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111: The Collector's Editions [111 CDs]

111 The Collector's Edition / Various
Release Date: 12/11/2015 
Label:  Dg Deutsche Grammophon Catalog #: 002422702   Spars Code: DDD 
Composer:  Johannes BrahmsLudwig van BeethovenMaurice RavelFelix Mendelssohn,   ... 
Performer:  David OistrakhIgor OistrakhSviatoslav RichterMartha Argerich,   ... 
Conductor:  Claudio AbbadoDaniel BarenboimLorin MaazelFranz Konwitschny,   ... 
Orchestra/Ensemble:  Vienna Philharmonic OrchestraAmadeus QuartetParis Orchestra,   ... 
Number of Discs: 111 
Recorded in: Stereo 
In Stock: Usually ships in 24 hours.  

Notes and Editorial Reviews

Deutsche Grammophon is the world’s largest and most successful classical music label with a history stretching back to the dawn of recorded sound in 1898. A musical library on its own, this landmark 111-CD, limited edition box set includes the label’s greatest achievements – from Kleiber’s immortal Beethoven 5 & 7 to Grimaud’s sensational Credo. ‘’Deutsche Grammophon stands for all that is best about classical music.’’ (Gramophone Magazine) Deutsche Grammophon is the world’s largest and most successful classical music label with a history stretching back to the dawn of recorded sound in 1898. A musical library on its own, this landmark 111-CD, limited edition box set includes the label’s greatest achievements – from Kleiber’s immortal Beethoven 5 & 7 to Grimaud’s sensational Credo. ‘’Deutsche Grammophon stands for all that is best about classical music.’’ (Gramophone Magazine) Read less

Works on This Recording

1.
Hungarian Dances (21) for Orchestra, WoO 1 by Johannes Brahms
Conductor:  Claudio Abbado
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1868-1880; Austria 
2.
Quartet for Strings no 7 in F major, Op. 59 no 1 "Razumovsky" by Ludwig van Beethoven
Orchestra/Ensemble:  Amadeus Quartet
Written: 1805-6 
3.
Quartet for Strings no 14 in C sharp minor, Op. 131 by Ludwig van Beethoven
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Paris Orchestra
Written: 1826 
4.
Boléro by Maurice Ravel
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Paris Orchestra
Period: 20th Century 
Written: 1928; France 
5.
Pavane pour une infante défunte by Maurice Ravel
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Paris Orchestra
Period: 20th Century 
Written: 1899; France 
6.
La valse by Maurice Ravel
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Paris Orchestra
Period: 20th Century 
Written: 1920; France 
7.
Daphnis et Chloé Suite no 2 by Maurice Ravel
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Paris Orchestra
Period: 20th Century 
Written: 1913; France 
8.
Symphony no 4 in A major, Op. 90 "Italian" by Felix Mendelssohn
Conductor:  Lorin Maazel
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1833; Germany 
9.
Symphony no 5 in D major, Op. 107 "Reformation" by Felix Mendelssohn
Conductor:  Lorin Maazel
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1832; Germany 
10.
Concerto for Violin in D major, Op. 35 by Peter Ilyich Tchaikovsky
Performer:  David Oistrakh (Violin)
Conductor:  Franz Konwitschny
Period: Romantic 
Written: 1878; Russia 
11.
Etudes-Caprices (8) for 2 Violins, Op. 18: no 2 in E flat major by Henri Wieniawski
Performer:  David Oistrakh (Violin), Igor Oistrakh (Violin)
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1863; St. Petersburg, Russ 
12.
Etudes-Caprices (8) for 2 Violins, Op. 18: no 4 in A minor by Henri Wieniawski
Performer:  David Oistrakh (Violin), Igor Oistrakh (Violin)
Period: Romantic 
Written: 1863; St. Petersburg, Russ 
13.
Etudes-Caprices (8) for 2 Violins, Op. 18: no 5 in E flat major by Henri Wieniawski
Performer:  David Oistrakh (Violin), Igor Oistrakh (Violin)
Period: Romantic 
Written: 1863; St. Petersburg, Russ 
14.
Navarra for 2 Violins and Piano, Op. 33 by Pablo de Sarasate
Performer:  David Oistrakh (Violin), Igor Oistrakh (Violin)
Conductor:  Franz Konwitschny
Orchestra/Ensemble:  Leipzig Gewandhaus Orchestra
Period: Romantic 
Written: 1899 
15.
Concerto for Piano no 2 in C minor, Op. 18 by Sergei Rachmaninov
Performer:  Sviatoslav Richter (Piano)
Orchestra/Ensemble:  Warsaw National Philharmonic Orchestra
Period: Romantic 
Written: Russia 
16.
Preludes (13) for Piano, Op. 32: no 1 in C major, Allegro vivace by Sergei Rachmaninov
Performer:  Sviatoslav Richter (Piano)
Period: Romantic 
Written: 1910; Russia 
17.
Preludes (13) for Piano, Op. 32: no 2 in B flat minor, Allegretto by Sergei Rachmaninov
Performer:  Sviatoslav Richter (Piano)
Period: Romantic 
Written: 1910; Russia 
18.
Preludes (10) for Piano, Op. 23: no 2 in B flat major, Maestoso by Sergei Rachmaninov
Performer:  Sviatoslav Richter (Piano)
Period: Romantic 
Written: 1901-1903; Russia 
19.
Preludes (10) for Piano, Op. 23: no 4 in D major, Andante cantabile by Sergei Rachmaninov
Performer:  Sviatoslav Richter (Piano)
Period: Romantic 
Written: 1903; Russia 
20.
Preludes (10) for Piano, Op. 23: no 5 in G minor, Alla marcia by Sergei Rachmaninov
Performer:  Sviatoslav Richter (Piano)
Period: Romantic 
Written: 1901; Russia 
21.
Preludes (10) for Piano, Op. 23: no 7 in C minor, Allegro by Sergei Rachmaninov
Performer:  Sviatoslav Richter (Piano)
Period: Romantic 
Written: 1901-1903; Russia 
22.
Preludes (24) for Piano, Op. 28 by Frédéric Chopin
Performer:  Martha Argerich (Piano)
Period: Romantic 
Written: 1836-1839; Paris, France 
23.
Prelude for Piano in C sharp minor, B 141/Op. 45 by Frédéric Chopin
Performer:  Martha Argerich (Piano)
Period: Romantic 
Written: 1841; Paris, France 
24.
Prelude for Piano in A flat major, B 86 by Frédéric Chopin
Performer:  Martha Argerich (Piano)
Period: Romantic 
Written: 1834; Paris, France 
25.
Sonata for Piano no 2 in B flat minor, B 128/Op. 35 "Funeral March" by Frédéric Chopin
Performer:  Martha Argerich (Piano)
Period: Romantic 
Written: 1837-1839; Paris, France 
26.
Préludes, Book 1 by Claude Debussy
Performer:  Arturo Benedetti Michelangeli (Piano)
Period: 20th Century 
Written: 1909-1910; France 
27.
Images for Piano, Set 1 by Claude Debussy
Performer:  Arturo Benedetti Michelangeli (Piano)
Period: 20th Century 
Written: 1905; France 
28.
Images for Piano, Set 2 by Claude Debussy
Performer:  Arturo Benedetti Michelangeli (Piano)
Period: 20th Century 
Written: 1907; France 
29.
West Side Story by Leonard Bernstein
Performer:  Marilyn Horne (Mezzo Soprano), Louise Edeiken (Soprano), José Carreras (Tenor),
Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Spoken Vocals), Angelina Réaux (Soprano),
Stella Zambalis (Soprano), David Livingston (Voice), Marty Nelson (Voice),
Stephen Bogardus (Voice), Alexander Bernstein (Spoken Vocals), Kurt Ollmann (Baritone),
Tatiana Troyanos (Mezzo Soprano), Peter Thom (Voice), Tod Lester (Voice),
Richard Harrell (Voice)
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Orchestra,  Chorus
Period: 20th Century 
Written: 1957; USA 
Date of Recording: 09/1984 
Venue:  RCA Studio A, New York, NY 
Length: 76 Minutes 36 Secs. 
Language: English 
30.
Requiem in D minor, K 626 by Wolfgang Amadeus Mozart
Performer:  Julia Hamari (Alto), Karl Ridderbusch (Bass), Edith Mathis (Soprano),
Wieslaw Ochman (Tenor)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna Philharmonic Orchestra,  Vienna State Opera Concert Choir
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 1971 
Length: 64 Minutes 26 Secs. 
Language: Latin 
31.
Pétrouchka by Igor Stravinsky
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Cleveland Orchestra
Period: 20th Century 
Written: Switzerland 
Date of Recording: 03/1991 
Venue:  Masonic Auditorium, Cleveland 
Length: 34 Minutes 58 Secs. 
32.
Le sacre du printemps by Igor Stravinsky
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Cleveland Orchestra
Period: 20th Century 
Written: 1911-1913 
Date of Recording: 03/1991 
Venue:  Masonic Auditorium, Cleveland 
Length: 33 Minutes 29 Secs. 
33.
Concerto for Violin in C major, RV 190 by Antonio Vivaldi
Performer:  Giuliano Carmignola (Violin)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 01/2006 
Venue:  Gustav Mahler Hall, Toblach, Italy 
Length: 14 Minutes 3 Secs. 
34.
Concerto for Violin in D major, RV 217 by Antonio Vivaldi
Performer:  Giuliano Carmignola (Violin)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 01/2006 
Venue:  Gustav Mahler Hall, Toblach, Italy 
Length: 12 Minutes 29 Secs. 
35.
Concerto for Violin in G minor, RV 331 by Antonio Vivaldi
Performer:  Giuliano Carmignola (Violin)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Date of Recording: 01/2006 
Venue:  Gustav Mahler Hall, Toblach, Italy 
Length: 12 Minutes 57 Secs. 
36.
Concerto for Violin in G minor, RV 325 by Antonio Vivaldi
Performer:  Giuliano Carmignola (Violin)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 01/2006 
Venue:  Gustav Mahler Hall, Toblach, Italy 
Length: 7 Minutes 32 Secs. 
37.
Concerto for Violin in G major, RV 303 by Antonio Vivaldi
Performer:  Giuliano Carmignola (Violin)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 01/2006 
Venue:  Gustav Mahler Hall, Toblach, Italy 
Length: 12 Minutes 20 Secs. 
38.
L'Elisir d'Amore: Una furtiva lagrima by Gaetano Donizetti
Performer:  Placido Domingo (Tenor)
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  Los Angeles Philharmonic Orchestra
Period: Romantic 
Written: 1832; Italy 
Language: Italian 
39.
Lucia di Lammermoor: Fra poco a me ricovero by Gaetano Donizetti
Performer:  Placido Domingo (Tenor)
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  Los Angeles Philharmonic Orchestra
Period: Romantic 
Written: 1835; Italy 
Language: Italian 
40.
Ernani: Mercč, diletti amici...Come rugiada al cospite by Giuseppe Verdi
Performer:  Placido Domingo (Tenor)
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  Los Angeles Philharmonic Orchestra
Period: Romantic 
Written: 1844; Italy 
Language: Italian 
41.
Il trovatore: Ah si, ben mio...Di quella pira by Giuseppe Verdi
Performer:  Placido Domingo (Tenor)
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  Los Angeles Philharmonic Orchestra
Period: Romantic 
Written: 1853; Italy 
Language: Italian 
42.
La juive: Rachel, quand du Seigneur by Jacques Halévy
Performer:  Placido Domingo (Tenor)
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  Los Angeles Philharmonic Orchestra
Period: Romantic 
Written: 1835; Paris, France 
Language: French 
43.
L'Africaine: O paradis sorti de l'onde by Giacomo Meyerbeer
Performer:  Placido Domingo (Tenor)
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  Los Angeles Philharmonic Orchestra
Period: Romantic 
Written: 1865; Germany 
Language: French 
44.
Les pęcheurs de perles: Je crois entendre encore by Georges Bizet
Performer:  Placido Domingo (Tenor)
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  Los Angeles Philharmonic Orchestra
Period: Romantic 
Written: 1863; France 
Language: French 
45.
Carmen: La fleur que tu m'avais jetée "Flower song" by Georges Bizet
Performer:  Placido Domingo (Tenor)
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  Roger Wagner Chorale,  Los Angeles Philharmonic Orchestra
Period: Romantic 
Written: 1873-1874; France 
Language: German 
46.
Aida: Celeste Aida by Giuseppe Verdi
Performer:  Placido Domingo (Tenor)
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  Los Angeles Philharmonic Orchestra
Period: Romantic 
Written: 1871; Italy 
Language: Italian 
47.
Symphony no 5 in C sharp minor by Gustav Mahler
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: Romantic 
Written: 1901-1902; Vienna, Austria 
Date of Recording: 02/2006 
Venue:  Aula Magna, Caracas, Venezuela 
Length: 69 Minutes 25 Secs. 
48.
The Art of Fugue, BWV 1080 by Johann Sebastian Bach
Performer:  Philip Setzer (Violin), Eugene Drucker (Violin), Lawrence Dutton (Viola),
David Finckel (Cello)
Orchestra/Ensemble:  Emerson String Quartet
Period: Baroque 
Written: circa 1745-1750; Leipzig, Germany 
Date of Recording: 2003 
Venue:  American Academy of Arts & Letters, NYC 
Length: 80 Minutes 8 Secs. 
49.
Winterreise, D 911/Op. 89 by Franz Schubert
Performer:  Dietrich Fischer-Dieskau (Baritone), Gerald Moore (Piano)
Period: Romantic 
Written: 1827; Vienna, Austria 
Language: German 
50.
Suite for Cello solo no 4 in E flat major, BWV 1010 by Johann Sebastian Bach
Performer:  Pierre Fournier (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 25 Minutes 28 Secs. 
51.
Suite for Cello solo no 1 in G major, BWV 1007 by Johann Sebastian Bach
Performer:  Pierre Fournier (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 18 Minutes 45 Secs. 
52.
Suite for Cello solo no 3 in C major, BWV 1009 by Johann Sebastian Bach
Performer:  Pierre Fournier (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 23 Minutes 4 Secs. 
53.
Suite for Cello solo no 5 in C minor, BWV 1011 by Johann Sebastian Bach
Performer:  Pierre Fournier (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 24 Minutes 51 Secs. 
54.
Suite for Cello solo no 6 in D major, BWV 1012 by Johann Sebastian Bach
Performer:  Pierre Fournier (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 27 Minutes 3 Secs. 
55.
Suite for Cello solo no 2 in D minor, BWV 1008 by Johann Sebastian Bach
Performer:  Pierre Fournier (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
Length: 19 Minutes 4 Secs. 
56.
Requiem Mass by Giuseppe Verdi
Performer:  Maria Stader (Soprano), Marianna Radev (Alto), Helmut Krebs (Tenor),
Kim Borg (Bass)
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Berlin RIAS Chamber Chorus,  St. Hedwig's Cathedral Choir,  Berlin RIAS Symphony Orchestra
Period: Romantic 
Written: 1874; Italy 
Date of Recording: 09/1953 
Venue:  Jesus Christus Kirche, Berlin 
Length: 75 Minutes 28 Secs. 
Language: Latin 
57.
Symphony no 4 in D minor, Op. 120 by Robert Schumann
Conductor:  Wilhelm Furtwängler
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1851; Germany 
Date of Recording: 05/14/1953 
Venue:  Live  Jesus Christus Kirche, Berlin 
Length: 30 Minutes 56 Secs. 
58.
Symphony no 88 in G major, H 1 no 88 by Franz Joseph Haydn
Conductor:  Wilhelm Furtwängler
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: circa 1787 ; Eszterhazá, Hungary 
Date of Recording: 12/05/1951 
Venue:  Live  Jesus Christus Kirche, Berlin 
Length: 21 Minutes 4 Secs. 
59.
Vespro della Beata Vergine by Claudio Monteverdi
Performer:  Alastair Miles (Bass), Nigel Robson (Tenor), Sandro Naglia (Tenor),
Bryn Terfel (Bass), Mark Tucker (Tenor), Michael Chance (Countertenor),
Marinella Pennicchi (Soprano), Ann Monoyios (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists,  Monteverdi Choir,  London Oratory Junior Choir  ... 
Period: Baroque 
Written: by 1610; Mantua, Italy 
Date of Recording: 05/1989 
Venue:  Live  St Mark's Basilica, Venice 
Length: 105 Minutes 0 Secs. 
Language: Latin 
60.
Sonata for Piano no 21 in C major, Op. 53 "Waldstein" by Ludwig van Beethoven
Performer:  Emil Gilels (Piano)
Period: Classical 
Written: 1803-1804; Vienna, Austria 
61.
Sonata for Piano no 26 in E flat major, Op. 81a "Les Adieux" by Ludwig van Beethoven
Performer:  Emil Gilels (Piano)
Period: Classical 
Written: 1809-1810; Vienna, Austria 
62.
Sonata for Piano no 23 in F minor, Op. 57 "Appassionata" by Ludwig van Beethoven
Performer:  Emil Gilels (Piano)
Period: Classical 
Written: 1804-1805; Vienna, Austria 
63.
Canon and Gigue for 3 Violins and Basso Continuo in D major by Johann Pachelbel
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: Germany 
Date of Recording: 1983 
Venue:  Friedrich Ebert Hall, Hamburg - Harburg 
Length: 4 Minutes 42 Secs. 
64.
Trio Sonata for 2 Violins and Basso Continuo in D minor, Op. 1 no 12/RV 63 "La Follia" by Antonio Vivaldi
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1705; Venice, Italy 
Date of Recording: 1982 
Venue:  Friedrich Ebert Hall, Hamburg - Harburg 
Length: 8 Minutes 45 Secs. 
65.
Trio Sonatas (7) for 2 Violins and Basso Continuo, Op. 5: no 4 in G major, HWV 399 by George Frideric Handel
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: circa 1737-1738; London, England 
Date of Recording: 1983 
Venue:  Friedrich Ebert Hall, Hamburg - Harburg 
Length: 13 Minutes 1 Secs. 
66.
Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: 1738-1739; Leipzig, Germany 
Date of Recording: 1982 
Venue:  Friedrich Ebert Hall, Hamburg - Harburg 
Length: 22 Minutes 8 Secs. 
67.
Fantasia on an Ostinato by John Corigliano
Performer:  Hélčne Grimaud (Piano)
Period: 20th Century 
Written: 1985; USA 
Date of Recording: 09/2003 
Venue:  Sveriges Radio, Stockholm, Sweden 
Length: 12 Minutes 4 Secs. 
68.
Sonata for Piano no 17 in D minor, Op. 31 no 2 "Tempest" by Ludwig van Beethoven
Performer:  Hélčne Grimaud (Piano)
Period: Classical 
Written: 1802; Vienna, Austria 
Date of Recording: 09/2003 
Venue:  Sveriges Radio, Stockholm, Sweden 
Length: 21 Minutes 58 Secs. 
69.
Fantasia in C minor, Op. 80 "Choral Fantasy" by Ludwig van Beethoven
Performer:  Hélčne Grimaud (Piano)
Conductor:  Esa-Pekka Salonen
Orchestra/Ensemble:  Swedish Radio Symphony Orchestra,  Swedish Radio Chorus
Period: Classical 
Written: 1808; Vienna, Austria 
Date of Recording: 09/2003 
Venue:  Sveriges Radio, Stockholm, Sweden 
Length: 19 Minutes 3 Secs. 
Language: German 
70.
Credo by Arvo Pärt
Performer:  Hélčne Grimaud (Piano)
Conductor:  Esa-Pekka Salonen
Orchestra/Ensemble:  Swedish Radio Symphony Orchestra,  Swedish Radio Chorus
Period: 20th Century 
Written: 1968; Estonia 
Date of Recording: 09/2003 
Venue:  Live  Sveriges Radio, Stockholm, Sweden 
Length: 15 Minutes 16 Secs. 
Language: Latin 
71.
Concerto for Violin no 2 in E major, BWV 1042 by Johann Sebastian Bach
Performer:  Hilary Hahn (Violin)
Conductor:  Jeffrey Kahane
Orchestra/Ensemble:  Los Angeles Chamber Orchestra
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 10/2002 
Venue:  Colburn School of Performing Arts, CA 
Length: 16 Minutes 29 Secs. 
72.
Concerto for 2 Violins in D minor, BWV 1043 by Johann Sebastian Bach
Performer:  Margaret Batjer (Violin), Hilary Hahn (Violin)
Conductor:  Jeffrey Kahane
Orchestra/Ensemble:  Los Angeles Chamber Orchestra
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 10/2002 
Venue:  Colburn School of Performing Arts, CA 
Length: 14 Minutes 18 Secs. 
73.
Concerto for Violin no 1 in A minor, BWV 1041 by Johann Sebastian Bach
Performer:  Hilary Hahn (Violin)
Conductor:  Jeffrey Kahane
Orchestra/Ensemble:  Los Angeles Chamber Orchestra
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
Date of Recording: 01/2003 
Venue:  Colburn School of Performing Arts, CA 
Length: 13 Minutes 29 Secs. 
74.
Concerto for Oboe and Violin in C minor, BWV 1060 by Johann Sebastian Bach
Performer:  Allan Vogel (Oboe), Hilary Hahn (Violin)
Conductor:  Jeffrey Kahane
Orchestra/Ensemble:  Los Angeles Chamber Orchestra
Period: Baroque 
Date of Recording: 01/2003 
Venue:  Colburn School of Performing Arts, CA 
Length: 13 Minutes 6 Secs. 
75.
Sonata for Harpsichord in E major, K 380/L 23 by Domenico Scarlatti
Performer:  Vladimir Horowitz (Piano)
Period: Baroque 
Written: 18th Century 
Date of Recording: 04/1986 
Venue:  Live  Great Hall, Tchaikovsky Consv, Moscow 
Length: 4 Minutes 0 Secs. 
76.
Sonata for Piano no 10 in C major, K 330 (300h) by Wolfgang Amadeus Mozart
Performer:  Vladimir Horowitz (Piano)
Period: Classical 
Written: 1781-1783 
Date of Recording: 04/1986 
Venue:  Live  Great Hall, Tchaikovsky Consv, Moscow 
Length: 17 Minutes 0 Secs. 
77.
Preludes (13) for Piano, Op. 32: no 5 in G major, Moderato by Sergei Rachmaninov
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1910; Russia 
Date of Recording: 04/1986 
Venue:  Live  Great Hall, Tchaikovsky Consv, Moscow 
Length: 2 Minutes 49 Secs. 
78.
Preludes (13) for Piano, Op. 32: no 12 in G sharp minor, Allegro by Sergei Rachmaninov
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1910; Russia 
Date of Recording: 04/1986 
Venue:  Live  Great Hall, Tchaikovsky Consv, Moscow 
Length: 2 Minutes 33 Secs. 
79.
Etudes (12) for Piano, Op. 8: no 12 in D sharp minor by Alexander Scriabin
Performer:  Vladimir Horowitz (Piano)
Period: 20th Century 
Written: 1894; Russia 
Date of Recording: 04/1986 
Venue:  Live  Great Hall, Tchaikovsky Consv, Moscow 
Length: 2 Minutes 9 Secs. 
80.
Pieces (3) for Piano, Op. 2: no 1, Etude in C sharp minor by Alexander Scriabin
Performer:  Vladimir Horowitz (Piano)
Period: 20th Century 
Written: 1887-1889; Russia 
Date of Recording: 04/1986 
Venue:  Live  Great Hall, Tchaikovsky Consv, Moscow 
Length: 2 Minutes 39 Secs. 
81.
Années de pčlerinage, deuxičme année, S 161 "Italie": no 5, Sonetto 104 del Petrarca by Franz Liszt
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1837-1849; Weimar, Germany 
Date of Recording: 04/1986 
Venue:  Live  Great Hall, Tchaikovsky Consv, Moscow 
Length: 5 Minutes 33 Secs. 
82.
Soirées de Vienne (9) after Schubert, S 427: no 6 by Franz Liszt
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1852; Weimar, Germany 
Date of Recording: 04/1986 
Venue:  Live  Great Hall, Tchaikovsky Consv, Moscow 
Length: 6 Minutes 33 Secs. 
83.
Mazurkas (5) for Piano, B 61/Op. 7: no 3 in F minor by Frédéric Chopin
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1831; Vienna, Austria 
Date of Recording: 04/1986 
Venue:  Live  Great Hall, Tchaikovsky Consv, Moscow 
Length: 2 Minutes 15 Secs. 
84.
Mazurkas (4) for Piano, B 105/Op. 30: no 4 in C sharp minor by Frédéric Chopin
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1836-1837; Paris, France 
Date of Recording: 04/1986 
Venue:  Live  Great Hall, Tchaikovsky Consv, Moscow 
Length: 3 Minutes 33 Secs. 
85.
Kinderszenen, Op. 15: no 7, Träumerei by Robert Schumann
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1838; Germany 
Date of Recording: 04/1986 
Venue:  Live  Great Hall, Tchaikovsky Consv, Moscow 
Length: 2 Minutes 24 Secs. 
86.
Characteristic Pieces (8), Op. 36: no 6, Etincelles by Moritz Moszkowski
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: Germany 
Date of Recording: 04/1986 
Venue:  Live  Great Hall, Tchaikovsky Consv, Moscow 
Length: 2 Minutes 38 Secs. 
87.
Lachtäubchen (Behr) "Polka de W.R." by Sergei Rachmaninov
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1911 
Date of Recording: 04/1986 
Venue:  Live  Great Hall, Tchaikovsky Consv, Moscow 
Length: 4 Minutes 4 Secs. 
88.
Carmina burana by Carl Orff
Performer:  Gundula Janowitz (Soprano), Gerhard Stolze (Tenor), Dietrich Fischer-Dieskau (Baritone)
Conductor:  Eugen Jochum
Orchestra/Ensemble:  Schöneberg Boys Choir,  Berlin Deutsche Oper Chorus,  Berlin Deutsche Oper Orchestra
Period: 20th Century 
Written: 1936; Germany 
Date of Recording: 10/1967 
Venue:  UFA-Studio, Berlin, Germany 
Length: 56 Minutes 15 Secs. 
Language: Latin 
89.
Symphony no 9 in D minor, Op. 125 "Choral" by Ludwig van Beethoven
Performer:  Walter Berry (Bass Baritone), Gundula Janowitz (Soprano), Hilde Rössl-Majdan (Mezzo Soprano),
Waldemar Kmentt (Tenor)
Conductor:  Herbert von Karajan
Orchestra/Ensemble:  Berlin Philharmonic Orchestra,  Vienna Singverein
Period: Classical 
Written: 1822-1824; Vienna, Austria 
Date of Recording: 1962 
Venue:  Jesus Christus Kirche, Berlin 
Length: 66 Minutes 47 Secs. 
Language: German 
90.
Coriolan Overture in C minor, Op. 62 by Ludwig van Beethoven
Conductor:  Herbert von Karajan
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1807; Vienna, Austria 
Date of Recording: 09/1965 
Venue:  Jesus Christus Kirche, Berlin 
Length: 9 Minutes 0 Secs. 
91.
Concerto for Piano no 4 in G major, Op. 58 by Ludwig van Beethoven
Performer:  Wilhelm Kempff (Piano)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1806; Vienna, Austria 
Date of Recording: 07/1961 
Venue:  UFA-Studio, Berlin, Germany 
Length: 32 Minutes 34 Secs. 
92.
Concerto for Piano no 5 in E flat major, Op. 73 "Emperor" by Ludwig van Beethoven
Performer:  Wilhelm Kempff (Piano)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1809; Vienna, Austria 
Date of Recording: 07/1961 
Venue:  UFA-Studio, Berlin, Germany 
Length: 38 Minutes 26 Secs. 
93.
Symphony no 5 in C minor, Op. 67 by Ludwig van Beethoven
Conductor:  Carlos Kleiber
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1807-1808; Vienna, Austria 
Date of Recording: 1974 
Venue:  Musikverein, Vienna, Austria 
Length: 33 Minutes 22 Secs. 
94.
Symphony no 7 in A major, Op. 92 by Ludwig van Beethoven
Conductor:  Carlos Kleiber
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1811-1812; Vienna, Austria 
Venue:  Musikverein, Vienna, Austria 
Length: 38 Minutes 36 Secs. 
95.
Alcina, HWV 34: Ah! mio cor! schemito sei! by George Frideric Handel
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: 1735; London, England 
96.
Giulio Cesare, HWV 17: Cara speme, questo core by George Frideric Handel
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: 1724; London, England 
97.
Joshua, HWV 64: O had I Jubal's lyre by George Frideric Handel
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: 1748; London, England 
98.
Ariodante, HWV 33: Scherza infida, in grembo al drudo by George Frideric Handel
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: 1734-1735; London, England 
99.
Amadigi di Gaula, HWV 11: Desterň dall' empia Dite by George Frideric Handel
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: by 1715; London, England 
100.
Ariodante, HWV 33: Dopo notte by George Frideric Handel
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: 1734-1735; London, England 
101.
Rinaldo, HWV 7: Armida dispietata...Lascia ch'io pianga mia cruda sorte by George Frideric Handel
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: by 1711; London, England 
102.
Hercules, HWV 60: Where shall I fly? by George Frideric Handel
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: 1744; London, England 
103.
Agrippina, HWV 6: Pensieri, voi mi tormente by George Frideric Handel
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: 1709; Venice, Italy 
104.
Theodora, HWV 68: With Darkness deep by George Frideric Handel
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: 1749-1750; London, England 
105.
Orlando, HWV 31: Ah! Stigie larve!...Vaghe pupille by George Frideric Handel
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Andrea Marcon
Orchestra/Ensemble:  Venice Baroque Orchestra
Period: Baroque 
Written: by 1733; London, England 
106.
Symphony no 8 in G major, Op. 88/B 163 by Antonín Dvorák
Conductor:  Rafael Kubelik
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1889; Bohemia 
Date of Recording: 06/1966 
Venue:  Jesus Christus Kirche, Berlin 
Length: 35 Minutes 44 Secs. 
107.
Symphony no 9 in E minor, Op. 95/B 178 "From the New World" by Antonín Dvorák
Conductor:  Rafael Kubelik
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1893; USA 
Date of Recording: 06/1972 
Venue:  Jesus Christus Kirche, Berlin 
Length: 42 Minutes 35 Secs. 
108.
Concerto for Piano no 1 in B flat minor, Op. 23 by Peter Ilyich Tchaikovsky
Performer:  Lang Lang (Piano)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Chicago Symphony Orchestra
Period: Romantic 
Written: Russia 
Date of Recording: 02/2003 
Venue:  Orchestra Hall, Chicago, Illinois 
Length: 38 Minutes 25 Secs. 
109.
Concerto for Piano no 1 in G minor, Op. 25 by Felix Mendelssohn
Performer:  Lang Lang (Piano)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Chicago Symphony Orchestra
Period: Romantic 
Written: 1831; Germany 
Date of Recording: 02/2003 
Venue:  Orchestra Hall, Chicago, Illinois 
Length: 20 Minutes 50 Secs. 
110.
Carnival of the animals: no 13, The swan by Camille Saint-Saëns
Performer:  Mischa Maisky (Cello)
Conductor:  Semyon Bychkov
Orchestra/Ensemble:  Paris Orchestra
Period: Romantic 
Written: 1886; France 
Date of Recording: 06/1991 
Venue:  Salle Wagram, Paris 
Length: 3 Minutes 57 Secs. 
111.
Elégie for Cello and Piano, Op. 24 by Gabriel Fauré
Performer:  Mischa Maisky (Cello)
Conductor:  Semyon Bychkov
Orchestra/Ensemble:  Paris Orchestra
Period: Romantic 
Written: 1880; France 
Date of Recording: 06/1991 
Venue:  Salle Wagram, Paris 
Length: 6 Minutes 26 Secs. 
112.
Adagio con variazioni for Cello and Orchestra by Ottorino Respighi
Performer:  Mischa Maisky (Cello)
Conductor:  Semyon Bychkov
Orchestra/Ensemble:  Paris Orchestra
Period: 20th Century 
Written: 1920; Rome, Italy 
Date of Recording: 06/1991 
Venue:  Salle Wagram, Paris 
Length: 12 Minutes 54 Secs. 
113.
From the Bohemian forest, Op. 68/B 133: no 5, Silent Woods by Antonín Dvorák
Performer:  Mischa Maisky (Cello)
Conductor:  Semyon Bychkov
Orchestra/Ensemble:  Paris Orchestra
Period: Romantic 
Written: Bohemia 
Date of Recording: 06/1991 
Venue:  Salle Wagram, Paris 
Length: 6 Minutes 8 Secs. 
114.
Chant du ménéstrel, Op. 71 by Alexander Glazunov
Performer:  Mischa Maisky (Cello)
Conductor:  Semyon Bychkov
Orchestra/Ensemble:  Paris Orchestra
Written: 1900 
Date of Recording: 06/1991 
Venue:  Salle Wagram, Paris 
Length: 4 Minutes 29 Secs. 
115.
Morceaux (6) for Piano, Op. 19: no 4, Nocturne in C sharp minor by Peter Ilyich Tchaikovsky
Performer:  Mischa Maisky (Cello)
Conductor:  Semyon Bychkov
Orchestra/Ensemble:  Paris Orchestra
Period: Romantic 
Written: 1873; Russia 
Date of Recording: 06/1991 
Venue:  Salle Wagram, Paris 
Length: 4 Minutes 40 Secs. 
116.
Kol Nidrei for Cello and Orchestra, Op. 47 by Max Bruch
Performer:  Mischa Maisky (Cello)
Conductor:  Semyon Bychkov
Orchestra/Ensemble:  Paris Orchestra
Period: Romantic 
Written: 1881; Liverpool, England 
Date of Recording: 06/1991 
Venue:  Salle Wagram, Paris 
Length: 10 Minutes 49 Secs. 
117.
Romance for Cello and Orchestra in F major, AV 75 by Richard Strauss
Performer:  Mischa Maisky (Cello)
Conductor:  Semyon Bychkov
Orchestra/Ensemble:  Paris Orchestra
Period: Romantic 
Written: 1883; Germany 
Date of Recording: 06/1991 
Venue:  Salle Wagram, Paris 
Length: 12 Minutes 45 Secs. 
118.
Concerto for Violin no 1 in C major, H 7a no 1: 2nd movement, Adagio by Franz Joseph Haydn
Performer:  Mischa Maisky (Cello)
Conductor:  Semyon Bychkov
Orchestra/Ensemble:  Paris Orchestra
Period: Classical 
Written: by 1769 
Date of Recording: 06/1991 
Venue:  Salle Wagram, Paris 
Length: 6 Minutes 11 Secs. 
119.
Symphonie fantastique, Op. 14 by Hector Berlioz
Conductor:  Igor Markevitch
Orchestra/Ensemble:  Lamoureux Concerts Association Orchestra
Period: Romantic 
Written: 1830; France 
Date of Recording: 01/1961 
Venue:  Salle de la Mutualité, Paris 
Length: 52 Minutes 12 Secs. 
120.
Anacréon: Overture by Luigi Cherubini
Conductor:  Igor Markevitch
Orchestra/Ensemble:  Lamoureux Concerts Association Orchestra
Period: Classical 
Written: 1803; France 
Date of Recording: 01/1961 
Venue:  Salle de la Mutualité, Paris 
Length: 9 Minutes 44 Secs. 
121.
La muette de Portici: Overture by Daniel-François Auber
Conductor:  Igor Markevitch
Orchestra/Ensemble:  Lamoureux Concerts Association Orchestra
Period: Romantic 
Written: 1828; France 
Date of Recording: 01/1961 
Venue:  Salle de la Mutualité, Paris 
Length: 8 Minutes 18 Secs. 
122.
Christum wir sollen loben schon by Martin Luther
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players
Period: Renaissance 
Written: 16th Century; Germany 
Language: German 
123.
Praeambulum for Organ by Anonymous
Performer:  Timothy Roberts (Organ)
124.
Wir gläuben all an einen Gott by Martin Luther
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players
Period: Renaissance 
Written: 16th Century; Germany 
125.
Resonet in laudibus by Anonymous
Performer:  Timothy Roberts (Organ)
Period: Renaissance 
Written: circa 1470 
126.
Wie schön leuchtet der Morgenstern by Samuel Scheidt
Performer:  Timothy Roberts (Organ)
Period: Baroque 
Written: by 1650; Germany 
127.
Banchetto musicale: Canzon a 5 in A minor by Johann Hermann Schein
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Players
Period: Baroque 
Written: 1609; Leipzig, Germany 
128.
Puer natus in Bethlehem by Michael Praetorius
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players,  Roskilde Cathedral Boys' Choir
Period: Renaissance 
Written: by 1619; Germany 
Language: Latin 
129.
Polyhymnia caduceatrix et panegyrica: Missa gantz Teudsch - Kyrie by Michael Praetorius
Performer:  Sarah Pendlebury (Soprano), Tessa Bonner (Soprano), Tom Phillips (Tenor),
Angus Smith (Tenor)
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players
Period: Renaissance 
Written: by 1619; Germany 
Language: German 
130.
Polyhymnia caduceatrix et panegyrica: Missa gantz Teudsch - Gloria by Michael Praetorius
Performer:  Tessa Bonner (Soprano), Robert Horn (Tenor), Angus Smith (Tenor),
Sarah Pendlebury (Soprano), Tom Phillips (Tenor), Simon Grant (Bass),
Julian Podger (Tenor), Stephen Charlesworth (Bass)
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players
Period: Renaissance 
Written: by 1619; Germany 
Language: German 
131.
Musae Sioniae, Book 8: Der Herr sei mit euch by Michael Praetorius
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players
Period: Renaissance 
Written: by 1612; Germany 
Language: German 
132.
So schreibt der heilig Propheten Jesajas by Michael Praetorius
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players
Period: Renaissance 
Written: Germany 
Language: German 
133.
Musae Sioniae, Book 5: Vom Himmel hoch da komm ich her by Michael Praetorius
Performer:  Simon Grant (Bass), Donald Greig (Baritone)
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players,  Roskilde Cathedral Boys' Choir
Period: Renaissance 
Written: by 1607; Germany 
Language: German 
134.
So schreibt der heilige Lukas by Michael Praetorius
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players
Period: Renaissance 
Written: Germany 
Language: German 
135.
Quem pastores by Michael Praetorius
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players,  Roskilde Cathedral Boys' Choir
Period: Renaissance 
Written: Germany 
Language: Latin 
136.
Vater unser im Himmelreich by Michael Praetorius
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players
Period: Renaissance 
Written: by 1612; Germany 
Language: German 
137.
Polyhymnia caduceatrix et panegyrica: Jesaja dem Propheten das geschah by Michael Praetorius
Performer:  Susan Hemington Jones (Soprano), Angus Smith (Tenor), Constanze Backes (Soprano),
Sarah Pendlebury (Soprano), Donald Greig (Baritone), Mark Le Brocq (Tenor),
Simon Grant (Bass), Tessa Bonner (Soprano)
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players
Period: Renaissance 
Written: by 1619; Germany 
Language: German 
138.
Wie schön leuchtet der Morgenstern by Michael Praetorius
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players
Period: Renaissance 
Written: by 1619; Germany 
Language: German 
139.
Musae Sioniae, Book 6: Uns ist ein Kindlein heut geborn by Michael Praetorius
Performer:  Sarah Pendlebury (Soprano), Hannelore Devaere (Harp)
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players
Period: Renaissance 
Written: by 1609; Germany 
Language: German 
140.
Missodia Sionia: Der Herr segne dich und behüte dich by Michael Praetorius
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players
Period: Renaissance 
Written: by 1611; Germany 
Language: German 
141.
Musae Sioniae, Book 6: Puer nobis nascitur by Michael Praetorius
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players,  Roskilde Cathedral Boys' Choir
Period: Renaissance 
Written: by 1609; Germany 
Language: Latin 
142.
Nun lob, mein Seel, den Herren by Michael Praetorius
Performer:  Timothy Roberts (Organ)
Period: Renaissance 
143.
In dulci jubilo by Michael Praetorius
Performer:  Susan Hemington Jones (Soprano), Mark Le Brocq (Tenor), Tessa Bonner (Soprano)
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players,  Roskilde Cathedral Boys' Choir
Period: Renaissance 
Written: by 1619; Germany 
Language: Latin 
144.
Zaďs: Overture by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 5 Minutes 47 Secs. 
145.
Castor et Pollux: Scčne funčbre by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: 1737; Paris, France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 3 Minutes 25 Secs. 
146.
Les fętes d'Hébé: Air "Revenez tendre amant" by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: 1739; Paris, France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 1 Minutes 53 Secs. 
147.
Dardanus: Tambourins I and II by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: 1739/1744; France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 1 Minutes 51 Secs. 
148.
Le temple de la gloire: Air tendre pour les Muses by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: 1745; France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 4 Minutes 25 Secs. 
149.
Les Boréades: Contredanse en rondeau by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: 1764; France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 3 Minutes 6 Secs. 
150.
La naissance d'Osiris: Air gracieux by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: by 1754; France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 2 Minutes 19 Secs. 
151.
Platée: Orage by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: 1745; France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 2 Minutes 32 Secs. 
152.
Les Boréades: Prélude by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: 1764; France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 1 Minutes 19 Secs. 
153.
Nouvelles suites de pičces de clavecin: no 11, La poule by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: circa 1729-1730; France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 4 Minutes 31 Secs. 
154.
Les fętes d'Hébé: Musette en Rondeau by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: 1739; Paris, France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 3 Minutes 22 Secs. 
155.
Hippolyte et Aricie: Ritournelle by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: 1733; France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 2 Minutes 9 Secs. 
156.
Les Indes galantes: Rondeau, Danse des sauvages by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: 1735/1761; France 
157.
Les Boréades: Entrée des Polymnie by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: 1764; France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 6 Minutes 5 Secs. 
158.
Les Indes galantes: Chaconne by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: 1735/1761; France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 6 Minutes 17 Secs. 
159.
Les Boréades: Gavotte pour les heures et les zéphirs by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: 1764; France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 2 Minutes 44 Secs. 
160.
Naďs: Rigaudons I and II by Jean-Philippe Rameau
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: by 1749; France 
Date of Recording: 06/2003 
Venue:  Live  Salle Moličre, Théâtre de Poissy, France 
Length: 2 Minutes 22 Secs. 
161.
Concerto for Violin in D major, Op. 77 by Johannes Brahms
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  Herbert von Karajan
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1878; Austria 
Date of Recording: 09/1981 
Venue:  Philharmonie, Berlin 
Length: 40 Minutes 19 Secs. 
162.
Concerto for Violin and Cello in A minor, Op. 102 "Double" by Johannes Brahms
Performer:  Anne-Sophie Mutter (Violin), Antonio Meneses (Cello)
Conductor:  Herbert von Karajan
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1887; Austria 
Date of Recording: 02/1983 
Venue:  Philharmonie, Berlin 
Length: 34 Minutes 45 Secs. 
163.
Idomeneo, K 366: Padre, germani, addio by Wolfgang Amadeus Mozart
Performer:  Anna Netrebko (Soprano)
Conductor:  Gianandrea Noseda
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1781; Munich, Germany 
Date of Recording: 03/2003 
Venue:  Great Hall, Music Hall, Vienna 
Length: 7 Minutes 23 Secs. 
Language: Italian 
164.
Don Giovanni, K 527: Crudele?...Non mi dir, bell' idol mio by Wolfgang Amadeus Mozart
Performer:  Anna Netrebko (Soprano)
Conductor:  Gianandrea Noseda
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1787; Prague, Czech Republ 
Date of Recording: 03/2003 
Venue:  Great Hall, Music Hall, Vienna 
Length: 6 Minutes 37 Secs. 
Language: Italian 
165.
Benvenuto Cellini: Entre l'amour et le devoir by Hector Berlioz
Performer:  Anna Netrebko (Soprano)
Conductor:  Gianandrea Noseda
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1834-1837; France 
Date of Recording: 03/2003 
Venue:  Great Hall, Music Hall, Vienna 
Length: 7 Minutes 44 Secs. 
Language: French 
166.
La sonnambula: Come per me sereno...Sovra il sen by Vincenzo Bellini
Performer:  Anna Netrebko (Soprano)
Conductor:  Gianandrea Noseda
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1831; Italy 
Date of Recording: 03/2003 
Venue:  Great Hall, Music Hall, Vienna 
Length: 7 Minutes 44 Secs. 
Language: French 
167.
Manon: Obéissons quand leur voix appelle "Gavotte" by Jules Massenet
Performer:  Anna Netrebko (Soprano)
Conductor:  Gianandrea Noseda
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1883-1884; France 
Date of Recording: 03/2003 
Venue:  Great Hall, Music Hall, Vienna 
Length: 6 Minutes 35 Secs. 
Language: French 
168.
Lucia di Lammermoor: Regnava nel silenzio by Gaetano Donizetti
Performer:  Anna Netrebko (Soprano)
Conductor:  Gianandrea Noseda
Orchestra/Ensemble:  Vienna State Opera Chorus,  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1835; Italy 
Date of Recording: 03/2003 
Venue:  Great Hall, Music Hall, Vienna 
Length: 12 Minutes 42 Secs. 
Language: Italian 
169.
Faust: Ah! je ris de me voir si belle "Jewel Song" by Charles Gounod
Performer:  Anna Netrebko (Soprano)
Conductor:  Gianandrea Noseda
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1859; France 
Date of Recording: 03/2003 
Venue:  Great Hall, Music Hall, Vienna 
Length: 6 Minutes 28 Secs. 
Language: French 
170.
Rusalka, Op. 114/B 203: O moon high up "Song to the moon" by Antonín Dvorák
Performer:  Anna Netrebko (Soprano)
Conductor:  Gianandrea Noseda
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1900; Bohemia 
Date of Recording: 03/2003 
Venue:  Great Hall, Music Hall, Vienna 
Length: 5 Minutes 7 Secs. 
Language: Czech 
171.
La Bohčme: Quando m'en vo' soletta "Musetta's Waltz" by Giacomo Puccini
Performer:  Anna Netrebko (Soprano)
Conductor:  Gianandrea Noseda
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1896; Italy 
Date of Recording: 03/2003 
Venue:  Great Hall, Music Hall, Vienna 
Length: 2 Minutes 39 Secs. 
Language: Italian 
172.
Madrigals, Book 7: Con che soavitŕ, labbra odorate by Claudio Monteverdi
Performer:  Dane Roberts (Violone), Florian Deuter (Violin), Reinhard Goebel (Violin),
Anne Sofie von Otter (Mezzo Soprano), Christian Rieger (Harpsichord), Michael Dücker (Theorbo),
Michael Freimuth (Theorbo), Joachim Fiedler (Cello), Victoria Gunn (Viola),
Markus Möllenbeck (Cello)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: by 1619; Italy 
Date of Recording: 1997 
Venue:  German Radio Transmitting Hall, Cologne 
Length: 4 Minutes 42 Secs. 
Language: Italian 
173.
Lasciatemi morire "Lamento d'Arianna a 1" by Claudio Monteverdi
Performer:  Jakob Lindberg (Theorbo), Anne Sofie von Otter (Mezzo Soprano)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: by 1623; Italy 
Date of Recording: 1997 
Venue:  German Radio Transmitting Hall, Cologne 
Length: 11 Minutes 8 Secs. 
Language: Italian 
174.
Lamento della Regina d'Inghilterra by Antonio Bertali
Performer:  Christian Rieger (Harpsichord), Markus Möllenbeck (Cello), Wolfgang von Kessinger (Viola),
Reinhard Goebel (Viola), Victoria Gunn (Viola), Franz-Joseph Selig (Bass),
Anne Sofie von Otter (Mezzo Soprano)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Date of Recording: 1997 
Venue:  German Radio Transmitting Hall, Cologne 
Length: 15 Minutes 24 Secs. 
Language: Italian 
175.
Balletti e correnti a 5, Op. 16: Il Ballo del Gran Duca "Corrente Nona" by Giovanni Legrenzi
Performer:  Christian Rieger (Harpsichord), Michael Dücker (Theorbo), Markus Möllenbeck (Cello),
Wolfgang von Kessinger (Viola), Victoria Gunn (Viola), Reinhard Goebel (Violin),
Florian Deuter (Violin)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: Italy 
Date of Recording: 1997 
Venue:  German Radio Transmitting Hall, Cologne 
Length: 3 Minutes 19 Secs. 
176.
Cessate omai cessate, RV 684 by Antonio Vivaldi
Performer:  Ulrike Kunze (Violin), Markus Möllenbeck (Cello), Dane Roberts (Violone),
Christian Rieger (Harpsichord), Wolfgang von Kessinger (Viola), Anne Sofie von Otter (Mezzo Soprano),
Florian Deuter (Violin), Laura Johnson (Violin), Andrea Keller (Violin),
Sebastian Griewisch (Violin), Volker Möller (Violin), Victoria Gunn (Viola),
Gerhard Peters (Violin), Joachim Fiedler (Cello)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 1997 
Venue:  German Radio Transmitting Hall, Cologne 
Length: 10 Minutes 52 Secs. 
Language: Italian 
177.
Incassum, Lesbia, rogas, Z 383 "Queen's Epicedium" by Henry Purcell
Performer:  Markus Möllenbeck (Cello), Anne Sofie von Otter (Mezzo Soprano), Christian Rieger (Positive)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: by 1695; England 
Date of Recording: 1997 
Venue:  German Radio Transmitting Hall, Cologne 
Length: 7 Minutes 27 Secs. 
Language: Latin 
178.
O solitude, my sweetest choice, Z 406 by Henry Purcell
Performer:  Anne Sofie von Otter (Mezzo Soprano), Jakob Lindberg (Theorbo)
Conductor:  Reinhard Goebel
Orchestra/Ensemble:  Musica Antiqua Cologne
Period: Baroque 
Written: by 1687; England 
Date of Recording: 1997 
Venue:  German Radio Transmitting Hall, Cologne 
Length: 4 Minutes 58 Secs. 
Language: English 
179.
Chaconne by Alessandro Piccinini
Performer:  Jakob Lindberg (Theorbo)
Period: Baroque 
Written: Italy 
Date of Recording: 1997 
Venue:  German Radio Transmitting Hall, Cologne 
Length: 1 Minutes 52 Secs. 
180.
Concertos (4) for Violin, Op. 8 no 1-4 "Four seasons" by Antonio Vivaldi
Performer:  Simon Standage (Violin)
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: 1725; Venice, Italy 
181.
Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera" by Antonio Vivaldi
Performer:  Simon Standage (Violin)
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: circa 1725; Venice, Italy 
182.
Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate" by Antonio Vivaldi
Performer:  Simon Standage (Violin)
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: 1725; Venice, Italy 
183.
Concerto for Violin in F major, Op. 8 no 3/RV 293 "L'autunno" by Antonio Vivaldi
Performer:  Simon Standage (Violin)
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: 1725; Venice, Italy 
184.
Concerto for Violin in F minor, Op. 8 no 4/RV 297 "L'inverno" by Antonio Vivaldi
Performer:  Simon Standage (Violin)
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: 1725; Venice, Italy 
185.
Concerto for Oboe and Violin in B flat major, RV 548 by Antonio Vivaldi
Performer:  Simon Standage (Violin), David Reichenberg (Oboe)
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: Venice, Italy 
186.
Concerto for 2 Violins in G major, RV 516 by Antonio Vivaldi
Performer:  Simon Standage (Violin), Elizabeth Wilcock (Violin)
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: Venice, Italy 
187.
Nocturnes (3) for Piano, B 54/Op. 9 by Frédéric Chopin
Performer:  Maria-Joao Pires (Piano)
Period: Romantic 
Written: 1830-1831; Poland 
188.
Nocturnes (3) for Piano, Op. 15 by Frédéric Chopin
Performer:  Maria-Joao Pires (Piano)
Period: Romantic 
Written: 1830-1833 
189.
Nocturnes (2) for Piano, Op. 27 by Frédéric Chopin
Performer:  Maria-Joao Pires (Piano)
Period: Romantic 
Written: 1835; Paris, France 
190.
Nocturnes (2) for Piano, B 106/Op. 32 by Frédéric Chopin
Performer:  Maria-Joao Pires (Piano)
Period: Romantic 
Written: 1836-1837; Paris, France 
191.
Nocturnes (2) for Piano, Op. 37 by Frédéric Chopin
Performer:  Maria-Joao Pires (Piano)
Period: Romantic 
Written: 1838-1849; Paris, France 
192.
Nocturnes (2) for Piano, B 142/Op. 48 by Frédéric Chopin
Performer:  Maria-Joao Pires (Piano)
Period: Romantic 
Written: 1841; Paris, France 
193.
Nocturnes (2) for Piano, B 152/Op. 55 by Frédéric Chopin
Performer:  Maria-Joao Pires (Piano)
Period: Romantic 
Written: 1843; Paris, France 
194.
Nocturnes (2) for Piano, B 161/Op. 62 by Frédéric Chopin
Performer:  Maria-Joao Pires (Piano)
Period: Romantic 
Written: 1846; Paris, France 
195.
Nocturne for Piano in E minor, B 19/Op. 72 no 1 by Frédéric Chopin
Performer:  Maria-Joao Pires (Piano)
Period: Romantic 
Written: 1827; Poland 
196.
Nocturne for Piano in C sharp minor, B 49 by Frédéric Chopin
Performer:  Maria-Joao Pires (Piano)
Period: Romantic 
Written: 1830; Poland 
197.
Nocturne for Piano in C minor, B 108 by Frédéric Chopin
Performer:  Maria-Joao Pires (Piano)
Period: Romantic 
Written: 1837; Paris, France 
198.
Sonata for Harpsichord in E major, K 20/L 375 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Written: by 1738 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 3 Minutes 31 Secs. 
199.
Sonata for Harpsichord in D minor, K 9/L 413 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Written: by 1738 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 4 Minutes 14 Secs. 
200.
Sonata for Harpsichord in D major, K 119/L 415 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Written: 18th Century 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 5 Minutes 14 Secs. 
201.
Sonata for Harpsichord in D minor, K 1/L 366 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Written: by 1738 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 2 Minutes 30 Secs. 
202.
Sonata for Harpsichord in B minor, K 87/L 33 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Written: 18th Century 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 6 Minutes 21 Secs. 
203.
Sonata for Harpsichord in E minor, K 98/L 325 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Written: 18th Century 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 3 Minutes 18 Secs. 
204.
Sonata for Harpsichord in G major, K 13/L 486 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Written: by 1738 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 4 Minutes 24 Secs. 
205.
Sonata for Harpsichord in G minor, K 8/L 488 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Written: by 1738 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 5 Minutes 55 Secs. 
206.
Sonata for Harpsichord in G minor, K 450/L 338 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Written: 18th Century 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 3 Minutes 32 Secs. 
207.
Sonata for Harpsichord in C major, K 159/L 104 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Written: 18th Century 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 2 Minutes 31 Secs. 
208.
Sonata for Harpsichord in C major, K 487/L 205 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Written: 18th Century 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 3 Minutes 52 Secs. 
209.
Sonata for Harpsichord in B flat major, K 529/L 327 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Written: 18th Century 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 2 Minutes 30 Secs. 
210.
Sonata for Harpsichord in E major, K 380/L 23 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Written: 18th Century 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 4 Minutes 59 Secs. 
211.
Sonata for Harpsichord in D minor, K 11/L 352 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 2 Minutes 53 Secs. 
212.
Sonata for Harpsichord in E major, K 135/L 224 by Domenico Scarlatti
Performer:  Ivo Pogorelich (Piano)
Period: Baroque 
Written: 18th Century 
Date of Recording: 09/1991 
Venue:  Beethovensaal, Hanover 
Length: 4 Minutes 16 Secs. 
213.
Etudes (12) for Piano, Op. 10 by Frédéric Chopin
Performer:  Maurizio Pollini (Piano)
Period: Romantic 
Written: 1829-1833; Poland 
214.
Etudes (12) for Piano, Op. 25 by Frédéric Chopin
Performer:  Maurizio Pollini (Piano)
Period: Romantic 
Written: 1832-1836; Paris, France 
215.
Zar und Zimmermann: O sancta justitia! by Albert Lortzing
Performer:  Thomas Quasthoff (Bass Baritone)
Conductor:  Christian Thielemann
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra
Period: Romantic 
Written: 1837; Germany 
Date of Recording: 09/2001 
Venue:  Great Hall, Philharmonie, Berlin 
Length: 6 Minutes 32 Secs. 
Language: German 
216.
Zar und Zimmermann: Den Hohen Herrscher...Heil sei dem Tag by Albert Lortzing
Performer:  Thomas Quasthoff (Bass Baritone)
Conductor:  Christian Thielemann
Orchestra/Ensemble:  Berlin Deutsche Oper Chorus,  Berlin Deutsche Oper Orchestra
Period: Romantic 
Written: 1837; Germany 
Date of Recording: 09/2001 
Venue:  Great Hall, Philharmonie, Berlin 
Length: 9 Minutes 37 Secs. 
Language: German 
217.
Zar und Zimmermann: Sonst spielt ich mit Szepter by Albert Lortzing
Performer:  Thomas Quasthoff (Bass Baritone)
Conductor:  Christian Thielemann
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra
Period: Romantic 
Written: 1837; Germany 
Date of Recording: 09/2001 
Venue:  Great Hall, Philharmonie, Berlin 
Length: 5 Minutes 18 Secs. 
Language: German 
218.
Der Wildschütz: Fünftausend Taler by Albert Lortzing
Performer:  Thomas Quasthoff (Bass Baritone)
Conductor:  Christian Thielemann
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra
Period: Romantic 
Written: 1842; Germany 
Date of Recording: 09/2001 
Venue:  Great Hall, Philharmonie, Berlin 
Length: 5 Minutes 17 Secs. 
Language: German 
219.
Der Wildschütz: Lass Er doch hören...Bei diesem schliemmen Fall by Albert Lortzing
Performer:  Christiane Oelze (Soprano), Thomas Quasthoff (Bass Baritone)
Conductor:  Christian Thielemann
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra
Period: Romantic 
Written: 1842; Germany 
Date of Recording: 09/2001 
Venue:  Great Hall, Philharmonie, Berlin 
Length: 8 Minutes 6 Secs. 
Language: German 
220.
Der Wildschütz: Wie freundlich strahlt die holde Morgensonne by Albert Lortzing
Performer:  Thomas Quasthoff (Bass Baritone)
Conductor:  Christian Thielemann
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra
Period: Romantic 
Written: 1842; Germany 
Date of Recording: 09/2001 
Venue:  Great Hall, Philharmonie, Berlin 
Length: 4 Minutes 49 Secs. 
Language: German 
221.
Tannhäuser: Gar viel und schön by Richard Wagner
Performer:  Thomas Quasthoff (Bass Baritone)
Conductor:  Christian Thielemann
Orchestra/Ensemble:  Berlin Deutsche Oper Chorus,  Berlin Deutsche Oper Orchestra
Period: Romantic 
Written: 1845/1861; Germany 
Date of Recording: 09/2001 
Venue:  Great Hall, Philharmonie, Berlin 
Length: 6 Minutes 59 Secs. 
Language: German 
222.
Tannhäuser: O, du mein holder Abendstern by Richard Wagner
Performer:  Thomas Quasthoff (Bass Baritone)
Conductor:  Christian Thielemann
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra
Period: Romantic 
Written: 1845/1861; Germany 
Date of Recording: 09/2001 
Venue:  Great Hall, Philharmonie, Berlin 
Length: 5 Minutes 29 Secs. 
Language: German 
223.
Die schweigsame Frau, Op. 80: Wie schön ist doch die Musik by Richard Strauss
Performer:  Thomas Quasthoff (Bass Baritone)
Conductor:  Christian Thielemann
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra
Period: Romantic 
Written: 1933-1934; Germany 
Date of Recording: 09/2001 
Venue:  Great Hall, Philharmonie, Berlin 
Length: 4 Minutes 2 Secs. 
Language: German 
224.
Euryanthe, J 291/Op. 81: Wo berg'ich mich?...Und er soll by Carl Maria von Weber
Performer:  Thomas Quasthoff (Bass Baritone)
Conductor:  Christian Thielemann
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra
Period: Romantic 
Written: 1822-1823; Dresden, Germany 
Date of Recording: 09/2001 
Venue:  Great Hall, Philharmonie, Berlin 
Length: 9 Minutes 9 Secs. 
Language: German 
225.
Mass in B minor, BWV 232 by Johann Sebastian Bach
Performer:  Dietrich Fischer-Dieskau (Baritone), Kieth Engen (Bass), Maria Stader (Soprano),
Hertha Töpper (Alto)
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra
Period: Baroque 
Written: 1747-49; Leipzig, Germany 
Date of Recording: 1961 
Venue:  Munich, Germany 
Language: Latin 
226.
Concerto for Cello in B minor, Op. 104/B 191 by Antonín Dvorák
Performer:  Mstislav Rostropovich (Cello)
Conductor:  Herbert von Karajan
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1894-1895; USA 
Date of Recording: 09/1968 
Venue:  Jesus Christus Kirche, Berlin 
Length: 41 Minutes 21 Secs. 
227.
Variations for Cello and Orchestra on a Rococo theme, Op. 33 by Peter Ilyich Tchaikovsky
Performer:  Mstislav Rostropovich (Cello)
Conductor:  Herbert von Karajan
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1876; Russia 
Date of Recording: 09/1968 
Venue:  Jesus Christus Kirche, Berlin 
Length: 18 Minutes 53 Secs. 
228.
Songs of travel by Ralph Vaughan Williams
Performer:  Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century 
Written: 1901-1904; England 
Date of Recording: 02/1995 
Venue:  Henry Wood Hall, London, England 
Length: 3 Minutes 14 Secs. 
Language: English 
229.
Sea fever by John Ireland
Performer:  Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century 
Written: 1913; England 
Date of Recording: 02/1995 
Venue:  Henry Wood Hall, London, England 
Length: 2 Minutes 20 Secs. 
Language: English 
230.
The vagabond by John Ireland
Performer:  Malcolm Martineau (Piano), Bryn Terfel (Bass Baritone)
Period: 20th Century 
Written: England 
Date of Recording: 02/1995 
Venue:  Henry Wood Hall, London, England 
Length: 1 Minutes 57 Secs. 
Language: English 
231.
Bells of San Marie by John Ireland
Performer:  Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century 
Written: 1919; England 
Date of Recording: 02/1995 
Venue:  Henry Wood Hall, London, England 
Length: 2 Minutes 40 Secs. 
Language: English 
232.
Let us garlands bring, Op. 18 by Gerald Finzi
Performer:  Malcolm Martineau (Piano), Bryn Terfel (Bass Baritone)
Period: 20th Century 
Written: England 
Date of Recording: 02/1995 
Venue:  Henry Wood Hall, London, England 
Length: 3 Minutes 58 Secs. 
Language: English 
233.
Songs (6) from A Shropshire Lad by George Butterworth
Performer:  Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century 
Written: 1911; England 
Date of Recording: 02/1995 
Venue:  Henry Wood Hall, London, England 
Length: 2 Minutes 40 Secs. 
Language: English 
234.
Bredon Hill and Other Songs: Bredon Hill by George Butterworth
Performer:  Malcolm Martineau (Piano), Bryn Terfel (Bass Baritone)
Period: 20th Century 
Written: 1912; England 
Date of Recording: 02/1995 
Venue:  Henry Wood Hall, London, England 
Length: 4 Minutes 44 Secs. 
Language: English 
235.
Bredon Hill and Other Songs: Oh fair enough are sky and plain by George Butterworth
Performer:  Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century 
Written: 1912; England 
Date of Recording: 02/1995 
Venue:  Henry Wood Hall, London, England 
Length: 3 Minutes 17 Secs. 
Language: English 
236.
Bredon Hill and Other Songs: When the lad for longing sighs by George Butterworth
Performer:  Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century 
Written: 1912; England 
Date of Recording: 02/1995 
Venue:  Henry Wood Hall, London, England 
Length: 1 Minutes 44 Secs. 
Language: English 
237.
Bredon Hill and Other Songs: On the idle hill of summer by George Butterworth
Performer:  Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century 
Written: 1912; England 
Date of Recording: 02/1995 
Venue:  Henry Wood Hall, London, England 
Length: 3 Minutes 8 Secs. 
Language: English 
238.
Bredon Hill and Other Songs: With rue my heart is laden by George Butterworth
Performer:  Bryn Terfel (Bass Baritone), Malcolm Martineau (Piano)
Period: 20th Century 
Written: 1912; England 
Date of Recording: 02/1995 
Venue:  Henry Wood Hall, London, England 
Length: 1 Minutes 54 Secs. 
Language: English 
239.
La Gioconda: Cielo e mar by Amilcare Ponchielli
Performer:  Rolando Villazón (Tenor)
Conductor:  Daniele Callegari
Orchestra/Ensemble:  Verdi Grand Symphonic Orchestra Milan
Written: 1876 
Length: 5 Minutes 14 Secs. 
240.
Adriana Lecouvreur: La dolcissima effigie by Francesco Cilča
Performer:  Rolando Villazón (Tenor)
Conductor:  Daniele Callegari
Orchestra/Ensemble:  Verdi Grand Symphonic Orchestra Milan
Period: Romantic 
Written: 1902; Italy 
Length: 2 Minutes 9 Secs. 
241.
Il giuramento: Bella adorata incognita by Saverio Mercadante
Performer:  Rolando Villazón (Tenor)
Conductor:  Daniele Callegari
Orchestra/Ensemble:  Verdi Grand Symphonic Orchestra Milan
Period: Romantic 
Written: 1837; Italy 
Length: 4 Minutes 12 Secs. 
242.
Mefistofele: Dai campi, dai prati by Arrigo Boito
Performer:  Rolando Villazón (Tenor)
Conductor:  Daniele Callegari
Orchestra/Ensemble:  Verdi Grand Symphonic Orchestra Milan
Period: Romantic 
Written: 1868; Italy 
Length: 2 Minutes 33 Secs. 
243.
Maristella: Io conosco un giardino by Giuseppe Pietri
Performer:  Rolando Villazón (Tenor)
Conductor:  Daniele Callegari
Orchestra/Ensemble:  Verdi Grand Symphonic Orchestra Milan
Period: Romantic 
Written: 1934; Italy 
Length: 2 Minutes 1 Secs. 
244.
Fosca: Intenditi con Dio..Ah, se tu sei fra gli angeli by Antonio Carlos Gomes
Performer:  Rolando Villazón (Tenor)
Conductor:  Daniele Callegari
Orchestra/Ensemble:  Verdi Grand Symphonic Orchestra Milan
Period: Romantic 
Written: 1873/1878; Milan, Italy 
Length: 5 Minutes 1 Secs. 
245.
Simon Boccanegra: O inferno! Amelia qui!...Sento avvampar... by Giuseppe Verdi
Performer:  Rolando Villazón (Tenor)
Conductor:  Daniele Callegari
Orchestra/Ensemble:  Verdi Grand Symphonic Orchestra Milan
Period: Romantic 
Written: 1857; Italy 
Length: 5 Minutes 22 Secs. 
246.
Poliuto: Sfolgoro divino raggio by Gaetano Donizetti
Performer:  Rolando Villazón (Tenor), Gianluca Alfano (Baritone)
Conductor:  Daniele Callegari
Orchestra/Ensemble:  Verdi Grand Symphonic Orchestra Milan
Period: Romantic 
Written: 1838; Italy 
Length: 8 Minutes 24 Secs. 
247.
Il giuramento: Compita č omai..Fu celeste quel contento by Saverio Mercadante
Performer:  Rolando Villazón (Tenor)
Conductor:  Daniele Callegari
Orchestra/Ensemble:  Verdi Grand Symphonic Orchestra Milan
Period: Romantic 
Written: 1837; Italy 
Length: 3 Minutes 40 Secs. 
248.
Adriana Lecouvreur: L'anima ho stanca by Francesco Cilča
Performer:  Rolando Villazón (Tenor)
Conductor:  Daniele Callegari
Orchestra/Ensemble:  Verdi Grand Symphonic Orchestra Milan
Period: Romantic 
Written: 1902; Italy 
Length: 1 Minutes 48 Secs. 
249.
Il figliuol prodigo: Il padre mio...Tenda natal by Amilcare Ponchielli
Performer:  Rolando Villazón (Tenor)
Conductor:  Daniele Callegari
Orchestra/Ensemble:  Verdi Grand Symphonic Orchestra Milan
Period: Romantic 
Length: 4 Minutes 40 Secs. 
250.
Mefistofele: Giunto sul passo estremo by Arrigo Boito
Performer:  Rolando Villazón (Tenor)
Conductor:  Daniele Callegari
Orchestra/Ensemble:  Verdi Grand Symphonic Orchestra Milan
Period: Romantic 
Written: 1868; Italy 
Length: 2 Minutes 37 Secs. 
251.
Luisa Miller: Quando le sere al placido by Giuseppe Verdi
Performer:  Rolando Villazón (Tenor)
Conductor:  Daniele Callegari
Orchestra/Ensemble:  Verdi Grand Symphonic Orchestra Milan
Period: Romantic 
Written: 1849; Italy 
Length: 5 Minutes 35 Secs. 
252.
Luisa Miller: L'ara o l'avello apprestami by Giuseppe Verdi
Performer:  Rolando Villazón (Tenor), Gianluca Alfano (Baritone)
Conductor:  Daniele Callegari
Orchestra/Ensemble:  Verdi Chorus Milan,  Verdi Grand Symphonic Orchestra Milan
Period: Romantic 
Written: 1849; Italy 
Length: 3 Minutes 17 Secs. 
253.
Trio Sonata for Organ no 1 in E flat major, BWV 525 by Johann Sebastian Bach
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: circa 1727; Leipzig, Germany 
Venue:  St. Laurens Church, Alkmaar, Netherlands 
254.
Partite sopra Sei gegrüsset, Jesu gütig, BWV 768 by Johann Sebastian Bach
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: circa 1700; Germany 
Venue:  St. Laurens Church, Alkmaar, Netherlands 
255.
Chorale Preludes (6) BWV 645-650 "Schübler": no 1, Wachet auf, ruft uns die Stimme, BWV 645 by Johann Sebastian Bach
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: circa 1748-1749; Leipzig, Germany 
Venue:  St. Laurens Church, Alkmaar, Netherlands 
256.
Chorale Preludes (6) BWV 645-650 "Schübler": no 2, Wo soll ich fliehen hin?, BWV 646 by Johann Sebastian Bach
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: circa 1748-1749; Leipzig, Germany 
Venue:  St. Laurens Church, Alkmaar, Netherlands 
257.
Chorale Preludes (6) BWV 645-650 "Schübler": no 3, Wer nur den lieben Gott lässt walten, BWV 647 by Johann Sebastian Bach
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: circa 1748-1749; Leipzig, Germany 
Venue:  St. Laurens Church, Alkmaar, Netherlands 
258.
Chorale Preludes (6) BWV 645-650 "Schübler": no 4, Meine Seele erhebet den Herren, BWV 648 by Johann Sebastian Bach
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: circa 1748-1749; Leipzig, Germany 
Venue:  St. Laurens Church, Alkmaar, Netherlands 
259.
Chorale Preludes (6) BWV 645-650 "Schübler": no 5, Ach bleib' bei uns, BWV 649 by Johann Sebastian Bach
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: circa 1748-1749; Leipzig, Germany 
Venue:  St. Laurens Church, Alkmaar, Netherlands 
260.
Chorale Preludes (6) BWV 645-650 "Schübler": no 6, Kommst du nun, Jesu, BWV 650 by Johann Sebastian Bach
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: circa 1748-1749; Leipzig, Germany 
Venue:  St. Laurens Church, Alkmaar, Netherlands 
261.
Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: by 1708; Germany 
Venue:  St. Laurens Church, Alkmaar, Netherlands 
262.
Prelude and Fugue in E flat major, BWV 552 "St Anne" by Johann Sebastian Bach
Performer:  Helmut Walcha (Organ)
Period: Baroque 
Written: by 1739; Leipzig, Germany 
Venue:  St. Laurens Church, Alkmaar, Netherlands 
263.
Dichterliebe, Op. 48 by Robert Schumann
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic 
Written: 1840; Germany 
Date of Recording: 1965 
Venue:  Academy of Music, Munich, Germany 
Language: German 
264.
Zärtliche Liebe, WoO 123 "Ich liebe dich" by Ludwig van Beethoven
Performer:  Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Classical 
Written: 1794-1795; Vienna, Austria 
Date of Recording: 1965 
Venue:  Academy of Music, Munich, Germany 
Language: German 
265.
Adelaide, Op. 46 by Ludwig van Beethoven
Performer:  Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Classical 
Written: 1794-1795; Vienna, Austria 
Date of Recording: 1965 
Venue:  Academy of Music, Munich, Germany 
Language: German 
266.
Resignation, WoO 149 by Ludwig van Beethoven
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Classical 
Written: 1817; Vienna, Austria 
Date of Recording: 1965 
Venue:  Academy of Music, Munich, Germany 
Language: German 
267.
Der Kuss, Op. 128 by Ludwig van Beethoven
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Classical 
Written: ?1822; Vienna, Austria 
Date of Recording: 1965 
Venue:  Academy of Music, Munich, Germany 
Language: German 
268.
An Sylvia, D 891/Op. 106 no 4 by Franz Schubert
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic 
Written: 1826; Vienna, Austria 
Date of Recording: 1965 
Venue:  Academy of Music, Munich, Germany 
Language: German 
269.
Lied eines Schiffers an die Dioskuren, D 360/Op. 65 no 1 by Franz Schubert
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Date of Recording: 1965 
Venue:  Academy of Music, Munich, Germany 
Language: German 
270.
Liebhaber in allen Gestalten, D 558 by Franz Schubert
Performer:  Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Romantic 
Written: 1817; Vienna, Austria 
Date of Recording: 1965 
Venue:  Academy of Music, Munich, Germany 
Language: German 
271.
Der Einsame, D 800 by Franz Schubert
Performer:  Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Romantic 
Written: 1825; Vienna, Austria 
Date of Recording: 1965 
Venue:  Academy of Music, Munich, Germany 
Language: German 
272.
Im Abendrot, D 799 by Franz Schubert
Performer:  Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Romantic 
Written: 1824-1825; Vienna, Austria 
Date of Recording: 1965 
Venue:  Academy of Music, Munich, Germany 
Language: German 
273.
Schwanengesang, D 957: no 4, Ständchen by Franz Schubert
Performer:  Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Romantic 
Written: 1828; Vienna, Austria 
Date of Recording: 1965 
Venue:  Academy of Music, Munich, Germany 
Language: German 
274.
An die Laute, D 905/Op. 81 no 2 by Franz Schubert
Performer:  Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Romantic 
Written: 1827; Vienna, Austria 
Date of Recording: 1965 
Venue:  Academy of Music, Munich, Germany 
Language: German 
275.
Der Musensohn, D 764/Op. 92 no 1 by Franz Schubert
Performer:  Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Romantic 
Written: 1822; Vienna, Austria 
Date of Recording: 1965 
Venue:  Academy of Music, Munich, Germany 
Language: German 
276.
An die Musik, D 547 by Franz Schubert
Performer:  Hubert Giesen (Piano), Fritz Wunderlich (Tenor)
Period: Romantic 
Written: 1817; Vienna, Austria 
Date of Recording: 1965 
Venue:  Academy of Music, Munich, Germany 
Language: German 
277.
Concerto for Piano no 1 in E flat major, S 124 by Franz Liszt
Performer:  Krystian Zimerman (Piano)
Conductor:  Seiji Ozawa
Orchestra/Ensemble:  Boston Symphony Orchestra
Period: Romantic 
Written: 1849/1856; Weimar, Germany 
278.
Concerto for Piano no 2 in A major, S 125 by Franz Liszt
Performer:  Krystian Zimerman (Piano)
Conductor:  Seiji Ozawa
Orchestra/Ensemble:  Boston Symphony Orchestra
Period: Romantic 
Written: 1839/1861; Weimar, Germany 
279.
Totentanz, S 126 by Franz Liszt
Performer:  Krystian Zimerman (Piano)
Conductor:  Seiji Ozawa
Orchestra/Ensemble:  Boston Symphony Orchestra
Period: Romantic 
Written: 1849/1859; Weimar, Germany 
280.
Carmen by Georges Bizet
Performer:  Stuart Harling (Baritone), Robert Lloyd (Bass), Sherrill Milnes (Baritone),
Placido Domingo (Tenor), Ileana Cotrubas (Soprano), Alicia Nafé (Mezzo Soprano),
Yvonne Kenny (Soprano), Geoffrey Pogson (Tenor), Gordon Sandison (Baritone),
Leslie Fyson (Bass Baritone), Shirley Minty (Mezzo Soprano), Teresa Berganza (Mezzo Soprano),
Jean Lainé (Tenor), Richard Amner (Bass), George Main (Spoken Vocals)
Conductor:  Claudio Abbado
Orchestra/Ensemble:  London Symphony Orchestra,  Ambrosian Singers,  George Watson's College Boys' Chorus
Period: Romantic 
Written: 1873-1874; France 
Length: 157 Minutes 33 Secs. 
Language: French 
281.
Concerto for Piano no 3 in C major, Op. 26 by Sergei Prokofiev
Performer:  Martha Argerich (Piano)
Conductor:  Claudio Abbado
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: 20th Century 
Written: 1917-1921; USA 
Date of Recording: 1967 
Venue:  Jesus Christ Church, Berlin, Germany 
Length: 27 Minutes 4 Secs. 
282.
Concerto for Piano in G major by Maurice Ravel
Performer:  Martha Argerich (Piano)
Conductor:  Claudio Abbado
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: 20th Century 
Written: 1929-1931; France 
Date of Recording: 1967 
Venue:  Jesus Christ Church, Berlin, Germany 
Length: 21 Minutes 5 Secs. 
283.
Gaspard de la nuit by Maurice Ravel
Performer:  Martha Argerich (Piano)
Period: 20th Century 
Written: 1908; France 
Date of Recording: 11/1974 
Venue:  Lankwitz Studio, Berlin, Germany 
Length: 22 Minutes 21 Secs. 
284.
Sonata for Piano no 14 in C sharp minor, Op. 27 no 2 "Moonlight" by Ludwig van Beethoven
Performer:  Daniel Barenboim (Piano)
Period: Classical 
Written: 1801; Vienna, Austria 
285.
Sonata for Piano no 8 in C minor, Op. 13 "Pathétique" by Ludwig van Beethoven
Performer:  Daniel Barenboim (Piano)
Period: Classical 
Written: 1797-1798; Vienna, Austria 
286.
Sonata for Piano no 23 in F minor, Op. 57 "Appassionata" by Ludwig van Beethoven
Performer:  Daniel Barenboim (Piano)
Period: Classical 
Written: 1804-1805; Vienna, Austria 
287.
Mache dich, mein Geist, bereit, BWV 115: Bete aber auch... by Johann Sebastian Bach
Performer:  Daire Fitzgerald (Cello), Fred Sherry (Cello), Itzhak Perlman (Violin),
Kathleen Battle (Soprano), Lewis Paer (Double Bass), Anthony Newman (Organ)
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 7 Minutes 7 Secs. 
Language: German 
288.
Gott, wie dein Name, so ist auch dein Ruhm, BWV 171: Jesus soll mein erstes wort in dem neuen Jahre by Johann Sebastian Bach
Performer:  Lewis Paer (Double Bass), Kathleen Battle (Soprano), Myron Lutzke (Cello),
Itzhak Perlman (Violin), Anthony Newman (Harpsichord)
Period: Baroque 
Written: ?1729; Leipzig, Germany 
Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 4 Minutes 12 Secs. 
Language: German 
289.
Mass in B minor, BWV 232: Benedictus by Johann Sebastian Bach
Performer:  Kathleen Battle (Soprano), Anthony Newman (Organ), Itzhak Perlman (Violin),
Myron Lutzke (Cello), Lewis Paer (Double Bass)
Period: Baroque 
Written: 1747-1749; Leipzig, Germany 
Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 4 Minutes 15 Secs. 
Language: Latin 
290.
Mass in B minor, BWV 232: Laudamus te by Johann Sebastian Bach
Performer:  Itzhak Perlman (Violin), Anthony Newman (Organ), Lewis Paer (Double Bass),
Daire Fitzgerald (Cello), Kathleen Battle (Soprano)
Conductor:  John Nelson
Orchestra/Ensemble:  Orchestra of St. Luke's
Period: Baroque 
Written: 1747-1749; Leipzig, Germany 
Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 4 Minutes 42 Secs. 
Language: Latin 
291.
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: Kann ich nur Jesum mir zum Freunde machen by Johann Sebastian Bach
Performer:  Anthony Newman (Harpsichord), Kathleen Battle (Soprano), Lewis Paer (Double Bass),
Daire Fitzgerald (Cello), Marc Goldberg (Bassoon), Itzhak Perlman (Violin),
Carl Albach (Trumpet)
Conductor:  John Nelson
Orchestra/Ensemble:  Orchestra of St. Luke's
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 5 Minutes 30 Secs. 
Language: German 
292.
Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": Wenn die Frühlingslüfte streichen by Johann Sebastian Bach
Performer:  Itzhak Perlman (Violin), Anthony Newman (Harpsichord), Lewis Paer (Double Bass),
Fred Sherry (Cello), Kathleen Battle (Soprano)
Period: Baroque 
Written: circa 1718-1723; Cöthen, Germany 
Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
293.
Schwingt freudig euch empor, BWV 36: no 7, Auch mit gedämpften by Johann Sebastian Bach
Performer:  Itzhak Perlman (Violin), Kathleen Battle (Soprano), Lewis Paer (Double Bass),
Fred Sherry (Cello), Anthony Newman (Organ)
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 6 Minutes 46 Secs. 
Language: German 
294.
Es wartet alles auf dich, dass du ihnen Speise, BWV 187: no 5, Gott versorget alles Leben by Johann Sebastian Bach
Performer:  Anthony Newman (Organ), Kathleen Battle (Soprano), Lewis Paer (Double Bass),
Itzhak Perlman (Violin), Fred Sherry (Cello)
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 3 Minutes 24 Secs. 
Language: German 
295.
Ich bin vergnügt mit meinem Glücke, BWV 84: Ich esse mit Freuden mein weniges Brot by Johann Sebastian Bach
Performer:  Stephen Taylor (Oboe), Anthony Newman (Harpsichord), Lewis Paer (Double Bass),
Itzhak Perlman (Violin), Daire Fitzgerald (Cello), Kathleen Battle (Soprano)
Period: Baroque 
Written: 1727; Leipzig, Germany 
Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 4 Minutes 59 Secs. 
Language: German 
296.
In allen meinen Taten, BWV 97: no 4, Ich traue seiner Gnaden by Johann Sebastian Bach
Performer:  Kathleen Battle (Soprano), Anthony Newman (Harpsichord), Itzhak Perlman (Violin),
Myron Lutzke (Cello), Lewis Paer (Double Bass)
Period: Baroque 
Written: 1734; Leipzig, Germany 
Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 5 Minutes 21 Secs. 
Language: German 
297.
Gott ist unser Zuversicht, BWV 197: no 8, Vergnügen und Lust, Gedeihen und Heil by Johann Sebastian Bach
Performer:  Kathleen Battle (Soprano), Fred Sherry (Cello), Stephen Taylor (Oboe d'amore),
Anthony Newman (Harpsichord), Melanie Feld (Oboe d'amore), Lewis Paer (Double Bass),
Itzhak Perlman (Violin)
Period: Baroque 
Written: 1739-1742; Leipzig, Germany 
Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 3 Minutes 16 Secs. 
Language: German 
298.
Ich bin in mir vergnügt, BWV 204: no 4, Die Schätzbarkeit der weiten Erden by Johann Sebastian Bach
Performer:  Kathleen Battle (Soprano), Fred Sherry (Cello), Anthony Newman (Organ),
Lewis Paer (Double Bass), Itzhak Perlman (Violin)
Period: Baroque 
Written: 1726-1727; Leipzig, Germany 
Date of Recording: 1989-90 
Venue:  RCA Studio A, New York City 
Length: 4 Minutes 6 Secs. 
Language: German 
299.
Ach Gott, wie manches Herzeleid, BWV 58: Ich bin vergnügt in meinem Leiden by Johann Sebastian Bach
Performer:  Kathleen Battle (Soprano), Itzhak Perlman (Violin)
Period: Baroque 
Written: 1727; Leipzig, Germany 
300.
Symphony no 1 in D major "Titan" by Gustav Mahler
Conductor:  Leonard Bernstein
Orchestra/Ensemble:  Royal Concertgebouw Orchestra
Period: Romantic 
Written: 1888/1896 
Date of Recording: 10/1987 
Venue:  Live  Amsterdam Concertgebouw 
Length: 57 Minutes 0 Secs. 
301.
Concerto for Piano no 1 in E minor, B 53/Op. 11 by Frédéric Chopin
Performer:  Rafal Blechacz (Piano)
Conductor:  Jerzy Semkow
Orchestra/Ensemble:  Royal Concertgebouw Orchestra
Period: Romantic 
Written: 1830; Poland 
302.
Concerto for Piano no 2 in F minor, B 43/Op. 21 by Frédéric Chopin
Performer:  Rafal Blechacz (Piano)
Conductor:  Jerzy Semkow
Orchestra/Ensemble:  Royal Concertgebouw Orchestra
Period: Romantic 
Written: 1829-1830; Poland 
303.
Concerto for Clarinet in A major, K 622 by Wolfgang Amadeus Mozart
Performer:  Alfred Prinz (Clarinet)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 09/1972 
Venue:  Great Hall, Musikverein, Vienna, Austria 
304.
Concerto for Flute no 1 in G major, K 313 (285c) by Wolfgang Amadeus Mozart
Performer:  Werner Tripp (Flute)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1778; Mannheim, Germany 
Date of Recording: 1973-74 
Venue:  Great Hall, Musikverein, Vienna, Austria 
305.
Concerto for Bassoon in B flat major, K 191 (186e) by Wolfgang Amadeus Mozart
Performer:  Dietmar Zeman (Bassoon)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1774; Salzburg, Austria 
Date of Recording: 05/1973 
Venue:  Great Hall, Musikverein, Vienna, Austria 
306.
Nocturnes (3) for Orchestra: no 1, Nuages by Claude Debussy
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Cleveland Orchestra
Period: 20th Century 
Written: 1897-1899; France 
Date of Recording: 03/1993 
Venue:  Masonic Auditorium, Cleveland 
Length: 6 Minutes 15 Secs. 
307.
Nocturnes (3) for Orchestra: no 2, Fętes by Claude Debussy
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Cleveland Orchestra
Period: 20th Century 
Written: 1897-1899; France 
Date of Recording: 03/1993 
Venue:  Masonic Auditorium, Cleveland 
Length: 6 Minutes 31 Secs. 
308.
Nocturnes (3) for Orchestra: no 3, Sirčnes by Claude Debussy
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Cleveland Orchestra,  Cleveland Orchestra Chorus
Period: 20th Century 
Written: 1897-1899; France 
Date of Recording: 03/1993 
Venue:  Masonic Auditorium, Cleveland 
Length: 9 Minutes 40 Secs. 
309.
Jeux by Claude Debussy
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Cleveland Orchestra
Period: 20th Century 
Written: 1912-1913; France 
Date of Recording: 03/1993 
Venue:  Masonic Auditorium, Cleveland 
Length: 16 Minutes 3 Secs. 
310.
La mer by Claude Debussy
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Cleveland Orchestra
Period: 20th Century 
Written: 1903-1905; France 
Date of Recording: 03/1993 
Venue:  Masonic Auditorium, Cleveland 
Length: 23 Minutes 32 Secs. 
311.
Premičre Rhapsodie for Clarinet and Orchestra by Claude Debussy
Performer:  Franklin Cohen (Clarinet)
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Cleveland Orchestra
Period: 20th Century 
Written: 1911; France 
Date of Recording: 03/1991 
Venue:  Masonic Auditorium, Cleveland 
Length: 8 Minutes 33 Secs. 
312.
Symphony no 4 in E minor, Op. 98 by Johannes Brahms
Conductor:  Victor De Sabata
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1884-1885; Austria 
Date of Recording: 1939 
313.
Tod und Verklärung, Op. 24 by Richard Strauss
Conductor:  Victor De Sabata
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1888-1889; Germany 
Date of Recording: 1939 
314.
Falsa moneda by Juan Mostazo Morales
Performer:  Placido Domingo (Tenor), J. M Gallardo Del Rey (Guitar)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
Length: 3 Minutes 58 Secs. 
315.
El día que nací yo by Juan Mostazo Morales
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
Length: 4 Minutes 37 Secs. 
316.
Antonio Vargas Heredia by Juan Mostazo Morales
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
Length: 5 Minutes 26 Secs. 
317.
La cruz de mayo by Manuel Font de Anta
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
Length: 2 Minutes 50 Secs. 
318.
La bien pagá by Juan Mostazo Morales
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
Length: 4 Minutes 6 Secs. 
319.
Porque te quiero by Genaro Monreal Lacosta
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
Length: 2 Minutes 59 Secs. 
320.
Ay Maricruz! by Manuel L. y Miquel
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
Length: 3 Minutes 17 Secs. 
321.
Me embrujaste by Manuel L. y Miquel
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
Length: 4 Minutes 44 Secs. 
322.
Carińo verdá by Genaro Monreal Lacosta
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
Length: 4 Minutes 22 Secs. 
323.
Te lo juro yo by Manuel L. y Miquel
Performer:  Placido Domingo (Tenor), J. M Gallardo Del Rey (Guitar)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
Length: 2 Minutes 39 Secs. 
324.
No me quieras tanto! by Manuel L. y Miquel
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
Length: 4 Minutes 54 Secs. 
325.
Ojos verdes by Manuel L. y Miquel
Performer:  Placido Domingo (Tenor), J. M Gallardo Del Rey (Guitar)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
Length: 5 Minutes 52 Secs. 
326.
Suspiros de Espańa by Antonio Alvarez Alonso
Performer:  Placido Domingo (Tenor)
Conductor:  Miguel Roa
Orchestra/Ensemble:  Madrid Community Orchestra
Period: 20th Century 
Length: 3 Minutes 57 Secs. 
327.
Sensemayá by Silvestre Revueltas
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1938; Mexico 
Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 6 Minutes 38 Secs. 
328.
Margariteńa by Inocente Carreńo
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1954; Venezuela 
Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 13 Minutes 29 Secs. 
329.
Melodia en el Llano by Antonio Estévez
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: Venezuela 
Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 8 Minutes 1 Secs. 
330.
Danzón no 2 by Arturo Márquez
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1994; Mexico 
Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 9 Minutes 46 Secs. 
331.
Suite for Strings No. 1: Fuga con Pajarillo by Aldemaro Romero
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: Venezuela 
Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 7 Minutes 8 Secs. 
332.
Estancia, Op. 8: Los trabajadores agricolas by Alberto Ginastera
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1941; Argentina 
Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 2 Minutes 56 Secs. 
333.
Estancia, Op. 8: Danza del trigo by Alberto Ginastera
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1941; Argentina 
Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 3 Minutes 43 Secs. 
334.
Estancia, Op. 8: Los peones de hacienda by Alberto Ginastera
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1941; Argentina 
Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 1 Minutes 58 Secs. 
335.
Estancia, Op. 8: Malambo "Danza final" by Alberto Ginastera
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1941; Argentina 
Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 3 Minutes 23 Secs. 
336.
Santa Cruz de Pacairigua by Evencio Castellanos
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1954; Venezuela 
Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 16 Minutes 19 Secs. 
337.
West Side Story: Mambo by Leonard Bernstein
Conductor:  Gustavo Dudamel
Orchestra/Ensemble:  Simon Bolivar Youth Orchestra of Venezuela
Period: 20th Century 
Written: 1957; USA 
Date of Recording: 1/2008 
Venue:  Live - Sala Simón Bolívar, Caracas 
Length: 2 Minutes 29 Secs. 
338.
Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Performer:  Dietrich Fischer-Dieskau (Baritone)
Conductor:  Karl Ristenpart
Orchestra/Ensemble:  Karl Ristenpart Chamber Orchestra
Period: Baroque 
Written: 1726; Leipzig, Germany 
Language: German 
339.
Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer:  Dietrich Fischer-Dieskau (Baritone), Hermann Töttcher (Oboe)
Conductor:  Karl Ristenpart
Orchestra/Ensemble:  Karl Ristenpart Chamber Orchestra
Period: Baroque 
Written: 1727; Cöthen, Germany 
Language: German 
340.
Die Fledermaus: Overture by Johann Strauss Jr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1874; Vienna, Austria 
341.
Kaiser-Walzer, Op. 437 by Johann Strauss Jr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1889; Vienna, Austria 
342.
Tritsch-Tratsch-Polka, Op. 214 by Johann Strauss Jr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1858; Vienna, Austria 
343.
Annen-Polka, Op. 117 by Johann Strauss Jr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1852; Vienna, Austria 
344.
Geschichten aus dem Wienerwald, Op. 325 by Johann Strauss Jr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1868; Vienna, Austria 
345.
Eljen a Magyar, Op. 332 by Johann Strauss Jr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1869; Vienna, Austria 
346.
An der schönen, blauen Donau, Op. 314 by Johann Strauss Jr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1867; Vienna, Austria 
347.
Radetzky March, Op. 228 by Johann Strauss Sr.
Conductor:  Ferenc Fricsay
Orchestra/Ensemble:  Bratislava Radio Symphony Orchestra
Period: Romantic 
Written: 1848; Vienna, Austria 
348.
Bachianas brasileiras no 5 for Soprano and 8 Cellos: Aria "Cantilena" by Heitor Villa-Lobos
Performer:  Elina Garanca (Mezzo Soprano)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: 20th Century 
Written: 1938-1945; Brazil 
Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 6 Minutes 23 Secs. 
Language: Portuguese 
349.
Las hijas del Zebedeo: Al pensar by Ruperto Chapi
Performer:  Elina Garanca (Mezzo Soprano)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1889; Madrid, Spain 
Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 4 Minutes 56 Secs. 
Language: Spanish 
350.
Werther: Werther! Qui m'aurait dit...Des cris joyeux "Letter scene" by Jules Massenet
Performer:  Elina Garanca (Mezzo Soprano)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1892; France 
Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 7 Minutes 15 Secs. 
Language: French 
351.
Les contes d'Hoffmann: Vois sous L'archet fremissant by Jacques Offenbach
Performer:  Elina Garanca (Mezzo Soprano)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1881; Paris, France 
Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 3 Minutes 50 Secs. 
Language: French 
352.
La Grande-Duchesse de Gérolstein: Ah! que j'aime les militaires by Jacques Offenbach
Performer:  Mirko Tuma (Bass), Dominik Licht (Baritone), Rafael Harnisch (Tenor),
Elina Garanca (Mezzo Soprano), Thomas Müller (Bass)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle,  Dresden State Opera Chorus
Period: Romantic 
Written: 1867; Paris, France 
Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 5 Minutes 14 Secs. 
Language: French 
353.
Madrigal sobre un tema popular "El cant dels ocells" by Xavier Montsalvatge
Performer:  Elina Garanca (Mezzo Soprano), Peter Bruns (Cello)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: 20th Century 
Written: Spain 
Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 5 Minutes 13 Secs. 
Language: Catalan 
354.
Der Rosenkavalier, Op. 59: Marie Theres'...Hab' mir's gelobt by Richard Strauss
Performer:  Diana Damrau (Soprano), Dominik Licht (Baritone), Elina Garanca (Mezzo Soprano),
Adrianne Pieczonka (Soprano)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1909-1910; Germany 
Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 5 Minutes 50 Secs. 
Language: German 
355.
Der Rosenkavalier, Op. 59: Ist ein Traum by Richard Strauss
Performer:  Elina Garanca (Mezzo Soprano), Adrianne Pieczonka (Soprano), Dominik Licht (Baritone),
Diana Damrau (Soprano)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1909-1910; Germany 
Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 6 Minutes 26 Secs. 
Language: German 
356.
La Cenerentola: Nacqui all' affano by Gioachino Rossini
Performer:  Heike Liebmann (Mezzo Soprano), Dominik Licht (Baritone), Mirko Tuma (Bass),
Katharina Flade (Soprano), Elina Garanca (Soprano)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle,  Dresden State Opera Chorus
Period: Romantic 
Written: 1817; Italy 
Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 7 Minutes 35 Secs. 
Language: Italian 
357.
L'italiana in Algeri: Per lui che adoro by Gioachino Rossini
Performer:  Elina Garanca (Mezzo Soprano), Rafael Harnisch (Tenor), Dominik Licht (Baritone),
Matthias Beutlich (Bass)
Conductor:  Fabio Luisi
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1813; Italy 
Date of Recording: 07/2006 
Venue:  St. Luke's Church, Dresden, Germany 
Length: 5 Minutes 40 Secs. 
Language: Italian 
358.
Concerto for Piano no 1 in D minor, Op. 15 by Johannes Brahms
Performer:  Emil Gilels (Piano)
Conductor:  Eugen Jochum
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1854-1858; Germany 
Date of Recording: 06/1972 
Venue:  Jesus Christ Church, Berlin, Germany 
Length: 51 Minutes 43 Secs. 
359.
Requiem, Op. 48 by Gabriel Fauré
Performer:  Kathleen Battle (Soprano), Andreas Schmidt (Baritone), Timothy Farrell (Organ)
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  Philharmonia Chorus,  Philharmonia Orchestra
Period: Romantic 
Written: 1887-1890; France 
Language: Latin 
360.
Pavane pour une infante défunte by Maurice Ravel
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  Philharmonia Orchestra
Period: 20th Century 
Written: 1899; France 
361.
Ayre by Osvaldo Golijov
Performer:  Jeremy Flower (Sound Effects), Tara Helen O'Connor (Flute), David Krakauer (Clarinet),
Dawn Upshaw (Soprano), Erik Friedlander (Cello), James Sommerville (French Horn),
Michael Ward-Bergeman (Accordion), Jeremy Flower (Laptop), Jamey Haddad (Percussion),
Lev "Ljova" Zhurbin (Viola), Mark Dresser (Double Bass), Gustavo Santaolalla (Guitar),
Gustavo Santaolalla (Ron Roco), Bridget Kibbey (Harp)
Orchestra/Ensemble:  Andalucian Dogs
Period: 20th Century 
Written: 2004; USA 
Date of Recording: 08/2004 
Venue:  The Hit Factory, New York City 
Length: 38 Minutes 57 Secs. 
362.
Folk Songs for Mezzo Soprano, Flute, Clarinet, Viola, Cello, Harp and Percussion by Luciano Berio
Performer:  Lev "Ljova" Zhurbin (Viola), Dawn Upshaw (Soprano), Tara Helen O'Connor (Flute),
Erik Friedlander (Cello), Todd Palmer (Clarinet), Gordon Gottlieb (Percussion),
Bridget Kibbey (Harp), Eric Poland (Percussion)
Orchestra/Ensemble:  Andalucian Dogs
Period: 20th Century 
Written: 1964/1973 
Date of Recording: 08/2004 
Venue:  The Hit Factory, New York City 
Length: 22 Minutes 52 Secs. 
363.
Sonata for Cello and Piano no 1 in E minor, Op. 38 by Johannes Brahms
Performer:  Hélčne Grimaud (Piano), Truls Otterbech Mork (Cello)
Period: Romantic 
Written: 1862-1865; Austria 
Date of Recording: 05/2005 
Venue:  Lukas Church, Dresden, Germany 
Length: 25 Minutes 19 Secs. 
364.
Am Strande by Clara Wieck Schumann
Performer:  Anne Sofie von Otter (Mezzo Soprano), Hélčne Grimaud (Piano)
Period: Romantic 
Written: 1840; Germany 
Date of Recording: 09/2005 
Venue:  Scoring Stage, Berlin, Germany 
Length: 2 Minutes 16 Secs. 
365.
Concerto for Piano in A minor, Op. 54 by Robert Schumann
Performer:  Hélčne Grimaud (Piano)
Conductor:  Esa-Pekka Salonen
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1841-1845; Germany 
Date of Recording: 05/2005 
Venue:  Lukas Church, Dresden, Germany 
Length: 31 Minutes 6 Secs. 
366.
Lieder (3), Op. 12: no 1, Er ist gekommen by Clara Wieck Schumann
Performer:  Anne Sofie von Otter (Mezzo Soprano), Hélčne Grimaud (Piano)
Period: Romantic 
Written: 1840; Germany 
Date of Recording: 09/2005 
Venue:  Scoring Stage, Berlin, Germany 
Length: 2 Minutes 19 Secs. 
367.
Lieder (3), Op. 12: no 3, Warum willst du andre fragen? by Clara Wieck Schumann
Performer:  Hélčne Grimaud (Piano), Anne Sofie von Otter (Mezzo Soprano)
Period: Romantic 
Written: 1840; Germany 
Date of Recording: 09/2005 
Venue:  Scoring Stage, Berlin, Germany 
Length: 2 Minutes 11 Secs. 
368.
Rhapsodies (2) for Piano, Op. 79: no 1 in B minor by Johannes Brahms
Performer:  Hélčne Grimaud (Piano)
Period: Romantic 
Written: 1879; Austria 
Date of Recording: 06/2000 
Venue:  Teldex Studios, Berlin, Germany 
Length: 8 Minutes 56 Secs. 
369.
Rhapsodies (2) for Piano, Op. 79: no 2 in G minor by Johannes Brahms
Performer:  Hélčne Grimaud (Piano)
Period: Romantic 
Written: 1879; Austria 
Date of Recording: 06/2000 
Venue:  Teldex Studios, Berlin, Germany 
Length: 7 Minutes 6 Secs. 
370.
Quartet for Strings no 14 in D minor, D 810 "Death and the Maiden" by Franz Schubert
Performer:  Clemens Hagen (Cello), Veronika Hagen (Viola), Rainer Schmidt (Violin),
Lukas Hagen (Violin)
Orchestra/Ensemble:  Hagen String Quartet
Period: Romantic 
Written: 1824; Vienna, Austria 
Date of Recording: 10/1990 
Venue:  Akademie der Wissenschaft, Munich 
Length: 41 Minutes 46 Secs. 
371.
Quartet for Strings no 16 in F major, Op. 135 by Ludwig van Beethoven
Performer:  Lukas Hagen (Violin), Rainer Schmidt (Violin), Clemens Hagen (Cello),
Veronika Hagen (Viola)
Orchestra/Ensemble:  Hagen String Quartet
Written: 1826 
Date of Recording: 10/1990 
Venue:  Akademie der Wissenschaft, Munich 
Length: 25 Minutes 54 Secs. 
372.
Concerto for Violin in D minor, Op. 47 by Jean Sibelius
Performer:  Hilary Hahn (Violin)
Conductor:  Esa-Pekka Salonen
Orchestra/Ensemble:  Swedish Radio Symphony Orchestra
Period: Romantic 
Written: 1903-1905; Finland 
373.
Concerto for Violin, Op. 36 by Arnold Schoenberg
Performer:  Hilary Hahn (Violin)
Conductor:  Esa-Pekka Salonen
Orchestra/Ensemble:  Swedish Radio Symphony Orchestra
Period: 20th Century 
Written: 1935-1936; USA 
374.
Chaconne in G major by Andrea Falconieri
Performer:  Stephan Rath (Chitarrone), Kristian Bezuidenhout (Piano), Lorenza Borrani (Violin),
Daniel Hope (Violin), Jonathan Cohen (Cello), Stefan Maass (Lute),
Hans-Kristian Kjos Sorensen (Percussion)
Period: Baroque 
Written: Italy 
375.
Suite for Harpsichord in D minor, HWV 447: Sarabande by George Frideric Handel
Performer:  Enno Senft (Double Bass), Stewart Eaton (Viola), William Conway (Cello),
Jonathan Cohen (Cello), Stefan Maass (Lute), Daniel Hope (Violin),
Kristian Bezuidenhout (Piano), Lorenza Borrani (Violin), Stephan Rath (Chitarrone),
Lucy Gould (Violin)
Period: Baroque 
Written: 1739; London, England 
376.
Recercada no 2 by Diego Ortiz
Performer:  Lucy Gould (Violin), Hans-Kristian Kjos Sorensen (Percussion), Stefan Maass (Lute),
Jonathan Cohen (Cello), Daniel Hope (Violin), Lorenza Borrani (Violin),
Stephan Rath (Chitarrone), Stewart Eaton (Viola)
Period: Renaissance 
Written: 16th Century; Spain 
377.
La suave melodia y su corrente by Andrea Falconieri
Performer:  Stefan Maass (Lute), Jonathan Cohen (Cello), Daniel Hope (Violin),
Stephan Rath (Chitarrone)
Period: Renaissance 
378.
Passacalio by Biagio Marini
Performer:  Stewart Eaton (Viola), Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano),
Daniel Hope (Violin), Jonathan Cohen (Cello)
Period: Baroque 
Written: 17th Century 
379.
Ayres for the Violin, Book 1: Diverse bizzarrie su Sarabanda ň Ciaccona by Nicola Matteis
Performer:  Jonathan Cohen (Cello), Stefan Maass (Lute), Daniel Hope (Violin),
Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano), Stephan Rath (Chitarrone)
Period: Baroque 
Written: 1676; London, England 
380.
Canon and Gigue for 3 Violins and Basso Continuo in D major by Johann Pachelbel
Performer:  Stephan Rath (Chitarrone), Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano),
Daniel Hope (Violin), Jonathan Cohen (Cello), Stefan Maass (Lute),
Lucy Gould (Violin)
Period: Baroque 
Written: Germany 
381.
Concerto for Violin and Basso continuo in A minor, TV 51 no a 1 by Georg Philipp Telemann
Performer:  Stephan Rath (Chitarrone), Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano),
Daniel Hope (Violin), Stefan Maass (Lute), William Conway (Cello),
Stewart Eaton (Viola), Enno Senft (Double Bass), Lucy Gould (Violin)
Period: Baroque 
Written: circa 1708-1716; Germany 
382.
Sonatas (6) for Violin and Basso Continuo: no 3 in D minor: Imitazione delle Campane by Johann Paul von Westhoff
Performer:  Daniel Hope (Violin), Jonathan Cohen (Cello)
Period: Baroque 
Written: by 1694; Germany 
383.
Ground upon a Scotch Humour by Nicola Matteis
Performer:  Hans-Kristian Kjos Sorensen (Percussion), Stefan Maass (Lute), Jonathan Cohen (Cello),
Daniel Hope (Violin), Kristian Bezuidenhout (Piano), Stephan Rath (Chitarrone)
384.
Concerti grossi (12) after Op. 5 of Arcangelo Corelli: no 5 in G minor by Francesco Geminiani
Performer:  Stephan Rath (Chitarrone), Lorenza Borrani (Violin), Kristian Bezuidenhout (Piano),
Daniel Hope (Violin), Stefan Maass (Lute), William Conway (Cello),
Stewart Eaton (Viola), Enno Senft (Double Bass), Lucy Gould (Violin)
Period: Baroque 
Written: by 1726; London, England 
385.
Galliarda napolitana by Antonio Valente
Performer:  Kristian Bezuidenhout (Piano), Hans-Kristian Kjos Sorensen (Percussion), Jonathan Cohen (Cello),
Stefan Maass (Lute), Daniel Hope (Violin), Stephan Rath (Chitarrone)
Period: Renaissance 
Written: by 1576; Naples, Italy 
386.
Passacalle by Andrea Falconieri
Performer:  Jonathan Cohen (Cello), Hans-Kristian Kjos Sorensen (Percussion), Lorenza Borrani (Violin),
Kristian Bezuidenhout (Piano), Daniel Hope (Violin)
Period: Renaissance 
387.
Sonatas (12) for Violin/Flute and Basso Continuo, Op. 9: no 3 in D major - 4th movement, Tambourin by Jean-Marie Leclair
Performer:  Kristian Bezuidenhout (Piano), Hans-Kristian Kjos Sorensen (Percussion), Jonathan Cohen (Cello),
Stefan Maass (Lute), Daniel Hope (Violin), Stephan Rath (Chitarrone)
Period: Baroque 
Written: by 1743; France 
388.
Greensleeves by Traditional
Performer:  Stephan Rath (Chitarrone), Daniel Hope (Violin), Stefan Maass (Lute)
Period: Renaissance 
Written: 16th Century; England 
389.
Sonata for Violin and Basso Continuo in A major "La Guerra" by Johann Paul von Westhoff
Performer:  Kristian Bezuidenhout (Piano), Hans-Kristian Kjos Sorensen (Percussion), Jonathan Cohen (Cello),
Stefan Maass (Lute), Daniel Hope (Violin), Stephan Rath (Chitarrone)
Period: Baroque 
Written: by 1682; Germany 
390.
Sonatas (6) for Violin and Basso Continuo: no 2 in A minor: Presto by Johann Paul von Westhoff
Performer:  Stephan Rath (Chitarrone), Daniel Hope (Violin), Stefan Maass (Lute)
Period: Baroque 
Written: Germany 
391.
Suite for Orchestra no 3 in D major, BWV 1068: Air by Johann Sebastian Bach
Performer:  Enno Senft (Double Bass), Stewart Eaton (Viola), William Conway (Cello),
Stefan Maass (Lute), Daniel Hope (Violin), Lorenza Borrani (Violin),
Stephan Rath (Chitarrone), Lucy Gould (Violin)
Period: Baroque 
Written: circa 1729-1731; Leipzig, Germany 
392.
Sonata for Piano no 3 in B flat major, K 281 (189f) by Wolfgang Amadeus Mozart
Performer:  Vladimir Horowitz (Piano)
Period: Classical 
Written: 1775; Munich, Germany 
393.
Adagio for Piano in B minor, K 540 by Wolfgang Amadeus Mozart
Performer:  Vladimir Horowitz (Piano)
Period: Classical 
Written: 1788; Vienna, Austria 
394.
Rondo for Piano no 1 in D major, K 485 by Wolfgang Amadeus Mozart
Performer:  Vladimir Horowitz (Piano)
Period: Classical 
Written: 1786; Vienna, Austria 
395.
Moments musicaux (6) for Piano, D 780/Op. 94: no 3 in F minor by Franz Schubert
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1823-1828; Vienna, Austria 
396.
Schwanengesang (Schubert), S 560: no 7, Ständchen "Leise flehen" by Franz Liszt
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1838-1839; Geneva, Switzerland 
397.
Soirées de Vienne (9) after Schubert, S 427: no 7 by Franz Liszt
Performer:  Vladimir Horowitz (Piano)
Period: Romantic 
Written: 1852; Weimar, Germany 
398.
Symphony no 4 in E flat major, WAB 104 "Romantic" by Anton Bruckner
Conductor:  Eugen Jochum
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1874; Vienna, Austria 
Date of Recording: 1965 
399.
German Requiem, Op. 45 by Johannes Brahms
Performer:  Gundula Janowitz (Soprano), Franz Waechter (Baritone)
Conductor:  Herbert von Karajan
Orchestra/Ensemble:  Vienna Singverein,  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1854-1868; Austria 
400.
La traviata by Giuseppe Verdi
Performer:  Sherrill Milnes (Baritone), Placido Domingo (Tenor), Paul Friess (Bass),
Ileana Cotrubas (Soprano), Giovanni Foiani (Bass), Bruno Grella (Bass),
Alfredo Giacomotti (Bass), Walter Gullino (Tenor), Helena Jungwirth (Mezzo Soprano),
Stefania Malagú (Mezzo Soprano), Paul Winter (Bass)
Conductor:  Carlos Kleiber
Orchestra/Ensemble:  Bavarian State Opera Orchestra,  Bavarian State Opera Chorus
Period: Romantic 
Written: 1853; Italy 
Date of Recording: 1977 
Venue:  Bayerischen Staatsoper 
Language: Italian 
401.
Le nozze di Figaro, K 492: Voi che sapete che cosa č amor by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1786; Vienna, Austria 
402.
Le nozze di Figaro, K 492: Giunse alfin il momento...Deh vieni, non tardar by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1786; Vienna, Austria 
403.
Non piů, tutto ascoltai...Non temer, amato bene, K 490 by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano), Magdalena Kozená (Mezzo soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1786; Vienna, Austria 
404.
Cosě fan tutte, K 588: In uomini, in soldati by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1790; Vienna, Austria 
405.
Cosě fan tutte, K 588: Ei parte...Per pietŕ ben mio by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1790; Vienna, Austria 
406.
Cosě fan tutte, K 588: Per pietŕ, ben mio by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Written: 1790 
407.
Cosě fan tutte, K 588: E amore un ladroncello by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1790; Vienna, Austria 
408.
La clemenza di Tito, K 621: Ecco il punto...Non piů di fiori by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1791; Prague, Czech Republ 
409.
Vado, ma dove?, K 583 by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano), Magdalena Kozená (Mezzo soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1789; Vienna, Austria 
410.
Le nozze di Figaro, K 492: Non so piů cosa son, cosa faccio by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1786; Vienna, Austria 
411.
Alma grande e nobil core, K 578 by Wolfgang Amadeus Mozart
Performer:  Jos van Immerseel (Fortepiano), Magdalena Kozená (Mezzo soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Period: Classical 
Written: 1789; Vienna, Austria 
412.
Le nozze di Figaro, K 492: Al desio di chi t'adora by Wolfgang Amadeus Mozart
Performer:  Magdalena Kozená (Mezzo Soprano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  Orchestra of the Age of Enlightenment
Written: 1786 
413.
Concerto for Violin by Philip Glass
Performer:  Gidon Kremer (Violin)
Conductor:  Christoph von Dohnányi
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: 20th Century 
Written: 1987; USA 
Date of Recording: 02/1992 
Venue:  Live  Grosser Saal, Musikverein, Vienna 
Length: 24 Minutes 54 Secs. 
414.
Concerto Grosso no 5 by Alfred Schnittke
Performer:  Rainer Keuschnig (Piano), Gidon Kremer (Violin)
Conductor:  Christoph von Dohnányi
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: 20th Century 
Written: 1990-1991; Russia 
Date of Recording: 11/1991 
Venue:  Live  Grosser Saal, Musikverein, Vienna 
Length: 27 Minutes 35 Secs. 
415.
Sonata for Piano no 10 in C major, K 330 (300h) by Wolfgang Amadeus Mozart
Performer:  Lang Lang (Piano)
Period: Classical 
Written: 1781-1783 
Date of Recording: 08/2005 
Venue:  Friedrich-Ebert-Halle, Hamburg, Germany 
Length: 19 Minutes 42 Secs. 
416.
Sonata for Piano no 3 in B minor, B 155/Op. 58 by Frédéric Chopin
Performer:  Lang Lang (Piano)
Period: Romantic 
Written: 1844; Paris, France 
Date of Recording: 08/2005 
Venue:  Friedrich-Ebert-Halle, Hamburg, Germany 
Length: 38 Minutes 13 Secs. 
417.
Kinderszenen, Op. 15 by Robert Schumann
Performer:  Lang Lang (Piano)
Period: Romantic 
Written: 1838; Germany 
Date of Recording: 08/2005 
Venue:  Friedrich-Ebert-Halle, Hamburg, Germany 
Length: 21 Minutes 32 Secs. 
418.
An American in Paris by George Gershwin
Conductor:  James Levine
Orchestra/Ensemble:  Chicago Symphony Orchestra
Period: 20th Century 
Written: 1928; USA 
Date of Recording: 07/1990 
Venue:  Orchestra Hall, Chicago 
Length: 17 Minutes 33 Secs. 
419.
Cuban Overture by George Gershwin
Conductor:  James Levine
Orchestra/Ensemble:  Chicago Symphony Orchestra
Period: 20th Century 
Written: 1932; USA 
Date of Recording: 07/1990 
Venue:  Orchestra Hall, Chicago 
Length: 9 Minutes 47 Secs. 
420.
Porgy and Bess: Suite "Catfish Row" by George Gershwin
Conductor:  James Levine
Orchestra/Ensemble:  Chicago Symphony Orchestra
Period: 20th Century 
Written: 1936; USA 
Date of Recording: 07/1990 
Venue:  Orchestra Hall, Chicago 
Length: 23 Minutes 21 Secs. 
421.
Rhapsody in Blue by George Gershwin
Performer:  James Levine (Piano)
Conductor:  James Levine
Orchestra/Ensemble:  Chicago Symphony Orchestra
Period: 20th Century 
Written: 1924; USA 
Date of Recording: 07/1990 
Venue:  Orchestra Hall, Chicago 
Length: 16 Minutes 4 Secs. 
422.
Mass in C minor, K 427 (417a) "Great" by Wolfgang Amadeus Mozart
Performer:  Katy Bircher (Flute), Katharina Spreckelsen (Oboe), Timothy Robinson (Tenor),
Sally Jackson (Bassoon), Sarah Connolly (Soprano), Camilla Tilling (Soprano),
Neal Davies (Baritone)
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Consort,  Gabrieli Players
Period: Classical 
Written: 1782-1783; Vienna, Austria 
Date of Recording: 10/2004 
Venue:  Walthamstow Town Hall, England 
Length: 48 Minutes 54 Secs. 
423.
Berenice, che fai, H 24a no 10 by Franz Joseph Haydn
Performer:  Sarah Connolly (Soprano)
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Players
Period: Classical 
Written: 1795; London, England 
Date of Recording: 10/2004 
Venue:  Walthamstow Town Hall, England 
Length: 12 Minutes 25 Secs. 
Language: Italian 
424.
Ah, Perfido!, Op. 65 by Ludwig van Beethoven
Performer:  Camilla Tilling (Soprano)
Conductor:  Paul McCreesh
Orchestra/Ensemble:  Gabrieli Players
Period: Classical 
Written: 1795-1796; Vienna, Austria 
Date of Recording: 10/2004 
Venue:  Walthamstow Town Hall, England 
Length: 12 Minutes 30 Secs. 
Language: Italian 
425.
Viderunt omnes by Léonin
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 04/1975 
Venue:  Chapel, Charter House, Godalming, Surrey 
Length: 9 Minutes 14 Secs. 
Language: Latin 
426.
Viderunt omnes by Pérotin
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: circa 1200; France 
Date of Recording: 04/1975 
Venue:  Chapel, Charter House, Godalming, Surrey 
Length: 11 Minutes 55 Secs. 
Language: Latin 
427.
Alle psallite cum luya by Anonymous
Performer:  David Corkhill (Tabor)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 9 Secs. 
Language: Latin 
428.
Amor potest/Ad amorem by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 1 Secs. 
Language: Latin 
429.
S'on me regarde by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 2 Minutes 23 Secs. 
Language: French 
430.
In mari miserie by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 52 Secs. 
Language: Latin 
431.
O mitissima by Anonymous
Performer:  David Corkhill (Tabor)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 29 Secs. 
432.
In seculum d'Amiens longum by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
433.
Aucun ont trouvé by Petrus de Cruce
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 14 Secs. 
Language: French 
434.
De ma dame vient by Adam de la Halle
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 2 Minutes 26 Secs. 
Language: French 
435.
J'os bien a m'amie parler by Adam de la Halle
Performer:  David Munrow (Recorder)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 13th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 50 Secs. 
Language: French 
436.
La mesnie fauveline/J'ai fait nouveletement/Grant despit by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 17 Secs. 
Language: French 
437.
Impudenter circumivi by Philippe De Vitry
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: circa 1330; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 10 Secs. 
Language: Latin 
438.
Cum statua by Philippe De Vitry
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: circa 1330; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 2 Minutes 27 Secs. 
Language: Latin 
439.
Clap, par un matin by Anonymous
Performer:  Gillian Reid (Psaltery), James Tyler (Mandore), Christopher Hogwood (Harp)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 29 Secs. 
Language: French 
440.
Febus mundo Oriens-Lanista vipereus-Cornibus by Anonymous
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 31 Secs. 
Language: Latin 
441.
Qui es promesses de Fortune/Ha, Fortune! trop suis mis loing/Et non est qui adjuvet by Guillaume de Machaut
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 1 Minutes 56 Secs. 
442.
Lasse! comment oublieray/Se j'aim mon loyal/Pour quoy me bat mes maris? by Guillaume de Machaut
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 4 Minutes 6 Secs. 
Language: Latin 
443.
Inter densas - Imbribus irriguis by Anonymous
Performer:  James Tyler (Lute)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 17 Secs. 
Language: Latin 
444.
Hoquetus David by Guillaume de Machaut
Performer:  David Munrow (Shawm)
Conductor:  David Munrow
Orchestra/Ensemble:  Early Music Consort of London
Period: Medieval 
Written: 14th Century; France 
Date of Recording: 10/1975 
Venue:  Conway Hall, London, England 
Length: 3 Minutes 18 Secs. 
445.
Carmen Fantasy for Violin and Orchestra/Piano, Op. 25 by Pablo de Sarasate
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  James Levine
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: ?1883 
Date of Recording: 11/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 12 Minutes 38 Secs. 
446.
Berceuse for Violin and Piano in D major, Op. 16 by Gabriel Fauré
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  James Levine
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1878-1879; France 
Date of Recording: 11/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 4 Minutes 28 Secs. 
447.
Thaďs: Meditation by Jules Massenet
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  James Levine
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1894; France 
Date of Recording: 11/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 6 Minutes 42 Secs. 
448.
Tzigane for Violin and Orchestra by Maurice Ravel
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  James Levine
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: 20th Century 
Written: 1924; France 
Date of Recording: 11/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 10 Minutes 1 Secs. 
449.
Sonata for Violin and Basso Continuo in G minor, B g5 "Devil's Trill" by Giuseppe Tartini
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  James Levine
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Baroque 
Written: Italy 
Date of Recording: 11/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 16 Minutes 32 Secs. 
450.
Zigeunerweisen, Op. 20 by Pablo de Sarasate
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  James Levine
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1878 
Date of Recording: 11/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 8 Minutes 41 Secs. 
451.
Légende for Violin and Orchestra in G major, Op. 17 by Henri Wieniawski
Performer:  Anne-Sophie Mutter (Violin)
Conductor:  James Levine
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: circa 1860; St. Petersburg, Russ 
Date of Recording: 11/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 7 Minutes 41 Secs. 
452.
La Bohčme: O soave fanciulla by Giacomo Puccini
Performer:  Rolando Villazón (Tenor), Anna Netrebko (Soprano)
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1896; Italy 
Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 4 Minutes 10 Secs. 
453.
Lucia di Lammermoor: Sulla tomba che rinserra...Verranno a te by Gaetano Donizetti
Performer:  Rolando Villazón (Tenor), Anna Netrebko (Soprano)
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1835; Italy 
Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 12 Minutes 40 Secs. 
Language: Italian 
454.
Rigoletto: E' il sol dell' anima by Giuseppe Verdi
Performer:  Anna Netrebko (Soprano), Rolando Villazón (Tenor), Nadine Weissmann (Soprano),
Nicola Luisotti ()
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1851; Italy 
Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 8 Minutes 19 Secs. 
Language: Italian 
455.
Roméo et Juliette: Nuit d'hyménée by Charles Gounod
Performer:  Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1867; France 
Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 8 Minutes 5 Secs. 
Language: French 
456.
Les pęcheurs de perles: De mon amie, fleur endormie by Georges Bizet
Performer:  Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1863; France 
Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 9 Minutes 0 Secs. 
Language: French 
457.
Manon: Toi! Vous!...N'est ce plus ma main by Jules Massenet
Performer:  Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1883-1884; France 
Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 8 Minutes 5 Secs. 
Language: French 
458.
Iolanta, Op. 69: Wondrous firstling of creation by Peter Ilyich Tchaikovsky
Performer:  Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: Romantic 
Written: 1891; Russia 
Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 10 Minutes 3 Secs. 
Language: Russian 
459.
Luisa Fernanda: Cállate, corazón! Dučrmete y calla! by Federico Moreno-Torroba
Performer:  Anna Netrebko (Soprano), Rolando Villazón (Tenor)
Conductor:  Nicola Luisotti
Orchestra/Ensemble:  Dresden Staatskapelle
Period: 20th Century 
Written: 1932; Spain 
Date of Recording: 08/2006 
Venue:  Lukas Kirche, Dresden, Germany 
Length: 5 Minutes 28 Secs. 
Language: Spanish 
460.
Transcendental Etudes (12) for Piano, S 139 by Franz Liszt
Performer:  Alice Sara Ott (Piano)
Period: Romantic 
Written: 1851; Weimar, Germany 
461.
Die sieben Todsünden der Kleinbürger by Kurt Weill
Performer:  Christfried Biebrach (Baritone), Frédéric Martin (Bass), Karl-Heinz Lampe (Tenor),
James Sims (Tenor), Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1933; Germany 
Date of Recording: 09/1973 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 34 Minutes 12 Secs. 
Language: German 
462.
Lady in the Dark: My ship by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1940; USA 
Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 2 Minutes 42 Secs. 
Language: English 
463.
Lady in the Dark: One life to live by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano), Bengt Forsberg (Piano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1940; USA 
Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 3 Minutes 1 Secs. 
Language: English 
464.
Propaganda Songs (9): Buddy on the Nightshift by Kurt Weill
Performer:  Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century 
Written: 1942; USA 
Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 2 Minutes 9 Secs. 
Language: English 
465.
Nanna's Lied by Kurt Weill
Performer:  Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century 
Written: 1939; New York, USA 
Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 4 Minutes 2 Secs. 
Language: German 
466.
Happy End: Bilbao Song by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1929; Berlin, Germany 
Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 4 Minutes 27 Secs. 
Language: English 
467.
Happy End: Surabaya Johnny by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1929; Germany 
Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 6 Minutes 1 Secs. 
Language: English 
468.
Happy End: Das Lied von der harten Nuss by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1929; Berlin, Germany 
Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 1 Minutes 6 Secs. 
Language: German 
469.
Je ne t'aime pas by Kurt Weill
Performer:  Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century 
Written: 1934; France 
Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 4 Minutes 29 Secs. 
Language: French 
470.
Propaganda Songs (9): Schickelgruber by Kurt Weill
Performer:  Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century 
Written: 1942; USA 
Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 2 Minutes 51 Secs. 
Language: German 
471.
Der Abschiedsbrief by Kurt Weill
Performer:  Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
Period: 20th Century 
Written: 1933; Germany 
Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 3 Minutes 25 Secs. 
Language: German 
472.
One touch of Venus: Foolish heart by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1943; New York, USA 
Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 2 Minutes 28 Secs. 
Language: English 
473.
One touch of Venus: Speak Low by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1943; New York, USA 
Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 3 Minutes 59 Secs. 
Language: English 
474.
One touch of Venus: I'm a stranger here myself by Kurt Weill
Performer:  Anne Sofie von Otter (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  North German Radio Symphony Orchestra
Period: 20th Century 
Written: 1943; New York, USA 
Date of Recording: 09/1993 
Venue:  Friedrich-Ebert-Halle, Hamburg 
Length: 3 Minutes 13 Secs. 
Language: German 
475.
Brandenburg Concerto no 1 in F major, BWV 1046 by Johann Sebastian Bach
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: 1717; ?Cöthen, Germany 
476.
Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: 1717-1718; ?Cöthen, Germany 
477.
Brandenburg Concerto no 3 in G major, BWV 1048 by Johann Sebastian Bach
Conductor:  Trevor Pinnock
Orchestra/Ensemble:  English Concert
Period: Baroque 
Written: 1711-1713; ?Weimar, Germany 
478.
Concerto for Piano no 14 in E flat major, K 449 by Wolfgang Amadeus Mozart
Performer:  Maria-Joao Pires (Piano)
Conductor:  Claudio Abbado
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1784; Vienna, Austria 
Date of Recording: 03/1992 
Venue:  Grosser Saal, Musikverein, Vienna 
Length: 21 Minutes 28 Secs. 
479.
Concerto for Piano no 26 in D major, K 537 "Coronation" by Wolfgang Amadeus Mozart
Performer:  Maria-Joao Pires (Piano)
Conductor:  Claudio Abbado
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1788; Vienna, Austria 
Date of Recording: 04/1990 
Venue:  Live  Grosses Festespielhaus, Salzburg 
Length: 30 Minutes 22 Secs. 
480.
Pétrouchka: Three movements for Piano by Igor Stravinsky
Performer:  Maurizio Pollini (Piano)
Period: 20th Century 
Written: 1921; France 
Date of Recording: 09/1971 
Venue:  Herkules Saal, Residenz, Munich 
Length: 15 Minutes 19 Secs. 
481.
Sonata for Piano no 7 in B flat major, Op. 83 by Sergei Prokofiev
Performer:  Maurizio Pollini (Piano)
Period: 20th Century 
Written: 1939-1942; USSR 
Date of Recording: 09/1971 
Venue:  Herkules Saal, Residenz, Munich 
Length: 17 Minutes 1 Secs. 
482.
Variations for piano, Op. 27 by Anton Webern
Performer:  Maurizio Pollini (Piano)
Period: Modern 
Written: 1935-1936; Austria 
Date of Recording: 07/1976 
Venue:  Herkules Saal, Residenz, Munich 
Length: 6 Minutes 2 Secs. 
483.
Sonata for Piano no 2 by Pierre Boulez
Performer:  Maurizio Pollini (Piano)
Period: 20th Century 
Written: 1948 
Date of Recording: 07/1976 
Venue:  Herkules Saal, Residenz, Munich 
Length: 29 Minutes 35 Secs. 
484.
Die schöne Müllerin, D 795/Op. 25 by Franz Schubert
Performer:  Justus Zeyen (Piano), Thomas Quasthoff (Bass Baritone)
Period: Romantic 
Written: 1823; Vienna, Austria 
Date of Recording: 07/2005 
Venue:  Teldex Studio, Berlin, Germany 
Length: 61 Minutes 24 Secs. 
Language: German 
485.
Drumming by Steve Reich
Conductor:  Steve Reich
Orchestra/Ensemble:  Steve Reich and Musicians
Period: 20th Century 
Written: 1970-1971; USA 
486.
Six Pianos by Steve Reich
Orchestra/Ensemble:  Steve Reich and Musicians
Period: 20th Century 
Written: 1973; USA 
487.
Music for Mallet Instruments, Voices and Electric Organ by Steve Reich
Orchestra/Ensemble:  Steve Reich and Musicians
Period: 20th Century 
Written: 1973; USA 
488.
Sleeping Beauty Suite, Op. 66a by Peter Ilyich Tchaikovsky
Conductor:  Mstislav Rostropovich
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1889; Russia 
Date of Recording: 06/1978 
489.
Swan Lake Suite, Op. 20a by Peter Ilyich Tchaikovsky
Performer:  Leon Spierer (Violin), Eberhard Finke (Cello)
Conductor:  Mstislav Rostropovich
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1875-1876; Russia 
Date of Recording: 06/1978 
490.
Nutcracker Suite, Op. 71a by Peter Ilyich Tchaikovsky
Conductor:  Mstislav Rostropovich
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1892; Russia 
Date of Recording: 06/1978 
491.
Sonata concertata in A major, Op. 61/MS 2 by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: 1804; Italy 
Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 14 Minutes 14 Secs. 
492.
Sonatas (6) for Violin and Guitar, Op. 3: no 1 in A major by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: circa 1805 
Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 3 Minutes 18 Secs. 
493.
Sonatas (6) for Violin and Guitar, Op. 3: no 4 in A minor by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: circa 1805 
Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 4 Minutes 29 Secs. 
494.
Sonatas (6) for Violin and Guitar, Op. 3: no 6 in E minor by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: circa 1805 
Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 4 Minutes 24 Secs. 
495.
Sonata for Guitar in A major, MS 3 "Grande" by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 4 Minutes 28 Secs. 
496.
Centone di Sonate (18) for Violin and Guitar, Op. 64: no 2 in D major by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: after 1828 
Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 6 Minutes 57 Secs. 
497.
Centone di Sonate (18) for Violin and Guitar, Op. 64: no 4 in A major by Niccolň Paganini
Performer:  Gil Shaham (Violin), Göran Söllscher (Guitar)
Period: Romantic 
Written: after 1828 
Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 8 Minutes 30 Secs. 
498.
Cantabile for Violin and Piano in D major by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: ?1824 
Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 3 Minutes 43 Secs. 
499.
Introduction and Variations from Rossini's Mosč "Dal tuo stellato soglio" by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: ?1819 
Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 7 Minutes 12 Secs. 
500.
Moto perpetuo for Violin and Orchestra in C major, Op. 11 by Niccolň Paganini
Performer:  Göran Söllscher (Guitar), Gil Shaham (Violin)
Period: Romantic 
Written: 1835 
Date of Recording: 11/1992 
Venue:  Jesus Christus Kirche, Berlin 
Length: 3 Minutes 17 Secs. 
501.
Le nozze di Figaro, K 492: Non piů andrai farfallone amoroso by Wolfgang Amadeus Mozart
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 3 Minutes 54 Secs. 
Language: Italian 
502.
Don Giovanni, K 527: Deh vieni alla finestra [Serenade] by Wolfgang Amadeus Mozart
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Classical 
Written: 1787; Prague, Czech Republ 
Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 2 Minutes 7 Secs. 
Language: Italian 
503.
Don Giovanni, K 527: Madamina, il catalogo č questo by Wolfgang Amadeus Mozart
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Classical 
Written: 1787; Prague, Czech Republ 
Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 5 Minutes 35 Secs. 
Language: Italian 
504.
Cosě fan tutte, K 588: Rivolgete a lui lo sguardo by Wolfgang Amadeus Mozart
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Classical 
Written: 1790; Vienna, Austria 
Date of Recording: 09/1995 
Venue:  Manhattan Center, New York City 
Length: 4 Minutes 52 Secs. 
Language: Italian 
505.
Die Zauberflöte, K 620: Der Vogelfänger bin ich ja by Wolfgang Amadeus Mozart
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 09/1995 
Venue:  Manhattan Center, New York City 
Length: 2 Minutes 55 Secs. 
Language: German 
506.
Tannhäuser: O, du mein holder Abendstern by Richard Wagner
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1845/1861; Germany 
Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 5 Minutes 57 Secs. 
Language: German 
507.
Der fliegende Holländer: Die Frist ist um [Monologue] by Richard Wagner
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1841/1852; Germany 
Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 11 Minutes 54 Secs. 
Language: German 
508.
Les contes d'Hoffmann: Scintille diamant by Jacques Offenbach
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1881; Paris, France 
Date of Recording: 09/1995 
Venue:  Manhattan Center, New York City 
Length: 3 Minutes 46 Secs. 
Language: French 
509.
Faust: Vous qui faites l'endormie "Serenade" by Charles Gounod
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1859; France 
Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 3 Minutes 4 Secs. 
Language: French 
510.
Prince Igor: No sleep, no rest "Igor's Aria" by Alexander Borodin
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1869-1887; Russia 
Date of Recording: 09/1995 
Venue:  Manhattan Center, New York City 
Length: 8 Minutes 16 Secs. 
Language: Russian 
511.
Don Pasquale: Bella siccome un angelo by Gaetano Donizetti
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1843; Italy 
Date of Recording: 09/1995 
Venue:  Manhattan Center, New York City 
Length: 3 Minutes 0 Secs. 
Language: Italian 
512.
Macbeth: Perfidi! All'anglo...Pietŕ, rispetto, amore by Giuseppe Verdi
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1847/1865; Italy 
Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 5 Minutes 23 Secs. 
Language: Italian 
513.
Falstaff: L'onore! Ladri! "Ford's Monologue" by Giuseppe Verdi
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1893; Italy 
Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 4 Minutes 32 Secs. 
Language: Italian 
514.
La Cenerentola: Miei rampolli, miei rampolli femmini by Gioachino Rossini
Performer:  Bryn Terfel (Bass Baritone)
Conductor:  James Levine
Orchestra/Ensemble:  Metropolitan Opera Orchestra
Period: Romantic 
Written: 1817; Italy 
Date of Recording: 1994 
Venue:  Manhattan Center, New York City 
Length: 5 Minutes 36 Secs. 
Language: Italian 
515.
Etudes (6) for Piano, Book 1: no 4, Fanfares by György Ligeti
Performer:  Yuja Wang (Piano)
Period: 20th Century 
Written: 1985; Berlin, Germany 
516.
Etudes (8) for Piano, Book 2: no 10, Dar Zauberlehrling by György Ligeti
Performer:  Yuja Wang (Piano)
Period: 20th Century 
Written: 1988-1993 
517.
Sonata for Piano no 2 in B flat minor, B 128/Op. 35 "Funeral March" by Frédéric Chopin
Performer:  Yuja Wang (Piano)
Period: Romantic 
Written: 1837-1839; Paris, France 
518.
Sonata for Piano in B minor, S 178 by Franz Liszt
Performer:  Yuja Wang (Piano)
Period: Romantic 
Written: 1852-1853; Weimar, Germany 
519.
Sonata for Piano no 2 in G sharp minor, Op. 19 "Sonata fantasy" by Alexander Scriabin
Performer:  Yuja Wang (Piano)
Period: 20th Century 
Written: 1892-1897; Russia 
520.
Concierto de Aranjuez for Guitar by Joaquin Rodrigo
Performer:  Narciso Yepes (Guitar)
Conductor:  Luis Garcia-Navarro
Orchestra/Ensemble:  English Chamber Orchestra
Period: 20th Century 
Written: 1939; Spain 
521.
Fantasía para un gentilhombre by Joaquin Rodrigo
Performer:  Narciso Yepes (Guitar)
Conductor:  Luis Garcia-Navarro
Orchestra/Ensemble:  English Chamber Orchestra
Period: 20th Century 
Written: 1954; Spain 
522.
Ballade for Piano no 1 in G minor, B 66/Op. 23 by Frédéric Chopin
Performer:  Krystian Zimerman (Piano)
Period: Romantic 
Written: 1831-1835 
523.
Ballade for Piano no 2 in F major/a minor, B 102/Op. 38 by Frédéric Chopin
Performer:  Krystian Zimerman (Piano)
Period: Romantic 
Written: 1836-1839; Paris, France 
524.
Ballade for Piano no 3 in A flat major, B 136/Op. 47 by Frédéric Chopin
Performer:  Krystian Zimerman (Piano)
Period: Romantic 
Written: 1840-1841; Paris, France 
525.
Ballade for Piano no 4 in F minor, B 146/Op. 52 by Frédéric Chopin
Performer:  Krystian Zimerman (Piano)
Period: Romantic 
Written: 1842; Paris, France 
526.
Barcarolle for Piano in F sharp major, B 158/Op. 60 by Frédéric Chopin
Performer:  Krystian Zimerman (Piano)
Period: Romantic 
Written: 1845-1846; Paris, France 
527.
Fantasie for Piano in F minor/A flat major, B 137/Op. 49 by Frédéric Chopin
Performer:  Krystian Zimerman (Piano)
Period: Romantic 
Written: 1841; Paris, France 
528.
Rosamunde, D 797/Op. 26: no 1, Overture (D 644) by Franz Schubert
Conductor:  Wilhelm Furtwängler
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: 1823; Vienna, Austria 
529.
Symphony no 9 in C major, D 944 "Great" by Franz Schubert
Conductor:  Wilhelm Furtwängler
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Romantic 
Written: ?1825-28; Vienna, Austria 
530.
Phantasie for Piano in C major, Op. 17 by Robert Schumann
Performer:  Wilhelm Kempff (Piano)
Period: Romantic 
Written: 1836-1838; Germany 
531.
Variations and Fugue for Piano in B flat major on a theme by Handel, Op. 24 by Johannes Brahms
Performer:  Wilhelm Kempff (Piano)
Period: Romantic 
Written: 1861; Germany 
532.
Symphony no 6 in B minor, Op. 74 "Pathétique" by Peter Ilyich Tchaikovsky
Conductor:  Yevgeny Mravinsky
Orchestra/Ensemble:  Leningrad Philharmonic Orchestra
Period: Romantic 
Written: 1893; Russia 
533.
Sinfonias (4), Wq 183: no 1 in D major, H 663 by Carl Philipp Emmanuel Bach
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra
Period: Classical 
Written: 1775-1776; Hamburg, Germany 
534.
Sinfonias (4), Wq 183: no 2 in E flat major, H 664 by Carl Philipp Emmanuel Bach
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra
Period: Classical 
Written: 1775-1776; Hamburg, Germany 
535.
Sinfonias (4), Wq 183: no 3 in F major, H 665 by Carl Philipp Emmanuel Bach
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra
Period: Classical 
Written: 1775-1776; Hamburg, Germany 
536.
Sinfonias (4), Wq 183: no 4 in G major, H 666 by Carl Philipp Emmanuel Bach
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra
Period: Classical 
Written: 1775-1776; Hamburg, Germany 
537.
Idomeneo, K 366: Solitudini amiche...Zeffiretti lusinghieri by Wolfgang Amadeus Mozart
Performer:  Rita Streich (Soprano)
Conductor:  Arthur Rother
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Classical 
Written: 1781; Munich, Germany 
538.
Die Zauberflöte, K 620: Der Hölle Rache by Wolfgang Amadeus Mozart
Performer:  Rita Streich (Soprano)
Conductor:  Arthur Rother
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
539.
Semiramide: Bel raggio lusinghier by Gioachino Rossini
Performer:  Rita Streich (Soprano)
Conductor:  Arthur Rother
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Romantic 
Written: 1823; Italy 
540.
Don Pasquale: Quel guardo il cavaliere...So anch'io la virtů by Gaetano Donizetti
Performer:  Rita Streich (Soprano)
Conductor:  Fritz Lehmann
Orchestra/Ensemble:  Bavarian Radio Symphony Orchestra
Period: Romantic 
Written: 1843; Italy 
541.
Der Freischütz, J 277: Kommt ein schlanker Bursch "Polacca" by Carl Maria von Weber
Performer:  Rita Streich (Soprano)
Conductor:  Arthur Rother
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Romantic 
Written: 1817-1821; Dresden, Germany 
542.
Rigoletto: Caro nome by Giuseppe Verdi
Performer:  Rita Streich (Soprano)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Romantic 
Written: 1851; Italy 
543.
Un ballo in maschera: Volta la terrea by Giuseppe Verdi
Performer:  Rita Streich (Soprano)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Romantic 
Written: 1859; Italy 
544.
Un ballo in maschera: Saper vorreste di che si veste by Giuseppe Verdi
Performer:  Rita Streich (Soprano)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Romantic 
Written: 1859; Italy 
545.
I vespri siciliani: Mercč, dilette amiche "Bolero" by Giuseppe Verdi
Performer:  Rita Streich (Soprano)
Conductor:  Ernst Marzendorfer
Orchestra/Ensemble:  Berlin Radio Symphony Orchestra
Period: Romantic 
Written: 1855; Italy 
546.
Les Huguenots: Nobles seigneurs, salut! by Giacomo Meyerbeer
Performer:  Rita Streich (Soprano)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Berlin RIAS Symphony Orchestra
Period: Romantic 
Written: 1836; France 
547.
Mignon: Oui, pour ce soir je suis reine des fées by Ambroise Thomas
Performer:  Rita Streich (Soprano)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Munich Philharmonic Orchestra
Period: Romantic 
Written: 1866; France 
548.
La Bohčme: Quando m'en vo' soletta "Musetta's Waltz" by Giacomo Puccini
Performer:  Rita Streich (Soprano)
Conductor:  Ernst Marzendorfer
Orchestra/Ensemble:  Berlin Radio Symphony Orchestra
Period: Romantic 
Written: 1896; Italy 
549.
Marches (4) for Piano, Op. 76: no 2 in G minor by Robert Schumann
Performer:  Sviatoslav Richter (Piano)
Period: Romantic 
Written: 1849; Germany 
550.
Waldszenen, Op. 82 by Robert Schumann
Performer:  Sviatoslav Richter (Piano)
Period: Romantic 
Written: 1848-1849; Germany 
551.
Phantasiestücke (8) for Piano, Op. 12 by Robert Schumann
Performer:  Sviatoslav Richter (Piano)
Period: Romantic 
Written: 1837; Germany 
552.
Die Zauberflöte, K 620: O Isis und Osiris (Chorus) by Wolfgang Amadeus Mozart
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Classical 
Written: 1791; Vienna, Austria 
553.
Fidelio, Op. 72: O, welche Lust! by Ludwig van Beethoven
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Classical 
Written: 1805/1814; Vienna, Austria 
554.
Der Freischütz, J 277: Viktoria! Der Meister soll leben by Carl Maria von Weber
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1817-1821; Dresden, Germany 
555.
Der Freischütz, J 277: Was gleicht wohl auf Erden by Carl Maria von Weber
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1817-1821; Dresden, Germany 
556.
Tannhäuser: Freudig begrüssen "Entrance of the Guests" by Richard Wagner
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1845/1861; Germany 
557.
Nabucco: Va, pensiero by Giuseppe Verdi
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1842; Italy 
558.
I lombardi: O Signore, dal tetto natio by Giuseppe Verdi
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1843; Italy 
559.
Macbeth: Patria oppressa! by Giuseppe Verdi
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1847/1865; Italy 
560.
Il trovatore: Vedi! le fosche notturne "Anvil Chorus" by Giuseppe Verdi
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1853; Italy 
561.
Aida: Gloria all' Egitto by Giuseppe Verdi
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1871; Italy 
562.
Aida: Vieni, o guerriero vindice by Giuseppe Verdi
Conductor:  Giuseppe Sinopoli
Orchestra/Ensemble:  Berlin Deutsche Oper Orchestra,  Berlin Deutsche Oper Chorus
Period: Romantic 
Written: 1871; Italy 

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