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Saint-saëns: Symphony No 3, Etc / Ormandy, Philadelphia Orch


Release Date: 01/03/1992 
Label:  Sony Classical Essential Classics Catalog #: 47655   Spars Code: ADD 
Composer:  Camille Saint-Saëns
Performer:  E. Power BiggsPhilippe EntremontGaby Casadesus
Conductor:  Eugene OrmandyPhilippe Entremont
Orchestra/Ensemble:  Philadelphia OrchestraEnsemble
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 16 Mins. 

CD not available: This title is currently only available as an MP3 download.  

Notes and Editorial Reviews

If you’re looking for an inexpensive single disc containing Saint-Saëns’ most popular orchestral works, then you can’t miss with this collection. I often wonder if Ormandy had not gone on to remake his core repertoire with RCA, in mostly duller performances and lousy sound, whether his reputation would be as low as it is at present. There’s some absolutely sensational music making on this disc, and to prove it I offer three sound samples for you to consider.

First, this is one of the great “Organ” Symphonies, not perhaps quite as exciting as Munch, but awfully close, with amazingly fine playing from the Philadelphians and astonishingly good sonics for the period (1962). E. Power Biggs is the excellent soloist, offering a
Read more rendition of the organ part that’s unusually well articulated rhythmically. Consider the opening of the finale: bold and quite striking in its firmly phrased, grand reprise of the symphony’s motto theme. Ormandy never matched this performance, and he re-recorded this symphony at least twice.

The symphony may be fine, but it’s the couplings that really close the deal. The Marche militaire française has plenty of swagger, and these versions of the Bacchanale from Samson et Dalila and the Danse macabre are simply the best available. Ormandy does a little light restoring of the former, and it matters not a bit–this performance just drips sex and couldn’t be more wildly uninhibited (second sound sample). As for the Danse, just listen to those Philadelphia violins sing out the main theme. It doesn’t get any better than that.

The Carnival of the Animals is no mere make-weight bonus. Heard in its chamber scoring, the performers make an impressive list: Philippe Entremont and Gaby Casadesus on pianos, Régis Pasquier and Yan-Pascal Tortelier on violins, Gérard Caussé on viola, and no less than the young Yo-Yo Ma on cello. Taken together, you have a perfect disc of Saint-Saëns favorites in performances as good or better than any available. And it’s all offered at budget price. Pure gold.

-- David Hurwitz, ClassicsToday.com
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Works on This Recording

1. Symphony no 3 in C minor, Op. 78 "Organ" by Camille Saint-Saëns
Performer:  E. Power Biggs (Organ)
Conductor:  Eugene Ormandy
Orchestra/Ensemble:  Philadelphia Orchestra
Written: 1886 
Date of Recording: 10/07/1962 
2. Samson et Dalila, Op. 47: Bacchanale by Camille Saint-Saëns
Conductor:  Eugene Ormandy
Orchestra/Ensemble:  Philadelphia Orchestra
Written: 1877 
Date of Recording: 03/23/1964 
3. Carnival of the animals by Camille Saint-Saëns
Performer:  Philippe Entremont (Piano), Gaby Casadesus (Piano)
Conductor:  Philippe Entremont
Orchestra/Ensemble:  Ensemble
Written: 1886 
Date of Recording: 03/1978 
4. Danse macabre in G minor, Op. 40 by Camille Saint-Saëns
Conductor:  Eugene Ormandy
Orchestra/Ensemble:  Philadelphia Orchestra
Period: Romantic 
Written: 1874; France 
Date of Recording: 04/12/1959 
5. Marche Militaire Française by Camille Saint-Saëns
Conductor:  Eugene Ormandy
Orchestra/Ensemble:  Philadelphia Orchestra
Period: Romantic 
Written: 1880; France 
Date of Recording: 12/28/1966 

Sound Samples

I. Adagio
Allegro moderato
Poco adagio
II. Allegro moderato
Presto
Maestoso
Allegro
Danse Bacchanale from Act III of Samson et Dalila, Op. 47
Marche Militaire Française from Suite Algérienne, Op. 60
Danse Macabre, Op. 40
Introduction and Royal March of the Lion
Hens and Cocks
Wild Asses
Tortoises
The Elephant
Kangaroos
Aquarium
Personnages with long ears
The Cuckoo in the heart of the woods
Aviary
Pianists
Fossils
The Swan
Finale

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