Notes and Editorial Reviews
“In his brilliant execution, Jelasic captures and transports us with his art to the imaginary musical world of Chopin, which is difficult to find in other recordings of Chopin’s music. With profound technique on the piano, when Jelasic plays Chopin, he makes us feel the composer's expression, times, passages of life, and personality.”
-- Eddie Galleno [La Nación, Washington, D.C.]
“In his brilliant execution, Jelasic captures and transports us with his art to the imaginary musical world of Chopin, which is difficult to find in other recordings of Chopin’s music. With profound technique on the piano, when Jelasic plays Chopin, he makes us feel the composer's expression, times, passages of life, and personality.”
-- Eddie Galleno [La Nación, Washington, D.C.]
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Works on This Recording
1.
Nocturnes (3) for Piano, B 54/Op. 9 by Frédéric Chopin
Performer:
James Jelasic (Piano)
Period: Romantic
Written: 1830-1831; Poland
2.
Nocturnes (3) for Piano, Op. 15 by Frédéric Chopin
Performer:
James Jelasic (Piano)
Period: Romantic
Written: 1830-1833
3.
Nocturnes (2) for Piano, Op. 27 by Frédéric Chopin
Performer:
James Jelasic (Piano)
Period: Romantic
Written: 1835; Paris, France
4.
Nocturnes (2) for Piano, B 106/Op. 32 by Frédéric Chopin
Performer:
James Jelasic (Piano)
Period: Romantic
Written: 1836-1837; Paris, France
5.
Nocturnes (2) for Piano, Op. 37 by Frédéric Chopin
Performer:
James Jelasic (Piano)
Period: Romantic
Written: 1838-1849; Paris, France
6.
Nocturnes (2) for Piano, B 142/Op. 48 by Frédéric Chopin
Performer:
James Jelasic (Piano)
Period: Romantic
Written: 1841; Paris, France
7.
Nocturnes (2) for Piano, B 152/Op. 55 by Frédéric Chopin
Performer:
James Jelasic (Piano)
Period: Romantic
Written: 1843; Paris, France
8.
Nocturnes (2) for Piano, B 161/Op. 62 by Frédéric Chopin
Performer:
James Jelasic (Piano)
Period: Romantic
Written: 1846; Paris, France
9.
Nocturne for Piano in E minor, B 19/Op. 72 no 1 by Frédéric Chopin
Performer:
James Jelasic (Piano)
Period: Romantic
Written: 1827; Poland
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