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Purcell: Airs & Duets / Jeffrey Dooley, Howard Crook


Release Date: 09/24/1996 
Label:  Lyrichord   Catalog #: 8024   Spars Code: ADD 
Composer:  Henry PurcellJohannes OckeghemAnonymousPierre de La Rue,   ... 
Performer:  Jeffrey DooleyHoward CrookMary SpringfelsEdward Brewer,   ... 
Conductor:  Kevin MollFrederick RenzDenis StevensGwendolyn Toth
Orchestra/Ensemble:  Schola DiscantusNew York Ensemble for Early MusicIn Nomine Players,   ... 
Number of Discs: 2 
Recorded in: Stereo 
Length: 1 Hours 44 Mins. 

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Notes and Editorial Reviews

This release also includes a bonus Lyrichord Early Music sampler.
Includes credo(s) by Guillaume Dufay. Soloist: Joseph Iadone.
Includes duet(s) for 2 flute/recorders: excerpt(s) by Georg Philipp Telemann. Soloists: Kimberly Reighley, Tom Moore.
Includes saltarello(s) by Anonymous. Ensemble: New York Ensemble for Early Music. Conductor: Frederick Renz. Soloist: Glen Velez.
Includes volta(s) by Anonymous. Ensemble: Minstrelsy.
This release also includes a bonus Lyrichord Early Music sampler.
Includes credo(s) by Guillaume Dufay. Soloist: Joseph Iadone.
Includes duet(s) for 2 flute/recorders: excerpt(s) by Georg Philipp Telemann. Soloists: Kimberly Reighley, Tom Moore.
Includes saltarello(s) by Anonymous. Ensemble: New York Ensemble for Early Music. Conductor: Frederick Renz. Soloist: Glen Velez.
Includes volta(s) by Anonymous. Ensemble: Minstrelsy. Read less

Works on This Recording

1.
Fairy Queen, Z 629: Let the Fifes and the Clarions by Henry Purcell
Performer:  Jeffrey Dooley (Countertenor), Howard Crook (Tenor), Mary Springfels (Bass Viola da gamba),
Edward Brewer (Harpsichord)
Period: Baroque 
Written: 1692; England 
Language: English 
2.
Fairy Queen, Z 629: Hark! The echoing air by Henry Purcell
Performer:  Edward Brewer (Harpsichord), Mary Springfels (Bass Viola da gamba), Jeffrey Dooley (Countertenor)
Period: Baroque 
Written: 1692; England 
Notes: This selection is part of the Lyrichord free CD sampler which accompanies this CD. It is performed twice on this CD set. 
3.
Welcome to all the pleasures, Z 339 "Ode for St Cecilia's Day": Beauty, thou scene of love by Henry Purcell
Performer:  Jeffrey Dooley (Countertenor), Mary Springfels (Bass Viola da gamba), Edward Brewer (Harpsichord)
Period: Baroque 
Written: 1683; England 
4.
Hail, bright Cecilia, Z 328 "Ode on St Cecilia's Day": In vain the am'rous flute by Henry Purcell
Performer:  Howard Crook (Tenor), Mary Springfels (Bass Viola da gamba), Edward Brewer (Harpsichord),
David Carp (Recorder), Dennis Godburn (Recorder), Jeffrey Dooley (Countertenor)
Period: Baroque 
Written: 1692; England 
5.
Saccharissa's grown old, Z 507 by Henry Purcell
Performer:  Jeffrey Dooley (Countertenor), Howard Crook (Tenor)
Period: Baroque 
Written: 1686; England 
6.
Come, ye sons of art, away, Z 323: Sound the trumpet by Henry Purcell
Performer:  Jeffrey Dooley (Countertenor), Howard Crook (Tenor), Mary Springfels (Bass Viola da gamba),
Edward Brewer (Harpsichord)
Period: Baroque 
Written: 1694; England 
7.
Lord, what is man?, Z 192 by Henry Purcell
Performer:  Jeffrey Dooley (Countertenor), Mary Springfels (Bass Viola da gamba), Edward Brewer (Harpsichord)
Period: Baroque 
Written: by 1693; England 
8.
Love's goddess sure was blind, Z 331: Sweetness of nature by Henry Purcell
Performer:  Edward Brewer (Harpsichord), Mary Springfels (Bass Viola da gamba), Jeffrey Dooley (Countertenor)
Period: Baroque 
Written: 1692; England 
9.
Fly, bold rebellion, Z 324: Be welcome then, great sir by Henry Purcell
Performer:  Edward Brewer (Harpsichord), Mary Springfels (Bass Viola da gamba), Jeffrey Dooley (Countertenor)
Period: Baroque 
Written: 1683; England 
10.
Lovely Albina's come ashore, Z 394 by Henry Purcell
Performer:  Mary Springfels (Bass Viola da gamba), Howard Crook (Tenor), Edward Brewer (Harpsichord)
Period: Baroque 
Written: England 
11.
Fairy Queen, Z 629: One charming night by Henry Purcell
Performer:  David Carp (Recorder), Edward Brewer (Harpsichord), Mary Springfels (Bass Viola da gamba),
Jeffrey Dooley (Countertenor), Dennis Godburn (Recorder)
Period: Baroque 
Written: 1692; England 
12.
Love's goddess sure was blind, Z 331: Many, many such days by Henry Purcell
Performer:  Mary Springfels (Bass Viola da gamba), Howard Crook (Tenor), Edward Brewer (Harpsichord)
Period: Baroque 
Written: 1692; England 
Language: English 
13.
If ever I more riches did desire, Z 544: Here let my life by Henry Purcell
Performer:  Howard Crook (Tenor), Daniel Reed (Violin), Louise Shulman (Violin),
Edward Brewer (Harpsichord), Mary Springfels (Bass Viola da gamba)
Period: Baroque 
Written: 1687; England 
14.
If music be the food of love, Z 379 by Henry Purcell
Performer:  Howard Crook (Tenor), Mary Springfels (Bass Viola da gamba), Edward Brewer (Harpsichord)
Period: Baroque 
Written: 1692-1695; England 
15.
If ever I more riches did desire, Z 544: Me, O Ye Gods by Henry Purcell
Performer:  Mary Springfels (Bass Viola da gamba), Howard Crook (Tenor), Jeffrey Dooley (Countertenor),
Edward Brewer (Harpsichord)
Period: Baroque 
Written: 1687; England 
16.
Arise, my Muse, Z 320: Hail, gracious Glorianna, hail! by Henry Purcell
Performer:  David Carp (Recorder), Edward Brewer (Harpsichord), Mary Springfels (Bass Viola da gamba),
Howard Crook (Tenor), Jeffrey Dooley (Countertenor), Dennis Godburn (Recorder),
Louise Shulman (Violin), Daniel Reed (Violin)
Period: Baroque 
Written: 1690; England 
Language: English 
17.
Missa "Sine Nomine": Kyrie by Johannes Ockeghem
Performer:  Perry Cook (Baritone), Mark DeWitt (Tenor), Alan Baker (Tenor),
Melanie Frost (Soprano), Noël Bisson (Treble), Jonathan Biran (Treble),
Kevin Moll (Baritone), Doug Wyatt (Baritone)
Conductor:  Kevin Moll
Orchestra/Ensemble:  Schola Discantus
Period: Renaissance 
Written: 15th Century; Flanders, Belgium 
18.
Trotto by Anonymous
Performer:  Glen Velez (Percussion)
Conductor:  Frederick Renz
Orchestra/Ensemble:  New York Ensemble for Early Music
Period: Renaissance 
Written: 14th Century; Italy 
Notes: This selection shares a track and timing with "Saltarello(s)." 
19.
Missa "Ave sanctissima Maria": Sanctus by Pierre de La Rue
Conductor:  Kevin Moll
Orchestra/Ensemble:  Schola Discantus
Period: Renaissance 
Written: Netherlands (Holland 
20.
Kyrie by Defronciaco
Conductor:  Kevin Moll
Orchestra/Ensemble:  Schola Discantus
Period: Medieval 
Written: 14th Century; France 
21.
Third and Last Booke of Songes or Aires: no 15, Weep you no more, sad fountains by John Dowland
Performer:  Joseph Iadone (Lute), Russell Oberlin (Countertenor)
Period: Renaissance 
Written: 1603; England 
22.
What pleasure have great princes? by William Byrd
Performer:  Russell Oberlin (Countertenor)
Conductor:  Denis Stevens
Orchestra/Ensemble:  In Nomine Players
Period: Renaissance 
Written: by 1588; England 
23.
L'Orfeo: Toccata by Claudio Monteverdi
Conductor:  Gwendolyn Toth
Orchestra/Ensemble:  Artek
Period: Baroque 
Written: 1607; Mantua, Italy 
24.
L'Orfeo: Lasciate i monti by Claudio Monteverdi
Performer:  Paul Shipper (Baritone), Michael Brown (Tenor), Timothy Leigh Evans (Tenor),
Jennifer Lane (Mezzo Soprano)
Conductor:  Gwendolyn Toth
Orchestra/Ensemble:  Artek
Period: Baroque 
Written: 1607; Mantua, Italy 
25.
L'Orfeo: Rosa del ciel by Claudio Monteverdi
Performer:  Jeffrey Thomas (Tenor)
Conductor:  Gwendolyn Toth
Orchestra/Ensemble:  Artek
Period: Baroque 
Written: 1607; Mantua, Italy 
26.
L'Orfeo: Ritornello by Claudio Monteverdi
Performer:  Jeffrey Thomas (Tenor)
Conductor:  Gwendolyn Toth
Orchestra/Ensemble:  Artek
Period: Baroque 
Written: 1607; Mantua, Italy 
27.
Mensa Sonora: Chaconna(s) by Heinrich Ignaz Biber
Orchestra/Ensemble:  La Follia Salzburg
Period: Baroque 
Written: by 1683; Salzburg, Austria 
28.
Cantigas de Santa María: no 36, Muit'amaar deumeos en nossas by Alfons X (El Sabio)
Performer:  Russell Oberlin (Countertenor), Joseph Iadone (Lute)
Period: Medieval 
Written: 13th Century; Spain 

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