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Handel Edition

Handel / Deller / Concerto Koln / Wentz
Release Date: 09/25/2015 
Label:  Brilliant Classics   Catalog #: 95050   Spars Code: DDD 
Composer:  George Frideric HandelAnonymous
Performer:  Lucy CarolanMicaela CombertiJohn HollowayRobert Woolley,   ... 
Conductor:  Helmut KochMax PommerNicol MattSir David Willcocks,   ... 
Orchestra/Ensemble:  Concerto CologneL'Ecole d'OrphéeHarmonices Mundi,   ... 
Number of Discs: 65 
Recorded in: Stereo 
Length: 64 Hours 56 Mins. 

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Notes and Editorial Reviews

This Brilliant Classics Composer Edition spectacular shines its brilliant light on one of the Baroque-era giants, George Frideric Handel. At a whopping 65CDs, this set represents the most comprehensive Handel Edition on the market! While not “Complete”, the set presents a substantial and representative oeuvre: 12 complete oratorios, cantatas, Odes, Anthems, Arias, Duets, the complete chamber music, the complete keyboard works, the complete organ concertos, oboe concertos, the complete Concerti Grossi, the Water Music and Fireworks Music: a grand musical feast covering a wide range of styles, spotlighted instrumentalists and emotions. The consistently high quality of playing includes performances by Roberto Loreggian in the harpsichord music Read more and legendary soprano Arleen Augér singing the German arias. Handel’s orchestral music is performed by a variety of German chamber groups. The trio sonatas feature L’École d’Orphée, boasting players drawn from some of the leading British Baroque orchestras. The Choir of King’s College, Cambridge, conducted by Stephen Cleobury, performs Handel’s most famous oratorio, Messiah. This excellent gift idea represents superb value and guarantees a wealth of repeatable, meaningful listening pleasures. Read less

Works on This Recording

1.
Water Music Suite no 1 in F major, HWV 348 by George Frideric Handel
Orchestra/Ensemble:  Concerto Cologne
Period: Baroque 
Written: circa 1715-1717; London, England 
Venue:  Studio Stolberger Straße, Cologne, Germa 
Length: 23 Minutes 19 Secs. 
2.
Water Music Suite no 2 in D major, HWV 349 by George Frideric Handel
Orchestra/Ensemble:  Concerto Cologne
Period: Baroque 
Written: circa 1715-1717; London, England 
Venue:  Studio Stolberger Straße, Cologne, Germa 
Length: 9 Minutes 23 Secs. 
3.
Water Music Suite no 3 in G major, HWV 350 by George Frideric Handel
Orchestra/Ensemble:  Concerto Cologne
Period: Baroque 
Written: circa 1715-1717; London, England 
Venue:  Studio Stolberger Straße, Cologne, Germa 
Length: 3 Minutes 11 Secs. 
4.
Music for the Royal Fireworks, HWV 351 by George Frideric Handel
Conductor:  Helmut Koch
Period: Baroque 
Written: 1749; London, England 
Date of Recording: 03/1974 
Venue:  SKR Berlin, Germany 
Length: 18 Minutes 53 Secs. 
5.
Sinfonia for 2 Violins and Basso Continuo in B flat major, HWV 339 by George Frideric Handel
Performer:  Lucy Carolan (Harpsichord), Micaela Comberti (Violin), John Holloway (Violin),
Robert Woolley (Harpsichord), Alison Bury (Violin), Susan Sheppard (Cello)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: 1704-1706; Hamburg, Germany 
Date of Recording: 1991 
Length: 9 Minutes 35 Secs. 
6.
Sinfonia in B flat major, HWV 347 by George Frideric Handel
Orchestra/Ensemble:  Concerto Cologne
Period: Baroque 
Written: circa 1747 
Venue:  Studio Stolberger Straße, Cologne, Germa 
Length: 7 Minutes 4 Secs. 
7.
Concerti grossi (6), Op. 3: no 1 in B flat major, HWV 312 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: circa 1715-1717; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 8 Minutes 13 Secs. 
8.
Concerti grossi (6), Op. 3: no 2 in B flat major, HWV 313 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: circa 1715-1717; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 10 Minutes 51 Secs. 
9.
Concerti grossi (6), Op. 3: no 3 in G major, HWV 314 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: circa 1715-1717; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 8 Minutes 7 Secs. 
10.
Concerti grossi (6), Op. 3: no 4a in F major, HWV 315 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: circa 1715-1717; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 20 Minutes 3 Secs. 
11.
Concerti grossi (6), Op. 3: no 5 in D minor, HWV 316 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: circa 1715-1717; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 9 Minutes 18 Secs. 
12.
Concerti grossi (6), Op. 3: no 6 in D major/D minor, HWV 317 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: circa 1715-1717; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 2 Minutes 47 Secs. 
13.
Concerti grossi (12), Op. 6: no 1 in G major, HWV 319 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 11 Minutes 18 Secs. 
14.
Concerti grossi (12), Op. 6: no 2 in F major, HWV 320 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 10 Minutes 57 Secs. 
15.
Concerti grossi (12), Op. 6: no 3 in E minor, HWV 321 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 11 Minutes 44 Secs. 
16.
Concerti grossi (12), Op. 6: no 4 in A minor, HWV 322 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 10 Minutes 51 Secs. 
17.
Concerti grossi (12), Op. 6: no 5 in D major, HWV 323 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 17 Minutes 6 Secs. 
18.
Concerti grossi (12), Op. 6: no 6 in G minor, HWV 324 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 16 Minutes 28 Secs. 
19.
Concerti grossi (12), Op. 6: no 7 in B flat major, HWV 325 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 14 Minutes 10 Secs. 
20.
Concerti grossi (12), Op. 6: no 8 in C minor, HWV 326 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 16 Minutes 28 Secs. 
21.
Concerti grossi (12), Op. 6: no 9 in F major, HWV 327 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 13 Minutes 24 Secs. 
22.
Concerti grossi (12), Op. 6: no 10 in D minor, HWV 328 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 14 Minutes 39 Secs. 
23.
Concerti grossi (12), Op. 6: no 11 in A major, HWV 329 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 17 Minutes 57 Secs. 
24.
Concerti grossi (12), Op. 6: no 12 in B minor, HWV 330 by George Frideric Handel
Conductor:  Max Pommer
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 1983 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 11 Minutes 44 Secs. 
25.
Concerto a due cori no 1 in B major, HWV 332 by George Frideric Handel
Performer:  Gerhard Flade (Oboe), Klaus-Peter Gutz (Oboe), Gerd Schulze (Bassoon),
Klaus Martinec (Bassoon), Gunter Heidrich (Oboe), Holger Ladmann (Oboe)
Conductor:  Max Pommer
Period: Baroque 
Written: circa 1746-1747; England 
Date of Recording: 02/1980 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 14 Minutes 4 Secs. 
26.
Concerto a due cori no 2 in F major, HWV 333 by George Frideric Handel
Performer:  Gunter Heidrich (Oboe), Wilhelm Fuchs (Horn), Holger Ladmann (Oboe),
Klaus Martinec (Bassoon), Manfred John (Horn), Gerd Schulze (Bassoon),
Gerhard Flade (Oboe), Siegfried Gizyki (Horn), Rolf Sehring (Horn),
Klaus-Peter Gutz (Oboe)
Conductor:  Max Pommer
Period: Baroque 
Written: circa 1746-1747; London, England 
Date of Recording: 02/1980 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 16 Minutes 59 Secs. 
27.
Concerto a due cori no 3 in F major, HWV 334 by George Frideric Handel
Performer:  Christian Schmitt (Organ)
Conductor:  Nicol Matt
Period: Baroque 
Written: circa 1746-1747; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 25 Minutes 45 Secs. 
28.
Concertos (6) for Organ, Op. 4: no 1 in G minor, HWV 289 by George Frideric Handel
Performer:  Christian Schmitt (Organ)
Conductor:  Nicol Matt
Period: Baroque 
Written: 1736; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 16 Minutes 5 Secs. 
29.
Concertos (6) for Organ, Op. 4: no 2 in B flat major, HWV 290 by George Frideric Handel
Performer:  Christian Schmitt (Organ)
Conductor:  Nicol Matt
Period: Baroque 
Written: 1735; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 10 Minutes 3 Secs. 
30.
Concertos (6) for Organ, Op. 4: no 3 in G minor, HWV 291 by George Frideric Handel
Performer:  Christian Schmitt (Organ)
Conductor:  Nicol Matt
Period: Baroque 
Written: 1735; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 10 Minutes 41 Secs. 
31.
Concertos (6) for Organ, Op. 4: no 4 in F major, HWV 292 by George Frideric Handel
Performer:  Christian Schmitt (Organ)
Conductor:  Nicol Matt
Period: Baroque 
Written: 1735; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 14 Minutes 4 Secs. 
32.
Concertos (6) for Organ, Op. 4: no 5 in F major, HWV 293 by George Frideric Handel
Performer:  Christian Schmitt (Organ)
Conductor:  Nicol Matt
Period: Baroque 
Written: 1735; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 7 Minutes 51 Secs. 
33.
Concerto for Harp in B flat major, Op. 4 no 6/HWV 294 by George Frideric Handel
Performer:  Elodie Wiemer (Recorder), Charlotte Balzereit (Harp), Christian Schmitt (Organ),
Juliane Heutjer (Recorder)
Conductor:  Nicol Matt
Period: Baroque 
Written: 1736; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 24 Minutes 28 Secs. 
34.
Concertos (6) for Organ, Op. 7: no 1 in B flat major, HWV 306 by George Frideric Handel
Performer:  Rien Voskuilen (Organ)
Conductor:  Sir David Willcocks
Period: Baroque 
Written: 1740; London, England 
Date of Recording: 1996 
Length: 29 Minutes 21 Secs. 
35.
Concertos (6) for Organ, Op. 7: no 2 in A major, HWV 307 by George Frideric Handel
Performer:  Christian Schmitt (Organ)
Conductor:  Nicol Matt
Period: Baroque 
Written: 1743; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 12 Minutes 18 Secs. 
36.
Concertos (6) for Organ, Op. 7: no 3 in B flat major, HWV 308 by George Frideric Handel
Performer:  Christian Schmitt (Organ)
Conductor:  Nicol Matt
Period: Baroque 
Written: 1751; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 17 Minutes 50 Secs. 
37.
Concertos (6) for Organ, Op. 7: no 4 in D minor, HWV 309 by George Frideric Handel
Performer:  Christian Schmitt (Organ)
Conductor:  Nicol Matt
Period: Baroque 
Written: 1750; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 14 Minutes 30 Secs. 
38.
Concertos (6) for Organ, Op. 7: no 5 in G minor, HWV 310 by George Frideric Handel
Performer:  Christian Schmitt (Organ)
Conductor:  Nicol Matt
Period: Baroque 
Written: 1750; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 12 Minutes 36 Secs. 
39.
Concertos (6) for Organ, Op. 7: no 6 in B flat major, HWV 311 by George Frideric Handel
Performer:  Christian Schmitt (Organ)
Conductor:  Nicol Matt
Period: Baroque 
Written: 1749; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 6 Minutes 15 Secs. 
40.
Concerto for Organ in F major, HWV 295 "Cuckoo and the Nightingale" by George Frideric Handel
Performer:  Christian Schmitt (Organ)
Conductor:  Nicol Matt
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 11 Minutes 19 Secs. 
41.
Concerto for Organ in A major, HWV 296 by George Frideric Handel
Performer:  Christian Schmitt (Organ)
Conductor:  Nicol Matt
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 15 Minutes 23 Secs. 
42.
Concerto for Organ in D minor, HWV 304 by George Frideric Handel
Performer:  Christian Schmitt (Organ)
Conductor:  Nicol Matt
Period: Baroque 
Written: circa 1746; London, England 
Date of Recording: 2004 
Venue:  Evangelische Schlosskapelle Solitude, St 
Length: 10 Minutes 15 Secs. 
43.
Fugues or Voluntaries (6) for Organ: no 1 in G minor, HWV 605 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: by 1735; London, England 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 4 Minutes 4 Secs. 
44.
Fugues or Voluntaries (6) for Organ: no 3 in B flat major, HWV 607 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: by 1735; London, England 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 2 Minutes 50 Secs. 
45.
Fugues or Voluntaries (6) for Organ: no 4 in B minor, HWV 608 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: by 1735; London, England 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 5 Minutes 16 Secs. 
46.
Fugues or Voluntaries (6) for Organ: no 6 in C minor, HWV 610 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: by 1735; London, England 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 3 Minutes 33 Secs. 
47.
Concerto for Oboe no 3 in G minor, HWV 287 by George Frideric Handel
Performer:  Anthony Camden (Oboe)
Conductor:  Nicholas Ward
Period: Baroque 
Written: 1703-1705; Hamburg, Germany 
Venue:  All Saints Church, East Finchley, UK 
Length: 9 Minutes 29 Secs. 
48.
Concerto for Oboe no 2 in B flat major, HWV 302a by George Frideric Handel
Performer:  Anthony Camden (Oboe)
Conductor:  Nicholas Ward
Period: Baroque 
Written: by 1740; London, England 
Venue:  All Saints Church, East Finchley, UK 
Length: 8 Minutes 4 Secs. 
49.
Concerto for Oboe no 1 in B flat major, HWV 301 by George Frideric Handel
Performer:  Anthony Camden (Oboe)
Conductor:  Nicholas Ward
Period: Baroque 
Written: by 1740; London, England 
Venue:  All Saints Church, East Finchley, UK 
Length: 7 Minutes 10 Secs. 
50.
Work(s): Air and Rondo: Air in G minor by George Frideric Handel
Performer:  Anthony Camden (Oboe)
Conductor:  Nicholas Ward
Period: Baroque 
Venue:  All Saints Church, East Finchley, UK 
Length: 3 Minutes 3 Secs. 
51.
Work(s): Air and Rondo: Rondo in G by George Frideric Handel
Performer:  Anthony Camden (Oboe)
Conductor:  Nicholas Ward
Period: Baroque 
Length: 2 Minutes 28 Secs. 
52.
Overture in B flat to Otho HWV 15: I. Maestoso by George Frideric Handel
Performer:  Julia Girdwood (Oboe)
Conductor:  Nicholas Ward
Period: Baroque 
Written: 1722 
Venue:  All Saints Church, East Finchley, UK 
Length: 2 Minutes 57 Secs. 
53.
Overture in B flat to Otho HWV 15: II. Allegro by George Frideric Handel
Performer:  Julia Girdwood (Oboe)
Conductor:  Nicholas Ward
Period: Baroque 
Written: 1722 
Venue:  All Saints Church, East Finchley, UK 
Length: 2 Minutes 22 Secs. 
54.
Overture in B flat to Otho HWV 15: III. Gavotta by George Frideric Handel
Performer:  Julia Girdwood (Oboe)
Conductor:  Nicholas Ward
Period: Baroque 
Written: 1722 
Venue:  All Saints Church, East Finchley, UK 
Length: 1 Minutes 37 Secs. 
55.
Sonata for Flute and Basso Continuo in E minor, HWV 379/Op. 1 no 1a by George Frideric Handel
Performer:  Susan Sheppard (Cello), Lucy Carolan (Harpsichord), Stephen Preston (Flute),
John Toll (Harpsichord)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1726-1732; London, England 
Date of Recording: 1991 
Length: 11 Minutes 51 Secs. 
56.
Sonata for Flute and Basso Continuo in A minor, HWV 374 "Halle" by George Frideric Handel
Performer:  John Toll (Harpsichord), Susan Sheppard (Cello), Lucy Carolan (Harpsichord),
Stephen Preston (Flute)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: by 1730 
Date of Recording: 1991 
Length: 10 Minutes 59 Secs. 
57.
Sonata for Flute and Basso Continuo in E minor, HWV 375 "Halle" by George Frideric Handel
Performer:  Stephen Preston (Flute), Lucy Carolan (Harpsichord), Susan Sheppard (Cello),
John Toll (Harpsichord)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: by 1730 
Date of Recording: 1991 
Length: 7 Minutes 0 Secs. 
58.
Sonata for Flute and Basso Continuo in B minor, HWV 376 "Halle" by George Frideric Handel
Performer:  John Toll (Harpsichord), Susan Sheppard (Cello), Lucy Carolan (Harpsichord),
Stephen Preston (Flute)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: by 1730 
Date of Recording: 1991 
Length: 7 Minutes 38 Secs. 
59.
Sonata for Flute and Basso Continuo in D major, HWV 378 by George Frideric Handel
Performer:  Susan Sheppard (Cello), Lucy Carolan (Harpsichord), Stephen Preston (Flute),
John Toll (Harpsichord)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Date of Recording: 1991 
Length: 7 Minutes 19 Secs. 
60.
Sonata for Flute and Basso Continuo in G major, HWV 363b/Op. 1 no 5 by George Frideric Handel
Performer:  John Toll (Harpsichord), Susan Sheppard (Cello), Lucy Carolan (Harpsichord),
Stephen Preston (Flute)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1726-1732; London, England 
Date of Recording: 1991 
Length: 7 Minutes 48 Secs. 
61.
Sonata for Flute and Basso Continuo in B minor, HWV 367b/Op. 1 no 9 by George Frideric Handel
Performer:  John Toll (Harpsichord), Susan Sheppard (Cello), Lucy Carolan (Harpsichord),
Stephen Preston (Flute)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1726-1732; London, England 
Date of Recording: 1991 
Length: 14 Minutes 43 Secs. 
62.
Sonata for Flute and Basso Continuo in E minor, HWV 359b/Op. 1 no 1b by George Frideric Handel
Performer:  John Toll (Harpsichord), Susan Sheppard (Cello), Lucy Carolan (Harpsichord),
Stephen Preston (Flute)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1726-1732; London, England 
Date of Recording: 1991 
Length: 6 Minutes 58 Secs. 
63.
Sonata for Violin and Basso Continuo in A major, HWV 361/Op. 1 no 3 by George Frideric Handel
Performer:  John Holloway (Violin), Susan Sheppard (Cello), Lucy Carolan (Harpsichord)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1726-1732; London, England 
Date of Recording: 1991 
Length: 7 Minutes 19 Secs. 
64.
Sonata for Violin and Basso Continuo in G minor, HWV 364a/Op. 1 no 6 by George Frideric Handel
Performer:  John Holloway (Violin), Susan Sheppard (Cello), Lucy Carolan (Harpsichord)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1726-1732; London, England 
Date of Recording: 1991 
Length: 6 Minutes 11 Secs. 
65.
Sonata for Oboe and Basso Continuo no 1 in B flat major, HWV 357 by George Frideric Handel
Performer:  Susan Sheppard (Cello), Lucy Carolan (Harpsichord), David Reichenberg (Oboe)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Date of Recording: 1991 
Length: 6 Minutes 14 Secs. 
66.
Sonata for Violin and Basso Continuo in D minor, HWV 359a/Op. 1 no 1 by George Frideric Handel
Performer:  John Holloway (Violin), Susan Sheppard (Cello), Lucy Carolan (Harpsichord)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1726-1732; London, England 
Date of Recording: 1991 
Length: 7 Minutes 4 Secs. 
67.
Sonata for Oboe and Basso Continuo in C minor, HWV 366/Op. 1 no 8 by George Frideric Handel
Performer:  Susan Sheppard (Cello), David Reichenberg (Oboe), Lucy Carolan (Harpsichord)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1726-1732; London, England 
Date of Recording: 1991 
Length: 6 Minutes 20 Secs. 
68.
Andante for Violin and Basso Continuo in C minor, HWV 412 by George Frideric Handel
Performer:  John Holloway (Violin), Susan Sheppard (Cello), Lucy Carolan (Harpsichord)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Date of Recording: 1991 
Length: 2 Minutes 3 Secs. 
69.
Allegro for Violin and Continuo in A minor, HWV 408 by George Frideric Handel
Performer:  John Holloway (Violin), Susan Sheppard (Cello), Lucy Carolan (Harpsichord)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Date of Recording: 1991 
Length: 3 Minutes 6 Secs. 
70.
Oboe Sonata in F major, HWV 363a by George Frideric Handel
Performer:  Susan Sheppard (Cello), David Reichenberg (Oboe), Lucy Carolan (Harpsichord)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1714 
Date of Recording: 1991 
Length: 8 Minutes 6 Secs. 
71.
Sonata for Violin and Basso Continuo in D major, HWV 371/Op. 1 no 13 by George Frideric Handel
Performer:  John Holloway (Violin), Susan Sheppard (Cello), Lucy Carolan (Harpsichord)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1750; London, England 
Date of Recording: 1991 
Length: 11 Minutes 12 Secs. 
72.
Trio Sonata for Flute/Violin, Violin and Basso Continuo in B minor, HWV 386b/Op 2 no 1(b) by George Frideric Handel
Performer:  John Holloway (Violin), John Toll (Harpsichord), Robert Woolley (Harpsichord),
Stephen Preston (Flute), Susan Sheppard (Cello)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: by 1727; London, England 
Date of Recording: 1991 
Length: 10 Minutes 55 Secs. 
73.
Trio Sonata for 2 Violins and Basso Continuo in G minor, HWV 387/Op 2 no 2 by George Frideric Handel
Performer:  John Holloway (Violin), Robert Woolley (Harpsichord), John Toll (Harpsichord),
Micaela Comberti (Violin), Susan Sheppard (Cello)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: ?1699; London, England 
Date of Recording: 1991 
Length: 9 Minutes 41 Secs. 
74.
Trio Sonata for 2 Violins and Basso Continuo in B flat major, HWV 388/Op 2 no 3 (4) by George Frideric Handel
Performer:  Susan Sheppard (Cello), Robert Woolley (Harpsichord), John Toll (Harpsichord),
John Holloway (Violin), Micaela Comberti (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1717-1718; London, England 
Date of Recording: 1991 
Length: 10 Minutes 52 Secs. 
75.
Trio Sonata for Flute/Recorder/Violin, Violin and Basso Continuo in F major, HWV 389/Op 2 no 4 (5) by George Frideric Handel
Performer:  John Holloway (Violin), John Toll (Harpsichord), Robert Woolley (Harpsichord),
Philip Pickett (Recorder), Susan Sheppard (Cello)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1718-1722; London, England 
Date of Recording: 1991 
Length: 11 Minutes 33 Secs. 
76.
Trio Sonata for 2 Violins and Basso Continuo in G minor, HWV 390/Op. 2 no 5 (6) by George Frideric Handel
Performer:  John Holloway (Violin), John Toll (Harpsichord), Susan Sheppard (Cello),
Robert Woolley (Harpsichord), Micaela Comberti (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: London, England 
Date of Recording: 1991 
Length: 10 Minutes 15 Secs. 
77.
Trio Sonata for 2 Violins and Basso Continuo in G minor, HWV 391/Op 2 no 6 (7) by George Frideric Handel
Performer:  John Holloway (Violin), John Toll (Harpsichord), Robert Woolley (Harpsichord),
Susan Sheppard (Cello), Micaela Comberti (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1707; London, England 
Date of Recording: 1991 
Length: 8 Minutes 1 Secs. 
78.
Trio sonata for 2 violins & continuo in A major, Op. 5/1, HWV 396 by George Frideric Handel
Performer:  John Holloway (Violin), Lucy Carolan (Harpsichord), Susan Sheppard (Cello),
Micaela Comberti (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Date of Recording: 1991 
Length: 7 Minutes 14 Secs. 
79.
Trio sonata for 2 violins & continuo in D major, Op. 5/2, HWV 397 by George Frideric Handel
Performer:  John Holloway (Violin), Lucy Carolan (Harpsichord), Susan Sheppard (Cello),
Micaela Comberti (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Date of Recording: 1991 
Length: 8 Minutes 14 Secs. 
80.
Trio sonata for 2 violins & continuo in E minor, Op. 5/3, HWV 398 by George Frideric Handel
Performer:  John Holloway (Violin), Lucy Carolan (Harpsichord), Susan Sheppard (Cello),
Micaela Comberti (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Date of Recording: 1991 
Length: 9 Minutes 42 Secs. 
81.
Trio sonata for 2 violins & continuo in G major, Op. 5/4, HWV 399 by George Frideric Handel
Performer:  John Holloway (Violin), Susan Sheppard (Cello), Lucy Carolan (Harpsichord),
Micaela Comberti (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1737-1738 
Date of Recording: 1991 
Length: 12 Minutes 48 Secs. 
82.
Trio sonata for 2 violins & continuo in G minor, Op.5/5, HWV 400 by George Frideric Handel
Performer:  John Holloway (Violin), Lucy Carolan (Harpsichord), Susan Sheppard (Cello),
Micaela Comberti (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Date of Recording: 1991 
Length: 10 Minutes 30 Secs. 
83.
Trio Sonatas (7) for 2 Violins and Basso Continuo, Op. 5: no 6 in F major, HWV 401 by George Frideric Handel
Performer:  John Holloway (Violin), Susan Sheppard (Cello), Lucy Carolan (Harpsichord),
Micaela Comberti (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1737-1738; London, England 
Date of Recording: 1991 
Length: 12 Minutes 20 Secs. 
84.
Trio sonata for 2 violins & continuo in B flat major, Op. 5/7, HWV 402 by George Frideric Handel
Performer:  John Holloway (Violin), Susan Sheppard (Cello), Lucy Carolan (Harpsichord),
Micaela Comberti (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Date of Recording: 1991 
Length: 9 Minutes 26 Secs. 
85.
Trio sonata for 2 violins & continuo in F major, HWV 392 by George Frideric Handel
Performer:  John Holloway (Violin), Robert Woolley (Harpsichord), Susan Sheppard (Cello),
Alison Bury (Violin), Lucy Carolan (Harpsichord), Micaela Comberti (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1707 
Date of Recording: 1991 
Length: 11 Minutes 0 Secs. 
86.
Trio Sonata for Recorder/Flute, Violin and Basso Continuo in C minor, HWV 386a/Op. 2 no 1a by George Frideric Handel
Performer:  John Holloway (Violin), Robert Woolley (Harpsichord), Alison Bury (Violin),
Susan Sheppard (Cello), Lucy Carolan (Harpsichord), Micaela Comberti (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1717-1719; London, England 
Date of Recording: 1991 
Length: 11 Minutes 9 Secs. 
87.
Trio sonata for 2 violins & continuo in G minor, Op. 2/8, HWV 393 (doubtful) by George Frideric Handel
Performer:  Robert Woolley (Harpsichord), John Holloway (Violin), Susan Sheppard (Cello),
Alison Bury (Violin), Lucy Carolan (Harpsichord), Micaela Comberti (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1719 
Date of Recording: 1991 
Length: 10 Minutes 33 Secs. 
88.
Trio Sonata for 2 Violins and Basso Continuo in C major, HWV 403 by George Frideric Handel
Performer:  Robert Woolley (Harpsichord), Alison Bury (Violin), Lucy Carolan (Harpsichord),
Susan Sheppard (Cello), Micaela Comberti (Violin), John Holloway (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Date of Recording: 1991 
Length: 12 Minutes 25 Secs. 
89.
Trio Sonata for 2 Violins and Basso Continuo in E major, HWV 394/Op. 2 no 9 by George Frideric Handel
Performer:  John Holloway (Violin), Robert Woolley (Harpsichord), Susan Sheppard (Cello),
Alison Bury (Violin), Lucy Carolan (Harpsichord), Micaela Comberti (Violin)
Orchestra/Ensemble:  L'Ecole d'Orphée
Period: Baroque 
Written: circa 1730; London, England 
Date of Recording: 1991 
Length: 10 Minutes 45 Secs. 
90.
Sonata for Recorder and Basso Continuo in C major, HWV 365/Op. 1 no 7 by George Frideric Handel
Performer:  Erik Bosgraaf (Recorder), Francesco Corti (Harpsichord)
Period: Baroque 
Written: circa 1726-1732; London, England 
Venue:  Nederlandse Hervormde Kerk, Rhoon, The N 
Length: 9 Minutes 30 Secs. 
91.
Recorder Sonata in D minor, Op.1/9a, HWV 367a by George Frideric Handel
Performer:  Erik Bosgraaf (Recorder), Francesco Corti (Harpsichord)
Period: Baroque 
Written: 1725-1726 
Venue:  Nederlandse Hervormde Kerk, Rhoon, The N 
Length: 12 Minutes 2 Secs. 
92.
Sonata for Recorder and Basso Continuo in G minor, HWV 360/Op. 1 no 2 by George Frideric Handel
Performer:  Erik Bosgraaf (Recorder), Francesco Corti (Harpsichord)
Period: Baroque 
Written: circa 1726-1732; London, England 
Venue:  Nederlandse Hervormde Kerk, Rhoon, The N 
Length: 6 Minutes 9 Secs. 
93.
Sonata for Recorder and Basso Continuo in B flat major, HWV 377 by George Frideric Handel
Performer:  Erik Bosgraaf (Recorder), Francesco Corti (Harpsichord)
Period: Baroque 
Venue:  Nederlandse Hervormde Kerk, Rhoon, The N 
Length: 5 Minutes 14 Secs. 
94.
Sonata for Recorder and Basso Continuo in A minor, HWV 362/Op. 1 no 4 by George Frideric Handel
Performer:  Erik Bosgraaf (Recorder), Francesco Corti (Harpsichord)
Period: Baroque 
Written: circa 1726-1732; London, England 
Venue:  Nederlandse Hervormde Kerk, Rhoon, The N 
Length: 9 Minutes 0 Secs. 
95.
Sonata for Recorder and Basso Continuo in F major, HWV 369/Op. 1 no 11 by George Frideric Handel
Performer:  Erik Bosgraaf (Recorder), Francesco Corti (Harpsichord)
Period: Baroque 
Written: circa 1726-1732; London, England 
Venue:  Nederlandse Hervormde Kerk, Rhoon, The N 
Length: 6 Minutes 31 Secs. 
96.
Sonata for Violin and Basso Continuo in G major, HWV 358 by George Frideric Handel
Performer:  Erik Bosgraaf (Recorder), Francesco Corti (Harpsichord)
Period: Baroque 
Written: London, England 
Venue:  Nederlandse Hervormde Kerk, Rhoon, The N 
Length: 3 Minutes 26 Secs. 
97.
Suite for Harpsichord in A major, HWV 426 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: by 1720; London, England 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 11 Minutes 33 Secs. 
98.
Suite for Harpsichord in F major, HWV 427 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: by 1720; London, England 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 8 Minutes 12 Secs. 
99.
Suite for Harpsichord in D minor, HWV 428 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: by 1720; London, England 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 23 Minutes 44 Secs. 
100.
Suite for Harpsichord in E minor, HWV 429 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: by 1720; London, England 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 14 Minutes 15 Secs. 
101.
Suite for Harpsichord in E major, HWV 430 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: by 1720; London, England 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 13 Minutes 45 Secs. 
102.
Suite for Harpsichord in F sharp minor, HWV 431 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: by 1720; London, England 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 8 Minutes 30 Secs. 
103.
Suite for Harpsichord in G minor, HWV 432 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: by 1720; London, England 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 18 Minutes 36 Secs. 
104.
Suite for Harpsichord in F minor, HWV 433 by George Frideric Handel
Performer:  Massimo Gabba (Organ)
Period: Baroque 
Written: by 1720; London, England 
Venue:  Church of San Giovanni Evangelista, Ales 
Length: 10 Minutes 32 Secs. 
105.
Suite for keyboard (Suite de piece), Vol.2, No.1 in B flat major, HWV 434 by George Frideric Handel
Performer:  Massimo Gabba (Organ)
Period: Baroque 
Written: circa 1713 
Venue:  Church of San Giovanni Evangelista, Ales 
Length: 11 Minutes 57 Secs. 
106.
Chaconne and Variations (21) for Harpsichord in G major, HWV 435 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: by 1733; London, England 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 10 Minutes 49 Secs. 
107.
Suite for keyboard (Suite de piece), Vol.2, No.3 in D minor, HWV 436 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: circa 1724 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 10 Minutes 17 Secs. 
108.
Suite for Harpsichord in D minor, HWV 437 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: by 1733; London, England 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 6 Minutes 39 Secs. 
109.
Suite for Harpsichord in E minor, HWV 438 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: by 1733; London, England 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 7 Minutes 12 Secs. 
110.
Suite for Harpsichord in G minor, HWV 439 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: by 1733; London, England 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 14 Minutes 20 Secs. 
111.
Suite for keyboard (Suite de piece), Vol.2, No.7 in B flat major, HWV 440 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: circa 1705 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 8 Minutes 14 Secs. 
112.
Suite for Harpsichord in G major, HWV 441 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: by 1733; London, England 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 18 Minutes 9 Secs. 
113.
Prelude (Arpeggio del Cook) for keyboard in F minor, HWV 569 (possibly spurious) by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: circa 1715 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 1 Minutes 12 Secs. 
114.
Rinaldo: Vo far guerra by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Period: Baroque 
Written: 1711 
Venue:  Remonstrantse Doopsgezinde Church, Deven 
Length: 11 Minutes 31 Secs. 
115.
Suite for Harpsichord in C major, HWV 443 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1702 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 26 Minutes 20 Secs. 
116.
Suite for Harpsichord in G major, HWV 450 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1703 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 10 Minutes 38 Secs. 
117.
Prelude for keyboard in D minor, HWV 563 by George Frideric Handel
Performer:  Massimo Gabba (Organ)
Period: Baroque 
Written: circa 1702 
Venue:  Church of San Giovanni Evangelista, Ales 
Length: 2 Minutes 23 Secs. 
118.
Prelude and Capriccio for keyboard in G minor, HWV 571 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1706 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 5 Minutes 13 Secs. 
119.
Suite for Keyboard in G minor, HWV 453 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: 1705-1706; London, England 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 7 Minutes 16 Secs. 
120.
Prelude for keyboard in D minor, HWV 564 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1705 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 1 Minutes 13 Secs. 
121.
Allegro for keyboard in C major, HWV 472 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1705 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 1 Minutes 9 Secs. 
122.
Chaconne for harpsichord with 2 sets of keys in F major, HWV 485 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1705 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 5 Minutes 33 Secs. 
123.
Suite for Harpsichord in D minor, HWV 448 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: by 1720; London, England 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 9 Minutes 56 Secs. 
124.
Suite for keyboard in D minor, HWV 449 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1705 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 15 Minutes 13 Secs. 
125.
Keyboard Sonatina in D minor, HWV 581 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1705 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 1 Minutes 38 Secs. 
126.
Allemande for keyboard in A minor, HWV 478 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1705 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 2 Minutes 39 Secs. 
127.
Fugue for Keyboard in F major, HWV 611 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 2 Minutes 42 Secs. 
128.
Chaconne in G minor, HWV 486 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: London, England 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 4 Minutes 18 Secs. 
129.
Suite for Harpsichord in C minor, HWV 444 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1705 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 8 Minutes 42 Secs. 
130.
Suite for keyboard in C minor, HWV 445 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1705 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 8 Minutes 15 Secs. 
131.
Prelude and Allegro for keyboard in A minor, HWV 576 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1705 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 2 Minutes 49 Secs. 
132.
Air in G minor, HWV 467 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1735 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 2 Minutes 29 Secs. 
133.
Toccata in G minor, HWV 586 by George Frideric Handel
Performer:  Claudio Astronio (Harpsichord), Susanne Rydén (), Gemma [Soprano Vocal] Bertagnolli ()
Conductor:  Claudio Astronio
Orchestra/Ensemble:  Harmonices Mundi
Period: Baroque 
Written: London, England 
Venue:  Vereinshaus, Lengmoos, Süd-Tirol 
Length: 1 Minutes 0 Secs. 
134.
Sonatina for Harpsichord in G minor, HWV 583 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 1 Minutes 48 Secs. 
135.
Keyboard Sonata (Larghetto) in G minor, HWV 580 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1709 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 2 Minutes 5 Secs. 
136.
Concerto for keyboard (2 movements) in G major, HWV 487 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1715 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 3 Minutes 18 Secs. 
137.
Air for keyboard in B flat major, HWV 471 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1715 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 1 Minutes 8 Secs. 
138.
Prelude for keyboard in F major, HWV 567 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1715 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 2 Minutes 27 Secs. 
139.
Prelude for keyboard in F minor, HWV 568 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1715 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 1 Minutes 46 Secs. 
140.
Prelude (Harpeggio) for keyboard in G minor, HWV 573 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1705 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 2 Minutes 6 Secs. 
141.
Prelude for keyboard in E major, HWV 566 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1715 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 2 Minutes 5 Secs. 
142.
Air for 2-manual harpsichord in G minor, HWV 466 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1715 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 1 Minutes 49 Secs. 
143.
Air for 2-rowed harpsichord in B flat major, HWV 470 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1715 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 2 Minutes 5 Secs. 
144.
Impertinence, HWV 494 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: 18th Century 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 0 Minutes 59 Secs. 
145.
Air and 2 doubles for keyboard in F major, HWV 465 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1715 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 1 Minutes 15 Secs. 
146.
Allegro for keyboard in D minor, HWV 475 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1715 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 1 Minutes 55 Secs. 
147.
Courante for keyboard in B minor, HWV 489 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: 1722 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 2 Minutes 7 Secs. 
148.
Prelude and Chaconne for Harpsichord in G major, HWV 442 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 1 Minutes 14 Secs. 
149.
Fugues or Voluntaries (6) for Organ: no 2 in G major, HWV 606 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: by 1735; London, England 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 4 Minutes 28 Secs. 
150.
Fugues or Voluntaries (6) for Organ: no 5 in A minor, HWV 609 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: by 1735; London, England 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 3 Minutes 32 Secs. 
151.
Sonata (Fantasia) for harpsichord in C major, HWV 577 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1704 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 3 Minutes 59 Secs. 
152.
Capriccio for Harpsichord in F major, HWV 481 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: by 1733 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 4 Minutes 32 Secs. 
153.
Prelude and Allegro (Sonata) for keyboard in G minor, HWV 574 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1705 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 2 Minutes 50 Secs. 
154.
Fantasie for Keyboard in C major, HWV 490 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1703-1706 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 3 Minutes 51 Secs. 
155.
Suite for Harpsichord in D minor, HWV 447 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: 1739; London, England 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 2 Minutes 28 Secs. 
156.
Suite for Harpsichord in G minor, HWV 452 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: 1739; London, England 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 3 Minutes 54 Secs. 
157.
Capriccio in G minor, HWV 483 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: London, England 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 1 Minutes 47 Secs. 
158.
Suite for 2 harpsichords in C minor, HWV 446 (fragment) by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1704 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 3 Minutes 36 Secs. 
159.
Allemande for keyboard in A major, HWV 477 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1725 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 3 Minutes 14 Secs. 
160.
Allemande for keyboard in F major, HWV 476 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1733 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 3 Minutes 53 Secs. 
161.
Gigue for keyboard in F major, HWV 492 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1727 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 0 Minutes 54 Secs. 
162.
Prelude for Keyboard in D minor, HWV 562 by George Frideric Handel
Performer:  Claudio Astronio (Harpsichord), Gemma [Soprano Vocal] Bertagnolli (), Susanne Rydén ()
Conductor:  Claudio Astronio
Orchestra/Ensemble:  Harmonices Mundi
Period: Baroque 
Written: circa 1711 
Venue:  Vereinshaus, Lengmoos, Süd-Tirol 
Length: 1 Minutes 35 Secs. 
163.
Sonatina (Fuga) for keyboard in G major, HWV 582 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1722 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 0 Minutes 45 Secs. 
164.
Keyboard Sonatina in B flat major, HWV 585 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: 1722 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 0 Minutes 51 Secs. 
165.
Prelude (Harpeggio) for keyboard in F sharp minor, HWV 570 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1718 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 1 Minutes 31 Secs. 
166.
Air for keyboard in A major, HWV 468 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1728 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 1 Minutes 11 Secs. 
167.
Sonata for clock organ in C major, HWV 578 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1750 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 3 Minutes 17 Secs. 
168.
Lesson for keyboard in A minor, HWV 496 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1718 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 2 Minutes 7 Secs. 
169.
Suite for Harpsichord in A major, HWV 454 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1705 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 13 Minutes 7 Secs. 
170.
Prelude for Keyboard in G minor, HWV 572 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1715 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 1 Minutes 7 Secs. 
171.
Sonata for Harpsichord in G major, HWV 579 by George Frideric Handel
Performer:  Roberto Loreggian (Harpsichord)
Period: Baroque 
Written: circa 1709 
Venue:  Abbazia di Santa Maria delle Carceri d'E 
Length: 5 Minutes 2 Secs. 
172.
Occasional Oratorio, HWV 62 by George Frideric Handel
Performer:  Massimo Gabba (Organ)
Period: Baroque 
Written: by 1746; London, England 
Venue:  Church of San Giovanni Evangelista, Ales 
Length: 4 Minutes 49 Secs. 
173.
Serse HWV 40: Largo (Ombra mai fu) by George Frideric Handel
Performer:  Massimo Gabba (Organ)
Period: Baroque 
Written: 1738 
Venue:  Church of San Giovanni Evangelista, Ales 
Length: 5 Minutes 22 Secs. 
174.
Saul HWV 53 - Symphony (Act I): I. Allegro by George Frideric Handel
Performer:  Massimo Gabba (Organ)
Period: Baroque 
Written: 1738 
Venue:  Church of San Giovanni Evangelista, Ales 
Length: 5 Minutes 25 Secs. 
175.
Saul HWV 53 - Symphony (Act I): II. Andante by George Frideric Handel
Performer:  Massimo Gabba (Organ)
Period: Baroque 
Written: 1738 
Venue:  Church of San Giovanni Evangelista, Ales 
Length: 2 Minutes 35 Secs. 
176.
Saul HWV 53 - Symphony (Act I): III. Allegro by George Frideric Handel
Performer:  Massimo Gabba (Organ)
Period: Baroque 
Written: 1738 
Venue:  Church of San Giovanni Evangelista, Ales 
Length: 3 Minutes 26 Secs. 
177.
Saul HWV 53 - Symphony (Act I): IV. Larghetto by George Frideric Handel
Performer:  Massimo Gabba (Organ)
Period: Baroque 
Written: 1738 
Venue:  Church of San Giovanni Evangelista, Ales 
Length: 2 Minutes 52 Secs. 
178.
Saul HWV 53 - Symphony (Act II): I. Largo by George Frideric Handel
Performer:  Massimo Gabba (Organ)
Period: Baroque 
Written: 1738 
Venue:  Church of San Giovanni Evangelista, Ales 
Length: 2 Minutes 20 Secs. 
179.
Saul HWV 53 - Symphony (Act II): II. Allegro by George Frideric Handel
Performer:  Massimo Gabba (Organ)
Period: Baroque 
Written: 1738 
Venue:  Church of San Giovanni Evangelista, Ales 
Length: 3 Minutes 51 Secs. 
180.
Coronation Anthems (4): no 1, HWV 258 "Zadok the priest" by George Frideric Handel
Conductor:  Sir David Willcocks
Period: Baroque 
Written: 1727; London, England 
Date of Recording: 1996 
Length: 6 Minutes 9 Secs. 
181.
Judas Maccabaeus HWV 63: Paraphrase on See the conqu'ring hero comes by George Frideric Handel
Performer:  Massimo Gabba (Organ)
Period: Baroque 
Written: 1746 
Venue:  Church of San Giovanni Evangelista, Ales 
Length: 3 Minutes 54 Secs. 
182.
Messiah HWV 56: Marche religieuse on Lift up your heads by George Frideric Handel
Performer:  Massimo Gabba (Organ)
Period: Baroque 
Written: 1741; England 
Venue:  Church of San Giovanni Evangelista, Ales 
Length: 6 Minutes 18 Secs. 
183.
German Arias (9): no 1, Künft'ger Zeiten eitler, HWV 202 by George Frideric Handel
Performer:  Dieter Zahn (Violone), Günter Klier (Bassoon), Peter Mirring (Violin),
Arleen [Soprano Vocal] Augér ()
Period: Baroque 
Written: 1724-1727; London, England 
Date of Recording: 04/1980 
Venue:  Paul-Gerhard-Kirche, Leipzig, Germany 
Length: 4 Minutes 55 Secs. 
184.
German Arias (9): no 2, Das zitternde Gänzen, HWV 203 by George Frideric Handel
Performer:  Matthias Pfaender (Cello), Burkhard Glaetzner (Oboe), Arleen [Soprano Vocal] Augér ()
Period: Baroque 
Written: 1724-1727; London, England 
Date of Recording: 04/1980 
Venue:  Paul-Gerhard-Kirche, Leipzig, Germany 
Length: 7 Minutes 0 Secs. 
185.
German Arias (9): no 3, Süsser blumen Ambraflöcken, HWV 204 by George Frideric Handel
Performer:  Dieter Zahn (Violone), Günter Klier (Bassoon), Arleen [Soprano Vocal] Augér (),
Peter Mirring (Violin)
Period: Baroque 
Written: 1724-1727; London, England 
Date of Recording: 04/1980 
Venue:  Paul-Gerhard-Kirche, Leipzig, Germany 
Length: 6 Minutes 31 Secs. 
186.
German Arias (9): no 4, Süsse Stille, sanfte Quelle, HWV 205 by George Frideric Handel
Performer:  Dieter Zahn (Violone), Werner Tast (Flute), Arleen [Soprano Vocal] Augér ()
Period: Baroque 
Written: 1724-1727; London, England 
Date of Recording: 04/1980 
Venue:  Paul-Gerhard-Kirche, Leipzig, Germany 
Length: 5 Minutes 40 Secs. 
187.
German Arias (9): no 5, Singe Seele, Gott zum Preise, HV 206 by George Frideric Handel
Performer:  Matthias Pfaender (Cello), Dieter Zahn (Violone), Arleen [Soprano Vocal] Augér (),
Peter Mirring (Violin)
Period: Baroque 
Written: 1724-1727; London, England 
Date of Recording: 04/1980 
Venue:  Paul-Gerhard-Kirche, Leipzig, Germany 
Length: 5 Minutes 39 Secs. 
188.
German Arias (9): no 6, Meine Seele hört im Sehen, HWV 207 by George Frideric Handel
Performer:  Dieter Zahn (Violone), Günter Klier (Bassoon), Burkhard Glaetzner (Oboe),
Arleen [Soprano Vocal] Augér ()
Period: Baroque 
Written: 1724-1727; London, England 
Date of Recording: 04/1980 
Venue:  Paul-Gerhard-Kirche, Leipzig, Germany 
Length: 6 Minutes 34 Secs. 
189.
German Arias (9): no 7, Die ihr aus dunkeln Grüften, HWV 208 by George Frideric Handel
Performer:  Peter Mirring (Violin), Günter Klier (Bassoon), Dieter Zahn (Violone),
Arleen [Soprano Vocal] Augér ()
Period: Baroque 
Written: 1724-1727; London, England 
Date of Recording: 04/1980 
Venue:  Paul-Gerhard-Kirche, Leipzig, Germany 
Length: 5 Minutes 36 Secs. 
190.
German Arias (9): no 8, In den angenehmen, HWV 209 by George Frideric Handel
Performer:  Arleen [Soprano Vocal] Augér (), Matthias Pfaender (Cello), Peter Mirring (Violin)
Period: Baroque 
Written: 1724-1727; London, England 
Date of Recording: 04/1980 
Venue:  Paul-Gerhard-Kirche, Leipzig, Germany 
Length: 5 Minutes 0 Secs. 
191.
German Arias (9): no 9, Flammende Rose, Zierde..., HWV 210 by George Frideric Handel
Performer:  Matthias Pfaender (Cello), Werner Tast (Flute), Arleen [Soprano Vocal] Augér ()
Period: Baroque 
Written: 1724-1727; Germany 
Date of Recording: 04/1980 
Venue:  Paul-Gerhard-Kirche, Leipzig, Germany 
Length: 5 Minutes 47 Secs. 
192.
Da quel giorno fatale, HWV 99 "Il delirio amoroso" by George Frideric Handel
Performer:  Marco Vitale (Harpsichord), Stefanie True ()
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Written: circa 1707-1710; Italy 
Venue:  Oud Katholieke Kerk, Delft, The Netherla 
Length: 32 Minutes 13 Secs. 
193.
Ditemi, o piante, HWV 107 by George Frideric Handel
Performer:  Stefanie True (), Marco Vitale (Harpsichord)
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Written: by 1708 
Venue:  Oud Katholieke Kerk, Delft, The Netherla 
Length: 9 Minutes 37 Secs. 
194.
Care selve, aure grate, cantata for soprano, HWV 88 by George Frideric Handel
Performer:  Stefanie True (), Marco Vitale (Harpsichord)
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Written: circa 1708 
Venue:  Oud Katholieke Kerk, Delft, The Netherla 
Length: 6 Minutes 2 Secs. 
195.
Allor ch’io dissi addio, HWV 80 by George Frideric Handel
Performer:  Marco Vitale (Harpsichord), Stefanie True ()
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Written: circa 1708 
Venue:  Oud Katholieke Kerk, Delft, The Netherla 
Length: 7 Minutes 8 Secs. 
196.
Un alma innamorata, HWV 173 by George Frideric Handel
Performer:  Marco Vitale (Harpsichord), Stefanie True ()
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Written: by 1707 
Venue:  Oud Katholieke Kerk, Delft, The Netherla 
Length: 14 Minutes 38 Secs. 
197.
O luceniti, o sereni occhi, HWV 144 by George Frideric Handel
Performer:  Stefanie True (), Marco Vitale (Harpsichord)
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Written: circa 1708 
Venue:  Oud Katholieke Kerk, Delft, The Netherla 
Length: 7 Minutes 26 Secs. 
198.
Aure soavi e liete, HWV 84 by George Frideric Handel
Performer:  Stefanie True (), Marco Vitale (Harpsichord)
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Written: by 1707; Italy 
Venue:  Oud Katholieke Kerk, Delft, The Netherla 
Length: 5 Minutes 28 Secs. 
199.
Tra le fiamme, HWV 170 by George Frideric Handel
Performer:  Renato Criscuolo (Cello Piccolo), Valentina Varriale (), Renato Criscuolo (Cello)
Orchestra/Ensemble:  Musica Perduta
Period: Baroque 
Written: Italy 
Venue:  Oratorio dei Padri Barnabiti, Rome 
Length: 14 Minutes 24 Secs. 
200.
Arresta il passo, HWV 83 "Aminta e Fillide" by George Frideric Handel
Performer:  Klaartje Van Veldhoven (), Marco Vitale (Harpsichord)
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Written: 1708; Italy 
Venue:  Oud Katholieke Kerk, Delft, The Netherla 
Length: 44 Minutes 27 Secs. 
201.
How beautiful are the feet of them (His Anthem on the Peace) (Peace Anthem), anthem, HWV 266 by George Frideric Handel
Performer:  Marco Vitale (Harpsichord), Stefanie True ()
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Written: 1749; United Kingdom 
Date of Recording: 04/2010 
Venue:  Oud Katholieke Kerk, Delft, The Netherla 
Length: 0 Minutes 53 Secs. 
202.
Sans y penser, cantata for soprano, HWV 155 by George Frideric Handel
Performer:  Marco Vitale (Harpsichord), Stefanie True ()
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Date of Recording: 04/2010 
Venue:  Oud Katholieke Kerk, Delft, The Netherla 
Length: 9 Minutes 21 Secs. 
203.
Clori, vezzosa Clori, HWV 95 by George Frideric Handel
Performer:  Marco Vitale (Harpsichord), Stefanie True ()
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Date of Recording: 04/2010 
Venue:  Oud Katholieke Kerk, Delft, The Netherla 
Length: 4 Minutes 52 Secs. 
204.
Nel dolce dell'oblio, HWV 134 (Pensieri notturni di Filli) by George Frideric Handel
Performer:  Klaartje Van Veldhoven (), Marco Vitale (Harpsichord)
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Written: circa 1707-1710; Italy 
Date of Recording: 04/2010 
Venue:  Oud Katholieke Kerk, Delft, The Netherla 
Length: 6 Minutes 10 Secs. 
205.
Lungi n'ando Fileno, HWV 128 by George Frideric Handel
Performer:  Stefanie True (), Marco Vitale (Harpsichord)
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Date of Recording: 04/2010 
Venue:  Oud Katholieke Kerk, Delft, The Netherla 
Length: 13 Minutes 26 Secs. 
206.
Mira Lilla gentile: Cantata à canto solo con violino obbligato del signor Federico Hendel: Recitativ by George Frideric Handel
Performer:  Valentina Varriale (), Renato Criscuolo (Cello Piccolo), Renato Criscuolo (Cello)
Orchestra/Ensemble:  Musica Perduta
Period: Baroque 
Venue:  Oratorio dei Padri Barnabiti, Rome 
Length: 0 Minutes 48 Secs. 
207.
Mira Lilla gentile: Cantata à canto solo con violino obbligato del signor Federico Hendel: Aria: Non by George Frideric Handel
Performer:  Renato Criscuolo (Cello), Valentina Varriale (), Renato Criscuolo (Cello Piccolo)
Orchestra/Ensemble:  Musica Perduta
Period: Baroque 
Venue:  Oratorio dei Padri Barnabiti, Rome 
Length: 6 Minutes 23 Secs. 
208.
Mira Lilla gentile: Cantata à canto solo con violino obbligato del signor Federico Hendel: Aria: Con by George Frideric Handel
Performer:  Valentina Varriale (), Renato Criscuolo (Cello), Renato Criscuolo (Cello Piccolo)
Orchestra/Ensemble:  Musica Perduta
Period: Baroque 
Venue:  Oratorio dei Padri Barnabiti, Rome 
Length: 2 Minutes 34 Secs. 
209.
Mira Lilla gentile: Cantata à canto solo con violino obbligato del signor Federico Hendel: Aria: Ben by George Frideric Handel
Performer:  Valentina Varriale (), Renato Criscuolo (Cello Piccolo), Renato Criscuolo (Cello)
Orchestra/Ensemble:  Musica Perduta
Period: Baroque 
Venue:  Oratorio dei Padri Barnabiti, Rome 
Length: 3 Minutes 45 Secs. 
210.
La caduta di Icaro, cantata for soprano, 2 violins & continuo by Anonymous
Performer:  Valentina Varriale (), Renato Criscuolo (Cello Piccolo), Renato Criscuolo (Cello)
Orchestra/Ensemble:  Musica Perduta
Period: Baroque 
Venue:  Oratorio dei Padri Barnabiti, Rome 
Length: 17 Minutes 34 Secs. 
211.
Mira Lilla gentile: Cantata à canto solo con violoncello obbligato del signor Federico Hendel: Recit by George Frideric Handel
Performer:  Valentina Varriale (), Renato Criscuolo (Cello), Renato Criscuolo (Cello Piccolo)
Orchestra/Ensemble:  Musica Perduta
Period: Baroque 
Date of Recording: 11/28/2010 
Venue:  Millennium Audio Recording Studio, Rome 
Length: 0 Minutes 37 Secs. 
212.
Mira Lilla gentile: Cantata à canto solo con violoncello obbligato del signor Federico Hendel: Aria: by George Frideric Handel
Performer:  Valentina Varriale (), Renato Criscuolo (Cello Piccolo), Renato Criscuolo (Cello)
Orchestra/Ensemble:  Musica Perduta
Period: Baroque 
Date of Recording: 11/28/2010 
Venue:  Millennium Audio Recording Studio, Rome 
Length: 2 Minutes 21 Secs. 
213.
Work(s): Sonata in B by George Frideric Handel
Performer:  Claudio Astronio (Harpsichord), Gemma [Soprano Vocal] Bertagnolli (), Susanne Rydén ()
Conductor:  Claudio Astronio
Orchestra/Ensemble:  Harmonices Mundi
Period: Baroque 
Venue:  Vereinshaus, Lengmoos, Süd-Tirol 
Length: 1 Minutes 10 Secs. 
214.
Quel fior ch'all'alba ride, for soprano & continuo, HWV 154 by George Frideric Handel
Performer:  Claudio Astronio (Harpsichord), Gemma [Soprano Vocal] Bertagnolli (), Susanne Rydén ()
Conductor:  Claudio Astronio
Orchestra/Ensemble:  Harmonices Mundi
Period: Baroque 
Written: circa 1739; Italy 
Venue:  Vereinshaus, Lengmoos, Süd-Tirol 
Length: 5 Minutes 14 Secs. 
215.
Va, speme infida, duet for 2 sopranos & continuo, HWV 199 by George Frideric Handel
Performer:  Claudio Astronio (Harpsichord), Gemma [Soprano Vocal] Bertagnolli (), Susanne Rydén ()
Conductor:  Claudio Astronio
Orchestra/Ensemble:  Harmonices Mundi
Period: Baroque 
Written: circa 1711 
Venue:  Vereinshaus, Lengmoos, Süd-Tirol 
Length: 7 Minutes 11 Secs. 
216.
Work(s): Prelude by George Frideric Handel
Performer:  Claudio Astronio (Harpsichord), Gemma [Soprano Vocal] Bertagnolli (), Susanne Rydén ()
Conductor:  Claudio Astronio
Orchestra/Ensemble:  Harmonices Mundi
Period: Baroque 
Venue:  Vereinshaus, Lengmoos, Süd-Tirol 
Length: 1 Minutes 33 Secs. 
217.
Amor gioje mi porge, for 2 soprano voices & continuo, HWV180 by George Frideric Handel
Performer:  Claudio Astronio (Harpsichord), Gemma [Soprano Vocal] Bertagnolli (), Susanne Rydén ()
Conductor:  Claudio Astronio
Orchestra/Ensemble:  Harmonices Mundi
Period: Baroque 
Written: 1707-1709 
Venue:  Vereinshaus, Lengmoos, Süd-Tirol 
Length: 6 Minutes 38 Secs. 
218.
Work(s): Entreé by George Frideric Handel
Performer:  Claudio Astronio (Harpsichord), Gemma [Soprano Vocal] Bertagnolli (), Susanne Rydén ()
Conductor:  Claudio Astronio
Orchestra/Ensemble:  Harmonices Mundi
Period: Baroque 
Venue:  Vereinshaus, Lengmoos, Süd-Tirol 
Length: 1 Minutes 52 Secs. 
219.
Caro autor di mia doglia, HWV 182a by George Frideric Handel
Performer:  Gemma [Soprano Vocal] Bertagnolli (), Claudio Astronio (Harpsichord), Susanne Rydén ()
Conductor:  Claudio Astronio
Orchestra/Ensemble:  Harmonices Mundi
Period: Baroque 
Venue:  Vereinshaus, Lengmoos, Süd-Tirol 
Length: 6 Minutes 6 Secs. 
220.
Ahi nelle sorti umane, cantata for 2 sopranos & continuo, HWV 179 by George Frideric Handel
Performer:  Gemma [Soprano Vocal] Bertagnolli (), Claudio Astronio (Harpsichord), Susanne Rydén ()
Conductor:  Claudio Astronio
Orchestra/Ensemble:  Harmonices Mundi
Period: Baroque 
Written: 1745 
Venue:  Vereinshaus, Lengmoos, Süd-Tirol 
Length: 5 Minutes 36 Secs. 
221.
Prelude by George Frideric Handel
Performer:  Gemma [Soprano Vocal] Bertagnolli (), Claudio Astronio (Harpsichord), Susanne Rydén ()
Conductor:  Claudio Astronio
Orchestra/Ensemble:  Harmonices Mundi
Period: Baroque 
Venue:  Vereinshaus, Lengmoos, Süd-Tirol 
Length: 2 Minutes 33 Secs. 
222.
No, di voi non vo' fidarmi, duet for 2 sopranos & continuo, HWV 189 by George Frideric Handel
Performer:  Gemma [Soprano Vocal] Bertagnolli (), Claudio Astronio (Harpsichord), Susanne Rydén ()
Conductor:  Claudio Astronio
Orchestra/Ensemble:  Harmonices Mundi
Period: Baroque 
Written: 1741 
Venue:  Vereinshaus, Lengmoos, Süd-Tirol 
Length: 6 Minutes 15 Secs. 
223.
The Alchemist, HWV 43 by George Frideric Handel
Performer:  Michael Borgstede (Harpsichord)
Conductor:  Jed Wentz
Orchestra/Ensemble:  Musica ad Rhenum
Period: Baroque 
Written: by 1710; London, England 
Date of Recording: 2006 
Length: 18 Minutes 14 Secs. 
224.
La terra è liberata, HWV 122 "Apollo e Dafne" by George Frideric Handel
Performer:  Tom Sol ()
Conductor:  Jed Wentz
Orchestra/Ensemble:  Musica ad Rhenum
Period: Baroque 
Written: circa 1708; Italy 
Date of Recording: 2006 
Length: 36 Minutes 23 Secs. 
225.
Sorgi il dì, HWV 72 "Aci, Galatea, e Polifemo" by George Frideric Handel
Performer:  Stefanie True (), Luciana Mancini ()
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Written: 1708; Italy 
Date of Recording: 10/15/2007 
Venue:  Oud-Katholieke Kerk, Delft, The Netherla 
Length: 3 Minutes 13 Secs. 
226.
Alexander's Feast, HWV 75 "Ode for St Cecilia's Day" by George Frideric Handel
Conductor:  Alfred Deller
Period: Baroque 
Written: 1736; London, England 
Date of Recording: 1964 
Venue:  Baumgarten, Vienna, Austria 
Length: 6 Minutes 45 Secs. 
227.
Ode for the Birthday of Queen Anne, HWV 74 by George Frideric Handel
Performer:  Eberhard Büchner (), Armin Thalheim (Harpsichord)
Conductor:  Dietrich Knothe
Period: Baroque 
Written: 1713; London, England 
Date of Recording: 1974 
Length: 25 Minutes 31 Secs. 
228.
Coronation Anthems (4): no 4, HWV 261 "My heart is inditing" by George Frideric Handel
Conductor:  Sir David Willcocks
Period: Baroque 
Written: 1727; London, England 
Date of Recording: 1996 
Length: 11 Minutes 19 Secs. 
229.
Coronation Anthems (4): no 2, HWV 259 "Let thy hand be strengthened" by George Frideric Handel
Conductor:  Sir David Willcocks
Period: Baroque 
Written: 1727; London, England 
Date of Recording: 1996 
Length: 8 Minutes 12 Secs. 
230.
Coronation Anthems (4): no 3, HWV 260 "The king shall rejoice" by George Frideric Handel
Conductor:  Sir David Willcocks
Period: Baroque 
Written: 1727; London, England 
Date of Recording: 1996 
Length: 10 Minutes 17 Secs. 
231.
Te Deum in D major, HWV 283 "Dettingen" by George Frideric Handel
Performer:  Günter [Baritone Vocal] Leib ()
Conductor:  Helmut Koch
Period: Baroque 
Written: 1743; London, England 
Date of Recording: 09/1968 
Venue:  SRK, Berlin, Germany 
Length: 4 Minutes 5 Secs. 
232.
Utrecht Te Deum, HWV 278 by George Frideric Handel
Performer:  Michael Pohl (Organ)
Conductor:  Dietrich Knothe
Period: Baroque 
Written: 1713; London, England 
Date of Recording: 1975 
Length: 5 Minutes 39 Secs. 
233.
Ode for St Cecilia's Day, HWV 76 by George Frideric Handel
Conductor:  Christian Kluttig
Period: Baroque 
Written: 1739; London, England 
Date of Recording: 07/1982 
Venue:  Paul-Gerhardt-Kirche, Leipzig, Germany 
Length: 42 Minutes 10 Secs. 
234.
Messiah HWV 56: Part 1: Sinfonia (ouverture) by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 3 Minutes 2 Secs. 
235.
Messiah HWV 56: Part 1: Recitative: Comfort ye my people by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet), John Mark Ainsley ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 2 Minutes 51 Secs. 
236.
Messiah HWV 56: Part 1: Air: Ev'ry valley shall be exalted by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet), John Mark Ainsley ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 3 Minutes 20 Secs. 
237.
Messiah HWV 56: Part 1: Chorus: And the glory of the Lord shall be revealed by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 2 Minutes 51 Secs. 
238.
Messiah HWV 56: Part 1: Recitative: Thus said the Lord of Hosts by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet), Alastair [Bass Vocal] Miles ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 1 Minutes 19 Secs. 
239.
Messiah HWV 56: Part 1: Air: But who may abide by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 4 Minutes 4 Secs. 
240.
Messiah HWV 56: Part 1: Chorus: And He shall purify by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 2 Minutes 29 Secs. 
241.
Messiah HWV 56: Part 1: Recitative: Behold, a virgin shall conceive by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 0 Minutes 23 Secs. 
242.
Messiah HWV 56: Part 1: Air and Chorus: O thou that tellest by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 5 Minutes 26 Secs. 
243.
Messiah HWV 56: Part 1: Recitative: For behold, darkness shall cover the earth by George Frideric Handel
Performer:  Alastair [Bass Vocal] Miles (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 2 Minutes 1 Secs. 
244.
Messiah HWV 56: Part 1: Air: The people that walked in darkness by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet), Alastair [Bass Vocal] Miles ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 3 Minutes 17 Secs. 
245.
Messiah HWV 56: Part 1: Chorus: For unto us a Child is born by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 4 Minutes 4 Secs. 
246.
Messiah HWV 56: Part 1: Pifa (Pastoral Symphony) by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 2 Minutes 30 Secs. 
247.
Messiah HWV 56: Part 1: Recitative: There were shepherds by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet), Lynne Dawson ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 0 Minutes 30 Secs. 
248.
Messiah HWV 56: Part 1: Recitative: And the angel said unto them by George Frideric Handel
Performer:  Lynne Dawson (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 0 Minutes 31 Secs. 
249.
Messiah HWV 56: Part 1: Recitative: And suddenly there was with the angel by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet), Lynne Dawson ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 0 Minutes 16 Secs. 
250.
Messiah HWV 56: Part 1: Chorus: Glory to God in the highest by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 1 Minutes 52 Secs. 
251.
Messiah HWV 56: Part 1: Air: Rejoice greatly, O daughter of Zion by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet), Lynne Dawson ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 4 Minutes 16 Secs. 
252.
Messiah HWV 56: Part 1: Recitative: Then shall the eyes of the blind by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 0 Minutes 24 Secs. 
253.
Messiah HWV 56: Part 1: Duet: He shall feed His flock by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet), Lynne Dawson ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 4 Minutes 34 Secs. 
254.
Messiah HWV 56: Part 1: Chorus: His yoke is easy by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 2 Minutes 20 Secs. 
255.
Messiah HWV 56: Part 2: Chorus: Behold, the Lamb of God by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 2 Minutes 21 Secs. 
256.
Messiah HWV 56: Part 2: Air: He was despised and rejected of men by George Frideric Handel
Performer:  John Mark Ainsley (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 9 Minutes 50 Secs. 
257.
Messiah HWV 56: Part 2: Chorus: Surely He hath borne our griefs by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 1 Minutes 42 Secs. 
258.
Messiah HWV 56: Part 2: Chorus: And with His stripes we are healed by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 1 Minutes 47 Secs. 
259.
Messiah HWV 56: Part 2: Chorus: All we like sheep have gone astray by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 3 Minutes 43 Secs. 
260.
Messiah HWV 56: Part 2: Recitative: All they that see Him by George Frideric Handel
Performer:  John Mark Ainsley (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 0 Minutes 40 Secs. 
261.
Messiah HWV 56: Part 2: Chorus: He trusted in God by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 2 Minutes 18 Secs. 
262.
Messiah HWV 56: Part 2: Recitative: Thy rebuke hath broken His heart by George Frideric Handel
Performer:  John Mark Ainsley (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 1 Minutes 48 Secs. 
263.
Messiah HWV 56: Part 2: Air: Behold, and see if there be any sorrow by George Frideric Handel
Performer:  John Mark Ainsley (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 1 Minutes 21 Secs. 
264.
Messiah HWV 56: Part 2: Recitative: He was cut off out of the land by George Frideric Handel
Performer:  John Mark Ainsley (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 0 Minutes 17 Secs. 
265.
Messiah HWV 56: Part 2: Air: But Thou didst not leave by George Frideric Handel
Performer:  Lynne Dawson (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 2 Minutes 20 Secs. 
266.
Messiah HWV 56: Part 2: Chorus: Lift up your heads by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 2 Minutes 58 Secs. 
267.
Messiah HWV 56: Part 2: Recitative: Unto which of the angels by George Frideric Handel
Performer:  John Mark Ainsley (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 0 Minutes 18 Secs. 
268.
Messiah HWV 56: Part 2: Chorus: Let all the angels of God worship Him by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 1 Minutes 27 Secs. 
269.
Messiah HWV 56: Part 2: Air: Thou art gone up on high by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 3 Minutes 11 Secs. 
270.
Messiah HWV 56: Part 2: Chorus: The Lord gave the word by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 1 Minutes 4 Secs. 
271.
Messiah HWV 56: Part 2: Air: How beautiful are the feet by George Frideric Handel
Performer:  Lynne Dawson (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 2 Minutes 2 Secs. 
272.
Messiah HWV 56: Part 2: Chorus: Their sound is gone out by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 1 Minutes 29 Secs. 
273.
Messiah HWV 56: Part 2: Air: Why do the nations? by George Frideric Handel
Performer:  Alastair [Bass Vocal] Miles (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 1 Minutes 25 Secs. 
274.
Messiah HWV 56: Part 2: Chorus: Let us break their bonds asunder by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 1 Minutes 43 Secs. 
275.
Messiah HWV 56: Part 2: Recitative: He that dwelleth in heaven by George Frideric Handel
Performer:  John Mark Ainsley (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 0 Minutes 11 Secs. 
276.
Messiah HWV 56: Part 2: Air: Thou shalt break them by George Frideric Handel
Performer:  John Mark Ainsley (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 1 Minutes 58 Secs. 
277.
Messiah HWV 56: Part 2: Chorus: Hallelujah! by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 3 Minutes 35 Secs. 
278.
Messiah HWV 56: Part 3: Air: I know that my Redeemer liveth by George Frideric Handel
Performer:  Lynne Dawson (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 5 Minutes 47 Secs. 
279.
Messiah HWV 56: Part 3: Chorus: Since by man came death by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 2 Minutes 2 Secs. 
280.
Messiah HWV 56: Part 3: Recitative: Behold, I tell you a mystery by George Frideric Handel
Performer:  Alastair [Bass Vocal] Miles (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 0 Minutes 34 Secs. 
281.
Messiah HWV 56: Part 3: Air: The trumpet shall sound by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet), Alastair [Bass Vocal] Miles ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 8 Minutes 30 Secs. 
282.
Messiah HWV 56: Part 3: Recitative: Then shall be brought to pass by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 0 Minutes 16 Secs. 
283.
Messiah HWV 56: Part 3: Duet: O death, where is thy sting? by George Frideric Handel
Performer:  John Mark Ainsley (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 1 Minutes 2 Secs. 
284.
Messiah HWV 56: Part 3: Chorus: But thanks be to God by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 2 Minutes 2 Secs. 
285.
Messiah HWV 56: Part 3: Air: If God be for us by George Frideric Handel
Performer:  Lynne Dawson (), Crispian Steele-Perkins (Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 5 Minutes 6 Secs. 
286.
Messiah HWV 56: Part 3: Chorus: Worthy is the Lamb - Amen by George Frideric Handel
Performer:  Crispian Steele-Perkins (Trumpet), Lynne Dawson ()
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Brandenburg Consort
Period: Baroque 
Written: 1741; England 
Date of Recording: 1993 
Venue:  Pieterskerk, Leiden, The Netherlands 
Length: 6 Minutes 49 Secs. 
287.
La resurrezione, HWV 47 by George Frideric Handel
Conductor:  Marco Vitale
Orchestra/Ensemble:  Contrasto Armonico
Period: Baroque 
Written: circa 1708; Italy 
Date of Recording: 2008 
Venue:  Oud-Katholieke Kerk, Delft, The Netherla 
Length: 110 Minutes 5 Secs. 
288.
Jephtha, HWV 70 by George Frideric Handel
Conductor:  Marcus Creed
Period: Baroque 
Written: 1752; London, England 
Date of Recording: 06/1992 
Venue:  Kirche "Zur frohen Botschaft", Berlin-Ka 
Length: 141 Minutes 11 Secs. 
289.
Israel in Egypt, HWV 54 by George Frideric Handel
Conductor:  Anthony Bramall
Period: Baroque 
Written: by 1739; London, England 
Date of Recording: 02/26/2006 
Venue:  Live  Badisches Staatstheater Karlsruhe, Germa 
Length: 95 Minutes 4 Secs. 
290.
Judas Maccabaeus HWV 63: Overture: Largo - Allegro - Largo by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 4 Minutes 43 Secs. 
291.
Judas Maccabaeus HWV 63: Act 1: Chorus: Mourn, ye afflicted children by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 6 Minutes 33 Secs. 
292.
Judas Maccabaeus HWV 63: Act 1: Recitative: Well may your sorrows by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ), Heather Harper ()
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 1 Minutes 36 Secs. 
293.
Judas Maccabaeus HWV 63: Act 1: Chorus: For Zion lamentation make by George Frideric Handel
Performer:  Harold Lester (Organ), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 2 Minutes 58 Secs. 
294.
Judas Maccabaeus HWV 63: Act 1: Recitative: Not in vain is all this storm by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 1 Minutes 4 Secs. 
295.
Judas Maccabaeus HWV 63: Act 1: Air: Pious orgies by George Frideric Handel
Performer:  Harold Lester (Organ), Heather Harper (), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 2 Minutes 51 Secs. 
296.
Judas Maccabaeus HWV 63: Act 1: Chorus: O Father, whose almighty power by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 2 Minutes 48 Secs. 
297.
Judas Maccabaeus HWV 63: Act 1: Accompanied recitative: I feel the Deity within by George Frideric Handel
Performer:  Harold Lester (Organ), Harold Lester (Harpsichord), John Shirley-Quirk ()
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 1 Minutes 6 Secs. 
298.
Judas Maccabaeus HWV 63: Act 1: Air: Arm arm, ye brave by George Frideric Handel
Performer:  Harold Lester (Organ), Harold Lester (Harpsichord), John Shirley-Quirk ()
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 3 Minutes 21 Secs. 
299.
Judas Maccabaeus HWV 63: Act 1: Chorus: We come in bright array by George Frideric Handel
Performer:  Harold Lester (Organ), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 1 Minutes 7 Secs. 
300.
Judas Maccabaeus HWV 63: Act 1: Recitative: 'Tis well, my friends by George Frideric Handel
Performer:  Harold Lester (Organ), Harold Lester (Harpsichord), Alexander Young ()
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 0 Minutes 42 Secs. 
301.
Judas Maccabaeus HWV 63: Act 1: Air: Call forth thy powers by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Alexander Young (), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 2 Minutes 6 Secs. 
302.
Judas Maccabaeus HWV 63: Act 1: Air: Come, ever-smiling liberty by George Frideric Handel
Performer:  Heather Harper (), Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 1 Minutes 33 Secs. 
303.
Judas Maccabaeus HWV 63: Act 1: Chorus: Lead on, lead on by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 0 Minutes 52 Secs. 
304.
Judas Maccabaeus HWV 63: Act 1: Recitative: So willed my father by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ), Alexander Young ()
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 1 Minutes 30 Secs. 
305.
Judas Maccabaeus HWV 63: Act 1: Chorus: Disdainful of danger by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 2 Minutes 9 Secs. 
306.
Judas Maccabaeus HWV 63: Act 1: Recitative: Ambition by George Frideric Handel
Performer:  Harold Lester (Organ), Alexander Young (), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 0 Minutes 20 Secs. 
307.
Judas Maccabaeus HWV 63: Act 1: Air: No unhallowed desire by George Frideric Handel
Performer:  Harold Lester (Organ), Alexander Young (), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 2 Minutes 14 Secs. 
308.
Judas Maccabaeus HWV 63: Act 2: Recitative: Haste we, my brethren by George Frideric Handel
Performer:  Harold Lester (Organ), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 0 Minutes 13 Secs. 
309.
Judas Maccabaeus HWV 63: Act 2: Chorus: Hear us, oh Lord by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 3 Minutes 28 Secs. 
310.
Judas Maccabaeus HWV 63: Act 2: Chorus: Fallen is the foe by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 3 Minutes 32 Secs. 
311.
Judas Maccabaeus HWV 63: Act 2: Duet and Chorus: Zion now her head shall raise by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Heather Harper (), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 5 Minutes 46 Secs. 
312.
Judas Maccabaeus HWV 63: Act 2: Recitative: Oh, let eternal honours by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ), Heather Harper ()
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 0 Minutes 41 Secs. 
313.
Judas Maccabaeus HWV 63: Act 2: Air: From mighty kings by George Frideric Handel
Performer:  Harold Lester (Organ), Heather Harper (), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 8 Minutes 41 Secs. 
314.
Judas Maccabaeus HWV 63: Act 2: Duet and Chorus: Hail, hail Judea by George Frideric Handel
Performer:  Harold Lester (Organ), Heather Harper (), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 2 Minutes 24 Secs. 
315.
Judas Maccabaeus HWV 63: Act 2: Recitative: Thanks to my brethen by George Frideric Handel
Performer:  Alexander Young (), Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 0 Minutes 49 Secs. 
316.
Judas Maccabaeus HWV 63: Act 2: Air: How vain is man by George Frideric Handel
Performer:  Harold Lester (Organ), Harold Lester (Harpsichord), Alexander Young ()
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 6 Minutes 5 Secs. 
317.
Judas Maccabaeus HWV 63: Act 2: Recitative: Oh Judas, oh my brethren by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 0 Minutes 41 Secs. 
318.
Judas Maccabaeus HWV 63: Act 2: Air and Chorus: Ah! Wretched Israel! by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Heather Harper (), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 7 Minutes 17 Secs. 
319.
Judas Maccabaeus HWV 63: Act 2: Recitative: Be comforted by George Frideric Handel
Performer:  Harold Lester (Harpsichord), John Shirley-Quirk (), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 0 Minutes 48 Secs. 
320.
Judas Maccabaeus HWV 63: Act 2: Air: The Lord worketh wonders by George Frideric Handel
Performer:  John Shirley-Quirk (), Harold Lester (Organ), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 3 Minutes 5 Secs. 
321.
Judas Maccabaeus HWV 63: Act 2: Recitative: My arms by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Alexander Young (), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 0 Minutes 25 Secs. 
322.
Judas Maccabaeus HWV 63: Act 2: Air: Sound an alarm by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Alexander Young (), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 1 Minutes 38 Secs. 
323.
Judas Maccabaeus HWV 63: Act 2: Chorus: We hear by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 2 Minutes 32 Secs. 
324.
Judas Maccabaeus HWV 63: Act 2: Recitative: Enough! To heaven we leave the rest by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ), John Shirley-Quirk ()
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 0 Minutes 53 Secs. 
325.
Judas Maccabaeus HWV 63: Act 2: Air: With pious hearts by George Frideric Handel
Performer:  Harold Lester (Organ), John Shirley-Quirk (), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 3 Minutes 25 Secs. 
326.
Judas Maccabaeus HWV 63: Act 2: Recitative: Ye worshippers by George Frideric Handel
Performer:  Heather Harper (), Harold Lester (Organ), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 1 Minutes 21 Secs. 
327.
Judas Maccabaeus HWV 63: Act 2: Air: Wise man, flattering by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Heather Harper (), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 5 Minutes 39 Secs. 
328.
Judas Maccabaeus HWV 63: Act 2: Duet: Oh! never, never bow by George Frideric Handel
Performer:  Heather Harper (), Harold Lester (Organ), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 2 Minutes 26 Secs. 
329.
Judas Maccabaeus HWV 63: Act 2: Chorus: We never will bow down by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Heather Harper (), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 4 Minutes 2 Secs. 
330.
Judas Maccabaeus HWV 63: Act 3: Air: Father of Heaven by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 6 Minutes 18 Secs. 
331.
Judas Maccabaeus HWV 63: Act 3: Recitative: See yon flames by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 0 Minutes 40 Secs. 
332.
Judas Maccabaeus HWV 63: Act 3: Recitative: Oh grant it by George Frideric Handel
Performer:  Heather Harper (), Harold Lester (Organ), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 0 Minutes 40 Secs. 
333.
Judas Maccabaeus HWV 63: Act 3: Air: So shall the lute by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Heather Harper (), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 4 Minutes 31 Secs. 
334.
Judas Maccabaeus HWV 63: Act 3: Recitative: From Capharsalama by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 1 Minutes 29 Secs. 
335.
Judas Maccabaeus HWV 63: Act 3: Chorus: See the conquering hero by George Frideric Handel
Performer:  Harold Lester (Organ), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 2 Minutes 49 Secs. 
336.
Judas Maccabaeus HWV 63: Act 3: March by George Frideric Handel
Performer:  Harold Lester (Organ), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 1 Minutes 53 Secs. 
337.
Judas Maccabaeus HWV 63: Act 3: Duet and Chorus: Sing unto God by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 3 Minutes 4 Secs. 
338.
Judas Maccabaeus HWV 63: Act 3: Recitative: Sweet flow the strains by George Frideric Handel
Performer:  Alexander Young (), Harold Lester (Organ), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 1 Minutes 0 Secs. 
339.
Judas Maccabaeus HWV 63: Act 3: Air: With honour let desert by George Frideric Handel
Performer:  Alexander Young (), Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 3 Minutes 13 Secs. 
340.
Judas Maccabaeus HWV 63: Act 3: Recitative: Peace to my countrymen by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 0 Minutes 51 Secs. 
341.
Judas Maccabaeus HWV 63: Act 3: Chorus: To our great God by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 2 Minutes 26 Secs. 
342.
Judas Maccabaeus HWV 63: Act 3: Recitative: Again to earth by George Frideric Handel
Performer:  Heather Harper (), Harold Lester (Organ), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 1 Minutes 6 Secs. 
343.
Judas Maccabaeus HWV 63: Act 3: Duet: Oh lovely peace by George Frideric Handel
Performer:  Heather Harper (), Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 4 Minutes 18 Secs. 
344.
Judas Maccabaeus HWV 63: Act 3: Air: Rejoice, o Judah! by George Frideric Handel
Performer:  John Shirley-Quirk (), Harold Lester (Organ), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 1 Minutes 57 Secs. 
345.
Judas Maccabaeus HWV 63: Act 3: Chorus: Hallelujah, Amen by George Frideric Handel
Performer:  John Shirley-Quirk (), Harold Lester (Organ), Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1746 
Date of Recording: 1972 
Length: 1 Minutes 45 Secs. 
346.
Samson, HWV 57 by George Frideric Handel
Performer:  Alexander Schreiner (Organ), Alexander Schreiner (Harpsichord)
Conductor:  Maurice Abravanel
Period: Baroque 
Written: by 1743; London, England 
Date of Recording: 1963 
Length: 135 Minutes 0 Secs. 
347.
Theodora, HWV 68 by George Frideric Handel
Performer:  Harold Lester (Harpsichord)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1749-1750; London, England 
Date of Recording: 1968 
Length: 143 Minutes 8 Secs. 
348.
Saul HWV 53: Act 1: Overture - Chorus of Israelites: How excellent thy name, O Lord by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 3 Minutes 0 Secs. 
349.
Saul HWV 53: Act 1: Air: An infant rais'd by thy command by George Frideric Handel
Performer:  Anton Heiller (Organ), Laurence Dutoit ()
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 1 Minutes 33 Secs. 
350.
Saul HWV 53: Act 1: Trio: Along the monster atheist strode - Chorus of Israelites: The youth inspir' by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 3 Minutes 43 Secs. 
351.
Saul HWV 53: Act 1: Chorus of Israelites: How excellent Thy name, O Lord by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 2 Minutes 43 Secs. 
352.
Saul HWV 53: Act 1: Recitative: Behold, O king - Air: O King, your favours with delight by George Frideric Handel
Performer:  Thomas Hemsley (), Anton Heiller (Organ), Erling Thorborg ()
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 5 Minutes 46 Secs. 
353.
Saul HWV 53: Act 1: Recitative: Oh, early piety! - Recitative: Thou, Merab, first in birth - Air: My by George Frideric Handel
Performer:  Herbert Handt (), Thomas Hemsley (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 2 Minutes 31 Secs. 
354.
Saul HWV 53: Act 1: Air: See, with what a scornful air by George Frideric Handel
Performer:  Jennifer Vyvyan (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 2 Minutes 28 Secs. 
355.
Saul HWV 53: Act 1: Symphony by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 1 Minutes 20 Secs. 
356.
Saul HWV 53: Act 1: Recitative: Already see the daughters of the land - Chorus of Israelites: Welcom by George Frideric Handel
Performer:  Jennifer Vyvyan (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 2 Minutes 17 Secs. 
357.
Saul HWV 53: Act 1: Accompagnato: What do I hear? Am I then sung so low - Chorus of Israelites: Davi by George Frideric Handel
Performer:  Thomas Hemsley (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 1 Minutes 15 Secs. 
358.
Saul HWV 53: Act 1: Accompagnato: To him ten thousands, and to me but thousands! - Air: With rage I by George Frideric Handel
Performer:  Thomas Hemsley (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 1 Minutes 55 Secs. 
359.
Saul HWV 53: Act 1: Recitative: Imprudent woman! - Air: Fell rage and black despair possess'd by George Frideric Handel
Performer:  Jennifer Vyvyan (), Herbert Handt (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 4 Minutes 17 Secs. 
360.
Saul HWV 53: Act 1: Recitative: Racked with infernal pains - Air: O Lord, whose mercies numberless by George Frideric Handel
Performer:  Erling Thorborg (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 4 Minutes 20 Secs. 
361.
Saul HWV 53: Act 1: Recitative: 'Tis all in vain - Air: A serpent, in my bosom warm'd by George Frideric Handel
Performer:  Herbert Handt (), Thomas Hemsley (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 2 Minutes 29 Secs. 
362.
Saul HWV 53: Act 1: Recitative: Has he escap'd my rage? - Accompagnato: O filial piety! - Air: No, c by George Frideric Handel
Performer:  Herbert Handt (), Thomas Hemsley (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 4 Minutes 24 Secs. 
363.
Saul HWV 53: Act 1: Chorus: Preserve him for the glory of Thy name by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 2 Minutes 58 Secs. 
364.
Saul HWV 53: Act 2: Chorus: Envy, eldest born of hell by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 2 Minutes 42 Secs. 
365.
Saul HWV 53: Act 2: Recitative: Hast thou obey'd my orders - Air: Sin not, O King by George Frideric Handel
Performer:  Herbert Handt (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 2 Minutes 45 Secs. 
366.
Saul HWV 53: Act 2: Air: As great Jehovah lives, I swear - Air: From cities stormed and battles won by George Frideric Handel
Performer:  Thomas Hemsley (), Herbert Handt (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 3 Minutes 33 Secs. 
367.
Saul HWV 53: Act 2: Recitative: Appear. my friend by George Frideric Handel
Performer:  Herbert Handt (), Thomas Hemsley (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 0 Minutes 42 Secs. 
368.
Saul HWV 53: Act 2: Recitative: A father's will has authorized my love - Duet: O fairest of ten thou by George Frideric Handel
Performer:  Jennifer Vyvyan (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 3 Minutes 27 Secs. 
369.
Saul HWV 53: Act 2: Chorus: Is there a man, who all his ways by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 1 Minutes 41 Secs. 
370.
Saul HWV 53: Act 2: Symphony by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 1 Minutes 25 Secs. 
371.
Saul HWV 53: Act 2: Recitative: Thy father is as cruel - Duet: At persecution I can laugh by George Frideric Handel
Performer:  Anton Heiller (Organ), Jennifer Vyvyan ()
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 2 Minutes 3 Secs. 
372.
Saul HWV 53: Act 2: Recitative: Whom dost thou seek - Air: No, No, let the guilty tremble by George Frideric Handel
Performer:  Anton Heiller (Organ), Jennifer Vyvyan ()
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 3 Minutes 11 Secs. 
373.
Saul HWV 53: Act 2: Accompagnato: The time at length is come - Accompagnato: Where is the son of Jes by George Frideric Handel
Performer:  Herbert Handt (), Thomas Hemsley (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 2 Minutes 17 Secs. 
374.
Saul HWV 53: Act 2: Chorus: Oh, fatal consequence of rage by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 5 Minutes 30 Secs. 
375.
Saul HWV 53: Act 3: Accompagnato: Wretch that I am - Accompagnato: 'Tis said, here lives a woman by George Frideric Handel
Performer:  Anton Heiller (Organ), Thomas Hemsley ()
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 4 Minutes 22 Secs. 
376.
Saul HWV 53: Act 3: Recitative: With me what should'st thou? - Air: Infernal spirits Witch of Endor by George Frideric Handel
Performer:  Anton Heiller (Organ), Thomas Hemsley ()
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 2 Minutes 59 Secs. 
377.
Saul HWV 53: Act 3: Accompagnato: Why hast thou forc'd me from the realms of peace by George Frideric Handel
Performer:  Thomas Hemsley (), Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 3 Minutes 14 Secs. 
378.
Saul HWV 53: Act 3: Symphony by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 0 Minutes 45 Secs. 
379.
Saul HWV 53: Act 3: Recitative: Whence comest thou? - Air: Impious wretch, of race accurst! by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 3 Minutes 28 Secs. 
380.
Saul HWV 53: Act 3: Symphony: Dead March by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 2 Minutes 41 Secs. 
381.
Saul HWV 53: Act 3: Chorus: Mourn, Israel, mourn by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 3 Minutes 44 Secs. 
382.
Saul HWV 53: Act 3: Air: Brave Jonathan his bow never drew by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 2 Minutes 16 Secs. 
383.
Saul HWV 53: Act 3: Chorus of Israelites: Eagles were not so swift as they by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 0 Minutes 28 Secs. 
384.
Saul HWV 53: Act 3: Air: In sweetest harmony they lived by George Frideric Handel
Performer:  Anton Heiller (Organ), Jennifer Vyvyan ()
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 9 Minutes 11 Secs. 
385.
Saul HWV 53: Act 3: Recitative: Ye men of Judah, weep no more! - Chorus of Israelites: Gird on thy s by George Frideric Handel
Performer:  Anton Heiller (Organ)
Conductor:  Mogens Wöldike
Period: Baroque 
Written: 1738 
Date of Recording: 1972 
Venue:  Großer Saal, Musikverein, Vienna 
Length: 6 Minutes 28 Secs. 
386.
Solomon, HWV 67 by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: by 1749; London, England 
Date of Recording: 1974 
Venue:  Conway Hall, London, UK 
Length: 141 Minutes 27 Secs. 
387.
Semele, HWV 58 by George Frideric Handel
Performer:  Harold Lester (Harpsichord), Harold Lester (Organ)
Conductor:  Johannes Somary
Period: Baroque 
Written: 1744; London, England 
Date of Recording: 1973 
Length: 118 Minutes 13 Secs. 
388.
Suite for oboe & orchestra in G minor (spurious) by George Frideric Handel
Performer:  Julia Girdwood (Oboe)
Conductor:  Nicholas Ward
Period: Baroque 
Venue:  All Saints Church, East Finchley, UK 
Length: 21 Minutes 39 Secs. 

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