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| Song Of Songs - Palestrina, Gombert, Lassus, Victoria / Stile Antico | |||||
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Release Date: 04/14/2009 Label: Harmonia Mundi Catalog #: 807489 Spars Code: n/a Composer: Jacobus Clemens non Papa, Giovanni Palestrina, Anonymous, Francisc Guerrero, Nicolas Gombert, Orlando de Lassus, Tomás Luis de Victoria, Jean Lhéritier, Rodrigo de Ceballos, Sebastian de Vivanco Performer: Benedict Hymas, Alison Hill Orchestra/Ensemble: Stile Antico
Number of Discs: 1 |
List Price: $23.98 SuperAudio CD $17.99 In Stock On sale! |
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| Notes & Reviews | Back to Top | ||||
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You get a good feeling listening to this recording: good energy, good sound, good music, good sense of style and of the music's underlying emotional and spiritual context. What more is there to say, except "Happy listening!"
Lhéritier is one of those undeservingly lesser-known compositional voices (although happily the Nigra sum recorded here can be found online in the Choral Public Domain Library, minus the abundant, juicy cross-relations Stile Antico provides in its performance!). His style will remind experienced listeners of Gombert (who was a close contemporary and whose marvelous Quam pulchra es is included), from its endlessly flowing, cadence-averse polyphony and heart-penetrating melodic themes right down to the open-fifth ending. The program intersperses the primary choral works with pertinent plainchant settings of Song of Songs texts--a sensible idea both for variety and for calling attention to the relationship between formal church liturgy and composers' more elaborate (sometimes more "worldly") interpretations of these popular passages. The plainchants, each lasting less than a minute, also serve as a nice contrast to the longer motets, the most impressive of which must be Victoria's huge (10-plus-minute) Vadam et circuibo, recorded many times by others but never better than here. You get a good feeling listening to this recording: good energy, good sound, good music, good sense of style and of the music's underlying emotional and spiritual context. What more is there to say, except "Happy listening!" --David Vernier, ClassicsToday.com This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
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| Works on This Recording | Back to Top | ||||
| 1. |
Ego flos campi by Jacobus Clemens non Papa | ||||
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Performer:
Benedict Hymas (Tenor),
Alison Hill (Soprano)
Orchestra/Ensemble: Stile Antico Period: Renaissance Written: by 1555; Netherlands (Holland |
Length: 6 Minutes 5 Secs. |
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| 2. |
Osculetur me osculo oris sui by Giovanni Palestrina | ||||
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Performer:
Benedict Hymas (Tenor)
Orchestra/Ensemble: Stile Antico Period: Renaissance Written: by 1854; Italy |
Length: 3 Minutes 23 Secs. |
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| 3. |
Cum esset Rex by Anonymous | ||||
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Orchestra/Ensemble:
Stile Antico
Period: Medieval |
Length: 0 Minutes 43 Secs. |
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| 4. |
Surge propera amica mea by Francisc Guerrero | ||||
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Performer:
Alison Hill (Soprano),
Benedict Hymas (Tenor)
Orchestra/Ensemble: Stile Antico Period: Renaissance Written: 16th Century; Spain |
Length: 6 Minutes 7 Secs. |
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| 5. |
Quam pulchra es by Nicolas Gombert | ||||
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Performer:
Benedict Hymas (Tenor)
Orchestra/Ensemble: Stile Antico Period: Renaissance Written: 16th Century; Flanders, Belgium |
Length: 6 Minutes 10 Secs. |
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| 6. |
Nigra sum by Anonymous | ||||
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Orchestra/Ensemble:
Stile Antico
Period: Medieval |
Length: 0 Minutes 40 Secs. |
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| 7. |
Veni dilecte mi by Orlando de Lassus | ||||
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Orchestra/Ensemble:
Stile Antico
Period: Renaissance Written: by 1571; Munich, Germany |
Length: 4 Minutes 19 Secs. |
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| 8. |
Vadam et circuibo by Tomás Luis de Victoria | ||||
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Performer:
Benedict Hymas (Tenor)
Orchestra/Ensemble: Stile Antico Period: Renaissance |
Length: 10 Minutes 41 Secs. |
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| 9. |
Tota pulchra es by Anonymous | ||||
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Orchestra/Ensemble:
Stile Antico
Period: Medieval |
Length: 2 Minutes 40 Secs. |
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| 10. |
Ego flos campi by Francisc Guerrero | ||||
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Orchestra/Ensemble:
Stile Antico
Period: Renaissance Written: 1589; Spain |
Length: 3 Minutes 17 Secs. |
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| 11. |
Nigra sum by Jean Lhéritier | ||||
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Performer:
Benedict Hymas (Tenor)
Orchestra/Ensemble: Stile Antico Period: Renaissance Written: 16th Century; France |
Length: 5 Minutes 33 Secs. |
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| 12. |
Laeva ejus sub capite meo by Anonymous | ||||
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Orchestra/Ensemble:
Stile Antico
Period: Medieval |
Length: 0 Minutes 37 Secs. |
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| 13. |
Hortus conclusus by Rodrigo de Ceballos | ||||
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Orchestra/Ensemble:
Stile Antico
Period: Renaissance Written: Spain |
Length: 5 Minutes 32 Secs. |
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| 14. |
Nigra sum sed formosa by Giovanni Palestrina | ||||
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Orchestra/Ensemble:
Stile Antico
Period: Renaissance Written: by 1584; Italy |
Length: 3 Minutes 57 Secs. |
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| 15. |
Speciosa facta es by Anonymous | ||||
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Orchestra/Ensemble:
Stile Antico
Period: Medieval |
Length: 0 Minutes 42 Secs. |
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| 16. |
Veni dilecte mi by Sebastian de Vivanco | ||||
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Orchestra/Ensemble:
Stile Antico
Period: Renaissance Written: Spain |
Length: 4 Minutes 21 Secs. |
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| 17. |
Trahe me post te, Virgo Maria by Francisc Guerrero | ||||
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Orchestra/Ensemble:
Stile Antico
Period: Renaissance Written: 16th Century; Spain |
Length: 5 Minutes 15 Secs. |
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| 18. |
Jam hiems transiit by Anonymous | ||||
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Orchestra/Ensemble:
Stile Antico
Period: Medieval |
Length: 0 Minutes 48 Secs. |
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| 19. |
Vidi speciosam by Tomás Luis de Victoria | ||||
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Performer:
Alison Hill (Soprano),
Benedict Hymas (Tenor)
Orchestra/Ensemble: Stile Antico Period: Renaissance Written: by 1572; Spain |
Length: 6 Minutes 38 Secs. |
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| Sound Samples | Back to Top | ||||
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