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Archiv Produktion: Analogue Stereo Recordings (1959-1981)


Release Date: 05/20/2016 
Label:  Archiv Produktion (Dg)   Catalog #: 002490502   Spars Code: DDD 
Composer:  Johann Sebastian BachPierre VachonNicolas-Marie DalayracGeorge Frideric Handel,   ... 
Performer:  Maria StaderHedwig BilgramHertha TöpperDietrich Fischer-Dieskau,   ... 
Conductor:  Karl RichterAugust WenzingerKarl RistenpartRobert Stehli,   ... 
Orchestra/Ensemble:  Munich Bach OrchestraMunich Bach ChoirLoewenguth String Quartet,   ... 
Number of Discs: 50 
Recorded in: Stereo 
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Notes and Editorial Reviews

In 2013 a 55-CD collection from Archiv Produktion surveyed the influential label’s history from its first recordings in 1947 to date. The label follows up with a second “original jacket” big box, focused this time on analogue stereo recordings from 1959 through 1981. Perhaps the best place to start is with items new to CD.

Fans of the Loewenguth Quartet’s sensitive and reserved way with Haydn and Mozart will enjoy a disc of unfamiliar string quartets by early classical-period composers Pierre Vachon and Nicolas-Marie Dalayrac. Ralph Kirkpatrick’s only recording of the Bach Inventions (sound clip) revels in the clavichord’s subtle nuances and capacity for vibrato (a complete DG/Archiv Kirkpatrick box would be most welcome!).
Read more Marcel Couraud’s vigorous, full-bodied 1962 recordings of Rameau’s Pigmalion and excerpts from Les Indes Galantes are welcome alternatives to the rigid, self-aware performances that often transpire today in the name of authenticity.

Tenor Peter Schreier’s lovely 1978 disc of Weber songs accompanied by guitarist Konrad Ragossnig, Schubert’s “Arpeggione” sonata performed on a genuine arpeggione (a short-lived guitar/cello hybrid), and an early Jordi Savall release devoted to Italian canzoni also make their CD debuts. Although Helmut Walcha’s “farewell” anthology of pre-Bach German organ works appeared on CD in Japan, its first “international” release restores an important part of this great musician’s discography to the catalog. Walcha’s forthright, no-frills style and honest technique always struck me as the organ equivalent to Otto Klemperer’s conducting.

Among more familiar items, Pierre Fournier’s Bach Cello Suites plus Karl Richter’s Bach B minor Mass and Magnificat held reference status for years. It’s interesting to hear Heinrich Schütz’s first sacred work, the Psalms of David, with relatively large forces in Hans-Martin Schneidt’s 1971 recording in comparison with Cantus Cölln’s 1998 Harmonia Mundi traversal with only one singer to a part.

The 1973 Jürgen Jürgens Monteverdi L’Orfeo has not worn well over time in comparison with more colorful, instrumentally varied versions, including the groundbreaking first Harnoncourt traversal. But the 1967 Charles Mackerras Purcell Dido and Aeneas is dramatically alive in every moment, and features Tatiana Troyanos in the earlier and better of her two recorded versions: what elegant legato control in the famous “Lament”! A 1972 Balinese Gamelan Music LP got lots of attention at a time when this repertoire was less accessible to Western audiences than today. In fact, I remember seeing multiple remaindered LP copies at my local Sam Goody outlet for 99 cents, and all I can say is that I was stupid to pass up a bargain and a gorgeous disc!

The Melos Quartet’s cycle of Cherubini quartets is a great example of how boring, workmanlike music can sound like deathless masterpieces when performed to this ensemble’s impassioned and meticulous specifications. And we get the complete two-CD incarnation of David Munrow’s Music of the Gothic Era that was stupidly abridged for the earlier 2013 Archiv box and one of the DG 111 collections.

Individual collectors, of course, will discover their own revelations over the course of these 50 discs. Mine was Telemann’s Der getreue Music-Meister, a collection of varied vocal and chamber works that appeared over 25 issues of a subscription periodical. Although Harmonia Mundi brought out a more textually complete and stylistically “authentic” recording in 1993 that included the project’s non-Telemann contributions, the Archiv release benefits from superior singing all around. Thanks to project manager, annotator, and compiler David Butchart, this collection adds up to an impressively varied survey of artists, repertoire, and interpretive styles in an era when period performance practice thrived in an exciting state of flux.

– ClassicsToday (Jed Distler) Read less

Works on This Recording

1.
Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach
Performer:  Maria Stader (Soprano)
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra
Written: 1730 
2.
Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata" by Johann Sebastian Bach
Performer:  Maria Stader (Soprano), Hedwig Bilgram (Organ)
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra
Period: Baroque 
Written: circa 1718-1723; Cöthen, Germany 
3.
Magnificat in D major, BWV 243 by Johann Sebastian Bach
Performer:  Hertha Töpper (Alto), Dietrich Fischer-Dieskau (Baritone), Ernst Haefliger (Tenor),
Maria Stader (Soprano)
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra,  Munich Bach Choir
Period: Baroque 
Written: circa 1728-1731; Leipzig, Germany 
4.
Quartet for Strings in A Major, Op. 11 No. 1 by Pierre Vachon
Orchestra/Ensemble:  Loewenguth String Quartet
5.
Quartet for Strings in D Major, Op. 7 No. 3 by Nicolas-Marie Dalayrac
Orchestra/Ensemble:  Loewenguth String Quartet
6.
Quartet for Strings in F Minor, Op. 11 No. 5 by Pierre Vachon
Orchestra/Ensemble:  Loewenguth String Quartet
7.
Quartet for Strings in E-Flat Major, Op. 1 No. 5 by Nicolas-Marie Dalayrac
Orchestra/Ensemble:  Loewenguth String Quartet
8.
Two-Part Inventions (15), BWV 772-786 by Johann Sebastian Bach
Performer:  Ralph Kirkpatrick (Harpsichord)
Period: Baroque 
Written: 1723; Cöthen, Germany 
9.
Three-Part Inventions (15), BWV 787-801 by Johann Sebastian Bach
Performer:  Ralph Kirkpatrick (Harpsichord)
Period: Baroque 
Written: 1723; Cöthen, Germany 
10.
Suite for Cello solo no 1 in G major, BWV 1007 by Johann Sebastian Bach
Performer:  Pierre Fournier (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
11.
Suite for Cello solo no 2 in D minor, BWV 1008 by Johann Sebastian Bach
Performer:  Pierre Fournier (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
12.
Suite for Cello solo no 3 in C major, BWV 1009 by Johann Sebastian Bach
Performer:  Pierre Fournier (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
13.
Suite for Cello solo no 4 in E flat major, BWV 1010 by Johann Sebastian Bach
Performer:  Pierre Fournier (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
14.
Suite for Cello solo no 5 in C minor, BWV 1011 by Johann Sebastian Bach
Performer:  Pierre Fournier (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
15.
Suite for Cello solo no 6 in D major, BWV 1012 by Johann Sebastian Bach
Performer:  Pierre Fournier (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
16.
Mass in B minor, BWV 232 by Johann Sebastian Bach
Performer:  Kieth Engen (Bass), Maria Stader (Soprano), Ernst Haefliger (Tenor),
Hertha Töpper (Alto)
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra,  Munich Bach Choir
Period: Baroque 
Written: 1747-49; Leipzig, Germany 
17.
Music for the Royal Fireworks, HWV 351 by George Frideric Handel
Conductor:  August Wenzinger
Orchestra/Ensemble:  Archiv Production Wind Ensemble
Period: Baroque 
Written: 1749; London, England 
18.
Concerto a due cori no 2 in F major, HWV 333 by George Frideric Handel
Conductor:  August Wenzinger
Orchestra/Ensemble:  Schola Cantorum Basiliensis
Period: Baroque 
Written: circa 1746-1747; London, England 
19.
Concerto a due cori no 3 in F major, HWV 334 by George Frideric Handel
Conductor:  August Wenzinger
Orchestra/Ensemble:  Schola Cantorum Basiliensis
Period: Baroque 
Written: circa 1746-1747; London, England 
20.
Concerto pour trompette by Leopold Mozart
Performer:  Adolf Scherbaum (Trumpet)
Conductor:  Karl Ristenpart
Orchestra/Ensemble:  Saarland Radio Chamber Orchestra
Period: Classical 
21.
Concerto for Trumpet in D major by Michael Haydn
Performer:  Adolf Scherbaum (Trumpet)
Conductor:  Karl Ristenpart
Orchestra/Ensemble:  Saarland Radio Chamber Orchestra
Period: Classical 
Written: 1764; Austria 
22.
Concerto for Bassoon in B flat major by Johann Christian Bach
Performer:  Fritz Henker (Bassoon)
Conductor:  Karl Ristenpart
Orchestra/Ensemble:  Saarland Radio Chamber Orchestra
Period: Classical 
23.
Concerto for Trumpet in D major, TV 51 no D 7 by Georg Philipp Telemann
Performer:  Adolf Scherbaum (Trumpet)
Conductor:  Robert Stehli
Orchestra/Ensemble:  Hamburg Bach Orchestra
Period: Baroque 
Written: circa 1708-1714; Eisenach, Germany 
24.
Concerto for 3 Oboes and 3 Violins in B flat major by Georg Philipp Telemann
Orchestra/Ensemble:  Emil Seiler Chamber Orchestra
Period: Baroque 
Written: Germany 
25.
Concerto for Recorder and Flute in E minor, TV 52 no e 1 by Georg Philipp Telemann
Orchestra/Ensemble:  Emil Seiler Chamber Orchestra
Period: Baroque 
Written: Germany 
26.
Pygmalion by Jean-Philippe Rameau
Performer:  Edith Selig (Soprano), Eric Marion (Tenor), Andree Esposito (Soprano),
Claudine Collart (Soprano)
Conductor:  Marcel Courand
Orchestra/Ensemble:  Raymond St. Paul Chorus,  Orchestre de Chambre des Concerts Lamoureux
Period: Baroque 
Written: 1748; Paris, France 
27.
Les Indes galantes: Suite no 3 by Jean-Philippe Rameau
Performer:  Andree Esposito (Soprano)
Conductor:  Marcel Courand
Orchestra/Ensemble:  Orchestre de Chambre des Concerts Lamoureux
Period: Baroque 
Written: 1735/1761; France 
28.
Imperii proceres by Heinrich Isaac
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Chorus Viennensis,  Concentus Musicus Wien,  Wiener Sangerknaben
29.
Carmen by Heinrich Isaac
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
Period: Renaissance 
30.
Fortuna in mi by Heinrich Isaac
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
Period: Renaissance 
Written: Italy 
31.
An buos by Heinrich Isaac
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
Period: Renaissance 
32.
La morra by Heinrich Isaac
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
Period: Renaissance 
Written: by 1507; Italy 
33.
Innsbruck, ich muss dich lassen by Heinrich Isaac
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Chorus Viennensis,  Concentus Musicus Wien,  Wiener Sangerknaben
Period: Renaissance 
Written: Netherlands 
34.
A la battaglia by Heinrich Isaac
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
Period: Renaissance 
Written: Italy 
35.
Guretzsch by Heinrich Isaac
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
36.
J'ay pris amours by Heinrich Isaac
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
37.
Fortuna desperata by Heinrich Isaac
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
Period: Renaissance 
Written: Italy 
38.
Sancti Spiritus assit nobis gratia by Heinrich Isaac
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Chorus Viennensis,  Concentus Musicus Wien,  Wiener Sangerknaben
Period: Renaissance 
Written: by 1507 
39.
Tandernac by Antoine Brumel
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
Period: Renaissance 
Written: France 
40.
Noe, noe, noe by Antoine Brumel
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
Period: Renaissance 
Written: France 
41.
En l'ombre du busonet by Anonymous
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
42.
Comment peult avoir joye by Josquin Des Préz
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
Period: Renaissance 
43.
Fors seulement by Pierre de La Rue
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
Period: Renaissance 
Written: Flanders, Belgium 
44.
Carmen in la by Ludwig Senfl
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
Period: Renaissance 
Written: 16th Century; Germany 
45.
Carmen in re by Ludwig Senfl
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
Period: Renaissance 
Written: 16th Century; Germany 
46.
Nasci, pati, mori by Ludwig Senfl
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
Period: Renaissance 
47.
Quis dabit oculis by Costanzo Festa
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Chorus Viennensis,  Concentus Musicus Wien,  Wiener Sangerknaben
Period: Renaissance 
Written: by 1514; Italy 
48.
Tandernack uf dem rin lag by Paul Hofhaimer
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
Period: Renaissance 
49.
Naves pont by Anonymous
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
50.
Vavilment by Jacob Obrecht
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Concentus Musicus Wien
51.
Fortuna in mi by Heinrich Isaac
Performer:  Alice Harnoncourt (Violin), Nikolaus Harnoncourt (Bass Viola Da Gamba)
Period: Renaissance 
Written: Italy 
52.
Getreue Music-Meister by Georg Philipp Telemann
Performer:  Heinrich Alfing (Natural Horn), Rosemarie Sommer (Alto), Edith Mathis (Soprano),
Frithjof Fest (Oboe), Otto Steinkopf (Crumhorn), Alfred Sous (Oboe),
Gerhard Unger (Voice), Gerhard Braun (Flute), Hans-Martin Linde (Recorder),
Rudolf Nel (Viola), Hertha Töpper (Alto), Barry McDaniel (Baritone),
Elza Van Der Ven (Harpsichord), Sebastian Kelber (Recorder), Michael Schaffer (Lute),
Otto Büchner (Violin), Ernst Haefliger (Tenor), Eduard Melkus (Violin),
Eleanor Sloan (Fiddle), Konrad Alfing (Natural Horn), Hartmut Hein (Baritone)
Conductor:  Josef Ulsamer,  Günther Jena
Orchestra/Ensemble:  Ulsamer Collegium,  Wurzburg Bach Choir
Period: Baroque 
Written: by 1728; Germany 
53.
Concerto for Trumpet in E flat major, H 7e no 1 by Franz Joseph Haydn
Performer:  Maurice André (Trumpet)
Conductor:  Hans Stadlmair
Orchestra/Ensemble:  Munich Chamber Orchestra
Period: Classical 
Written: 1796; Vienna, Austria 
54.
Concerto for Trumpet in D major by Michael Haydn
Performer:  Maurice André (Trumpet)
Conductor:  Hans Stadlmair
Orchestra/Ensemble:  Munich Chamber Orchestra
Period: Classical 
Written: 1764; Austria 
55.
Concerto for Trumpet in D major by Franz Xaver Richter
Performer:  Maurice André (Trumpet)
Conductor:  Hans Stadlmair
Orchestra/Ensemble:  Munich Chamber Orchestra
Period: Classical 
Written: 1760s 
56.
Concerto for Clarinet no 3 in G major, MWV 6 no 40 by Johann Melchior Molter
Performer:  Jost Michaels (Clarinet)
Conductor:  Hans Stadlmair
Orchestra/Ensemble:  Munich Chamber Orchestra
Period: Baroque 
Written: 18th Century; Germany 
57.
Dido and Aeneas, Z 626 by Henry Purcell
Performer:  Sheila Armstrong (Soprano), Paul Esswood (Countertenor), Tatiana Troyanos (Mezzo Soprano),
Barry McDaniel (Baritone), Patricia Johnson (Mezzo Soprano), Margaret Lensky (Alto),
Margaret Baker-Genovesi (Mezzo Soprano), Nigel Rogers (Tenor)
Conductor:  Sir Charles Mackerras
Orchestra/Ensemble:  North German Radio Chamber Orchestra,  Hamburg Monteverdi Choir
Period: Baroque 
Written: 1689; England 
58.
Misa mozárabe by Anonymous
Performer:  Ismael Fernandez Cuesta (Voice)
Orchestra/Ensemble:  Benedictine Monks of Santo Domingo de Silos
59.
Melodìas litúrgicas by Anonymous
Performer:  Ismael Fernandez Cuesta (Voice)
Orchestra/Ensemble:  Benedictine Monks of Santo Domingo de Silos
60.
Il secondo libro de toccate, canzone...di cimbalo et organo by Girolamo Frescobaldi
Performer:  Fernando Germani (Organ)
Period: Baroque 
Written: 1627; Italy 
61.
Toccata for Keyboard in G major by Bernardo Pasquini
Performer:  Fernando Germani (Organ)
Period: Baroque 
Written: Rome, Italy 
62.
Sonata for Organ in E Minor "Elevazione" by Bernardo Pasquini
Performer:  Fernando Germani (Organ)
63.
Canzona in G Minor by Domenico Zipoli
Performer:  Fernando Germani (Organ)
Period: Baroque 
Written: Italy 
64.
Pensieri (12) per l'organo in partitura Op. 3: No. 2 in D Major by Giovanni Maria Casini
Performer:  Fernando Germani (Organ)
65.
Fuga in G Major by Giuseppe Bencini
Performer:  Fernando Germani (Organ)
66.
Sonata in F Minor by Giuseppe Bencini
Performer:  Fernando Germani (Organ)
67.
Fugue no 7 in E flat major by Nicolo Porpora
Performer:  Fernando Germani (Organ)
68.
Ardebat Vincentius by Carlos Seixas
Performer:  Jennifer Smith (Soprano), Magali Schwartz (Mezzo Soprano), Fernando Serafim (Tenor)
Orchestra/Ensemble:  Gulbenkian Chorus
Period: Baroque 
69.
Tantum ergo by Traditional
Performer:  Jennifer Smith (Soprano), Magali Schwartz (Mezzo Soprano), Fernando Serafim (Tenor)
Orchestra/Ensemble:  Gulbenkian Chorus
70.
Gaudete, astra by Antonio Teixeira
Performer:  Jennifer Smith (Soprano), Magali Schwartz (Mezzo Soprano), Fernando Serafim (Tenor)
Orchestra/Ensemble:  Gulbenkian Chorus
Period: Baroque 
Written: 18th Century; Portugal 
71.
O quam suavis est by Anonymous
Performer:  Jennifer Smith (Soprano), Magali Schwartz (Mezzo Soprano), Fernando Serafim (Tenor)
Orchestra/Ensemble:  Gulbenkian Chorus
Period: Medieval 
72.
Tento for Organ by Antonio Carreira
Performer:  Montserrat Torrent (Organ)
Period: Renaissance 
Written: 16th Century; Portugal 
73.
Cançao a quatro glosada by Antonio Carreira
Performer:  Montserrat Torrent (Organ)
Period: Renaissance 
Written: 16th Century; Portugal 
74.
Concerto for Violin no 1 in A minor, BWV 1041 by Johann Sebastian Bach
Performer:  Eduard Melkus (Violin)
Orchestra/Ensemble:  Capella Academica
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
75.
Concerto for Violin no 2 in E major, BWV 1042 by Johann Sebastian Bach
Performer:  Eduard Melkus (Violin)
Orchestra/Ensemble:  Capella Academica
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
76.
Concerto for 2 Violins in D minor, BWV 1043 by Johann Sebastian Bach
Performer:  Spiros Rantos (Violin), Eduard Melkus (Violin)
Orchestra/Ensemble:  Capella Academica
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
77.
Concerto for Viola d'Amore and Lute in D minor, RV 540 by Antonio Vivaldi
Performer:  Eduard Melkus (Viola D'amore), Konrad Ragossnig (Lute)
Orchestra/Ensemble:  Capella Academica
Period: Baroque 
Written: Venice, Italy 
78.
Psalms of David, Op. 2/SWV 22-47 by Heinrich Schütz
Conductor:  Hanns-Martin Schneidt
Orchestra/Ensemble:  Ulsamer Collegium,  Regensburger Domspatzen,  Hamburger Blaserkreis Fur Alte Musik
Period: Baroque 
Written: 1619; Germany 
79.
Pelajon by Traditional
Orchestra/Ensemble:  Gong Kebyar De Sebatu
80.
Surja Kanta by Traditional
Orchestra/Ensemble:  Gong Kebyar De Sebatu
81.
Manuk Angutji by Traditional
Orchestra/Ensemble:  Gong Kebyar De Sebatu
82.
Topeng Tua by Traditional
Orchestra/Ensemble:  Gong Kebyar De Sebatu
83.
Taruna Djaja by Traditional
Orchestra/Ensemble:  Gong Kebyar De Sebatu
84.
Walzer by Michael Pamer
Orchestra/Ensemble:  Eduard Melkus Ensemble
Period: Romantic 
Written: Vienna, Austria 
85.
Mödlinger Tänze (11) for 2 clarinets, 2 horns, 2 violins & double bass, WoO 17: Nos. 1 - 8 by Ludwig van Beethoven
Orchestra/Ensemble:  Eduard Melkus Ensemble
Period: Classical 
Written: 1819 
86.
Deutsche Tänze samt trios & coda by Ignaz Moscheles
Orchestra/Ensemble:  Eduard Melkus Ensemble
Period: Romantic 
87.
Minuets (5) for String Quartet, D 89 by Franz Schubert
Orchestra/Ensemble:  Eduard Melkus Ensemble
Period: Romantic 
Written: 1813; Vienna, Austria 
88.
Komische Ländler (4) for 2 Violins in D major, D 354 by Franz Schubert
Orchestra/Ensemble:  Eduard Melkus Ensemble
Period: Romantic 
Written: 1816; Vienna, Austria 
89.
Linzer Tänze by Anonymous
Orchestra/Ensemble:  Eduard Melkus Ensemble
90.
Ungarischer-Galopp, Op. 97 no 3 by Josef Lanner
Orchestra/Ensemble:  Eduard Melkus Ensemble
Period: Romantic 
Written: 1835; Vienna, Austria 
91.
Varietie of Lute-lessons: Excerpt(s) by John Dowland
Performer:  Konrad Ragossnig (Lute)
Period: Renaissance 
Written: by 1610; England 
92.
Mounsiers Almaine by Daniel Batchelar
Performer:  Konrad Ragossnig (Lute)
93.
Pavan by Baruch Bulman
Performer:  Konrad Ragossnig (Lute)
Period: Renaissance 
Written: England 
94.
Alman by Francis Cutting
Performer:  Konrad Ragossnig (Lute)
Period: Renaissance 
Written: 16th Century; England 
95.
Greensleeves by Anonymous
Performer:  Konrad Ragossnig (Lute)
Period: 16th Century 
Written: England 
96.
Walsingham by Francis Cutting
Performer:  Konrad Ragossnig (Lute)
97.
The Squirrel's Toy by Francis Cutting
Performer:  Konrad Ragossnig (Lute)
98.
Sir John Smith, His Almaine by Anonymous
Performer:  Konrad Ragossnig (Lute)
99.
Pavan by Thomas Morley
Performer:  Konrad Ragossnig (Lute)
100.
Alman for lute by Robert Johnson
Performer:  Konrad Ragossnig (Lute)
Period: Baroque 
Written: circa 1600-1615; England 
101.
Galliard by Anthony Holborne
Performer:  Konrad Ragossnig (Lute)
Period: Renaissance 
Written: England 
102.
L'Orfeo by Claudio Monteverdi
Performer:  Stafford Dean (Bass), John Elwes (Tenor), Nigel Rogers (Tenor),
James Bowman (Countertenor), Emilia Petrescu (Soprano), Anna Reynolds (Alto),
Ian Partridge (Tenor), Alexander Malta (Bass)
Conductor:  Jürgen Jürgens
Orchestra/Ensemble:  Monteverdi Choir Hamburg,  Hamburg Camerata Academica,  Hamburger Blaserkreis Fur Alte Musik
Period: Baroque 
Written: 1607; Mantua, Italy 
103.
Quartet for Strings no 1 in E flat major by Luigi Cherubini
Orchestra/Ensemble:  Melos String Quartet Stuttgart
Period: Classical 
Written: 1814; France 
104.
Quartet for Strings no 2 in C major by Luigi Cherubini
Orchestra/Ensemble:  Melos String Quartet Stuttgart
Period: Classical 
Written: ?1829; France 
105.
Quartet for Strings no 3 in D minor by Luigi Cherubini
Orchestra/Ensemble:  Melos String Quartet Stuttgart
Period: Classical 
Written: 1834; France 
106.
Quartet for Strings no 4 in E major by Luigi Cherubini
Orchestra/Ensemble:  Melos String Quartet Stuttgart
Period: Classical 
Written: 1835; France 
107.
Quartet for Strings no 5 in F major by Luigi Cherubini
Orchestra/Ensemble:  Melos String Quartet Stuttgart
Period: Classical 
Written: 1835; France 
108.
Quartet for Strings no 6 in A minor by Luigi Cherubini
Orchestra/Ensemble:  Melos String Quartet Stuttgart
Period: Classical 
Written: 1837; France 
109.
Sonata for Arpeggione in A minor, D 821 by Franz Schubert
Performer:  Alfons Kontarsky (Piano), Klaus Storck (Cello)
Period: Romantic 
Written: 1824; Vienna, Austria 
110.
Introduction and Variations for Flute and Piano in E minor, D 802/Op. 160 "Trockne Blumen" by Franz Schubert
Performer:  Hans-Martin Linde (Recorder), Alfons Kontarsky (Piano)
Period: Romantic 
Written: 1824; Vienna, Austria 
111.
Viderunt omnes by Léonin
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 04/1975 
Venue:  Chapel, Charter House, Godalming, Surrey 
Length: 9 Minutes 14 Secs. 
Language: Latin 
112.
Alleluya Pascha nostrum immolatus est by Léonin
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 04/1975 
Venue:  Chapel, Charter House, Godalming, Surrey 
Length: 5 Minutes 59 Secs. 
Language: Latin 
113.
Gaude Maria by Léonin
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 04/1975 
Venue:  Chapel, Charter House, Godalming, Surrey 
Length: 7 Minutes 0 Secs. 
Language: Latin 
114.
Locus iste a Deo factus est by Léonin
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 04/1975 
Venue:  Chapel, Charter House, Godalming, Surrey 
Length: 6 Minutes 2 Secs. 
Language: Latin 
115.
Viderunt omnes by Pérotin
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: circa 1200; France 
Date of Recording: 04/1975 
Venue:  Chapel, Charter House, Godalming, Surrey 
Length: 11 Minutes 55 Secs. 
Language: Latin 
116.
Alle psallite cum luya by Anonymous
Performer:  David Corkhill (Tabor)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 9 Secs. 
Language: Latin 
117.
Sederunt principes by Pérotin
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: circa 1200; France 
Date of Recording: 04/1975 
Venue:  Chapel, Charter House, Godalming, Surrey 
Length: 11 Minutes 22 Secs. 
Language: Latin 
118.
Amor potest/Ad amorem by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 1 Secs. 
Language: Latin 
119.
S'on me regarde by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 2 Minutes 23 Secs. 
Language: French 
120.
In mari miserie by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 52 Secs. 
Language: Latin 
121.
On parole/A Paris/Frése nouvele by Anonymous
Performer:  David Corkhill (Tabor)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 52 Secs. 
Language: French 
122.
En mai, quant rosier/L'autre jour, par un matin/He! resvelle by Anonymous
Performer:  James Tyler (Lute), David Munrow (Recorder)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 2 Minutes 9 Secs. 
Language: French 
123.
Dominatur Domine/Ecce ministerium/Domino by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 50 Secs. 
Language: Latin 
124.
El mois de mai/De se debent bigami/Kyrie by Anonymous
Performer:  James Tyler (Lute)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 39 Secs. 
125.
O mitissima by Anonymous
Performer:  David Corkhill (Tabor)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 29 Secs. 
126.
Hocket Neuma by Anonymous
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 7 Minutes 47 Secs. 
127.
Virgo by Anonymous
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
128.
In seculum longum by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
129.
In seculum viellatoris by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
130.
In seculum breve by Anonymous
Performer:  David Munrow (Recorder)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
131.
In seculum d'Amiens longum by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
132.
Hocket in seculum by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
133.
Aucun ont trouvé by Petrus de Cruce
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 14 Secs. 
Language: French 
134.
De ma dame vient by Adam de la Halle
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 2 Minutes 26 Secs. 
Language: French 
135.
J'os bien a m'amie parler by Adam de la Halle
Performer:  David Munrow (Recorder)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 50 Secs. 
Language: French 
136.
La mesnie fauveline/J'ai fait nouveletement/Grant despit by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 17 Secs. 
Language: French 
137.
Roman de Fauvel: Quant je le voi/Bon vin doit/Cis chans by Anonymous
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: by 1316; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 2 Secs. 
Language: French 
138.
Roman de Fauvel: Zelus familie/Jhesu, tu dator venie by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: by 1316; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 2 Minutes 53 Secs. 
Language: Latin 
139.
Roman de Fauvel: Ve, que gregi/Trahunt in precipicia/Quasi by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: by 1316; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 2 Minutes 43 Secs. 
Language: Latin 
140.
Impudenter circumivi by Philippe De Vitry
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: circa 1330; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 10 Secs. 
Language: Latin 
141.
Cum statua by Philippe De Vitry
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: circa 1330; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 2 Minutes 27 Secs. 
Language: Latin 
142.
Pantheon abluitur by Bernard de Cluny
Performer:  David Munrow (Shawm), Alan Lumsden (Slide Trumpet)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 2 Minutes 40 Secs. 
Language: Latin 
143.
Clap, par un matin by Anonymous
Performer:  Gillian Reid (Psaltery), James Tyler (Mandore), Christopher Hogwood (Harp)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 29 Secs. 
Language: French 
144.
Portio nature/Ida capillorum/Ante thronum Trinitatis by Egidius de Pusiex
Performer:  David Munrow (Cornemuse)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: by 1376 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 4 Minutes 5 Secs. 
Language: Latin 
145.
Rachel plorat filios by Henri Gilles de Pusieux
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 52 Secs. 
Language: Latin 
146.
Lés l'ormel a la turelle/Mayn se leva sire Gayrin/Je n'y saindrai plus graile saintureite by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 51 Secs. 
Language: French 
147.
O Philippe/O bone dux indolis optime by Philippe De Vitry
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 39 Secs. 
Language: Latin 
148.
Febus mundo Oriens-Lanista vipereus-Cornibus by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 31 Secs. 
Language: Latin 
149.
Lasse! comment oublieray/Se j'aim mon loyal/Pour quoy me bat mes maris? by Guillaume de Machaut
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 4 Minutes 6 Secs. 
Language: Latin 
150.
Qui es promesses de Fortune/Ha, Fortune! trop suis mis loing/Et non est qui adjuvet by Guillaume de Machaut
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 56 Secs. 
151.
Hoquetus David by Guillaume de Machaut
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 18 Secs. 
152.
Christe qui lux es/Veni creator/Tribulatio proxima by Guillaume de Machaut
Performer:  Alan Lumsden (Slide Trumpet), David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: ?1359-60; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 4 Minutes 13 Secs. 
Language: Latin 
153.
Degentis vita/Cum vix artidici by Anonymous
Performer:  James Tyler (Lute), Christopher Hogwood (Harp)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 2 Minutes 16 Secs. 
Language: Latin 
154.
Inter densas - Imbribus irriguis by Anonymous
Performer:  James Tyler (Lute)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 17 Secs. 
Language: Latin 
155.
Rex Karole, Johannis genite by Philippus Royllart
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 4 Minutes 22 Secs. 
Language: Latin 
156.
Missa "L'homme armé" super voces musicales by Josquin Des Préz
Conductor:  Bruno Turner
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
157.
Huc me sydereo descendere / Plangent eum by Josquin Des Préz
Conductor:  Bruno Turner
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
158.
Musae Jovis by Nicolas Gombert
Conductor:  Bruno Turner
Orchestra/Ensemble:  Pro Cantione Antiqua
Period: Renaissance 
Written: 16th Century; Flanders, Belgium 
159.
Praeludium for Keyboard in D minor, BuxWV 140 by Dietrich Buxtehude
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: circa 1690; Germany 
160.
O Lamm Gottes unschuldig by Johann Pachelbel
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: Germany 
161.
Preludes and Fugues (6) for Organ: no 1 in E major by Vincent Lübeck
Performer:  Helmut Walcha (Organ)
162.
Jesus Christus, unser Heiland by Samuel Scheidt
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: 17th Century; Halle, Germany 
163.
Prelude and Fugue for Organ in E minor by Nicolaus Bruhns
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: 17th Century; Germany 
164.
Ciacona for Organ in C minor, BuxWV 159 by Dietrich Buxtehude
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: Germany 
165.
Fantasia chromatica by Jan Pieterszoon Sweelinck
Performer:  Helmut Walcha (Organ)
Period: Renaissance 
Written: Netherlands (Holland 
166.
Komm, Heiliger Geist, Herre Gott by Franz Tunder
Performer:  Helmut Walcha (Organ)
167.
Prelude and Fugue for Organ in C major by Georg Böhm
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: Germany 
168.
Chaconne for Organ in F minor by Johann Pachelbel
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: Germany 
169.
Passacaglia for Organ in D minor, BuxWV 161 by Dietrich Buxtehude
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: Germany 
170.
Was zieht du deinem Zauberkreise, J 68 by Carl Maria von Weber
Performer:  Peter Schreier (Tenor), Konrad Ragossnig (Guitar)
Period: Romantic 
Written: 1809; Germany 
171.
Schlaf, Herzenssöhnchen by Carl Maria von Weber
Performer:  Peter Schreier (Tenor), Konrad Ragossnig (Guitar)
Period: Romantic 
172.
Preciosa, J 279: Einsam bin ich nicht alleine by Carl Maria von Weber
Performer:  Peter Schreier (Tenor), Konrad Ragossnig (Guitar)
Period: Romantic 
Written: Germany 
173.
Ich sah ein Röschen am wege steh'n by Carl Maria von Weber
Performer:  Peter Schreier (Tenor), Konrad Ragossnig (Guitar)
Period: Romantic 
Written: Germany 
174.
Ein Konig einst gefangen sass by Carl Maria von Weber
Performer:  Peter Schreier (Tenor), Konrad Ragossnig (Guitar)
Period: Romantic 
Written: Germany 
175.
Die Zeit, J 97/Op. 13 no 5 by Carl Maria von Weber
Performer:  Peter Schreier (Tenor), Konrad Ragossnig (Guitar)
Period: Romantic 
Written: 1810; Germany 
176.
Deutsche Lieder (5), Op. 25: no 3, Lass mich schlummern by Carl Maria von Weber
Performer:  Peter Schreier (Tenor), Konrad Ragossnig (Guitar)
Period: Romantic 
Written: 1811; Germany 
177.
Deutsche Lieder (5), Op. 25: no 1, Liebeglühen, J 140 by Carl Maria von Weber
Performer:  Peter Schreier (Tenor), Konrad Ragossnig (Guitar)
Period: Romantic 
Written: 1812; Germany 
178.
Der kleine Fritz an seine jungen Freunde, J 74 by Carl Maria von Weber
Performer:  Peter Schreier (Tenor), Konrad Ragossnig (Guitar)
Period: Romantic 
Written: 1809; Germany 
179.
Betterlied, J 137/Op. 25 no 4 by Carl Maria von Weber
Performer:  Peter Schreier (Tenor), Konrad Ragossnig (Guitar)
Period: Romantic 
Written: 1812; Germany 
180.
Trio for Baryton, Viola and Cello no 96 in B minor, H 11 no 96 by Franz Joseph Haydn
Orchestra/Ensemble:  Munich Baryton Trio
Period: Classical 
Written: 1768-1771; Eszterhazá, Hungary 
181.
Trio for Baryton, Viola and Cello no 61 in D major, H 11 no 61 by Franz Joseph Haydn
Orchestra/Ensemble:  Munich Baryton Trio
182.
Trio for Baryton, Viola and Cello no 52 in d/D, H 11 no 52 by Franz Joseph Haydn
Orchestra/Ensemble:  Munich Baryton Trio
Period: Classical 
Written: 1767-1768; Eszterhazá, Hungary 
183.
Trio for Baryton, Viola and Cello no 44 in D major, H 11 no 44 by Franz Joseph Haydn
Orchestra/Ensemble:  Munich Baryton Trio
184.
Trio for Baryton, Viola and Cello no 101 in C major, H 11 no 101 by Franz Joseph Haydn
Orchestra/Ensemble:  Munich Baryton Trio
Period: Classical 
Written: 1771-1778; Eszterhazá, Hungary 
185.
Acis and Galatea, HWV 49 by George Frideric Handel
Performer:  Willard White (Bass), Norma Burrowes (Soprano), Anthony Rolfe Johnson (Tenor),
Paul Elliott (Tenor), Martyn Hill (Tenor)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists
Period: Baroque 
186.
Lamentation-faite sur la mort sa Majesté Imperial, Ferdinand III by Johann Jacob Froberger
Performer:  Kenneth Gilbert (Harpsichord)
Period: Baroque 
Written: 1657; Vienna, Austria 
187.
Suite for Harpsichord No. 1 in E Minor by Johann Jacob Froberger
Performer:  Kenneth Gilbert (Harpsichord)
188.
Suite for Harpsichord No. 2 in A Major by Johann Jacob Froberger
Performer:  Kenneth Gilbert (Harpsichord)
189.
Suite for Harpsichord No. 3 in G Minor by Johann Jacob Froberger
Performer:  Kenneth Gilbert (Harpsichord)
190.
Suite for Harpsichord No. 4 in A Minor by Johann Jacob Froberger
Performer:  Kenneth Gilbert (Harpsichord)
191.
Suite for Harpsichord No. 5 in D Major by Johann Jacob Froberger
Performer:  Kenneth Gilbert (Harpsichord)
192.
Suite for Harpsichord No. 6 in C Major by Johann Jacob Froberger
Performer:  Kenneth Gilbert (Harpsichord)
193.
Suite for Orchestra no 1 in C major, BWV 1066 by Johann Sebastian Bach
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: circa 1717-1723; Cöthen, Germany 
194.
Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: 1738-1739; Leipzig, Germany 
195.
Suite for Orchestra no 3 in D major, BWV 1068 by Johann Sebastian Bach
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: circa 1729-1731; Leipzig, Germany 
196.
Suite for Orchestra no 4 in D major, BWV 1069 by Johann Sebastian Bach
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: circa 1729-1731; Leipzig, Germany 
197.
Musikalisches Opfer, BWV 1079 by Johann Sebastian Bach
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1747; Leipzig, Germany 
198.
Canons (14) on the Ground from the "Goldberg Variations", BWV 1087 by Johann Sebastian Bach
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: ?1731; Leipzig, Germany 
199.
Canon triplex a 6, BWV 1076 by Johann Sebastian Bach
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
200.
Canon trias harmonica, BWV 1072 by Johann Sebastian Bach
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
201.
Canon super fa mi a 7 post tempus musicum, BWV 1078 by Johann Sebastian Bach
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1749; Leipzig, Germany 
202.
Canon doppio sopr'il soggetto, BWV 1077 by Johann Sebastian Bach
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1747; Leipzig, Germany 
203.
Canon concordis discors, BWV 1086 by Johann Sebastian Bach
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: ?1731; Leipzig, Germany 
204.
Canon a 4, BWV 1074 by Johann Sebastian Bach
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1727; Leipzig, Germany 
205.
Canon a 4 perpetuus, BWV 1073 by Johann Sebastian Bach
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1713; Weimar, Germany 
206.
Canon a 2 perpetuus, BWV 1075 by Johann Sebastian Bach
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1734; Leipzig, Germany 
207.
Te Deum and Jubilate in D major, Z 232 by Henry Purcell
Performer:  Simon Preston (Organ), Trevor Pinnock (Harpsichord)
Conductor:  Francis Grier
Orchestra/Ensemble:  English Concert,  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: 1694; England 
208.
Morning and Evening Service in B flat major, Z 230 by Henry Purcell
Performer:  Simon Preston (Organ)
Conductor:  Francis Grier
Orchestra/Ensemble:  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: by 1682; England 
209.
O God, thou hast cast us out, Z 36 by Henry Purcell
Performer:  Simon Preston (Organ)
Conductor:  Francis Grier
Orchestra/Ensemble:  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: circa 1680-1682; England 
210.
O Lord God of hosts, Z 37 by Henry Purcell
Performer:  Simon Preston (Organ)
Conductor:  Francis Grier
Orchestra/Ensemble:  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: circa 1680-1682; England 
211.
Remember not, Lord, our offences, Z 50 by Henry Purcell
Performer:  Simon Preston (Organ)
Conductor:  Francis Grier
Orchestra/Ensemble:  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: circa 1680-1682; England 
212.
Lord, how long wilt thou be angry?, Z 25 by Henry Purcell
Performer:  Simon Preston (Organ)
Conductor:  Francis Grier
Orchestra/Ensemble:  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: circa 1680-1682; England 
213.
O God, thou art my God, Z 35 by Henry Purcell
Performer:  Simon Preston (Organ)
Conductor:  Francis Grier
Orchestra/Ensemble:  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: circa 1680-1682; England 
214.
Man that is born of a woman, Z 27 by Henry Purcell
Performer:  Simon Preston (Organ)
Conductor:  Francis Grier
Orchestra/Ensemble:  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: circa 1680-1682; England 
215.
Thou know'st, Lord, the secrets of our hearts, Z 58c by Henry Purcell
Performer:  Simon Preston (Organ)
Conductor:  Francis Grier
Orchestra/Ensemble:  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: 1695; England 
216.
Jehova, quam multi sunt, Z 135 by Henry Purcell
Performer:  Simon Preston (Organ)
Conductor:  Francis Grier
Orchestra/Ensemble:  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: circa 1680; England 
217.
My heart is inditing, Z 30 by Henry Purcell
Performer:  Simon Preston (Organ)
Orchestra/Ensemble:  English Concert,  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: 1685; England 
218.
O sing unto the Lord, Z 44 by Henry Purcell
Performer:  Simon Preston (Organ)
Orchestra/Ensemble:  English Concert,  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: 1688; England 
219.
My beloved spake, Z 28 by Henry Purcell
Performer:  Trevor Pinnock (Harpsichord), Simon Preston (Organ)
Orchestra/Ensemble:  English Concert,  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: by 1678; England 
220.
They that go down to the sea in ships, Z 57 by Henry Purcell
Performer:  Simon Preston (Organ)
Orchestra/Ensemble:  English Concert,  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: 1685; England 
221.
Praise the Lord, O Jerusalem, Z 46 by Henry Purcell
Performer:  Simon Preston (Organ)
Orchestra/Ensemble:  English Concert,  Oxford Christ Church Cathedral Choir
Period: Baroque 
Written: ?1689; England 
222.
Concerti armonici (6) by Unico Graf Van Wassenaer
Performer:  Jörg Ewald Dähler (Piano)
Conductor:  Thomas Füri
Orchestra/Ensemble:  Camerata Bern
Period: Baroque 
Written: by 1740; Netherlands 
223.
Concertos (6) for 2 Flutes/Oboes "La cetra" by Alessandro Marcello
Performer:  Heinz Holliger (Oboe), Louise Pellerin (Oboe)
Conductor:  Thomas Füri
Orchestra/Ensemble:  Camerata Bern
Period: Baroque 
Written: circa 1740; Italy 
224.
Aria della Battaglia à 8 by Annibale Padovano
Conductor:  Jordi Savall
Orchestra/Ensemble:  Hespèrion XX
225.
La Battaglia per cantar e sonar à 8 by Francesco Usper
Performer:  Graham Pushee (Countertenor), Harry Van der Kamp (Bass)
Conductor:  Jordi Savall
Orchestra/Ensemble:  Hespèrion XX
226.
Canzon in echo a 8 by Bastian Chilese
Conductor:  Jordi Savall
Orchestra/Ensemble:  Hespèrion XX
Period: Baroque 
Written: 17th Century; Italy 
227.
Canzon in echo a 12, C 192 by Giovanni Gabrieli
Conductor:  Jordi Savall
Orchestra/Ensemble:  Hespèrion XX
Period: Renaissance 
Written: Italy 
228.
Pianto d'Erinna by Nicolò Fontei
Performer:  Ton Koopman (Organ), Jordi Savall (Bass Viola Da Gamba), Montserrat Figueras (Soprano)
229.
Il lamento "Su'l rodano severo" by Barbara Strozzi
Performer:  Montserrat Figueras (Soprano), Jordi Savall (Bass Viola Da Gamba), Robert Clancy (Guitar),
Ton Koopman (Organ)
230.
Pavana "El bisson" by Anonymous
Performer:  Ton Koopman (Organ)
Conductor:  Jordi Savall
Orchestra/Ensemble:  Hespèrion XX
Period: Renaissance 
Written: circa 1550 
231.
Uccidimi, dolore by Jacopo Peri
Performer:  Montserrat Figueras (Soprano), Ton Koopman (Organ)
Period: Baroque 
Written: ?1628; Italy 

Customer Reviews

Average Customer Review:  1 Customer Review )
 Tribute to a great initiative May 20, 2016 By C Frederic John (Bronxville, NY) See All My Reviews "I was very excited to see this offering since i grew up with the Archive label and many of the recordings included in this set. Personally, Archive played a large role in familiarizing me with the huge range of "early music," and shaping my perspective on "authentic performance." The label represented an ambitious and authoritative initiative to provide a comprehensive survey of music from Gregorian Chant to about 1800. The effort involved high scholarly standards and a dedication to what was then considered accurate performance practice. (Of course, perceptions on this score have evolved over the decades.) The entire program was geared to a rigorous grid that placed each piece in its historical context, further broken down by genre or composer. (In later years some recordings on post-1800 pieces were made, generally of works off the beaten path, such as the Weber songs.) The program not only covered many of the major works by Palestrina, Bach and Handel that were already widely known with more "authentic" performances, such as Karl Richter's B-minor Mass and Handel's Music for the Royal Fireworks. but many lesser known works by these and other generally unknown composers. Archive was the first, as far as i know, to record the Pachelbel Canon, in its original scoring for 3 violins and continuo, in 1955, and played a major role in bringing Telemann into the mainstream. This new collection salutes the incredible range of the Archive effort and could well serve as a great resource to anyone interested in learning, or gaining a more thorough understanding of the history of pre-Romanic Western music." Report Abuse
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