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Brecht-Weill: Songs / Gisela May


Release Date: 04/16/1995 
Label:  Capriccio Records   Catalog #: 10180   Spars Code: DDD 
Composer:  Kurt Weill
Performer:  Gisela MayWolfgang DerschHorst DittmannManfred Schmieder,   ... 
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Number of Discs: 1 
Recorded in: Stereo 
Length: 0 Hours 55 Mins. 

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Works on This Recording

1.
Happy End: Was die Herren Matrosen sagen by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1929; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 6 Minutes 41 Secs. 
Language: German 
2.
Happy End: Bilbao Song by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1929; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 5 Minutes 8 Secs. 
Language: German 
3.
Happy End: Der Song von Mandalay by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1929; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 2 Minutes 33 Secs. 
Language: German 
4.
Happy End: Surabaya Johnny by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1929; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 4 Minutes 16 Secs. 
Language: German 
5.
Happy End: Die Ballade von der Höllen-Lili by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1929; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 2 Minutes 39 Secs. 
Language: German 
6.
Das Berliner Requiem: Zu Potsdam unter den Eichen by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1929; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 2 Minutes 14 Secs. 
Language: German 
7.
Das Berliner Requiem: Vom ertrunkenen Mädchen by Kurt Weill
Performer:  Wolfgang Dersch (Bass), Horst Dittmann (Baritone), Manfred Schmieder (Bass),
Werner Eberhardt (Baritone), Gisela May (Voice), Siegfried Lotz (Double Bass),
Gundula Sonsalla (Guitar)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1928; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 2 Minutes 22 Secs. 
Language: German 
8.
Die Dreigroschenoper: Die Moritat von Mackie Messer "Mack the knife" by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1928; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 2 Minutes 29 Secs. 
Language: German 
9.
Die Dreigroschenoper: Seerauber-Jenny by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1928; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 3 Minutes 46 Secs. 
Language: German 
10.
Die Dreigroschenoper: Lied von der Unzulänglichkeit menschlichen Strebens by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1928; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 1 Minutes 47 Secs. 
Language: German 
11.
Die Dreigroschenoper: Barbara Song by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1928; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 4 Minutes 58 Secs. 
Language: German 
12.
Die Dreigroschenoper: Ballad von der sexuellen Hörigkeit by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1928; Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 2 Minutes 34 Secs. 
Language: German 
13.
Die Dreigroschenoper: Salomon Song by Kurt Weill
Performer:  Gisela May (Voice), Milan Samko (Harmonium)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1928; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 3 Minutes 23 Secs. 
Language: German 
14.
Aufstieg und Fall der Stadt Mahagonny: Meine Herren, meine Mutter prägte...Denn wie Man sich bettet by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1928; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 3 Minutes 40 Secs. 
Language: German 
15.
Aufstieg und Fall der Stadt Mahagonny: Ach bedenken sie, Herr Jakob Schmidt "Havanna Song" by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1928; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 1 Minutes 39 Secs. 
Language: German 
16.
Aufstieg und Fall der Stadt Mahagonny: Alabama Song by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1928; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 3 Minutes 45 Secs. 
Language: German 
17.
Happy End: Das Lied von der harten Nuss by Kurt Weill
Performer:  Gisela May (Voice)
Conductor:  Henry Krtschil
Orchestra/Ensemble:  Orchestra
Period: 20th Century 
Written: 1929; Berlin, Germany 
Date of Recording: 1987 
Venue:  Studio Reichstagufer, Berlin, Germany 
Length: 1 Minutes 9 Secs. 
Language: German 

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