Romanian Folkdances (6) for Piano, Sz 56by Béla Bartók Performer:
Marie Louise Bastyns (Piano),
Berl Senofsky (Violin)
Period: 20th Century Written: 1915; Budapest, Hungary Date of Recording: 10/06/1958 Venue: American Theatre, at the World's Fair in Length: 4 Minutes 21 Secs.
2.
Sonatas (6) for Violin solo, Op. 27: no 6 in E majorby Eugčne Ysa˙e Performer:
Berl Senofsky (Violin),
Marie Louise Bastyns (Piano)
Period: Romantic Written: by 1924; Belgium Date of Recording: 10/06/1958 Venue: American Theatre, at the World's Fair in Length: 7 Minutes 2 Secs.
3.
Grand duo polonais, for violin & piano in G major, Op. 8by Józef Wieniawski Performer:
Berl Senofsky (Violin),
Marie Louise Bastyns (Piano)
Period: Romantic Date of Recording: 10/06/1958 Venue: American Theatre, at the World's Fair in Length: 4 Minutes 57 Secs.
4.
Partita for Violin solo no 2 in D minor, BWV 1004: 5th movement, Chaconneby Johann Sebastian Bach Performer:
Berl Senofsky (Violin),
Marie Louise Bastyns (Piano)
Period: Baroque Written: circa 1720; Cöthen, Germany Date of Recording: 10/06/1958 Venue: American Theatre, at the World's Fair in Length: 15 Minutes 25 Secs.
Hungarian Dances (21) for Piano 4 hands, WoO 1: no 7 in A majorby Johannes Brahms Performer:
Berl Senofsky (Violin),
Marie Louise Bastyns (Piano)
Period: Romantic Written: 1868; Austria Date of Recording: 10/06/1958 Venue: American Theatre, at the World's Fair in Length: 2 Minutes 2 Secs.
7.
Suite for violin & piano, Op. 18by Paul Creston Performer:
Berl Senofsky (Violin),
Marie Louise Bastyns (Piano)
Period: Modern Date of Recording: 10/06/1958 Venue: American Theatre, at the World's Fair in Length: 9 Minutes 16 Secs.
8.
Vocalise, instrumental arrangement, Op. 34/14by Sergey Rachmaninov Performer:
Berl Senofsky (Violin),
Marie Louise Bastyns (Piano)
Period: Post-Romantic Written: Russia Date of Recording: 10/06/1958 Venue: American Theatre, at the World's Fair in Length: 6 Minutes 29 Secs.
Customer Reviews
Average Customer Review: ( 1 Customer Review )
Wonderful remasterFebruary 17, 2017By Ralph Graves (Hood, VA)See All My Reviews"This is a recording of Berl Senofsky's recital at the Expo '58, Brussels. He had won the Queen Elisabeth International Competition prize at the age of 29 -- the unanimous selection of judges David Oistrakh, Yehudi Menuhin, and Zino Francescatti. This recital recorded just three years later, hints at what those prize-winning performances were like. The recording has been lovingly remastered with minimal tinkering (that I can hear). It's a rich, warm, analog sound that places Senofsky front and center in the audio mix. I could easily hear the delicacy of Senofsky's tone, especially in quiet passages. Long notes sounded full and well-rounded. Double and triple stops were executed cleanly and clearly heard in the recording. Senofsky plays in an old-fashioned style, but with a more restrained vibrato than most prewar artists. It's a sound that's both of its time and one that transcends it through the beauty of his expressiveness. Especially fine, I think, are the Ysäye Sonata No. 6, Op. 27, and Bach's Chaconne from the Partita No. 2, BWV 1004. Not to take anything away from the performances with pianist Marie Louise Bastyns, but when Senofsky played alone, I was enthralled."Report Abuse