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Alpine Airs - Music Of Switzerland 13th-16th Centuries


Release Date: 07/16/2008 
Label:  Folger Consort   Catalog #: 5637300083   Spars Code: DDD 
Composer:  TraditionalRudolf von FenisNeidhart von ReuenthalGeorg Rhau,   ... 
Performer:  Tom ZajacChristopher KendallScott ReissRobert Eisenstein,   ... 
Orchestra/Ensemble:  Folger Consort
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 5 Mins. 

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Works on This Recording

1. Ranz des Vaches by Traditional
Performer:  Tom Zajac (Bagpipe)
Orchestra/Ensemble:  Folger Consort
Written: Switzerland 
2. Veni tote a la montagne by Traditional
Performer:  Christopher Kendall (Harp), Scott Reiss (Recorder), Scott Reiss (Dulcimer),
Robert Eisenstein (Violin), Christopher Kendall (Lute), Christopher Kendall (Citole),
Tina Chancey (Recorder), Robert Eisenstein (Recorder), Robert Eisenstein (Viola da gamba),
Tom Zajac (Harp), Tom Zajac (Recorder), Tom Zajac (Hurdy-gurdy),
Tom Zajac (Trombone), Tom Zajac (Bagpipe), Scott Reiss (Percussion),
Tina Chancey (Viola da gamba), Tina Chancey (Violin)
Orchestra/Ensemble:  Folger Consort
3. Por lo bin fitâ by Traditional
Performer:  Tom Zajac (Bagpipe)
Orchestra/Ensemble:  Folger Consort
Written: Switzerland 
4. L'yavait on yadz' by Traditional
Performer:  Tom Zajac (Bagpipe), Tom Zajac (Trombone), Tom Zajac (Hurdy-gurdy),
Tom Zajac (Harp), Tom Zajac (Recorder), Scott Reiss (Recorder),
Christopher Kendall (Harp), Christopher Kendall (Citole), Christopher Kendall (Lute),
Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba), Robert Eisenstein (Recorder),
Tina Chancey (Recorder), Tina Chancey (Viola da gamba), Tina Chancey (Violin),
Mark Bleeke (Tenor), Scott Reiss (Percussion), Scott Reiss (Dulcimer)
Orchestra/Ensemble:  Folger Consort
Written: Switzerland 
5. Célébrons en rond by Traditional
Performer:  Mark Bleeke (Tenor), Tom Zajac (Harp), Tom Zajac (Recorder),
Tom Zajac (Hurdy-gurdy), Tom Zajac (Trombone), Tom Zajac (Bagpipe),
Scott Reiss (Percussion), Scott Reiss (Dulcimer), Scott Reiss (Recorder),
Christopher Kendall (Harp), Christopher Kendall (Citole), Christopher Kendall (Lute),
Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba), Robert Eisenstein (Recorder),
Tina Chancey (Recorder), Tina Chancey (Violin), Tina Chancey (Viola da gamba)
Orchestra/Ensemble:  Folger Consort
Written: Switzerland 
6. Minne gebiutet mir by Rudolf von Fenis
Performer:  Tom Zajac (Hurdy-gurdy), Tom Zajac (Trombone), Tom Zajac (Bagpipe),
Scott Reiss (Percussion), Scott Reiss (Dulcimer), Scott Reiss (Recorder),
Christopher Kendall (Harp), Christopher Kendall (Citole), Christopher Kendall (Lute),
Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba), Robert Eisenstein (Recorder),
Tina Chancey (Recorder), Tina Chancey (Viola da gamba), Tina Chancey (Violin),
Tom Zajac (Recorder), Tom Zajac (Harp), Mark Bleeke (Tenor)
Orchestra/Ensemble:  Folger Consort
Period: Medieval 
Written: 12th Century 
7. Blozen wir den anger ligen sahen by Neidhart von Reuenthal
Performer:  Tom Zajac (Bagpipe), Scott Reiss (Percussion), Scott Reiss (Dulcimer),
Scott Reiss (Recorder), Christopher Kendall (Harp), Christopher Kendall (Citole),
Christopher Kendall (Lute), Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba),
Robert Eisenstein (Recorder), Tina Chancey (Recorder), Tina Chancey (Viola da gamba),
Tina Chancey (Violin), Tom Zajac (Trombone), Tom Zajac (Hurdy-gurdy),
Tom Zajac (Recorder), Tom Zajac (Harp)
Orchestra/Ensemble:  Folger Consort
Period: Medieval  
Written: Germany 
Notes: This selection is part of a medley which also incorporates 'Owê dirre nôt' and 'Der erste Atzeton.' 
8. Owê dirre nôt! by Neidhart von Reuenthal
Performer:  Tom Zajac (Trombone), Tom Zajac (Bagpipe), Scott Reiss (Percussion),
Scott Reiss (Dulcimer), Scott Reiss (Recorder), Christopher Kendall (Harp),
Christopher Kendall (Citole), Christopher Kendall (Lute), Robert Eisenstein (Violin),
Robert Eisenstein (Viola da gamba), Robert Eisenstein (Recorder), Tina Chancey (Recorder),
Tina Chancey (Viola da gamba), Tina Chancey (Violin), Tom Zajac (Hurdy-gurdy),
Tom Zajac (Recorder), Tom Zajac (Harp)
Orchestra/Ensemble:  Folger Consort
Period: Medieval 
Written: 13th Century; Germany 
Notes: This selection is part of a medley which also incorporates 'Blozen wir' and 'Der erste Atzeton.' 
9. Der erste Atzeton by Neidhart von Reuenthal
Performer:  Tom Zajac (Recorder), Tom Zajac (Hurdy-gurdy), Tom Zajac (Trombone),
Tom Zajac (Bagpipe), Scott Reiss (Percussion), Scott Reiss (Dulcimer),
Scott Reiss (Recorder), Christopher Kendall (Harp), Christopher Kendall (Citole),
Christopher Kendall (Lute), Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba),
Robert Eisenstein (Recorder), Tina Chancey (Recorder), Tina Chancey (Viola da gamba),
Tina Chancey (Violin), Tom Zajac (Harp)
Orchestra/Ensemble:  Folger Consort
Period: Medieval 
Written: 12th Century 
Notes: This selection is part of a medley which also incorporates 'Blozen wir' and 'Owê dirre nôt.' 
10. Gewan ich ze minnen ie guoten wân by Rudolf von Fenis
Performer:  Tom Zajac (Hurdy-gurdy), Tom Zajac (Trombone), Tom Zajac (Bagpipe),
Scott Reiss (Percussion), Scott Reiss (Dulcimer), Scott Reiss (Recorder),
Christopher Kendall (Harp), Christopher Kendall (Citole), Christopher Kendall (Lute),
Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba), Robert Eisenstein (Recorder),
Tina Chancey (Recorder), Tina Chancey (Viola da gamba), Tina Chancey (Violin),
Tom Zajac (Recorder), Tom Zajac (Harp), Mark Bleeke (Tenor)
Orchestra/Ensemble:  Folger Consort
Period: Medieval 
Written: 12th Century; Germany 
11. Der Appenzeller Jureyen by Georg Rhau
Performer:  Tom Zajac (Bagpipe), Scott Reiss (Percussion), Scott Reiss (Dulcimer),
Scott Reiss (Recorder), Christopher Kendall (Harp), Christopher Kendall (Citole),
Christopher Kendall (Lute), Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba),
Robert Eisenstein (Recorder), Tina Chancey (Recorder), Tina Chancey (Viola da gamba),
Tina Chancey (Violin), Tom Zajac (Trombone), Tom Zajac (Hurdy-gurdy),
Tom Zajac (Recorder), Tom Zajac (Harp)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: circa 1540 
12. Elslin, liebes Elselin min by Sixt Dietrich
Performer:  Tom Zajac (Hurdy-gurdy), Tom Zajac (Trombone), Tom Zajac (Bagpipe),
Scott Reiss (Percussion), Scott Reiss (Dulcimer), Scott Reiss (Recorder),
Christopher Kendall (Harp), Christopher Kendall (Citole), Christopher Kendall (Lute),
Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba), Robert Eisenstein (Recorder),
Tina Chancey (Recorder), Tina Chancey (Viola da gamba), Tina Chancey (Violin),
Tom Zajac (Recorder), Tom Zajac (Harp), Mark Bleeke (Tenor)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: 16th Century 
13. Omnes sitientes venite ad aquas by Sixt Dietrich
Performer:  Robert Eisenstein (Viola da gamba), Tina Chancey (Viola da gamba)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: 16th Century 
14. Sede a dextris by Sixt Dietrich
Performer:  Tom Zajac (Hurdy-gurdy), Tom Zajac (Trombone), Tom Zajac (Bagpipe),
Scott Reiss (Percussion), Scott Reiss (Dulcimer), Scott Reiss (Recorder),
Christopher Kendall (Harp), Christopher Kendall (Citole), Christopher Kendall (Lute),
Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba), Robert Eisenstein (Recorder),
Tina Chancey (Recorder), Tina Chancey (Viola da gamba), Tina Chancey (Violin),
Tom Zajac (Recorder), Tom Zajac (Harp), Mark Bleeke (Tenor)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: 16th Century 
15. Fidelia omnia mandata ejus by Sixt Dietrich
Performer:  Tom Zajac (Hurdy-gurdy), Tom Zajac (Trombone), Tom Zajac (Bagpipe),
Scott Reiss (Percussion), Scott Reiss (Dulcimer), Scott Reiss (Recorder),
Christopher Kendall (Harp), Christopher Kendall (Citole), Christopher Kendall (Lute),
Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba), Robert Eisenstein (Recorder),
Tina Chancey (Recorder), Tina Chancey (Viola da gamba), Tina Chancey (Violin),
Tom Zajac (Recorder), Tom Zajac (Harp), Mark Bleeke (Tenor)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: 16th Century 
16. Buvons, ma comere by Benedictus Appenzeller
Performer:  Tom Zajac (Trombone), Tom Zajac (Bagpipe), Scott Reiss (Percussion),
Scott Reiss (Dulcimer), Scott Reiss (Recorder), Christopher Kendall (Harp),
Christopher Kendall (Citole), Christopher Kendall (Lute), Robert Eisenstein (Violin),
Robert Eisenstein (Viola da gamba), Robert Eisenstein (Recorder), Tina Chancey (Recorder),
Tina Chancey (Viola da gamba), Tina Chancey (Violin), Tom Zajac (Hurdy-gurdy),
Tom Zajac (Recorder), Tom Zajac (Harp), Mark Bleeke (Tenor)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: by 1542; Netherlands (Holland 
17. Le printemps faict florir by Benedictus Appenzeller
Performer:  Tom Zajac (Bagpipe), Scott Reiss (Percussion), Scott Reiss (Dulcimer),
Scott Reiss (Recorder), Christopher Kendall (Harp), Christopher Kendall (Citole),
Christopher Kendall (Lute), Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba),
Robert Eisenstein (Recorder), Tina Chancey (Recorder), Tina Chancey (Viola da gamba),
Tina Chancey (Violin), Tom Zajac (Trombone), Tom Zajac (Hurdy-gurdy),
Tom Zajac (Recorder), Tom Zajac (Harp)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: by 1542; Netherlands (Holland 
18. Morir d'aymer a dame si jolye by Benedictus Appenzeller
Performer:  Tom Zajac (Recorder), Tom Zajac (Hurdy-gurdy), Tom Zajac (Trombone),
Tom Zajac (Bagpipe), Scott Reiss (Percussion), Scott Reiss (Dulcimer),
Scott Reiss (Recorder), Christopher Kendall (Harp), Christopher Kendall (Citole),
Christopher Kendall (Lute), Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba),
Robert Eisenstein (Recorder), Tina Chancey (Recorder), Tina Chancey (Viola da gamba),
Tina Chancey (Violin), Tom Zajac (Harp)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: by 1542; Netherlands (Holland 
19. Gentilz galans, compaignons du raisin by Benedictus Appenzeller
Performer:  Tom Zajac (Hurdy-gurdy), Tom Zajac (Trombone), Tom Zajac (Bagpipe),
Scott Reiss (Percussion), Scott Reiss (Dulcimer), Scott Reiss (Recorder),
Christopher Kendall (Harp), Christopher Kendall (Citole), Christopher Kendall (Lute),
Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba), Robert Eisenstein (Recorder),
Tina Chancey (Recorder), Tina Chancey (Viola da gamba), Tina Chancey (Violin),
Tom Zajac (Recorder), Tom Zajac (Harp), Mark Bleeke (Tenor)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: by 1542; Netherlands (Holland 
20. Im Maien by Ludwig Senfl
Performer:  Tom Zajac (Recorder), Tom Zajac (Hurdy-gurdy), Tom Zajac (Trombone),
Tom Zajac (Bagpipe), Scott Reiss (Percussion), Scott Reiss (Dulcimer),
Scott Reiss (Recorder), Christopher Kendall (Harp), Christopher Kendall (Citole),
Christopher Kendall (Lute), Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba),
Robert Eisenstein (Recorder), Tina Chancey (Recorder), Tina Chancey (Viola da gamba),
Tina Chancey (Violin), Tom Zajac (Harp), Mark Bleeke (Tenor)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: 16th Century; Germany 
21. Das Lang by Ludwig Senfl
Performer:  Christopher Kendall (Citole), Christopher Kendall (Lute), Tom Zajac (Recorder),
Tom Zajac (Trombone), Robert Eisenstein (Recorder), Robert Eisenstein (Viola da gamba),
Robert Eisenstein (Violin), Christopher Kendall (Harp), Scott Reiss (Percussion),
Scott Reiss (Dulcimer), Scott Reiss (Recorder), Tom Zajac (Bagpipe),
Tina Chancey (Recorder), Tina Chancey (Viola da gamba), Tina Chancey (Violin),
Tom Zajac (Harp), Tom Zajac (Hurdy-gurdy)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: 16th Century 
22. Ich weiss ein' stolze Müllerin by Ludwig Senfl
Performer:  Tina Chancey (Recorder), Robert Eisenstein (Recorder), Christopher Kendall (Harp),
Christopher Kendall (Citole), Tina Chancey (Violin), Tina Chancey (Viola da gamba),
Robert Eisenstein (Violin), Christopher Kendall (Lute), Tom Zajac (Bagpipe),
Mark Bleeke (Tenor), Tom Zajac (Harp), Tom Zajac (Recorder),
Tom Zajac (Hurdy-gurdy), Tom Zajac (Trombone), Robert Eisenstein (Viola da gamba),
Scott Reiss (Dulcimer), Scott Reiss (Recorder), Scott Reiss (Percussion)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: 16th Century 
23. Es taget vor dem Walde by Ludwig Senfl
Performer:  Tina Chancey (Violin), Tina Chancey (Viola da gamba), Tina Chancey (Recorder),
Robert Eisenstein (Recorder), Robert Eisenstein (Viola da gamba), Robert Eisenstein (Violin),
Christopher Kendall (Lute), Christopher Kendall (Citole), Christopher Kendall (Harp),
Scott Reiss (Recorder), Scott Reiss (Dulcimer), Scott Reiss (Percussion),
Tom Zajac (Bagpipe), Tom Zajac (Trombone), Tom Zajac (Hurdy-gurdy),
Tom Zajac (Recorder), Tom Zajac (Harp), Mark Bleeke (Tenor)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: 16th Century; Germany 
24. Ach Elslein, liebes Elselein by Ludwig Senfl
Performer:  Tina Chancey (Violin), Tina Chancey (Viola da gamba), Tina Chancey (Recorder),
Robert Eisenstein (Recorder), Robert Eisenstein (Viola da gamba), Robert Eisenstein (Violin),
Christopher Kendall (Lute), Christopher Kendall (Citole), Christopher Kendall (Harp),
Scott Reiss (Recorder), Scott Reiss (Dulcimer), Scott Reiss (Percussion),
Tom Zajac (Bagpipe), Tom Zajac (Trombone), Tom Zajac (Hurdy-gurdy),
Tom Zajac (Recorder), Tom Zajac (Harp), Mark Bleeke (Tenor)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: 16th Century; Germany 
25. Wann ich des Morgens früeh aufsteh' by Ludwig Senfl
Performer:  Tina Chancey (Violin), Tina Chancey (Viola da gamba), Tina Chancey (Recorder),
Robert Eisenstein (Recorder), Robert Eisenstein (Viola da gamba), Robert Eisenstein (Violin),
Christopher Kendall (Lute), Christopher Kendall (Citole), Christopher Kendall (Harp),
Scott Reiss (Recorder), Scott Reiss (Dulcimer), Scott Reiss (Percussion),
Tom Zajac (Bagpipe), Tom Zajac (Trombone), Tom Zajac (Hurdy-gurdy),
Tom Zajac (Recorder), Tom Zajac (Harp), Mark Bleeke (Tenor)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: by 1534; Germany 
26. Lamentatio by Ludwig Senfl
Performer:  Tom Zajac (Harp), Tom Zajac (Recorder), Tom Zajac (Hurdy-gurdy),
Tom Zajac (Trombone), Tom Zajac (Bagpipe), Scott Reiss (Percussion),
Scott Reiss (Dulcimer), Scott Reiss (Recorder), Christopher Kendall (Lute),
Robert Eisenstein (Recorder), Robert Eisenstein (Violin), Tina Chancey (Violin),
Tina Chancey (Viola da gamba), Christopher Kendall (Harp), Christopher Kendall (Citole),
Robert Eisenstein (Viola da gamba), Tina Chancey (Recorder)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: 16th Century; Germany 
27. Es wollt ein Maidlein Wasser holn by Ludwig Senfl
Performer:  Tom Zajac (Hurdy-gurdy), Tom Zajac (Trombone), Tom Zajac (Bagpipe),
Scott Reiss (Percussion), Scott Reiss (Dulcimer), Scott Reiss (Recorder),
Christopher Kendall (Harp), Christopher Kendall (Citole), Christopher Kendall (Lute),
Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba), Robert Eisenstein (Recorder),
Tina Chancey (Recorder), Tina Chancey (Viola da gamba), Tina Chancey (Violin),
Tom Zajac (Recorder), Tom Zajac (Harp)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: 16th Century; Germany 
28. Ich weiss nicht, was er ihr verhiess by Ludwig Senfl
Performer:  Tom Zajac (Hurdy-gurdy), Tom Zajac (Trombone), Tom Zajac (Bagpipe),
Scott Reiss (Percussion), Scott Reiss (Dulcimer), Scott Reiss (Recorder),
Christopher Kendall (Harp), Christopher Kendall (Citole), Christopher Kendall (Lute),
Robert Eisenstein (Violin), Robert Eisenstein (Viola da gamba), Robert Eisenstein (Recorder),
Tina Chancey (Recorder), Tina Chancey (Viola da gamba), Tina Chancey (Violin),
Tom Zajac (Recorder), Tom Zajac (Harp), Mark Bleeke (Tenor)
Orchestra/Ensemble:  Folger Consort
Period: Renaissance 
Written: by 1534; Germany 

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