 25 Secs.
146.
Les fętes d'Hébé: Air "Revenez tendre amant" by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1739; Paris, France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 1 Minutes 53 Secs.
147.
Dardanus: Tambourins I and II by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1739/1744; France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 1 Minutes 51 Secs.
148.
Le temple de la gloire: Air tendre pour les Muses by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1745; France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 4 Minutes 25 Secs.
149.
Les Boréades: Contredanse en rondeau by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 3 Minutes 6 Secs.
150.
La naissance d'Osiris: Air gracieux by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: by 1754; France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 2 Minutes 19 Secs.
151.
Platée: Orage by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1745; France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 2 Minutes 32 Secs.
152.
Les Boréades: Prélude by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 1 Minutes 19 Secs.
153.
Nouvelles suites de pičces de clavecin: no 11, La poule by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: circa 1729-1730; France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 4 Minutes 31 Secs.
154.
Les fętes d'Hébé: Musette en Rondeau by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1739; Paris, France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 3 Minutes 22 Secs.
155.
Hippolyte et Aricie: Ritournelle by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1733; France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 2 Minutes 9 Secs.
157.
Les Boréades: Entrée des Polymnie by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 6 Minutes 5 Secs.
158.
Les Indes galantes: Chaconne by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1735/1761; France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 6 Minutes 17 Secs.
159.
Les Boréades: Gavotte pour les heures et les zéphirs by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: 1764; France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 2 Minutes 44 Secs.
160.
Naďs: Rigaudons I and II by Jean-Philippe Rameau
Conductor:
Marc Minkowski
Orchestra/Ensemble:
Les Musiciens du Louvre
Period: Baroque
Written: by 1749; France
Date of Recording: 06/2003
Venue: Live Salle Moličre, Théâtre de Poissy, France
Length: 2 Minutes 22 Secs.
161.
Concerto for Violin in D major, Op. 77 by Johannes Brahms
Performer:
Anne-Sophie Mutter (Violin)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Romantic
Written: 1878; Austria
Date of Recording: 09/1981
Venue: Philharmonie, Berlin
Length: 40 Minutes 19 Secs.
162.
Concerto for Violin and Cello in A minor, Op. 102 "Double" by Johannes Brahms
Performer:
Anne-Sophie Mutter (Violin),
Antonio Meneses (Cello)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Romantic
Written: 1887; Austria
Date of Recording: 02/1983
Venue: Philharmonie, Berlin
Length: 34 Minutes 45 Secs.
163.
Idomeneo, K 366: Padre, germani, addio by Wolfgang Amadeus Mozart
Performer:
Anna Netrebko (Soprano)
Conductor:
Gianandrea Noseda
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Classical
Written: 1781; Munich, Germany
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 7 Minutes 23 Secs.
Language: Italian
164.
Don Giovanni, K 527: Crudele?...Non mi dir, bell' idol mio by Wolfgang Amadeus Mozart
Performer:
Anna Netrebko (Soprano)
Conductor:
Gianandrea Noseda
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 6 Minutes 37 Secs.
Language: Italian
165.
Benvenuto Cellini: Entre l'amour et le devoir by Hector Berlioz
Performer:
Anna Netrebko (Soprano)
Conductor:
Gianandrea Noseda
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Romantic
Written: 1834-1837; France
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 7 Minutes 44 Secs.
Language: French
166.
La sonnambula: Come per me sereno...Sovra il sen by Vincenzo Bellini
Performer:
Anna Netrebko (Soprano)
Conductor:
Gianandrea Noseda
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Romantic
Written: 1831; Italy
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 7 Minutes 44 Secs.
Language: French
167.
Manon: Obéissons quand leur voix appelle "Gavotte" by Jules Massenet
Performer:
Anna Netrebko (Soprano)
Conductor:
Gianandrea Noseda
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Romantic
Written: 1883-1884; France
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 6 Minutes 35 Secs.
Language: French
168.
Lucia di Lammermoor: Regnava nel silenzio by Gaetano Donizetti
Performer:
Anna Netrebko (Soprano)
Conductor:
Gianandrea Noseda
Orchestra/Ensemble:
Vienna State Opera Chorus,
Vienna Philharmonic Orchestra
Period: Romantic
Written: 1835; Italy
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 12 Minutes 42 Secs.
Language: Italian
169.
Faust: Ah! je ris de me voir si belle "Jewel Song" by Charles Gounod
Performer:
Anna Netrebko (Soprano)
Conductor:
Gianandrea Noseda
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Romantic
Written: 1859; France
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 6 Minutes 28 Secs.
Language: French
170.
Rusalka, Op. 114/B 203: O moon high up "Song to the moon" by Antonín Dvorák
Performer:
Anna Netrebko (Soprano)
Conductor:
Gianandrea Noseda
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Romantic
Written: 1900; Bohemia
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 5 Minutes 7 Secs.
Language: Czech
171.
La Bohčme: Quando m'en vo' soletta "Musetta's Waltz" by Giacomo Puccini
Performer:
Anna Netrebko (Soprano)
Conductor:
Gianandrea Noseda
Orchestra/Ensemble:
Vienna Philharmonic Orchestra
Period: Romantic
Written: 1896; Italy
Date of Recording: 03/2003
Venue: Great Hall, Music Hall, Vienna
Length: 2 Minutes 39 Secs.
Language: Italian
172.
Madrigals, Book 7: Con che soavitŕ, labbra odorate by Claudio Monteverdi
Performer:
Dane Roberts (Violone),
Florian Deuter (Violin),
Reinhard Goebel (Violin),
Anne Sofie von Otter (Mezzo Soprano),
Christian Rieger (Harpsichord),
Michael Dücker (Theorbo),
Michael Freimuth (Theorbo),
Joachim Fiedler (Cello),
Victoria Gunn (Viola),
Markus Möllenbeck (Cello)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1619; Italy
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 4 Minutes 42 Secs.
Language: Italian
173.
Lasciatemi morire "Lamento d'Arianna a 1" by Claudio Monteverdi
Performer:
Jakob Lindberg (Theorbo),
Anne Sofie von Otter (Mezzo Soprano)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1623; Italy
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 11 Minutes 8 Secs.
Language: Italian
174.
Lamento della Regina d'Inghilterra by Antonio Bertali
Performer:
Christian Rieger (Harpsichord),
Markus Möllenbeck (Cello),
Wolfgang von Kessinger (Viola),
Reinhard Goebel (Viola),
Victoria Gunn (Viola),
Franz-Joseph Selig (Bass),
Anne Sofie von Otter (Mezzo Soprano)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 15 Minutes 24 Secs.
Language: Italian
175.
Balletti e correnti a 5, Op. 16: Il Ballo del Gran Duca "Corrente Nona" by Giovanni Legrenzi
Performer:
Christian Rieger (Harpsichord),
Michael Dücker (Theorbo),
Markus Möllenbeck (Cello),
Wolfgang von Kessinger (Viola),
Victoria Gunn (Viola),
Reinhard Goebel (Violin),
Florian Deuter (Violin)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Italy
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 3 Minutes 19 Secs.
176.
Cessate omai cessate, RV 684 by Antonio Vivaldi
Performer:
Ulrike Kunze (Violin),
Markus Möllenbeck (Cello),
Dane Roberts (Violone),
Christian Rieger (Harpsichord),
Wolfgang von Kessinger (Viola),
Anne Sofie von Otter (Mezzo Soprano),
Florian Deuter (Violin),
Laura Johnson (Violin),
Andrea Keller (Violin),
Sebastian Griewisch (Violin),
Volker Möller (Violin),
Victoria Gunn (Viola),
Gerhard Peters (Violin),
Joachim Fiedler (Cello)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: Venice, Italy
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 10 Minutes 52 Secs.
Language: Italian
177.
Incassum, Lesbia, rogas, Z 383 "Queen's Epicedium" by Henry Purcell
Performer:
Markus Möllenbeck (Cello),
Anne Sofie von Otter (Mezzo Soprano),
Christian Rieger (Positive)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1695; England
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 7 Minutes 27 Secs.
Language: Latin
178.
O solitude, my sweetest choice, Z 406 by Henry Purcell
Performer:
Anne Sofie von Otter (Mezzo Soprano),
Jakob Lindberg (Theorbo)
Conductor:
Reinhard Goebel
Orchestra/Ensemble:
Musica Antiqua Cologne
Period: Baroque
Written: by 1687; England
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 4 Minutes 58 Secs.
Language: English
179.
Chaconne by Alessandro Piccinini
Performer:
Jakob Lindberg (Theorbo)
Period: Baroque
Written: Italy
Date of Recording: 1997
Venue: German Radio Transmitting Hall, Cologne
Length: 1 Minutes 52 Secs.
186.
Concerto for 2 Violins in G major, RV 516 by Antonio Vivaldi
Performer:
Simon Standage (Violin),
Elizabeth Wilcock (Violin)
Conductor:
Trevor Pinnock
Orchestra/Ensemble:
English Concert
Period: Baroque
Written: Venice, Italy
202.
Sonata for Harpsichord in B minor, K 87/L 33 by Domenico Scarlatti
Performer:
Ivo Pogorelich (Piano)
Period: Baroque
Written: 18th Century
Date of Recording: 09/1991
Venue: Beethovensaal, Hanover
Length: 6 Minutes 21 Secs.
215.
Zar und Zimmermann: O sancta justitia! by Albert Lortzing
Performer:
Thomas Quasthoff (Bass Baritone)
Conductor:
Christian Thielemann
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1837; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 6 Minutes 32 Secs.
Language: German
216.
Zar und Zimmermann: Den Hohen Herrscher...Heil sei dem Tag by Albert Lortzing
Performer:
Thomas Quasthoff (Bass Baritone)
Conductor:
Christian Thielemann
Orchestra/Ensemble:
Berlin Deutsche Oper Chorus,
Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1837; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 9 Minutes 37 Secs.
Language: German
217.
Zar und Zimmermann: Sonst spielt ich mit Szepter by Albert Lortzing
Performer:
Thomas Quasthoff (Bass Baritone)
Conductor:
Christian Thielemann
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1837; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 5 Minutes 18 Secs.
Language: German
218.
Der Wildschütz: Fünftausend Taler by Albert Lortzing
Performer:
Thomas Quasthoff (Bass Baritone)
Conductor:
Christian Thielemann
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1842; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 5 Minutes 17 Secs.
Language: German
219.
Der Wildschütz: Lass Er doch hören...Bei diesem schliemmen Fall by Albert Lortzing
Performer:
Christiane Oelze (Soprano),
Thomas Quasthoff (Bass Baritone)
Conductor:
Christian Thielemann
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1842; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 8 Minutes 6 Secs.
Language: German
220.
Der Wildschütz: Wie freundlich strahlt die holde Morgensonne by Albert Lortzing
Performer:
Thomas Quasthoff (Bass Baritone)
Conductor:
Christian Thielemann
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1842; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 4 Minutes 49 Secs.
Language: German
221.
Tannhäuser: Gar viel und schön by Richard Wagner
Performer:
Thomas Quasthoff (Bass Baritone)
Conductor:
Christian Thielemann
Orchestra/Ensemble:
Berlin Deutsche Oper Chorus,
Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1845/1861; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 6 Minutes 59 Secs.
Language: German
222.
Tannhäuser: O, du mein holder Abendstern by Richard Wagner
Performer:
Thomas Quasthoff (Bass Baritone)
Conductor:
Christian Thielemann
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1845/1861; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 5 Minutes 29 Secs.
Language: German
223.
Die schweigsame Frau, Op. 80: Wie schön ist doch die Musik by Richard Strauss
Performer:
Thomas Quasthoff (Bass Baritone)
Conductor:
Christian Thielemann
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1933-1934; Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 4 Minutes 2 Secs.
Language: German
224.
Euryanthe, J 291/Op. 81: Wo berg'ich mich?...Und er soll by Carl Maria von Weber
Performer:
Thomas Quasthoff (Bass Baritone)
Conductor:
Christian Thielemann
Orchestra/Ensemble:
Berlin Deutsche Oper Orchestra
Period: Romantic
Written: 1822-1823; Dresden, Germany
Date of Recording: 09/2001
Venue: Great Hall, Philharmonie, Berlin
Length: 9 Minutes 9 Secs.
Language: German
225.
Mass in B minor, BWV 232 by Johann Sebastian Bach
Performer:
Dietrich Fischer-Dieskau (Baritone),
Kieth Engen (Bass),
Maria Stader (Soprano),
Hertha Töpper (Alto)
Conductor:
Karl Richter
Orchestra/Ensemble:
Munich Bach Orchestra
Period: Baroque
Written: 1747-49; Leipzig, Germany
Date of Recording: 1961
Venue: Munich, Germany
Language: Latin
226.
Concerto for Cello in B minor, Op. 104/B 191 by Antonín Dvorák
Performer:
Mstislav Rostropovich (Cello)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Romantic
Written: 1894-1895; USA
Date of Recording: 09/1968
Venue: Jesus Christus Kirche, Berlin
Length: 41 Minutes 21 Secs.
227.
Variations for Cello and Orchestra on a Rococo theme, Op. 33 by Peter Ilyich Tchaikovsky
Performer:
Mstislav Rostropovich (Cello)
Conductor:
Herbert von Karajan
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Romantic
Written: 1876; Russia
Date of Recording: 09/1968
Venue: Jesus Christus Kirche, Berlin
Length: 18 Minutes 53 Secs.
228.
Songs of travel by Ralph Vaughan Williams
Performer:
Bryn Terfel (Bass Baritone),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1901-1904; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 3 Minutes 14 Secs.
Language: English
229.
Sea fever by John Ireland
Performer:
Bryn Terfel (Bass Baritone),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1913; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 2 Minutes 20 Secs.
Language: English
230.
The vagabond by John Ireland
Performer:
Malcolm Martineau (Piano),
Bryn Terfel (Bass Baritone)
Period: 20th Century
Written: England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 1 Minutes 57 Secs.
Language: English
231.
Bells of San Marie by John Ireland
Performer:
Bryn Terfel (Bass Baritone),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1919; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 2 Minutes 40 Secs.
Language: English
232.
Let us garlands bring, Op. 18 by Gerald Finzi
Performer:
Malcolm Martineau (Piano),
Bryn Terfel (Bass Baritone)
Period: 20th Century
Written: England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 3 Minutes 58 Secs.
Language: English
233.
Songs (6) from A Shropshire Lad by George Butterworth
Performer:
Bryn Terfel (Bass Baritone),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1911; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 2 Minutes 40 Secs.
Language: English
234.
Bredon Hill and Other Songs: Bredon Hill by George Butterworth
Performer:
Malcolm Martineau (Piano),
Bryn Terfel (Bass Baritone)
Period: 20th Century
Written: 1912; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 4 Minutes 44 Secs.
Language: English
235.
Bredon Hill and Other Songs: Oh fair enough are sky and plain by George Butterworth
Performer:
Bryn Terfel (Bass Baritone),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1912; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 3 Minutes 17 Secs.
Language: English
236.
Bredon Hill and Other Songs: When the lad for longing sighs by George Butterworth
Performer:
Bryn Terfel (Bass Baritone),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1912; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 1 Minutes 44 Secs.
Language: English
237.
Bredon Hill and Other Songs: On the idle hill of summer by George Butterworth
Performer:
Bryn Terfel (Bass Baritone),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1912; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 3 Minutes 8 Secs.
Language: English
238.
Bredon Hill and Other Songs: With rue my heart is laden by George Butterworth
Performer:
Bryn Terfel (Bass Baritone),
Malcolm Martineau (Piano)
Period: 20th Century
Written: 1912; England
Date of Recording: 02/1995
Venue: Henry Wood Hall, London, England
Length: 1 Minutes 54 Secs.
Language: English
239.
La Gioconda: Cielo e mar by Amilcare Ponchielli
Performer:
Rolando Villazón (Tenor)
Conductor:
Daniele Callegari
Orchestra/Ensemble:
Verdi Grand Symphonic Orchestra Milan
Written: 1876
Length: 5 Minutes 14 Secs.
240.
Adriana Lecouvreur: La dolcissima effigie by Francesco Cilča
Performer:
Rolando Villazón (Tenor)
Conductor:
Daniele Callegari
Orchestra/Ensemble:
Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1902; Italy
Length: 2 Minutes 9 Secs.
241.
Il giuramento: Bella adorata incognita by Saverio Mercadante
Performer:
Rolando Villazón (Tenor)
Conductor:
Daniele Callegari
Orchestra/Ensemble:
Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1837; Italy
Length: 4 Minutes 12 Secs.
242.
Mefistofele: Dai campi, dai prati by Arrigo Boito
Performer:
Rolando Villazón (Tenor)
Conductor:
Daniele Callegari
Orchestra/Ensemble:
Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1868; Italy
Length: 2 Minutes 33 Secs.
243.
Maristella: Io conosco un giardino by Giuseppe Pietri
Performer:
Rolando Villazón (Tenor)
Conductor:
Daniele Callegari
Orchestra/Ensemble:
Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1934; Italy
Length: 2 Minutes 1 Secs.
244.
Fosca: Intenditi con Dio..Ah, se tu sei fra gli angeli by Antonio Carlos Gomes
Performer:
Rolando Villazón (Tenor)
Conductor:
Daniele Callegari
Orchestra/Ensemble:
Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1873/1878; Milan, Italy
Length: 5 Minutes 1 Secs.
246.
Poliuto: Sfolgoro divino raggio by Gaetano Donizetti
Performer:
Rolando Villazón (Tenor),
Gianluca Alfano (Baritone)
Conductor:
Daniele Callegari
Orchestra/Ensemble:
Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1838; Italy
Length: 8 Minutes 24 Secs.
248.
Adriana Lecouvreur: L'anima ho stanca by Francesco Cilča
Performer:
Rolando Villazón (Tenor)
Conductor:
Daniele Callegari
Orchestra/Ensemble:
Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1902; Italy
Length: 1 Minutes 48 Secs.
249.
Il figliuol prodigo: Il padre mio...Tenda natal by Amilcare Ponchielli
Performer:
Rolando Villazón (Tenor)
Conductor:
Daniele Callegari
Orchestra/Ensemble:
Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Length: 4 Minutes 40 Secs.
250.
Mefistofele: Giunto sul passo estremo by Arrigo Boito
Performer:
Rolando Villazón (Tenor)
Conductor:
Daniele Callegari
Orchestra/Ensemble:
Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1868; Italy
Length: 2 Minutes 37 Secs.
251.
Luisa Miller: Quando le sere al placido by Giuseppe Verdi
Performer:
Rolando Villazón (Tenor)
Conductor:
Daniele Callegari
Orchestra/Ensemble:
Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1849; Italy
Length: 5 Minutes 35 Secs.
252.
Luisa Miller: L'ara o l'avello apprestami by Giuseppe Verdi
Performer:
Rolando Villazón (Tenor),
Gianluca Alfano (Baritone)
Conductor:
Daniele Callegari
Orchestra/Ensemble:
Verdi Chorus Milan,
Verdi Grand Symphonic Orchestra Milan
Period: Romantic
Written: 1849; Italy
Length: 3 Minutes 17 Secs.
261.
Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach
Performer:
Helmut Walcha (Organ)
Period: Baroque
Written: by 1708; Germany
Venue: St. Laurens Church, Alkmaar, Netherlands
263.
Dichterliebe, Op. 48 by Robert Schumann
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Romantic
Written: 1840; Germany
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
264.
Zärtliche Liebe, WoO 123 "Ich liebe dich" by Ludwig van Beethoven
Performer:
Hubert Giesen (Piano),
Fritz Wunderlich (Tenor)
Period: Classical
Written: 1794-1795; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
265.
Adelaide, Op. 46 by Ludwig van Beethoven
Performer:
Hubert Giesen (Piano),
Fritz Wunderlich (Tenor)
Period: Classical
Written: 1794-1795; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
266.
Resignation, WoO 149 by Ludwig van Beethoven
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Classical
Written: 1817; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
267.
Der Kuss, Op. 128 by Ludwig van Beethoven
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Classical
Written: ?1822; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
268.
An Sylvia, D 891/Op. 106 no 4 by Franz Schubert
Performer:
Fritz Wunderlich (Tenor),
Hubert Giesen (Piano)
Period: Romantic
Written: 1826; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
270.
Liebhaber in allen Gestalten, D 558 by Franz Schubert
Performer:
Hubert Giesen (Piano),
Fritz Wunderlich (Tenor)
Period: Romantic
Written: 1817; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
271.
Der Einsame, D 800 by Franz Schubert
Performer:
Hubert Giesen (Piano),
Fritz Wunderlich (Tenor)
Period: Romantic
Written: 1825; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
272.
Im Abendrot, D 799 by Franz Schubert
Performer:
Hubert Giesen (Piano),
Fritz Wunderlich (Tenor)
Period: Romantic
Written: 1824-1825; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
273.
Schwanengesang, D 957: no 4, Ständchen by Franz Schubert
Performer:
Hubert Giesen (Piano),
Fritz Wunderlich (Tenor)
Period: Romantic
Written: Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
274.
An die Laute, D 905/Op. 81 no 2 by Franz Schubert
Performer:
Hubert Giesen (Piano),
Fritz Wunderlich (Tenor)
Period: Romantic
Written: 1827; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
275.
Der Musensohn, D 764/Op. 92 no 1 by Franz Schubert
Performer:
Hubert Giesen (Piano),
Fritz Wunderlich (Tenor)
Period: Romantic
Written: 1822; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
276.
An die Musik, D 547 by Franz Schubert
Performer:
Hubert Giesen (Piano),
Fritz Wunderlich (Tenor)
Period: Romantic
Written: 1817; Vienna, Austria
Date of Recording: 1965
Venue: Academy of Music, Munich, Germany
Language: German
278.
Concerto for Piano no 2 in A major, S 125 by Franz Liszt
Performer:
Krystian Zimerman (Piano)
Conductor:
Seiji Ozawa
Orchestra/Ensemble:
Boston Symphony Orchestra
Period: Romantic
Written: 1839/1861; Weimar, Germany
279.
Totentanz, S 126 by Franz Liszt
Performer:
Krystian Zimerman (Piano)
Conductor:
Seiji Ozawa
Orchestra/Ensemble:
Boston Symphony Orchestra
Period: Romantic
Written: 1849/1859; Weimar, Germany
Sound Samples
Hungarian Dance No.1 in G minor
Hungarian Dance No.2 in D minor - Orchestrated by Johan Andreas Hallén (1846-1925)
Hungarian Dance No.3 in F
Hungarian Dance No.4 in F sharp minor - Orchestrated by Paul Juon (1872-1940)
Hungarian Dance No.5 in G minor - Orchestrated by Martin Schmeling (?-1943)
Hungarian Dance No.6 in D flat - Orchestrated by Martin Schmeling (?-1943)
Hungarian Dance No.7 in F Hungarian Dance No. 7 in A - Orchestrated by Martin Schmeling (?-1943)
Hungarian Dance No.8 in A minor - Orchestrated by Hans Gál (1890-1987)
Hungarian Dance No.9 in E minor - Orchestrated by Hans Gál (1890-1987)
Hungarian Dance No.10 in F
String Quartet No.14 in C sharp minor, Op.131: 6. Adagio quasi un poco andante
String Quartet No.14 in C sharp minor, Op.131: 7. Allegro
Hungarian Dance No.11 in D minor - Orchestrated by Albert Parlow (?-1888)
Hungarian Dance No.12 in D minor
Hungarian Dance No.13 in D
Hungarian Dance No.14 in D minor - Orchestrated by Albert Parlow (?-1888)
Hungarian Dance No.15 in B flat - Orchestrated by Albert Parlow (?-1888)
Hungarian Dance No.16 in F minor / major - Orchestrated by Albert Parlow
Hungarian Dance No.17 in F sharp minor - Orchestrated by A. Dvorák (1841-1904)
Hungarian Dance No.18 in D - Orchestrated by A. Dvorák (1841-1904)
Hungarian Dance No.19 in B minor
Hungarian Dance No.20 in E minor - Orchestrated by Antonín Dvorák
Hungarian Dance No.21 in E minor
String Quartet No.7 In F, Op.59 No.1 - "Rasumovsky No.1": 1. Allegro
String Quartet No.7 In F, Op.59 No.1 - "Rasumovsky No.1": 2. Allegretto vivace e sempre scherzando
String Quartet No.7 In F, Op.59 No.1 - "Rasumovsky No.1": 3. Adagio molto e mesto
String Quartet No.7 In F, Op.59 No.1 - "Rasumovsky No.1": 4. Thčme russe (Allegro)
String Quartet No.14 in C sharp minor, Op.131: 1. Adagio ma non troppo e molto espressivo
String Quartet No.14 in C sharp minor, Op.131: 2. Allegro molto vivace
String Quartet No.14 in C sharp minor, Op.131: 3. Allegro moderato
String Quartet No.14 in C sharp minor, Op.131: 4. Andante ma non troppo e molto cantabile - Piů mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto
String Quartet No.14 in C sharp minor, Op.131: 5. Presto
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