111 Years Of Deutsche Grammophon [55-CD Set]

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111 Years Of Deutsche Grammophon [55-CD Set]

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Release Date: 10/20/2009
Label: Deutsche Grammophon Catalog #: 001341002 Spars Code: DDD
Composer: Johannes Brahms, Ludwig van Beethoven, Maurice Ravel, Felix Mendelssohn, Peter Ilyich Tchaikovsky,
Henri Wieniawski, Pablo de Sarasate, Sergei Rachmaninov, Frédéric Chopin,
Claude Debussy, Leonard Bernstein, Wolfgang Amadeus Mozart, Igor Stravinsky,
Antonio Vivaldi, Gaetano Donizetti, Giuseppe Verdi, Jacques Halévy,
Giacomo Meyerbeer, Georges Bizet, Gustav Mahler, Johann Sebastian Bach,
Franz Schubert, Robert Schumann, Franz Joseph Haydn, Claudio Monteverdi,
Johann Pachelbel, George Frideric Handel, John Corigliano, Arvo Pärt,
Domenico Scarlatti, Alexander Scriabin, Franz Liszt, Moritz Moszkowski,
Carl Orff, Antonín Dvorák, Camille Saint-Saëns, Gabriel Fauré,
Ottorino Respighi, Alexander Glazunov, Max Bruch, Richard Strauss,
Hector Berlioz, Luigi Cherubini, Daniel-François Auber, Martin Luther,
Anonymous, Samuel Scheidt, Johann Hermann Schein, Michael Praetorius,
Jean-Philippe Rameau, Vincenzo Bellini, Jules Massenet, Charles Gounod,
Giacomo Puccini, Antonio Bertali, Giovanni Legrenzi, Henry Purcell,
Alessandro Piccinini, Albert Lortzing, Richard Wagner, Carl Maria von Weber,
Ralph Vaughan Williams, John Ireland, Gerald Finzi, George Butterworth,
Amilcare Ponchielli, Francesco Cilèa, Saverio Mercadante, Arrigo Boito,
Giuseppe Pietri, Antonio Carlos Gomes
Performer: David Oistrakh, Igor Oistrakh, Sviatoslav Richter, Martha Argerich, Arturo Benedetti Michelangeli,
Marilyn Horne, Louise Edeiken, José Carreras, Dame Kiri Te Kanawa,
Nina Bernstein, Angelina Réaux, Stella Zambalis, David Livingston,
Marty Nelson, Stephen Bogardus, Alexander Bernstein, Kurt Ollmann,
Tatiana Troyanos, Peter Thom, Tod Lester, Richard Harrell,
Julia Hamari, Karl Ridderbusch, Edith Mathis, Wieslaw Ochman,
Giuliano Carmignola, Placido Domingo, Philip Setzer, Eugene Drucker,
Lawrence Dutton, David Finckel, Dietrich Fischer-Dieskau, Gerald Moore,
Pierre Fournier, Maria Stader, Marianna Radev, Helmut Krebs,
Kim Borg, Marinella Pennicchi, Michael Chance, Mark Tucker,
Bryn Terfel, Sandro Naglia, Nigel Robson, Alastair Miles,
Ann Monoyios, Emil Gilels, Hélène Grimaud, Hilary Hahn,
Margaret Batjer, Allan Vogel, Vladimir Horowitz, Gundula Janowitz,
Gerhard Stolze, Walter Berry, Hilde Rössl-Majdan, Waldemar Kmentt,
Wilhelm Kempff, Magdalena Kozená, Lang Lang, Mischa Maisky,
Timothy Roberts, Sarah Pendlebury, Tessa Bonner, Tom Phillips,
Angus Smith, Robert Horn, Simon Grant, Julian Podger,
Stephen Charlesworth, Donald Greig, Susan Hemington Jones, Constanze Backes,
Mark Le Brocq, Hannelore Devaere, Anne-Sophie Mutter, Antonio Meneses,
Anna Netrebko, Dane Roberts, Florian Deuter, Reinhard Goebel,
Anne Sofie von Otter, Christian Rieger, Michael Dücker, Michael Freimuth,
Joachim Fiedler, Victoria Gunn, Markus Möllenbeck, Jakob Lindberg,
Wolfgang von Kessinger, Franz-Joseph Selig, Ulrike Kunze, Laura Johnson,
Andrea Keller, Sebastian Griewisch, Volker Möller, Gerhard Peters,
Simon Standage, David Reichenberg, Elizabeth Wilcock, Maria-Joao Pires,
Ivo Pogorelich, Maurizio Pollini, Thomas Quasthoff, Christiane Oelze,
Kieth Engen, Hertha Töpper, Mstislav Rostropovich, Malcolm Martineau,
Rolando Villazón, Gianluca Alfano, Helmut Walcha, Fritz Wunderlich,
Hubert Giesen, Krystian Zimerman
Conductor: Claudio Abbado, Daniel Barenboim, Lorin Maazel, Franz Konwitschny, Leonard Bernstein,
Karl Böhm, Pierre Boulez, Andrea Marcon, Carlo Maria Giulini,
Gustavo Dudamel, Ferenc Fricsay, Wilhelm Furtwängler, John Eliot Gardiner,
Reinhard Goebel, Esa-Pekka Salonen, Jeffrey Kahane, Eugen Jochum,
Herbert von Karajan, Ferdinand Leitner, Carlos Kleiber, Rafael Kubelik,
Semyon Bychkov, Igor Markevitch, Paul McCreesh, Marc Minkowski,
Gianandrea Noseda, Trevor Pinnock, Christian Thielemann, Karl Richter,
Daniele Callegari, Seiji Ozawa
Orchestra/Ensemble: Vienna Philharmonic Orchestra, Amadeus String Quartet, Orchestre de Paris, Berlin Philharmonic Orchestra,
Dresden Staatskapelle, Leipzig Gewandhaus Orchestra, Warsaw National Philharmonic Orchestra,
Orchestra, Chorus, Vienna State Opera Concert Choir,
Cleveland Orchestra, Venice Baroque Orchestra, Los Angeles Philharmonic Orchestra,
Roger Wagner Chorale, Simon Bolivar Youth Orchestra of Venezuela, Emerson String Quartet,
Berlin RIAS Chamber Chorus, St. Hedwig's Cathedral Choir, Berlin RIAS Symphony Orchestra,
English Baroque Soloists, Monteverdi Choir, His Majesties Sagbutts and Cornetts,
London Oratory Junior Choir, Musica Antiqua Cologne, Swedish Radio Symphony Orchestra,
Swedish Radio Chorus, Los Angeles Chamber Orchestra, Schöneberg Boys Choir,
Berlin Deutsche Oper Chorus, Berlin Deutsche Oper Orchestra, Vienna Singverein,
Chicago Symphony Orchestra, Lamoureux Concerts Association Orchestra, Gabrieli Consort,
Gabrieli Players, Roskilde Cathedral Boys' Choir, Les Musiciens du Louvre,
Vienna State Opera Chorus, English Concert, Munich Bach Orchestra,
Verdi Grand Symphonic Orchestra Milan, Verdi Chorus Milan, Boston Symphony Orchestra

Number of Discs: 55

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Notes & Reviews	Back to Top

THE COLLECTOR’S EDITION - 55-CD boxed set Deutsche Grammophon is proud to celebrate its 111th birthday this year (December 6th, to be exact) and as part of the celebration will release a host of products designed to celebrate its rich history from the perspectives of both artistry and technology. Since its founding in 1898, Deutsche Grammophon has strived to be the leader in the classical music recording industry offering the most technologically advanced, highest quality recordings of the newest, brightest stars, as well as prominent, well-established artists. DG’s 111 celebration commemorates the label’s history (it is Universal Music Group’s oldest active label) and forward-thinking ideology (DG introduced the first commercial classical CD in 1983). President Michael Lang said, “Deutsche Grammophon remains the preeminent classical recording company—presenting the finest in recorded music by the best artists—while anticipating and fulfilling the evolving interests of its old and new audiences. Deutsche Grammophon is poised for a vibrant future as remarkable as its storied past.” This unique collection of 55 CDs forms Deutsche Grammophon’s major release in its 111th-anniversary celebrations. The limited-edition boxed set gathers together many landmark recordings from the past to the present. Most of them appear complete, as originally programmed, in their original cover-art, and several include additional material. Boxed set contains: Brahms: 21 Hungarian Dances / Abbado, Vienna Philharmonic "The playing of the VPO under Abbado is altogether exhilarating and sparkles like a good champagne." -- Gramophone Beethoven: Quartets Op. 59 no 1 & Op. 131 / Amadeus Quartet (not currently available) Chopin: Preludes, Piano Sonata No 2 / Martha Argerich Ravel: Bolero, La Valse, Pavane, Daphnis Suite 2 / Barenboim, Orchestre de Paris Debussy: Preludes Vol 1, Images / Michelangeli Bernstein Conducts West Side Story / Te Kanawa, Carreras "This historic set is superb entertainment and great music-making on every level." -- Gramophone Mozart: Requiem / Böhm, Mathis, Hamari, Ochmann, Ridderbusch Stravinsky: Pétrouchka, Le Sacre Du Printemps / Boulez, Cleveland Orchestra Vivaldi: Violin Concertos / Carmignola, Marcon, Venice Baroque Orchestra "No one wrote more outlandish, outrageously challenging, audience-pleasing music for the violin than Vivaldi, and no one is better suited to show off its attributes than Carmignola." -- ClassicsToday.com Opera Gala / Domingo, Giulini (not currently available) Mahler: Symphony No 5 / Dudamel, Simón Bolívar Youth Orchestra "This is a thoughtful, thought-provoking performance. The accomplishment of this orchestra is little short of astonishing, and the synergy between orchestra and conductor is evident in every minute of this recording." -- Fanfare Bach: The Art Of Fugue / Emerson String Quartet "An ideal way to get to know Bach's last masterpiece." -- ClassicsToday.com Schubert: Winterreise / Fischer-Dieskau, Moore "Fischer-Dieskau and Moore were a dream partnership, both at the height of their powers when these recordings were made." -- MusicWeb International Bach: 6 Suites For Solo Cello / Pierre Fournier [2 CDs] "Fournier's Bach playing is crowned with an eloquence, a lyricism and a grasp both of the formal and stylistic content of the music which will not easily be matched." -- Gramophone Verdi: Requiem / Ferenc Fricsay Musik... Sprache Der Welt - Schumann: Symphony No 4; Haydn / Furtwängler, Berlin Philharmonic "The Schumann is one of the classics of the gramophone: a vibrant performance." -- BBC Music Monteverdi: Vespro Della Beata Vergine / Gardiner [2 CDs] Beethoven: Sonaten "Waldstein", "Les Adieux" / Emil Gilels "Immediately establishes a claim to being one of the most desirable of all Beethoven piano sonata collections." -- Gramophone Pachelbel: Canon & Gigue; Bach, Handel, Vivaldi / Goebel, Musica Antiqua Köln Credo / Hélène Grimaud, Esa-Pekka Salonen, Swedish Radio "Great fun, beautifully played, and a very cleverly assembled program that offers more than the sum of its highly diverse parts." -- ClassicsToday.com Bach: Violin Concertos / Hahn, Kahane, Los Angeles CO "This is Bach playing of truly extraordinary quality." -- ClassicsToday.com Horowitz In Moscow Orff: Carmina Burana / Jochum, Janowitz, Stolze, Berlin Deutsche Oper Orchestra "Jochum's performance has consistently been a prime recommendation for this much-recorded piece. Listening to it again in the superbly remastered sound, one can easily hear why." -- Gramophone Beethoven: Symphony No 9 / Karajan, Berlin Philharmonic Beethoven: Piano Concertos No 4 & 5 / Kempff, Leitner, Berlin Philharmonic Beethoven: Symphonies No 5 & 7 / Kleiber, Vienna Philharmonic "It is wonderful to have these two legendary performances so expertly restored and placed together on one disc." -- Gramophone Ah! Mio Cor - Handel Arias / Kožená, Marcon, Venice Baroque Orchestra "One of the most satisfying Handel recitals, or even Baroque recitals, I have encountered in a long time. Kožená brings the listener deeply inside Handel’s genius." -- Fanfare Dvořák: Symphonies Nos 8 & 9 / Kubelik, Berlin Philharmonic "Kubelik's performances of the last Dvořák symphonies are also among the finest ever recorded, superbly played." -- Penguin Guide Tchaikovsky, Mendelssohn: First Piano Concertos / Lang Lang, Barenboim, Chicago Mendelssohn: Symphonies No 4 & 5 / Maazel, Berlin Philharmonic (not currently available) Adagio - Mischa Maisky "Solo playing of the very first order." -- Gramophone Berlioz: Symphonie Fantastique / Markevitch, Lamoureux "This is a singularly compulsive reading -- a real performance, which grips this listener unreservedly." -- Gramophone Praetorius: Mass For Christmas Morning / McCreesh, Gabrieli Consort & Players "A refreshing antidote to all those unimaginative festive compilations, this beautifully presented disc demands your attention." -- MusicWeb International Rameau - Une Symphonie Imaginaire / Minkowski, Les Musiciens du Louvre "If you love Rameau's instrumental music, you will want this disc. It's really marvelous." -- ClassicsToday.com Brahms: Violin Concerto, Double Concerto / Mutter, Meneses, Karajan, Berlin Philharmonic Anna Netrebko - Opera Arias / Noseda, Vienna Philharmonic "In her recital debut, Anna Netrebko sings an impressive and difficult collection of arias and comes off like a champion." -- Fanfare Tchaikovsky: Violin Concerto; Wieniawski, Sarasate / David Oistrakh (not currently available) Lamenti - Monteverdi, Vivaldi, Purcell / Anne Sofie von Otter "This fine and much-lauded artist adds to her laurels with this issue, which belies any doom and gloom suggested by its title with singing of an intensity of expression, subtlety of nuance and rich palette of vocal colour that leave one full of admiration. An outstanding disc." -- Gramophone Vivaldi: Four Seasons / Standage, Pinnock, English Concert Chopin: Nocturnes / Maria João Pires [2 CDs] (not currently available) Scarlatti: Sonaten / Ivo Pogorelich Chopin: Etudes / Maurizio Pollini "Splendidly fresh, vividly characterized accounts, masterly and with the sound eminently present." -- Penguin Guide Evening Star - German Opera Arias / Thomas Quasthoff "Thomas Quasthoff puts us in his debt with a recital wholly out of the ordinary, executed confidently in singing of such strength and beauty as to almost silence criticism." -- Gramophone Bach: Mass In B Minor / Fischer-Dieskau, Richter, Munich Bach Orchestra [2 CDs] Dvořák: Cello Concerto; Tchaikovsky / Rostropovich, Karajan, Berlin Philharmonic "The Rostropovich/Karajan partnership is an inspired one and these are great performances." -- Gramophone The Vagabond / Bryn Terfel "One after another, these songs are brought to a full life. There is a boldness about Terfel's art that is marvellously well guided by musicianship, intelligence and the genuine flash of inspiration." -- Gramophone Cielo e mar - Rolando Villazón "This recital is simply glorious. Villazón's curiosity and musicianship set him apart in a crowded field. Bravo!" -- ClassicsToday.com Bach: Organ Works / Helmut Walcha "Walcha's carefully calculated interpretations create a genuine sense of organic unity and a deeply musical sense of line and phrase, which gains from felicitous registration using highly suitable organs, splendidly recorded." -- Penguin Guide Schumann: Dichterliebe / Fritz Wunderlich "One of the most beautiful lyric tenor voices of the 20th century." -- MusicWeb International Liszt: Piano Concertos 1 & 2, Totentanz / Zimerman, Ozawa, Boston Rachmaninov: Piano Concerto No 2, 6 Preludes / Sviatoslav Richter (not currently available)


Works on This Recording			Back to Top

1.	Hungarian Dances (21) for Orchestra, WoO 1 by Johannes Brahms
	Conductor: Claudio Abbado Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Romantic Written: 1868-1880; Austria


2.	Quartet for Strings no 7 in F major, Op. 59 no 1 "Razumovsky" by Ludwig van Beethoven
	Orchestra/Ensemble: Amadeus String Quartet Period: Classical Written: 1805-1806; Vienna, Austria


3.	Quartet for Strings no 14 in C sharp minor, Op. 131 by Ludwig van Beethoven
	Conductor: Daniel Barenboim Orchestra/Ensemble: Orchestre de Paris Period: Classical Written: 1826; Vienna, Austria


4.	Boléro by Maurice Ravel
	Conductor: Daniel Barenboim Orchestra/Ensemble: Orchestre de Paris Period: 20th Century Written: 1928; France


5.	Pavane pour une infante défunte by Maurice Ravel
	Conductor: Daniel Barenboim Orchestra/Ensemble: Orchestre de Paris Period: 20th Century Written: 1899; France


6.	La valse by Maurice Ravel
	Conductor: Daniel Barenboim Orchestra/Ensemble: Orchestre de Paris Period: 20th Century Written: 1920; France


7.	Daphnis et Chloé Suite no 2 by Maurice Ravel
	Conductor: Daniel Barenboim Orchestra/Ensemble: Orchestre de Paris Period: 20th Century Written: 1913; France


8.	Symphony no 4 in A major, Op. 90 "Italian" by Felix Mendelssohn
	Conductor: Lorin Maazel Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1833; Germany


9.	Symphony no 5 in D major, Op. 107 "Reformation" by Felix Mendelssohn
	Conductor: Lorin Maazel Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1832; Germany


10.	Concerto for Violin in D major, Op. 35 by Peter Ilyich Tchaikovsky
	Performer: David Oistrakh (Violin) Conductor: Franz Konwitschny Period: Romantic Written: 1878; Russia


11.	Etudes-Caprices (8) for 2 Violins, Op. 18: no 2 in E flat major by Henri Wieniawski
	Performer: David Oistrakh (Violin), Igor Oistrakh (Violin) Orchestra/Ensemble: Dresden Staatskapelle Period: Romantic Written: 1863; St. Petersburg, Russ


12.	Etudes-Caprices (8) for 2 Violins, Op. 18: no 4 in A minor by Henri Wieniawski
	Performer: David Oistrakh (Violin), Igor Oistrakh (Violin) Period: Romantic Written: 1863; St. Petersburg, Russ


13.	Etudes-Caprices (8) for 2 Violins, Op. 18: no 5 in E flat major by Henri Wieniawski
	Performer: David Oistrakh (Violin), Igor Oistrakh (Violin) Period: Romantic Written: 1863; St. Petersburg, Russ


14.	Navarra for 2 Violins and Piano, Op. 33 by Pablo de Sarasate
	Performer: David Oistrakh (Violin), Igor Oistrakh (Violin) Conductor: Franz Konwitschny Orchestra/Ensemble: Leipzig Gewandhaus Orchestra Period: Romantic Written: 1899


15.	Concerto for Piano no 2 in C minor, Op. 18 by Sergei Rachmaninov
	Performer: Sviatoslav Richter (Piano) Orchestra/Ensemble: Warsaw National Philharmonic Orchestra Period: Romantic Written: Russia


16.	Preludes (13) for Piano, Op. 32: no 1 in C major, Allegro vivace by Sergei Rachmaninov
	Performer: Sviatoslav Richter (Piano) Period: Romantic Written: 1910; Russia


17.	Preludes (13) for Piano, Op. 32: no 2 in B flat minor, Allegretto by Sergei Rachmaninov
	Performer: Sviatoslav Richter (Piano) Period: Romantic Written: 1910; Russia


18.	Preludes (10) for Piano, Op. 23: no 2 in B flat major by Sergei Rachmaninov
	Performer: Sviatoslav Richter (Piano) Period: Romantic Written: 1903; Russia


19.	Preludes (10) for Piano, Op. 23: no 4 in D major, Andante cantabile by Sergei Rachmaninov
	Performer: Sviatoslav Richter (Piano) Period: Romantic Written: 1903; Russia


20.	Preludes (10) for Piano, Op. 23: no 5 in G minor, Alla marcia by Sergei Rachmaninov
	Performer: Sviatoslav Richter (Piano) Period: Romantic Written: 1901-1903; Russia


21.	Preludes (10) for Piano, Op. 23: no 7 in C minor by Sergei Rachmaninov
	Performer: Sviatoslav Richter (Piano) Period: Romantic Written: 1903; Russia


22.	Preludes (24) for Piano, Op. 28 by Frédéric Chopin
	Performer: Martha Argerich (Piano) Period: Romantic Written: 1836-1839; Paris, France


23.	Prelude for Piano in C sharp minor, B 141/Op. 45 by Frédéric Chopin
	Performer: Martha Argerich (Piano) Period: Romantic Written: 1841; Paris, France


24.	Prelude for Piano in A flat major, B 86 by Frédéric Chopin
	Performer: Martha Argerich (Piano) Period: Romantic Written: 1834; Paris, France


25.	Sonata for Piano no 2 in B flat minor, B 128/Op. 35 "Funeral March" by Frédéric Chopin
	Performer: Martha Argerich (Piano) Period: Romantic Written: 1837-1839; Paris, France


26.	Préludes, Book 1 by Claude Debussy
	Performer: Arturo Benedetti Michelangeli (Piano) Period: 20th Century Written: 1909-1910; France


27.	Images for Piano, Set 1 by Claude Debussy
	Performer: Arturo Benedetti Michelangeli (Piano) Period: 20th Century Written: 1905; France


28.	Images for Piano, Set 2 by Claude Debussy
	Performer: Arturo Benedetti Michelangeli (Piano) Period: 20th Century Written: 1907; France


29.	West Side Story by Leonard Bernstein
	Performer: Marilyn Horne (Mezzo Soprano), Louise Edeiken (Soprano), José Carreras (Tenor), Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Spoken Vocals), Angelina Réaux (Soprano), Stella Zambalis (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Alexander Bernstein (Spoken Vocals), Kurt Ollmann (Baritone), Tatiana Troyanos (Mezzo Soprano), Peter Thom (Voice), Tod Lester (Voice), Richard Harrell (Voice) Conductor: Leonard Bernstein Orchestra/Ensemble: Orchestra, Chorus Period: 20th Century Written: 1957; USA	Date of Recording: 09/1984 Venue: RCA Studio A, New York, NY Length: 76 Minutes 36 Secs. Language: English


30.	Requiem in D minor, K 626 by Wolfgang Amadeus Mozart
	Performer: Julia Hamari (Alto), Karl Ridderbusch (Bass), Edith Mathis (Soprano), Wieslaw Ochman (Tenor) Conductor: Karl Böhm Orchestra/Ensemble: Vienna Philharmonic Orchestra, Vienna State Opera Concert Choir Period: Classical Written: 1791; Vienna, Austria	Date of Recording: 1971 Length: 64 Minutes 26 Secs. Language: Latin


31.	Pétrouchka by Igor Stravinsky
	Conductor: Pierre Boulez Orchestra/Ensemble: Cleveland Orchestra Period: 20th Century Written: Switzerland	Date of Recording: 03/1991 Venue: Masonic Auditorium, Cleveland Length: 34 Minutes 58 Secs.


32.	Le sacre du printemps by Igor Stravinsky
	Conductor: Pierre Boulez Orchestra/Ensemble: Cleveland Orchestra Period: 20th Century Written: 1911-1913	Date of Recording: 03/1991 Venue: Masonic Auditorium, Cleveland Length: 33 Minutes 29 Secs.


33.	Concerto for Violin in C major, RV 190 by Antonio Vivaldi
	Performer: Giuliano Carmignola (Violin) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: Venice, Italy	Date of Recording: 01/2006 Venue: Gustav Mahler Hall, Toblach, Italy Length: 14 Minutes 3 Secs.


34.	Concerto for Violin in D major, RV 217 by Antonio Vivaldi
	Performer: Giuliano Carmignola (Violin) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: Venice, Italy	Date of Recording: 01/2006 Venue: Gustav Mahler Hall, Toblach, Italy Length: 12 Minutes 29 Secs.


35.	Concerto for Violin in G minor, RV 331 by Antonio Vivaldi
	Performer: Giuliano Carmignola (Violin) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque	Date of Recording: 01/2006 Venue: Gustav Mahler Hall, Toblach, Italy Length: 12 Minutes 57 Secs.


36.	Concerto for Violin in G minor, RV 325 by Antonio Vivaldi
	Performer: Giuliano Carmignola (Violin) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: Venice, Italy	Date of Recording: 01/2006 Venue: Gustav Mahler Hall, Toblach, Italy Length: 7 Minutes 32 Secs.


37.	Concerto for Violin in G major, RV 303 by Antonio Vivaldi
	Performer: Giuliano Carmignola (Violin) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: Venice, Italy	Date of Recording: 01/2006 Venue: Gustav Mahler Hall, Toblach, Italy Length: 12 Minutes 20 Secs.


38.	L'Elisir d'Amore: Una furtiva lagrima by Gaetano Donizetti
	Performer: Placido Domingo (Tenor) Conductor: Carlo Maria Giulini Orchestra/Ensemble: Los Angeles Philharmonic Orchestra Period: Romantic Written: 1832; Italy	Language: Italian


39.	Lucia di Lammermoor: Fra poco a me ricovero by Gaetano Donizetti
	Performer: Placido Domingo (Tenor) Conductor: Carlo Maria Giulini Orchestra/Ensemble: Los Angeles Philharmonic Orchestra Period: Romantic Written: 1835; Italy	Language: Italian


40.	Ernani: Mercè, diletti amici...Come rugiada al cospite by Giuseppe Verdi
	Performer: Placido Domingo (Tenor) Conductor: Carlo Maria Giulini Orchestra/Ensemble: Los Angeles Philharmonic Orchestra Period: Romantic Written: 1844; Italy	Language: Italian


41.	Il trovatore: Ah si, ben mio...Di quella pira by Giuseppe Verdi
	Performer: Placido Domingo (Tenor) Conductor: Carlo Maria Giulini Orchestra/Ensemble: Los Angeles Philharmonic Orchestra Period: Romantic Written: 1853; Italy	Language: Italian


42.	La juive: Rachel, quand du Seigneur by Jacques Halévy
	Performer: Placido Domingo (Tenor) Conductor: Carlo Maria Giulini Orchestra/Ensemble: Los Angeles Philharmonic Orchestra Period: Romantic Written: 1835; Paris, France	Language: French


43.	L'Africaine: O paradis sorti de l'onde by Giacomo Meyerbeer
	Performer: Placido Domingo (Tenor) Conductor: Carlo Maria Giulini Orchestra/Ensemble: Los Angeles Philharmonic Orchestra Period: Romantic Written: 1865; Germany	Language: French


44.	Les pêcheurs de perles: Je crois entendre encore by Georges Bizet
	Performer: Placido Domingo (Tenor) Conductor: Carlo Maria Giulini Orchestra/Ensemble: Los Angeles Philharmonic Orchestra Period: Romantic Written: 1863; France	Language: French


45.	Carmen: La fleur que tu m'avais jetée "Flower song" by Georges Bizet
	Performer: Placido Domingo (Tenor) Conductor: Carlo Maria Giulini Orchestra/Ensemble: Roger Wagner Chorale, Los Angeles Philharmonic Orchestra Period: Romantic Written: 1873-1874; France	Language: German


46.	Aida: Celeste Aida by Giuseppe Verdi
	Performer: Placido Domingo (Tenor) Conductor: Carlo Maria Giulini Orchestra/Ensemble: Los Angeles Philharmonic Orchestra Period: Romantic Written: 1871; Italy	Language: Italian


47.	Symphony no 5 in C sharp minor by Gustav Mahler
	Conductor: Gustavo Dudamel Orchestra/Ensemble: Simon Bolivar Youth Orchestra of Venezuela Period: Romantic Written: 1901-1902; Vienna, Austria	Date of Recording: 02/2006 Venue: Aula Magna, Caracas, Venezuela Length: 69 Minutes 25 Secs.


48.	Art of the Fugue, BWV 1080 by Johann Sebastian Bach
	Performer: Philip Setzer (Violin), Eugene Drucker (Violin), Lawrence Dutton (Viola), David Finckel (Cello) Orchestra/Ensemble: Emerson String Quartet Period: Baroque Written: circa 1745-1750; Leipzig, Germany	Date of Recording: 2003 Venue: American Academy of Arts & Letters, NYC Length: 80 Minutes 8 Secs.


49.	Winterreise, D 911/Op. 89 by Franz Schubert
	Performer: Dietrich Fischer-Dieskau (Baritone), Gerald Moore (Piano) Period: Romantic Written: 1827; Vienna, Austria	Language: German


50.	Suite for Cello solo no 4 in E flat major, BWV 1010 by Johann Sebastian Bach
	Performer: Pierre Fournier (Cello) Period: Baroque Written: circa 1720; Cöthen, Germany	Length: 25 Minutes 28 Secs.


51.	Suite for Cello solo no 1 in G major, BWV 1007 by Johann Sebastian Bach
	Performer: Pierre Fournier (Cello) Period: Baroque Written: circa 1720; Cöthen, Germany	Length: 18 Minutes 45 Secs.


52.	Suite for Cello solo no 3 in C major, BWV 1009 by Johann Sebastian Bach
	Performer: Pierre Fournier (Cello) Period: Baroque Written: circa 1720; Cöthen, Germany	Length: 23 Minutes 4 Secs.


53.	Suite for Cello solo no 5 in C minor, BWV 1011 by Johann Sebastian Bach
	Performer: Pierre Fournier (Cello) Period: Baroque Written: circa 1720; Cöthen, Germany	Length: 24 Minutes 51 Secs.


54.	Suite for Cello solo no 6 in D major, BWV 1012 by Johann Sebastian Bach
	Performer: Pierre Fournier (Cello) Period: Baroque Written: circa 1720; Cöthen, Germany	Length: 27 Minutes 3 Secs.


55.	Suite for Cello solo no 2 in D minor, BWV 1008 by Johann Sebastian Bach
	Performer: Pierre Fournier (Cello) Period: Baroque Written: circa 1720; Cöthen, Germany	Length: 19 Minutes 4 Secs.


56.	Requiem Mass by Giuseppe Verdi
	Performer: Maria Stader (Soprano), Marianna Radev (Alto), Helmut Krebs (Tenor), Kim Borg (Bass) Conductor: Ferenc Fricsay Orchestra/Ensemble: Berlin RIAS Chamber Chorus, St. Hedwig's Cathedral Choir, Berlin RIAS Symphony Orchestra Period: Romantic Written: 1874; Italy	Date of Recording: 09/1953 Venue: Jesus Christus Kirche, Berlin Length: 75 Minutes 28 Secs. Language: Latin


57.	Symphony no 4 in D minor, Op. 120 by Robert Schumann
	Conductor: Wilhelm Furtwängler Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: Germany	Date of Recording: 05/14/1953 Venue: Live Jesus Christus Kirche, Berlin Length: 30 Minutes 56 Secs.


58.	Symphony no 88 in G major, H 1 no 88 by Franz Joseph Haydn
	Conductor: Wilhelm Furtwängler Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Classical Written: ?1787; Eszterhazá, Hungary	Date of Recording: 12/05/1951 Venue: Live Jesus Christus Kirche, Berlin Length: 21 Minutes 4 Secs.


59.	Vespro della Beata Vergine by Claudio Monteverdi
	Performer: Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Bryn Terfel (Bass), Sandro Naglia (Tenor), Nigel Robson (Tenor), Alastair Miles (Bass), Ann Monoyios (Soprano) Conductor: John Eliot Gardiner Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir, His Majesties Sagbutts and Cornetts ... Period: Baroque Written: by 1610; Mantua, Italy	Date of Recording: 05/1989 Venue: Live St Mark's Basilica, Venice Length: 89 Minutes 7 Secs. Language: Latin


60.	Vespro della Beata Vergine: Magnificat a 7 by Claudio Monteverdi
	Performer: Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Ann Monoyios (Soprano), Bryn Terfel (Bass), Alastair Miles (Bass) Conductor: John Eliot Gardiner Orchestra/Ensemble: English Baroque Soloists, Monteverdi Choir, London Oratory Junior Choir Period: Baroque Written: by 1610; Mantua, Italy	Date of Recording: 07/1989 Venue: Live All Saints' Church, Tooting, London Length: 18 Minutes 27 Secs. Language: Latin


61.	Sonata for Piano no 21 in C major, Op. 53 "Waldstein" by Ludwig van Beethoven
	Performer: Emil Gilels (Piano) Period: Classical Written: 1803-1804; Vienna, Austria


62.	Sonata for Piano no 26 in E flat major, Op. 81a "Les Adieux" by Ludwig van Beethoven
	Performer: Emil Gilels (Piano) Period: Classical Written: 1809-1810; Vienna, Austria


63.	Sonata for Piano no 23 in F minor, Op. 57 "Appassionata" by Ludwig van Beethoven
	Performer: Emil Gilels (Piano) Period: Classical Written: 1804-1805; Vienna, Austria


64.	Canon and Gigue for 3 Violins and Basso Continuo in D major by Johann Pachelbel
	Conductor: Reinhard Goebel Orchestra/Ensemble: Musica Antiqua Cologne Period: Baroque Written: Germany	Date of Recording: 1983 Venue: Friedrich Ebert Hall, Hamburg - Harburg Length: 4 Minutes 42 Secs.


65.	Trio Sonata for 2 Violins and Basso Continuo in D minor, Op. 1 no 12/RV 63 "La Follia" by Antonio Vivaldi
	Conductor: Reinhard Goebel Orchestra/Ensemble: Musica Antiqua Cologne Period: Baroque Written: 1705; Venice, Italy	Date of Recording: 1982 Venue: Friedrich Ebert Hall, Hamburg - Harburg Length: 8 Minutes 45 Secs.


66.	Trio Sonatas (7) for 2 Violins and Basso Continuo, Op. 5: no 4 in G major, HWV 399 by George Frideric Handel
	Conductor: Reinhard Goebel Orchestra/Ensemble: Musica Antiqua Cologne Period: Baroque Written: circa 1737-1738; London, England	Date of Recording: 1983 Venue: Friedrich Ebert Hall, Hamburg - Harburg Length: 13 Minutes 1 Secs.


67.	Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach
	Conductor: Reinhard Goebel Orchestra/Ensemble: Musica Antiqua Cologne Period: Baroque Written: 1738-1739; Leipzig, Germany	Date of Recording: 1982 Venue: Friedrich Ebert Hall, Hamburg - Harburg Length: 22 Minutes 8 Secs.


68.	Fantasia on an Ostinato by John Corigliano
	Performer: Hélène Grimaud (Piano) Period: 20th Century Written: 1985; USA	Date of Recording: 09/2003 Venue: Sveriges Radio, Stockholm, Sweden Length: 12 Minutes 4 Secs.


69.	Sonata for Piano no 17 in D minor, Op. 31 no 2 "Tempest" by Ludwig van Beethoven
	Performer: Hélène Grimaud (Piano) Period: Classical Written: 1802; Vienna, Austria	Date of Recording: 09/2003 Venue: Sveriges Radio, Stockholm, Sweden Length: 21 Minutes 58 Secs.


70.	Fantasia in C minor, Op. 80 "Choral Fantasy" by Ludwig van Beethoven
	Performer: Hélène Grimaud (Piano) Conductor: Esa-Pekka Salonen Orchestra/Ensemble: Swedish Radio Symphony Orchestra, Swedish Radio Chorus Period: Classical Written: 1808; Vienna, Austria	Date of Recording: 09/2003 Venue: Sveriges Radio, Stockholm, Sweden Length: 19 Minutes 3 Secs. Language: German


71.	Credo by Arvo Pärt
	Performer: Hélène Grimaud (Piano) Conductor: Esa-Pekka Salonen Orchestra/Ensemble: Swedish Radio Symphony Orchestra, Swedish Radio Chorus Period: 20th Century Written: 1968; Estonia	Date of Recording: 09/2003 Venue: Live Sveriges Radio, Stockholm, Sweden Length: 15 Minutes 16 Secs. Language: Latin


72.	Concerto for Violin no 2 in E major, BWV 1042 by Johann Sebastian Bach
	Performer: Hilary Hahn (Violin) Conductor: Jeffrey Kahane Orchestra/Ensemble: Los Angeles Chamber Orchestra Period: Baroque Written: 1717-1723; Cöthen, Germany	Date of Recording: 10/2002 Venue: Colburn School of Performing Arts, CA Length: 16 Minutes 29 Secs.


73.	Concerto for 2 Violins in D minor, BWV 1043 by Johann Sebastian Bach
	Performer: Margaret Batjer (Violin), Hilary Hahn (Violin) Conductor: Jeffrey Kahane Orchestra/Ensemble: Los Angeles Chamber Orchestra Period: Baroque Written: 1717-1723; Cöthen, Germany	Date of Recording: 10/2002 Venue: Colburn School of Performing Arts, CA Length: 14 Minutes 18 Secs.


74.	Concerto for Violin no 1 in A minor, BWV 1041 by Johann Sebastian Bach
	Performer: Hilary Hahn (Violin) Conductor: Jeffrey Kahane Orchestra/Ensemble: Los Angeles Chamber Orchestra Period: Baroque Written: 1717-1723; Cöthen, Germany	Date of Recording: 01/2003 Venue: Colburn School of Performing Arts, CA Length: 13 Minutes 29 Secs.


75.	Concerto for Oboe and Violin in C minor, BWV 1060 by Johann Sebastian Bach
	Performer: Allan Vogel (Oboe), Hilary Hahn (Violin) Conductor: Jeffrey Kahane Orchestra/Ensemble: Los Angeles Chamber Orchestra Period: Baroque	Date of Recording: 01/2003 Venue: Colburn School of Performing Arts, CA Length: 13 Minutes 6 Secs.


76.	Sonata for Harpsichord in E major, K 380/L 23 by Domenico Scarlatti
	Performer: Vladimir Horowitz (Piano) Period: Baroque Written: 18th Century	Date of Recording: 04/1986 Venue: Live Great Hall, Tchaikovsky Consv, Moscow Length: 4 Minutes 0 Secs.


77.	Sonata for Piano no 10 in C major, K 330 (300h) by Wolfgang Amadeus Mozart
	Performer: Vladimir Horowitz (Piano) Period: Classical Written: 1781-1783	Date of Recording: 04/1986 Venue: Live Great Hall, Tchaikovsky Consv, Moscow Length: 17 Minutes 0 Secs.


78.	Preludes (13) for Piano, Op. 32: no 5 in G major, Moderato by Sergei Rachmaninov
	Performer: Vladimir Horowitz (Piano) Period: Romantic Written: 1910; Russia	Date of Recording: 04/1986 Venue: Live Great Hall, Tchaikovsky Consv, Moscow Length: 2 Minutes 49 Secs.


79.	Preludes (13) for Piano, Op. 32: no 12 in G sharp minor, Allegro by Sergei Rachmaninov
	Performer: Vladimir Horowitz (Piano) Period: Romantic Written: 1910; Russia	Date of Recording: 04/1986 Venue: Live Great Hall, Tchaikovsky Consv, Moscow Length: 2 Minutes 33 Secs.


80.	Etudes (12) for Piano, Op. 8: no 12 in D sharp minor by Alexander Scriabin
	Performer: Vladimir Horowitz (Piano) Period: 20th Century Written: 1894; Russia	Date of Recording: 04/1986 Venue: Live Great Hall, Tchaikovsky Consv, Moscow Length: 2 Minutes 9 Secs.


81.	Pieces (3) for Piano, Op. 2: no 1, Etude in C sharp minor by Alexander Scriabin
	Performer: Vladimir Horowitz (Piano) Period: 20th Century Written: 1887-1889; Russia	Date of Recording: 04/1986 Venue: Live Great Hall, Tchaikovsky Consv, Moscow Length: 2 Minutes 39 Secs.


82.	Années de pèlerinage, deuxième année, S 161 "Italie": no 5, Sonetto 104 del Petrarca by Franz Liszt
	Performer: Vladimir Horowitz (Piano) Period: Romantic Written: 1837-1849; Weimar, Germany	Date of Recording: 04/1986 Venue: Live Great Hall, Tchaikovsky Consv, Moscow Length: 5 Minutes 33 Secs.


83.	Soirées de Vienne (9) after Schubert, S 427: no 6 by Franz Liszt
	Performer: Vladimir Horowitz (Piano) Period: Romantic Written: 1852; Weimar, Germany	Date of Recording: 04/1986 Venue: Live Great Hall, Tchaikovsky Consv, Moscow Length: 6 Minutes 33 Secs.


84.	Mazurkas (5) for Piano, B 61/Op. 7: no 3 in F minor by Frédéric Chopin
	Performer: Vladimir Horowitz (Piano) Period: Romantic Written: 1831; Vienna, Austria	Date of Recording: 04/1986 Venue: Live Great Hall, Tchaikovsky Consv, Moscow Length: 2 Minutes 15 Secs.


85.	Mazurkas (4) for Piano, B 105/Op. 30: no 4 in C sharp minor by Frédéric Chopin
	Performer: Vladimir Horowitz (Piano) Period: Romantic Written: 1836-1837; Paris, France	Date of Recording: 04/1986 Venue: Live Great Hall, Tchaikovsky Consv, Moscow Length: 3 Minutes 33 Secs.


86.	Kinderszenen, Op. 15: no 7, Träumerei by Robert Schumann
	Performer: Vladimir Horowitz (Piano) Period: Romantic Written: 1838; Germany	Date of Recording: 04/1986 Venue: Live Great Hall, Tchaikovsky Consv, Moscow Length: 2 Minutes 24 Secs.


87.	Characteristic Pieces (8), Op. 36: no 6, Etincelles by Moritz Moszkowski
	Performer: Vladimir Horowitz (Piano) Period: Romantic	Date of Recording: 04/1986 Venue: Live Great Hall, Tchaikovsky Consv, Moscow Length: 2 Minutes 38 Secs.


88.	Lachtäubchen (Behr) "Polka de W.R." by Sergei Rachmaninov
	Performer: Vladimir Horowitz (Piano) Period: Romantic Written: 1911	Date of Recording: 04/1986 Venue: Live Great Hall, Tchaikovsky Consv, Moscow Length: 4 Minutes 4 Secs.


89.	Carmina burana by Carl Orff
	Performer: Gundula Janowitz (Soprano), Gerhard Stolze (Tenor), Dietrich Fischer-Dieskau (Baritone) Conductor: Eugen Jochum Orchestra/Ensemble: Schöneberg Boys Choir, Berlin Deutsche Oper Chorus, Berlin Deutsche Oper Orchestra Period: 20th Century Written: 1936; Germany	Date of Recording: 10/1967 Venue: UFA-Studio, Berlin, Germany Length: 56 Minutes 15 Secs. Language: Latin


90.	Symphony no 9 in D minor, Op. 125 "Choral" by Ludwig van Beethoven
	Performer: Walter Berry (Bass Baritone), Gundula Janowitz (Soprano), Hilde Rössl-Majdan (Mezzo Soprano), Waldemar Kmentt (Tenor) Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra, Vienna Singverein Period: Classical Written: 1822-1824; Vienna, Austria	Date of Recording: 1962 Venue: Jesus Christus Kirche, Berlin Length: 66 Minutes 47 Secs. Language: German


91.	Coriolan Overture in C minor, Op. 62 by Ludwig van Beethoven
	Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Classical Written: 1807; Vienna, Austria	Date of Recording: 09/1965 Venue: Jesus Christus Kirche, Berlin Length: 9 Minutes 0 Secs.


92.	Concerto for Piano no 4 in G major, Op. 58 by Ludwig van Beethoven
	Performer: Wilhelm Kempff (Piano) Conductor: Ferdinand Leitner Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Classical Written: 1806; Vienna, Austria	Date of Recording: 07/1961 Venue: UFA-Studio, Berlin, Germany Length: 32 Minutes 34 Secs.


93.	Concerto for Piano no 5 in E flat major, Op. 73 "Emperor" by Ludwig van Beethoven
	Performer: Wilhelm Kempff (Piano) Conductor: Ferdinand Leitner Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Classical Written: 1809; Vienna, Austria	Date of Recording: 07/1961 Venue: UFA-Studio, Berlin, Germany Length: 38 Minutes 26 Secs.


94.	Symphony no 5 in C minor, Op. 67 by Ludwig van Beethoven
	Conductor: Carlos Kleiber Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Classical Written: 1807-1808; Vienna, Austria	Date of Recording: 1974 Venue: Musikverein, Vienna, Austria Length: 33 Minutes 22 Secs.


95.	Symphony no 7 in A major, Op. 92 by Ludwig van Beethoven
	Conductor: Carlos Kleiber Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Classical Written: 1811-1812; Vienna, Austria	Venue: Musikverein, Vienna, Austria Length: 38 Minutes 36 Secs.


96.	Alcina, HWV 34: Ah! mio cor! schemito sei! by George Frideric Handel
	Performer: Magdalena Kozená (Mezzo Soprano) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: 1735; London, England


97.	Agrippina, HWV 6: Excerpt(s) by George Frideric Handel
	Performer: Magdalena Kozená (Mezzo soprano) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: 1709; Italy


98.	Giulio Cesare, HWV 17: Cara speme, questo core by George Frideric Handel
	Performer: Magdalena Kozená (Mezzo Soprano) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: 1724; London, England


99.	Joshua, HWV 64: O had I Jubal's lyre by George Frideric Handel
	Performer: Magdalena Kozená (Mezzo Soprano) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: 1748; London, England


100.	Ariodante, HWV 33: Scherza infida, in grembo al drudo by George Frideric Handel
	Performer: Magdalena Kozená (Mezzo Soprano) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: 1734-1735; London, England


101.	Amadigi di Gaula, HWV 11: Desterò dall' empia Dite by George Frideric Handel
	Performer: Magdalena Kozená (Mezzo Soprano) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: by 1715; London, England


102.	Ariodante, HWV 33: Dopo notte by George Frideric Handel
	Performer: Magdalena Kozená (Mezzo Soprano) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: 1734-1735; London, England


103.	Rinaldo, HWV 7: Armida dispietata...Lascia ch'io pianga mia cruda sorte by George Frideric Handel
	Performer: Magdalena Kozená (Mezzo Soprano) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: by 1711; London, England


104.	Hercules, HWV 60: Where shall I fly? by George Frideric Handel
	Performer: Magdalena Kozená (Mezzo Soprano) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: 1744; London, England


105.	Agrippina, HWV 6: Pensieri, voi mi tormente by George Frideric Handel
	Performer: Magdalena Kozená (Mezzo Soprano) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: 1709; Venice, Italy


106.	Theodora, HWV 68: With Darkness deep by George Frideric Handel
	Performer: Magdalena Kozená (Mezzo Soprano) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: 1749-1750; London, England


107.	Orlando, HWV 31: Ah! Stigie larve!...Vaghe pupille by George Frideric Handel
	Performer: Magdalena Kozená (Mezzo Soprano) Conductor: Andrea Marcon Orchestra/Ensemble: Venice Baroque Orchestra Period: Baroque Written: by 1733; London, England


108.	Symphony no 8 in G major, Op. 88/B 163 by Antonín Dvorák
	Conductor: Rafael Kubelik Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1889; Bohemia	Date of Recording: 06/1966 Venue: Jesus Christus Kirche, Berlin Length: 35 Minutes 44 Secs.


109.	Symphony no 9 in E minor, Op. 95/B 178 "From the New World" by Antonín Dvorák
	Conductor: Rafael Kubelik Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1893; USA	Date of Recording: 06/1972 Venue: Jesus Christus Kirche, Berlin Length: 42 Minutes 35 Secs.


110.	Concerto for Piano no 1 in B flat minor, Op. 23 by Peter Ilyich Tchaikovsky
	Performer: Lang Lang (Piano) Conductor: Daniel Barenboim Orchestra/Ensemble: Chicago Symphony Orchestra Period: Romantic Written: Russia	Date of Recording: 02/2003 Venue: Orchestra Hall, Chicago, Illinois Length: 38 Minutes 25 Secs.


111.	Concerto for Piano no 1 in G minor, Op. 25 by Felix Mendelssohn
	Performer: Lang Lang (Piano) Conductor: Daniel Barenboim Orchestra/Ensemble: Chicago Symphony Orchestra Period: Romantic Written: 1831; Germany	Date of Recording: 02/2003 Venue: Orchestra Hall, Chicago, Illinois Length: 20 Minutes 50 Secs.


112.	Carnival of the animals: no 13, The swan by Camille Saint-Saëns
	Performer: Mischa Maisky (Cello) Conductor: Semyon Bychkov Orchestra/Ensemble: Orchestre de Paris Period: Romantic Written: 1886; France	Date of Recording: 06/1991 Venue: Salle Wagram, Paris Length: 3 Minutes 57 Secs.


113.	Elégie for Cello and Orchestra, Op. 24 by Gabriel Fauré
	Performer: Mischa Maisky (Cello) Conductor: Semyon Bychkov Orchestra/Ensemble: Orchestre de Paris Period: Romantic Written: 1901; France	Date of Recording: 06/1991 Venue: Salle Wagram, Paris Length: 6 Minutes 26 Secs.


114.	Adagio con variazioni for Cello and Orchestra by Ottorino Respighi
	Performer: Mischa Maisky (Cello) Conductor: Semyon Bychkov Orchestra/Ensemble: Orchestre de Paris Period: 20th Century Written: 1920; Rome, Italy	Date of Recording: 06/1991 Venue: Salle Wagram, Paris Length: 12 Minutes 54 Secs.


115.	From the Bohemian forest, Op. 68/B 133: no 5, Silent Woods by Antonín Dvorák
	Performer: Mischa Maisky (Cello) Conductor: Semyon Bychkov Orchestra/Ensemble: Orchestre de Paris Period: Romantic Written: Bohemia	Date of Recording: 06/1991 Venue: Salle Wagram, Paris Length: 6 Minutes 8 Secs.


116.	Chant du ménestrel for Cello and Orchestra, Op. 71 by Alexander Glazunov
	Performer: Mischa Maisky (Cello) Conductor: Semyon Bychkov Orchestra/Ensemble: Orchestre de Paris Period: Romantic Written: 1900; Russia	Date of Recording: 06/1991 Venue: Salle Wagram, Paris Length: 4 Minutes 29 Secs.


117.	Nocturne for Cello and small Orchestra in D minor, Op. 19 no 4 by Peter Ilyich Tchaikovsky
	Performer: Mischa Maisky (Cello) Conductor: Semyon Bychkov Orchestra/Ensemble: Orchestre de Paris Period: Romantic Written: 1873; Russia	Date of Recording: 06/1991 Venue: Salle Wagram, Paris Length: 4 Minutes 40 Secs.


118.	Kol Nidrei for Cello and Orchestra, Op. 47 by Max Bruch
	Performer: Mischa Maisky (Cello) Conductor: Semyon Bychkov Orchestra/Ensemble: Orchestre de Paris Period: Romantic Written: 1881; Liverpool, England	Date of Recording: 06/1991 Venue: Salle Wagram, Paris Length: 10 Minutes 49 Secs.


119.	Romance for Cello and Orchestra in F major, AV 75 by Richard Strauss
	Performer: Mischa Maisky (Cello) Conductor: Semyon Bychkov Orchestra/Ensemble: Orchestre de Paris Period: Romantic Written: 1883; Germany	Date of Recording: 06/1991 Venue: Salle Wagram, Paris Length: 12 Minutes 45 Secs.


120.	Concerto for Violin no 1 in C major, H 7a no 1: 2nd movement, Adagio by Franz Joseph Haydn
	Performer: Mischa Maisky (Cello) Conductor: Semyon Bychkov Orchestra/Ensemble: Orchestre de Paris Period: Classical Written: by 1769	Date of Recording: 06/1991 Venue: Salle Wagram, Paris Length: 6 Minutes 11 Secs.


121.	Symphonie fantastique, Op. 14 by Hector Berlioz
	Conductor: Igor Markevitch Orchestra/Ensemble: Lamoureux Concerts Association Orchestra Period: Romantic Written: 1830; France	Date of Recording: 01/1961 Venue: Salle de la Mutualité, Paris Length: 52 Minutes 12 Secs.


122.	Anacréon: Overture by Luigi Cherubini
	Conductor: Igor Markevitch Orchestra/Ensemble: Lamoureux Concerts Association Orchestra Period: Classical Written: 1803; France	Date of Recording: 01/1961 Venue: Salle de la Mutualité, Paris Length: 9 Minutes 44 Secs.


123.	La muette de Portici: Overture by Daniel-François Auber
	Conductor: Igor Markevitch Orchestra/Ensemble: Lamoureux Concerts Association Orchestra Period: Romantic Written: 1828; France	Date of Recording: 01/1961 Venue: Salle de la Mutualité, Paris Length: 8 Minutes 18 Secs.


124.	Christum wir sollen loben schon by Martin Luther
	Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players Period: Renaissance Written: 16th Century; Germany	Language: German


125.	Praeambulum for Organ by Anonymous
	Performer: Timothy Roberts (Organ)


126.	Wir gläuben all an einen Gott by Martin Luther
	Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players Period: Renaissance Written: 16th Century; Germany


127.	Resonet in laudibus by Anonymous
	Performer: Timothy Roberts (Organ) Period: Renaissance Written: circa 1470


128.	Wie schön leuchtet der Morgenstern by Samuel Scheidt
	Performer: Timothy Roberts (Organ) Period: Baroque Written: by 1650; Germany


129.	Banchetto musicale: Canzon a 5 in A minor by Johann Hermann Schein
	Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Players Period: Baroque Written: 1609; Leipzig, Germany


130.	Puer natus in Bethlehem by Michael Praetorius
	Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players, Roskilde Cathedral Boys' Choir Period: Renaissance Written: by 1619; Germany	Language: Latin


131.	Polyhymnia caduceatrix et panegyrica: Missa gantz Teudsch - Kyrie by Michael Praetorius
	Performer: Sarah Pendlebury (Soprano), Tessa Bonner (Soprano), Tom Phillips (Tenor), Angus Smith (Tenor) Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players Period: Renaissance Written: by 1619; Germany	Language: German


132.	Polyhymnia caduceatrix et panegyrica: Missa gantz Teudsch - Gloria by Michael Praetorius
	Performer: Tessa Bonner (Soprano), Robert Horn (Tenor), Angus Smith (Tenor), Sarah Pendlebury (Soprano), Tom Phillips (Tenor), Simon Grant (Bass), Julian Podger (Tenor), Stephen Charlesworth (Bass) Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players Period: Renaissance Written: by 1619; Germany	Language: German


133.	Musae Sioniae, Book 8: Der Herr sei mit euch by Michael Praetorius
	Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players Period: Renaissance Written: by 1612; Germany	Language: German


134.	So schreibt der heilig Propheten Jesajas by Michael Praetorius
	Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players Period: Renaissance Written: Germany	Language: German


135.	Musae Sioniae, Book 5: Vom Himmel hoch da komm ich her by Michael Praetorius
	Performer: Simon Grant (Bass), Donald Greig (Baritone) Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players, Roskilde Cathedral Boys' Choir Period: Renaissance Written: by 1607; Germany	Language: German


136.	So schreibt der heilige Lukas by Michael Praetorius
	Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players Period: Renaissance Written: Germany	Language: German


137.	Quem pastores by Michael Praetorius
	Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players, Roskilde Cathedral Boys' Choir Period: Renaissance Written: Germany	Language: Latin


138.	Vater unser im Himmelreich by Michael Praetorius
	Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players Period: Renaissance Written: by 1612; Germany	Language: German


139.	Polyhymnia caduceatrix et panegyrica: Jesaja dem Propheten das geschah by Michael Praetorius
	Performer: Susan Hemington Jones (Soprano), Angus Smith (Tenor), Constanze Backes (Soprano), Sarah Pendlebury (Soprano), Donald Greig (Baritone), Mark Le Brocq (Tenor), Simon Grant (Bass), Tessa Bonner (Soprano) Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players Period: Renaissance Written: by 1619; Germany	Language: German


140.	Wie schön leuchtet der Morgenstern by Michael Praetorius
	Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players Period: Renaissance Written: by 1619; Germany	Language: German


141.	Musae Sioniae, Book 6: Uns ist ein Kindlein heut geborn by Michael Praetorius
	Performer: Sarah Pendlebury (Soprano), Hannelore Devaere (Harp) Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players Period: Renaissance Written: by 1609; Germany	Language: German


142.	Missodia Sionia: Der Herr segne dich und behüte dich by Michael Praetorius
	Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players Period: Renaissance Written: by 1611; Germany	Language: German


143.	Musae Sioniae, Book 6: Puer nobis nascitur by Michael Praetorius
	Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players, Roskilde Cathedral Boys' Choir Period: Renaissance Written: by 1609; Germany	Language: Latin


144.	Nun lob, mein Seel, den Herren by Michael Praetorius
	Performer: Timothy Roberts (Organ) Period: Renaissance


145.	In dulci jubilo by Michael Praetorius
	Performer: Susan Hemington Jones (Soprano), Mark Le Brocq (Tenor), Tessa Bonner (Soprano) Conductor: Paul McCreesh Orchestra/Ensemble: Gabrieli Consort, Gabrieli Players, Roskilde Cathedral Boys' Choir Written: pub 1619	Language: Latin


146.	Zaïs: Overture by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 5 Minutes 47 Secs.


147.	Castor et Pollux: Scène funèbre by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: 1737; Paris, France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 3 Minutes 25 Secs.


148.	Les fêtes d'Hébé: Air "Revenez tendre amant" by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: 1739; Paris, France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 1 Minutes 53 Secs.


149.	Dardanus: Tambourins I and II by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: 1739/1744; France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 1 Minutes 51 Secs.


150.	Le temple de la gloire: Air tendre pour les Muses by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: 1745; France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 4 Minutes 25 Secs.


151.	Les Boréades: Contredanse en rondeau by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: 1764; France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 3 Minutes 6 Secs.


152.	La naissance d'Osiris: Air gracieux by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: by 1754; France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 2 Minutes 19 Secs.


153.	Platée: Orage by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: 1745; France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 2 Minutes 32 Secs.


154.	Les Boréades: Prélude by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: 1764; France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 1 Minutes 19 Secs.


155.	Nouvelles suites de pièces de clavecin: no 11, La poule by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: circa 1729-1730; France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 4 Minutes 31 Secs.


156.	Les fêtes d'Hébé: Musette en Rondeau by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: 1739; Paris, France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 3 Minutes 22 Secs.


157.	Hippolyte et Aricie: Ritournelle by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: 1733; France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 2 Minutes 9 Secs.


158.	Les Indes galantes: Rondeau, Danse des sauvages by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: 1735/1761; France


159.	Les Boréades: Entrée des Polymnie by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: 1764; France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 6 Minutes 5 Secs.


160.	Les Indes galantes: Chaconne by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: 1735/1761; France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 6 Minutes 17 Secs.


161.	Les Boréades: Gavotte pour les heures et les zéphirs by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: 1764; France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 2 Minutes 44 Secs.


162.	Naïs: Rigaudons I and II by Jean-Philippe Rameau
	Conductor: Marc Minkowski Orchestra/Ensemble: Les Musiciens du Louvre Period: Baroque Written: by 1749; France	Date of Recording: 06/2003 Venue: Live Salle Molière, Théâtre de Poissy, France Length: 2 Minutes 22 Secs.


163.	Concerto for Violin in D major, Op. 77 by Johannes Brahms
	Performer: Anne-Sophie Mutter (Violin) Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1878; Austria	Date of Recording: 09/1981 Venue: Philharmonie, Berlin Length: 40 Minutes 19 Secs.


164.	Concerto for Violin and Cello in A minor, Op. 102 "Double" by Johannes Brahms
	Performer: Anne-Sophie Mutter (Violin), Antonio Meneses (Cello) Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1887; Austria	Date of Recording: 02/1983 Venue: Philharmonie, Berlin Length: 34 Minutes 45 Secs.


165.	Idomeneo, K 366: Padre, germani, addio by Wolfgang Amadeus Mozart
	Performer: Anna Netrebko (Soprano) Conductor: Gianandrea Noseda Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Classical Written: 1781; Munich, Germany	Date of Recording: 03/2003 Venue: Great Hall, Music Hall, Vienna Length: 7 Minutes 23 Secs. Language: Italian


166.	Don Giovanni, K 527: Crudele?...Non mi dir, bell' idol mio by Wolfgang Amadeus Mozart
	Performer: Anna Netrebko (Soprano) Conductor: Gianandrea Noseda Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Classical Written: 1787; Prague, Czech Republ	Date of Recording: 03/2003 Venue: Great Hall, Music Hall, Vienna Length: 6 Minutes 37 Secs. Language: Italian


167.	Benvenuto Cellini: Entre l'amour et le devoir by Hector Berlioz
	Performer: Anna Netrebko (Soprano) Conductor: Gianandrea Noseda Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Romantic Written: 1834-1837; France	Date of Recording: 03/2003 Venue: Great Hall, Music Hall, Vienna Length: 7 Minutes 44 Secs. Language: French


168.	La sonnambula: Come per me sereno...Sovra il sen by Vincenzo Bellini
	Performer: Anna Netrebko (Soprano) Conductor: Gianandrea Noseda Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Romantic Written: 1831; Italy	Date of Recording: 03/2003 Venue: Great Hall, Music Hall, Vienna Length: 7 Minutes 44 Secs. Language: French


169.	Manon: Obéissons quand leur voix appelle "Gavotte" by Jules Massenet
	Performer: Anna Netrebko (Soprano) Conductor: Gianandrea Noseda Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Romantic Written: 1883-1884; France	Date of Recording: 03/2003 Venue: Great Hall, Music Hall, Vienna Length: 6 Minutes 35 Secs. Language: French


170.	Lucia di Lammermoor: Regnava nel silenzio by Gaetano Donizetti
	Performer: Anna Netrebko (Soprano) Conductor: Gianandrea Noseda Orchestra/Ensemble: Vienna State Opera Chorus, Vienna Philharmonic Orchestra Period: Romantic Written: 1835; Italy	Date of Recording: 03/2003 Venue: Great Hall, Music Hall, Vienna Length: 12 Minutes 42 Secs. Language: Italian


171.	Faust: Ah! je ris de me voir si belle "Jewel Song" by Charles Gounod
	Performer: Anna Netrebko (Soprano) Conductor: Gianandrea Noseda Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Romantic Written: 1859; France	Date of Recording: 03/2003 Venue: Great Hall, Music Hall, Vienna Length: 6 Minutes 28 Secs. Language: French


172.	Rusalka, Op 114/B 203: O moon high up "Song to the moon" by Antonín Dvorák
	Performer: Anna Netrebko (Soprano) Conductor: Gianandrea Noseda Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Romantic Written: 1900; Bohemia	Date of Recording: 03/2003 Venue: Great Hall, Music Hall, Vienna Length: 5 Minutes 7 Secs. Language: Czech


173.	La Bohème: Quando m'en vo' soletta "Musetta's Waltz" by Giacomo Puccini
	Performer: Anna Netrebko (Soprano) Conductor: Gianandrea Noseda Orchestra/Ensemble: Vienna Philharmonic Orchestra Period: Romantic Written: 1896; Italy	Date of Recording: 03/2003 Venue: Great Hall, Music Hall, Vienna Length: 2 Minutes 39 Secs. Language: Italian


174.	Madrigals, Book 7: Con che soavità, labbra odorate by Claudio Monteverdi
	Performer: Dane Roberts (Violone), Florian Deuter (Violin), Reinhard Goebel (Violin), Anne Sofie von Otter (Mezzo Soprano), Christian Rieger (Harpsichord), Michael Dücker (Theorbo), Michael Freimuth (Theorbo), Joachim Fiedler (Cello), Victoria Gunn (Viola), Markus Möllenbeck (Cello) Conductor: Reinhard Goebel Orchestra/Ensemble: Musica Antiqua Cologne Period: Baroque Written: by 1619; Italy	Date of Recording: 1997 Venue: German Radio Transmitting Hall, Cologne Length: 4 Minutes 42 Secs. Language: Italian


175.	Lasciatemi morire "Lamento d'Arianna a 1" by Claudio Monteverdi
	Performer: Jakob Lindberg (Theorbo), Anne Sofie von Otter (Mezzo Soprano) Conductor: Reinhard Goebel Orchestra/Ensemble: Musica Antiqua Cologne Period: Baroque Written: by 1623; Italy	Date of Recording: 1997 Venue: German Radio Transmitting Hall, Cologne Length: 11 Minutes 8 Secs. Language: Italian


176.	Lamento della Regina d'Inghilterra by Antonio Bertali
	Performer: Christian Rieger (Harpsichord), Markus Möllenbeck (Cello), Wolfgang von Kessinger (Viola), Reinhard Goebel (Viola), Victoria Gunn (Viola), Franz-Joseph Selig (Bass), Anne Sofie von Otter (Mezzo Soprano) Conductor: Reinhard Goebel Orchestra/Ensemble: Musica Antiqua Cologne Period: Baroque	Date of Recording: 1997 Venue: German Radio Transmitting Hall, Cologne Length: 15 Minutes 24 Secs. Language: Italian


177.	Balletti e correnti a 5, Op. 16: Il Ballo del Gran Duca "Corrente Nona" by Giovanni Legrenzi
	Performer: Christian Rieger (Harpsichord), Michael Dücker (Theorbo), Markus Möllenbeck (Cello), Wolfgang von Kessinger (Viola), Victoria Gunn (Viola), Reinhard Goebel (Violin), Florian Deuter (Violin) Conductor: Reinhard Goebel Orchestra/Ensemble: Musica Antiqua Cologne Period: Baroque Written: Italy	Date of Recording: 1997 Venue: German Radio Transmitting Hall, Cologne Length: 3 Minutes 19 Secs.


178.	Cessate omai cessate, RV 684 by Antonio Vivaldi
	Performer: Ulrike Kunze (Violin), Markus Möllenbeck (Cello), Dane Roberts (Violone), Christian Rieger (Harpsichord), Wolfgang von Kessinger (Viola), Anne Sofie von Otter (Mezzo Soprano), Florian Deuter (Violin), Laura Johnson (Violin), Andrea Keller (Violin), Sebastian Griewisch (Violin), Volker Möller (Violin), Victoria Gunn (Viola), Gerhard Peters (Violin), Joachim Fiedler (Cello) Conductor: Reinhard Goebel Orchestra/Ensemble: Musica Antiqua Cologne Period: Baroque Written: Venice, Italy	Date of Recording: 1997 Venue: German Radio Transmitting Hall, Cologne Length: 10 Minutes 52 Secs. Language: Italian


179.	Incassum, Lesbia, rogas, Z 383 "Queen's Epicedium" by Henry Purcell
	Performer: Markus Möllenbeck (Cello), Anne Sofie von Otter (Mezzo Soprano), Christian Rieger (Positive) Conductor: Reinhard Goebel Orchestra/Ensemble: Musica Antiqua Cologne Period: Baroque Written: by 1695; England	Date of Recording: 1997 Venue: German Radio Transmitting Hall, Cologne Length: 7 Minutes 27 Secs. Language: Latin


180.	O solitude, my sweetest choice, Z 406 by Henry Purcell
	Performer: Anne Sofie von Otter (Mezzo Soprano), Jakob Lindberg (Theorbo) Conductor: Reinhard Goebel Orchestra/Ensemble: Musica Antiqua Cologne Period: Baroque Written: by 1687; England	Date of Recording: 1997 Venue: German Radio Transmitting Hall, Cologne Length: 4 Minutes 58 Secs. Language: English


181.	Chaconne by Alessandro Piccinini
	Performer: Jakob Lindberg (Theorbo) Period: Baroque Written: Italy	Date of Recording: 1997 Venue: German Radio Transmitting Hall, Cologne Length: 1 Minutes 52 Secs.


182.	Concertos (4) for Violin, Op. 8 no 1-4 "Four seasons" by Antonio Vivaldi
	Performer: Simon Standage (Violin) Conductor: Trevor Pinnock Orchestra/Ensemble: English Concert Period: Baroque Written: 1725; Venice, Italy


183.	Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera" by Antonio Vivaldi
	Performer: Simon Standage (Violin) Conductor: Trevor Pinnock Orchestra/Ensemble: English Concert Period: Baroque Written: circa 1725; Venice, Italy


184.	Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate" by Antonio Vivaldi
	Performer: Simon Standage (Violin) Conductor: Trevor Pinnock Orchestra/Ensemble: English Concert Period: Baroque Written: 1725; Venice, Italy


185.	Concerto for Violin in F major, Op. 8 no 3/RV 293 "L'autunno" by Antonio Vivaldi
	Performer: Simon Standage (Violin) Conductor: Trevor Pinnock Orchestra/Ensemble: English Concert Period: Baroque Written: 1725; Venice, Italy


186.	Concerto for Violin in F minor, Op. 8 no 4/RV 297 "L'inverno" by Antonio Vivaldi
	Performer: Simon Standage (Violin) Conductor: Trevor Pinnock Orchestra/Ensemble: English Concert Period: Baroque Written: 1725; Venice, Italy


187.	Concerto for Oboe and Violin in B flat major, RV 548 by Antonio Vivaldi
	Performer: Simon Standage (Violin), David Reichenberg (Oboe) Conductor: Trevor Pinnock Orchestra/Ensemble: English Concert Period: Baroque Written: Venice, Italy


188.	Concerto for 2 Violins in G major, RV 516 by Antonio Vivaldi
	Performer: Simon Standage (Violin), Elizabeth Wilcock (Violin) Conductor: Trevor Pinnock Orchestra/Ensemble: English Concert Period: Baroque Written: Venice, Italy


189.	Nocturnes (3) for Piano, B 54/Op. 9 by Frédéric Chopin
	Performer: Maria-Joao Pires (Piano) Period: Romantic Written: 1830-1831; Poland


190.	Nocturnes (3) for Piano, Op. 15 by Frédéric Chopin
	Performer: Maria-Joao Pires (Piano) Period: Romantic Written: 1830-1833


191.	Nocturnes (2) for Piano, Op. 27 by Frédéric Chopin
	Performer: Maria-Joao Pires (Piano) Period: Romantic Written: 1835; Paris, France


192.	Nocturnes (2) for Piano, B 106/Op. 32 by Frédéric Chopin
	Performer: Maria-Joao Pires (Piano) Period: Romantic Written: 1836-1837; Paris, France


193.	Nocturnes (2) for Piano, Op. 37 by Frédéric Chopin
	Performer: Maria-Joao Pires (Piano) Period: Romantic Written: 1838-1849; Paris, France


194.	Nocturnes (2) for Piano, B 142/Op. 48 by Frédéric Chopin
	Performer: Maria-Joao Pires (Piano) Period: Romantic Written: 1841; Paris, France


195.	Nocturnes (2) for Piano, B 152/Op. 55 by Frédéric Chopin
	Performer: Maria-Joao Pires (Piano) Period: Romantic Written: 1843; Paris, France


196.	Nocturnes (2) for Piano, B 161/Op. 62 by Frédéric Chopin
	Performer: Maria-Joao Pires (Piano) Period: Romantic Written: 1846; Paris, France


197.	Nocturne for Piano in E minor, B 19/Op. 72 no 1 by Frédéric Chopin
	Performer: Maria-Joao Pires (Piano) Period: Romantic Written: 1827; Poland


198.	Nocturne for Piano in C sharp minor, B 49 by Frédéric Chopin
	Performer: Maria-Joao Pires (Piano) Period: Romantic


199.	Nocturne for Piano in C minor, B 108 by Frédéric Chopin
	Performer: Maria-Joao Pires (Piano) Period: Romantic Written: 1837; Paris, France


200.	Sonata for Harpsichord in E major, K 20/L 375 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: by 1738	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 3 Minutes 31 Secs.


201.	Sonata for Harpsichord in D minor, K 9/L 413 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: by 1738	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 4 Minutes 14 Secs.


202.	Sonata for Harpsichord in D major, K 119/L 415 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: 18th Century	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 5 Minutes 14 Secs.


203.	Sonata for Harpsichord in D minor, K 1/L 366 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: by 1738	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 2 Minutes 30 Secs.


204.	Sonata for Harpsichord in B minor, K 87/L 33 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: 18th Century	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 6 Minutes 21 Secs.


205.	Sonata for Harpsichord in E minor, K 98/L 325 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: 18th Century	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 3 Minutes 18 Secs.


206.	Sonata for Harpsichord in G major, K 13/L 486 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: by 1738	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 4 Minutes 24 Secs.


207.	Sonata for Harpsichord in G minor, K 8/L 488 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: by 1738	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 5 Minutes 55 Secs.


208.	Sonata for Harpsichord in G minor, K 450/L 338 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: 18th Century	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 3 Minutes 32 Secs.


209.	Sonata for Harpsichord in C major, K 159/L 104 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: 18th Century	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 2 Minutes 31 Secs.


210.	Sonata for Harpsichord in C major, K 487/L 205 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: 18th Century	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 3 Minutes 52 Secs.


211.	Sonata for Harpsichord in B flat major, K 529/L 327 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: 18th Century	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 2 Minutes 30 Secs.


212.	Sonata for Harpsichord in E major, K 380/L 23 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: 18th Century	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 4 Minutes 59 Secs.


213.	Sonata for Harpsichord in C minor, K 11/L 352 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: by 1738	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 2 Minutes 53 Secs.


214.	Sonata for Harpsichord in E major, K 135/L 224 by Domenico Scarlatti
	Performer: Ivo Pogorelich (Piano) Period: Baroque Written: 18th Century	Date of Recording: 09/1991 Venue: Beethovensaal, Hanover Length: 4 Minutes 16 Secs.


215.	Etudes (12) for Piano, Op. 10 by Frédéric Chopin
	Performer: Maurizio Pollini (Piano) Period: Romantic Written: 1829-1833; Poland


216.	Etudes (12) for Piano, Op. 25 by Frédéric Chopin
	Performer: Maurizio Pollini (Piano) Period: Romantic Written: 1832-1836; Paris, France


217.	Zar und Zimmermann: O sancta justitia! by Albert Lortzing
	Performer: Thomas Quasthoff (Bass Baritone) Conductor: Christian Thielemann Orchestra/Ensemble: Berlin Deutsche Oper Orchestra Period: Romantic Written: 1837; Germany	Date of Recording: 09/2001 Venue: Great Hall, Philharmonie, Berlin Length: 6 Minutes 32 Secs. Language: German


218.	Zar und Zimmermann: Den Hohen Herrscher...Heil sei dem Tag by Albert Lortzing
	Performer: Thomas Quasthoff (Bass Baritone) Conductor: Christian Thielemann Orchestra/Ensemble: Berlin Deutsche Oper Chorus, Berlin Deutsche Oper Orchestra Period: Romantic Written: 1837; Germany	Date of Recording: 09/2001 Venue: Great Hall, Philharmonie, Berlin Length: 9 Minutes 37 Secs. Language: German


219.	Zar und Zimmermann: Sonst spielt ich mit Szepter by Albert Lortzing
	Performer: Thomas Quasthoff (Bass Baritone) Conductor: Christian Thielemann Orchestra/Ensemble: Berlin Deutsche Oper Orchestra Period: Romantic Written: 1837; Germany	Date of Recording: 09/2001 Venue: Great Hall, Philharmonie, Berlin Length: 5 Minutes 18 Secs. Language: German


220.	Der Wildschütz: Fünftausend Taler by Albert Lortzing
	Performer: Thomas Quasthoff (Bass Baritone) Conductor: Christian Thielemann Orchestra/Ensemble: Berlin Deutsche Oper Orchestra Period: Romantic Written: 1842; Germany	Date of Recording: 09/2001 Venue: Great Hall, Philharmonie, Berlin Length: 5 Minutes 17 Secs. Language: German


221.	Der Wildschütz: Lass Er doch hören...Bei diesem schliemmen Fall by Albert Lortzing
	Performer: Christiane Oelze (Soprano), Thomas Quasthoff (Bass Baritone) Conductor: Christian Thielemann Orchestra/Ensemble: Berlin Deutsche Oper Orchestra Period: Romantic Written: 1842; Germany	Date of Recording: 09/2001 Venue: Great Hall, Philharmonie, Berlin Length: 8 Minutes 6 Secs. Language: German


222.	Der Wildschütz: Wie freundlich strahlt die holde Morgensonne by Albert Lortzing
	Performer: Thomas Quasthoff (Bass Baritone) Conductor: Christian Thielemann Orchestra/Ensemble: Berlin Deutsche Oper Orchestra Period: Romantic Written: 1842; Germany	Date of Recording: 09/2001 Venue: Great Hall, Philharmonie, Berlin Length: 4 Minutes 49 Secs. Language: German


223.	Tannhäuser: Gar viel und schön by Richard Wagner
	Performer: Thomas Quasthoff (Bass Baritone) Conductor: Christian Thielemann Orchestra/Ensemble: Berlin Deutsche Oper Chorus, Berlin Deutsche Oper Orchestra Period: Romantic Written: 1845/1861; Germany	Date of Recording: 09/2001 Venue: Great Hall, Philharmonie, Berlin Length: 6 Minutes 59 Secs. Language: German


224.	Tannhäuser: O, du mein holder Abendstern by Richard Wagner
	Performer: Thomas Quasthoff (Bass Baritone) Conductor: Christian Thielemann Orchestra/Ensemble: Berlin Deutsche Oper Orchestra Period: Romantic Written: 1845/1861; Germany	Date of Recording: 09/2001 Venue: Great Hall, Philharmonie, Berlin Length: 5 Minutes 29 Secs. Language: German


225.	Die schweigsame Frau, Op. 80: Wie schön ist doch die Musik by Richard Strauss
	Performer: Thomas Quasthoff (Bass Baritone) Conductor: Christian Thielemann Orchestra/Ensemble: Berlin Deutsche Oper Orchestra Period: Romantic Written: 1933-1934; Germany	Date of Recording: 09/2001 Venue: Great Hall, Philharmonie, Berlin Length: 4 Minutes 2 Secs. Language: German


226.	Euryanthe, J 291/Op. 81: Wo berg'ich mich?...Und er soll by Carl Maria von Weber
	Performer: Thomas Quasthoff (Bass Baritone) Conductor: Christian Thielemann Orchestra/Ensemble: Berlin Deutsche Oper Orchestra Period: Romantic Written: 1822-1823; Dresden, Germany	Date of Recording: 09/2001 Venue: Great Hall, Philharmonie, Berlin Length: 9 Minutes 9 Secs. Language: German


227.	Mass in B minor, BWV 232 by Johann Sebastian Bach
	Performer: Dietrich Fischer-Dieskau (Baritone), Kieth Engen (Bass), Maria Stader (Soprano), Hertha Töpper (Alto) Conductor: Karl Richter Orchestra/Ensemble: Munich Bach Orchestra Period: Baroque Written: 1747-49; Leipzig, Germany	Date of Recording: 1961 Venue: Munich, Germany Language: Latin


228.	Concerto for Cello in B minor, Op. 104/B 191 by Antonín Dvorák
	Performer: Mstislav Rostropovich (Cello) Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1894-1895; USA	Date of Recording: 09/1968 Venue: Jesus Christus Kirche, Berlin Length: 41 Minutes 21 Secs.


229.	Variations for Cello and Orchestra on a Rococo theme, Op. 33 by Peter Ilyich Tchaikovsky
	Performer: Mstislav Rostropovich (Cello) Conductor: Herbert von Karajan Orchestra/Ensemble: Berlin Philharmonic Orchestra Period: Romantic Written: 1876; Russia	Date of Recording: 09/1968 Venue: Jesus Christus Kirche, Berlin Length: 18 Minutes 53 Secs.


230.	Songs of travel by Ralph Vaughan Williams
	Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano) Period: 20th Century Written: 1901-1904; England	Date of Recording: 02/1995 Venue: Henry Wood Hall, London, England Length: 3 Minutes 14 Secs. Language: English


231.	Sea fever by John Ireland
	Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano) Period: 20th Century Written: 1913; England	Date of Recording: 02/1995 Venue: Henry Wood Hall, London, England Length: 2 Minutes 20 Secs. Language: English


232.	The vagabond by John Ireland
	Performer: Malcolm Martineau (Piano), Bryn Terfel (Bass Baritone) Period: 20th Century Written: England	Date of Recording: 02/1995 Venue: Henry Wood Hall, London, England Length: 1 Minutes 57 Secs. Language: English


233.	Bells of San Marie by John Ireland
	Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano) Period: 20th Century Written: 1919; England	Date of Recording: 02/1995 Venue: Henry Wood Hall, London, England Length: 2 Minutes 40 Secs. Language: English


234.	Let us garlands bring, Op. 18 by Gerald Finzi
	Performer: Malcolm Martineau (Piano), Bryn Terfel (Bass Baritone) Period: 20th Century Written: England	Date of Recording: 02/1995 Venue: Henry Wood Hall, London, England Length: 3 Minutes 58 Secs. Language: English


235.	Songs (6) from A Shropshire Lad by George Butterworth
	Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano) Period: 20th Century Written: 1911; England	Date of Recording: 02/1995 Venue: Henry Wood Hall, London, England Length: 2 Minutes 40 Secs. Language: English


236.	Bredon Hill and Other Songs: Bredon Hill by George Butterworth
	Performer: Malcolm Martineau (Piano), Bryn Terfel (Bass Baritone) Period: 20th Century Written: 1912; England	Date of Recording: 02/1995 Venue: Henry Wood Hall, London, England Length: 4 Minutes 44 Secs. Language: English


237.	Bredon Hill and Other Songs: Oh fair enough are sky and plain by George Butterworth
	Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano) Period: 20th Century Written: 1912; England	Date of Recording: 02/1995 Venue: Henry Wood Hall, London, England Length: 3 Minutes 17 Secs. Language: English


238.	Bredon Hill and Other Songs: When the lad for longing sighs by George Butterworth
	Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano) Period: 20th Century Written: 1912; England	Date of Recording: 02/1995 Venue: Henry Wood Hall, London, England Length: 1 Minutes 44 Secs. Language: English


239.	Bredon Hill and Other Songs: On the idle hill of summer by George Butterworth
	Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano) Period: 20th Century Written: 1912; England	Date of Recording: 02/1995 Venue: Henry Wood Hall, London, England Length: 3 Minutes 8 Secs. Language: English


240.	Bredon Hill and Other Songs: With rue my heart is laden by George Butterworth
	Performer: Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano) Period: 20th Century Written: 1912; England	Date of Recording: 02/1995 Venue: Henry Wood Hall, London, England Length: 1 Minutes 54 Secs. Language: English


241.	La Gioconda: Cielo e mar by Amilcare Ponchielli
	Performer: Rolando Villazón (Tenor) Conductor: Daniele Callegari Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan Period: Romantic Written: 1876; Italy	Length: 5 Minutes 14 Secs.


242.	Adriana Lecouvreur: La dolcissima effigie by Francesco Cilèa
	Performer: Rolando Villazón (Tenor) Conductor: Daniele Callegari Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan Period: Romantic Written: 1902; Italy	Length: 2 Minutes 9 Secs.


243.	Il giuramento: Bella adorata incognita by Saverio Mercadante
	Performer: Rolando Villazón (Tenor) Conductor: Daniele Callegari Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan Period: Romantic Written: 1837; Italy	Length: 4 Minutes 12 Secs.


244.	Mefistofele: Dai campi, dai prati by Arrigo Boito
	Performer: Rolando Villazón (Tenor) Conductor: Daniele Callegari Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan Period: Romantic Written: 1868; Italy	Length: 2 Minutes 33 Secs.


245.	Maristella: Io conosco un giardino by Giuseppe Pietri
	Performer: Rolando Villazón (Tenor) Conductor: Daniele Callegari Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan Period: Romantic Written: 1934; Italy	Length: 2 Minutes 1 Secs.


246.	Fosca: Intenditi con Dio..Ah, se tu sei fra gli angeli by Antonio Carlos Gomes
	Performer: Rolando Villazón (Tenor) Conductor: Daniele Callegari Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan Period: Romantic Written: 1873/1878; Milan, Italy	Length: 5 Minutes 1 Secs.


247.	Simon Boccanegra: O inferno! Amelia qui!...Sento avvampar... by Giuseppe Verdi
	Performer: Rolando Villazón (Tenor) Conductor: Daniele Callegari Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan Period: Romantic Written: 1857; Italy	Length: 5 Minutes 22 Secs.


248.	Poliuto: Veleno è l'aura ch'io respiro!/Sfolgorò divino raggio by Gaetano Donizetti
	Performer: Rolando Villazón (Tenor), Gianluca Alfano (Baritone) Conductor: Daniele Callegari Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan Period: Romantic	Length: 8 Minutes 24 Secs.


249.	Il giuramento: Compita è omai..Fu celeste quel contento by Saverio Mercadante
	Performer: Rolando Villazón (Tenor) Conductor: Daniele Callegari Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan Period: Romantic Written: 1837; Italy	Length: 3 Minutes 40 Secs.


250.	Adriana Lecouvreur: L'anima ho stanca by Francesco Cilèa
	Performer: Rolando Villazón (Tenor) Conductor: Daniele Callegari Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan Period: Romantic Written: 1902; Italy	Length: 1 Minutes 48 Secs.


251.	Il figliuol prodigo: Il padre mio...Tenda natal by Amilcare Ponchielli
	Performer: Rolando Villazón (Tenor) Conductor: Daniele Callegari Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan Period: Romantic	Length: 4 Minutes 40 Secs.


252.	Mefistofele: Giunto sul passo estremo by Arrigo Boito
	Performer: Rolando Villazón (Tenor) Conductor: Daniele Callegari Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan Period: Romantic Written: 1868; Italy	Length: 2 Minutes 37 Secs.


253.	Luisa Miller: Oh! Fede negar potessi/Quando le sere al placido by Giuseppe Verdi
	Performer: Rolando Villazón (Tenor) Conductor: Daniele Callegari Orchestra/Ensemble: Verdi Grand Symphonic Orchestra Milan Period: Romantic Written: 1849; Italy	Length: 5 Minutes 35 Secs.


254.	Luisa Miller: L'ara o l'avello apprestami by Giuseppe Verdi
	Performer: Rolando Villazón (Tenor), Gianluca Alfano (Baritone) Conductor: Daniele Callegari Orchestra/Ensemble: Verdi Chorus Milan, Verdi Grand Symphonic Orchestra Milan Period: Romantic Written: 1849; Italy	Length: 3 Minutes 17 Secs.


255.	Trio Sonata for Organ no 1 in E flat major, BWV 525 by Johann Sebastian Bach
	Performer: Helmut Walcha (Organ) Period: Baroque Written: circa 1727; Leipzig, Germany	Venue: St. Laurens Church, Alkmaar, Netherlands


256.	Partite sopra Sei gegrüsset, Jesu gütig, BWV 768 by Johann Sebastian Bach
	Performer: Helmut Walcha (Organ) Period: Baroque Written: circa 1700; Lüneburg, Germany	Venue: St. Laurens Church, Alkmaar, Netherlands


257.	Chorale Preludes (6) BWV 645-650 "Schübler": no 1, Wachet auf, ruft uns die Stimme, BWV 645 by Johann Sebastian Bach
	Performer: Helmut Walcha (Organ) Period: Baroque Written: circa 1748-1749; Leipzig, Germany	Venue: St. Laurens Church, Alkmaar, Netherlands


258.	Chorale Preludes (6) BWV 645-650 "Schübler": no 2, Wo soll ich fliehen hin?, BWV 646 by Johann Sebastian Bach
	Performer: Helmut Walcha (Organ) Period: Baroque Written: circa 1748-1749; Leipzig, Germany	Venue: St. Laurens Church, Alkmaar, Netherlands


259.	Chorale Preludes (6) BWV 645-650 "Schübler": no 3, Wer nur den lieben Gott lässt walten, BWV 647 by Johann Sebastian Bach
	Performer: Helmut Walcha (Organ) Period: Baroque Written: circa 1748-1749; Leipzig, Germany	Venue: St. Laurens Church, Alkmaar, Netherlands


260.	Chorale Preludes (6) BWV 645-650 "Schübler": no 4, Meine Seele erhebet den Herren, BWV 648 by Johann Sebastian Bach
	Performer: Helmut Walcha (Organ) Period: Baroque Written: circa 1748-1749; Leipzig, Germany	Venue: St. Laurens Church, Alkmaar, Netherlands


261.	Chorale Preludes (6) BWV 645-650 "Schübler": no 5, Ach bleib' bei uns, BWV 649 by Johann Sebastian Bach
	Performer: Helmut Walcha (Organ) Period: Baroque Written: circa 1748-1749; Leipzig, Germany	Venue: St. Laurens Church, Alkmaar, Netherlands


262.	Chorale Preludes (6) BWV 645-650 "Schübler": no 6, Kommst du nun, Jesu, BWV 650 by Johann Sebastian Bach
	Performer: Helmut Walcha (Organ) Period: Baroque Written: circa 1748-1749; Leipzig, Germany	Venue: St. Laurens Church, Alkmaar, Netherlands


263.	Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach
	Performer: Helmut Walcha (Organ) Period: Baroque Written: by 1708; Germany	Venue: St. Laurens Church, Alkmaar, Netherlands


264.	Prelude and Fugue in E flat major, BWV 552 "St Anne" by Johann Sebastian Bach
	Performer: Helmut Walcha (Organ) Period: Baroque Written: by 1739; Leipzig, Germany	Venue: St. Laurens Church, Alkmaar, Netherlands


265.	Dichterliebe, Op. 48 by Robert Schumann
	Performer: Fritz Wunderlich (Tenor), Hubert Giesen (Piano) Period: Romantic Written: 1840; Germany	Date of Recording: 1965 Venue: Academy of Music, Munich, Germany Language: German


266.	Zärtliche Liebe, WoO 123 by Ludwig van Beethoven
	Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor) Period: Classical Written: 1794-1795; Vienna, Austria	Date of Recording: 1965 Venue: Academy of Music, Munich, Germany Language: German


267.	Adelaide, Op. 46 by Ludwig van Beethoven
	Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor) Period: Classical Written: 1794-1795; Vienna, Austria	Date of Recording: 1965 Venue: Academy of Music, Munich, Germany Language: German


268.	Resignation, WoO 149 by Ludwig van Beethoven
	Performer: Fritz Wunderlich (Tenor), Hubert Giesen (Piano) Period: Classical Written: 1817; Vienna, Austria	Date of Recording: 1965 Venue: Academy of Music, Munich, Germany Language: German


269.	Der Kuss, Op. 128 by Ludwig van Beethoven
	Performer: Fritz Wunderlich (Tenor), Hubert Giesen (Piano) Period: Classical Written: ?1822; Vienna, Austria	Date of Recording: 1965 Venue: Academy of Music, Munich, Germany Language: German


270.	An Sylvia, D 891/Op. 106 no 4 by Franz Schubert
	Performer: Fritz Wunderlich (Tenor), Hubert Giesen (Piano) Period: Romantic Written: 1826; Vienna, Austria	Date of Recording: 1965 Venue: Academy of Music, Munich, Germany Language: German


271.	Lied eines Schiffers an die Dioskuren, D 360/Op. 65 no 1 by Franz Schubert
	Performer: Fritz Wunderlich (Tenor), Hubert Giesen (Piano) Period: Romantic Written: 1816; Vienna, Austria	Date of Recording: 1965 Venue: Academy of Music, Munich, Germany Language: German


272.	Liebhaber in allen Gestalten, D 558 by Franz Schubert
	Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor) Period: Romantic Written: 1817; Vienna, Austria	Date of Recording: 1965 Venue: Academy of Music, Munich, Germany Language: German


273.	Der Einsame, D 800 by Franz Schubert
	Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor) Period: Romantic Written: 1825; Vienna, Austria	Date of Recording: 1965 Venue: Academy of Music, Munich, Germany Language: German


274.	Im Abendrot, D 799 by Franz Schubert
	Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor) Period: Romantic Written: 1824-1825; Vienna, Austria	Date of Recording: 1965 Venue: Academy of Music, Munich, Germany Language: German


275.	Schwanengesang, D 957: no 4, Ständchen by Franz Schubert
	Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor) Period: Romantic Written: 1828; Vienna, Austria	Date of Recording: 1965 Venue: Academy of Music, Munich, Germany Language: German


276.	An die Laute, D 905/Op. 81 no 2 by Franz Schubert
	Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor) Period: Romantic Written: 1827; Vienna, Austria	Date of Recording: 1965 Venue: Academy of Music, Munich, Germany Language: German


277.	Der Musensohn, D 764/Op. 92 no 1 by Franz Schubert
	Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor) Period: Romantic Written: 1822; Vienna, Austria	Date of Recording: 1965 Venue: Academy of Music, Munich, Germany Language: German


278.	An die Musik, D 547 by Franz Schubert
	Performer: Hubert Giesen (Piano), Fritz Wunderlich (Tenor) Period: Romantic Written: 1817; Vienna, Austria	Date of Recording: 1965 Venue: Academy of Music, Munich, Germany Language: German


279.	Concerto for Piano no 1 in E flat major, S 124 by Franz Liszt
	Performer: Krystian Zimerman (Piano) Conductor: Seiji Ozawa Orchestra/Ensemble: Boston Symphony Orchestra Period: Romantic Written: 1849/1856; Weimar, Germany


280.	Concerto for Piano no 2 in A major, S 125 by Franz Liszt
	Performer: Krystian Zimerman (Piano) Conductor: Seiji Ozawa Orchestra/Ensemble: Boston Symphony Orchestra Period: Romantic Written: 1839/1861; Weimar, Germany


281.	Totentanz, S 126 by Franz Liszt
	Performer: Krystian Zimerman (Piano) Conductor: Seiji Ozawa Orchestra/Ensemble: Boston Symphony Orchestra Period: Romantic Written: 1849/1859; Weimar, Germany

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