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At Carnegie Hall - Bach, Schumann, Janacek, Beethoven, Bartok / Piotr Anderszewski


Release Date: 06/02/2009 
Label:  Virgin Classics   Catalog #: 67291   Spars Code: n/a 
Composer:  Johann Sebastian BachRobert SchumannLeos JanácekLudwig van Beethoven,   ... 
Performer:  Piotr Anderszewski
Number of Discs: 2 
Recorded in: Stereo 
In Stock: Usually ships in 24 hours.  

Notes and Editorial Reviews


Supreme pianistic and musical distinction marks Piotr Anderszewski's triumphant December 2008 Carnegie Hall recital, not to mention the most naturally luminous sound quality I've ever heard in a solo piano recording emanating from this venue. The pianist obviously warmed up long before coming out to play the opening selection, Bach's C minor Partita. The Sinfonia's dotted rhythms generate excitement and anticipation by way of Anderszewski's subtle rhythmic inflections, while the Allemande and Courante speak as much as they ravishingly sing. Rarefied control and dynamic calibration justify the Rondeau's clipped deliberation.

In Schumann's Faschingsschwank aus Wien, Anderszewski's
Read more flexible phrasing and sophisticated voicings stress the movement's lyricism and whimsy while minimizing its square and repetitive nature. I'm not crazy about that little hesitation between the main theme's first two notes, but perhaps that's the jest from Vienna! The Scherzino is appreciably light and supple, the Intermezzo's inner voices suavely flutter with little aid from the sustain pedal, and the Finale gathers momentum more through intense linear interaction in contrast to the more chord-oriented power of Michelangeli and Richter.

Anderszewski captures the conversational syntax of Janácek's In the Mists to idiomatic perfection, and does just as well in his Bartók encores. The main program's finale, Beethoven's Op. 110 sonata, figured on one of Anderszewski's earliest solo studio CDs. His meticulously detailed conception has become more fluid, organically poetic, and far less micromanaged. He now lets himself go when Beethoven does, riding the crest of the fugal finale's exultant sweep as if his life depended on it. This release defines a great New York night.

--Jed Distler, ClassicsToday.com
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Works on This Recording

1.
Partita for Keyboard no 2 in C minor, BWV 826 by Johann Sebastian Bach
Performer:  Piotr Anderszewski (Piano)
Period: Baroque 
Written: 1726-1731; Germany 
2.
Faschingsschwank aus Wien, Op. 26 by Robert Schumann
Performer:  Piotr Anderszewski (Piano)
Period: Romantic 
Written: 1839-1840; Germany 
3.
In the mists by Leos Janácek
Performer:  Piotr Anderszewski (Piano)
Period: 20th Century 
Written: 1912; Brno, Czech Republic 
4.
Sonata for Piano no 31 in A flat major, Op. 110 by Ludwig van Beethoven
Performer:  Piotr Anderszewski (Piano)
Period: Classical 
Written: 1821-1822; Vienna, Austria 
5.
Hungarian folksongs (3) from the Csik district, Sz 35a by Béla Bartók
Performer:  Piotr Anderszewski (Piano)
Period: 20th Century 
Written: 1907; Budapest, Hungary 

Sound Samples

Partita No. 2 in C minor BWV826: I. Sinfonia (Grave adagio - Andante)
Partita No. 2 in C minor BWV826: II. Allemande
Partita No. 2 in C minor BWV826: III. Courante
Partita No. 2 in C minor BWV826: IV. Sarabande
Partita No. 2 in C minor BWV826: V. Rondeau
Partita No. 2 in C minor BWV826: VI. Capriccio
Faschingsschwank aus Wien Op. 26: 1. Allegro (Sehr lebhaft)
Faschingsschwank aus Wien Op. 26: 2. Romanze (Ziemlich langsam)
Faschingsschwank aus Wien Op. 26: 3. Scherzino [no marking]
Faschingsschwank aus Wien Op. 26: 4. Intermezzo (Mit grösster Energie)
Faschingsschwank aus Wien Op. 26: 5. Finale (Höchst lebhaft)
V Mlhách: I. Andante
V Mlhách: II. Molto adagio
V Mlhách: III. Andantino
V Mlhách: IV. Presto
Piano Sonata No. 31 in A flat major Op. 110: I. Moderato cantabile molto espressivo
Piano Sonata No. 31 in A flat major Op. 110: II. Allegro molto
Piano Sonata No. 31 in A flat major Op. 110: III. Adagio ma non troppo - Fuga (Allegro ma non troppo) - L'istesso tempo di Arioso - L'istesso tempo di Fuga - Meno allegro
Három csikmegyei népdal: Rubato -L'istesso tempo - Poco vivo

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