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30-Disc Set / Limited Edition Chandos Records celebrates its thirtieth anniversary in 2009. Founded by Brian Couzens, Chandos quickly established itself as one of the world's leading classical labels. To celebrate thirty years in the classical recording world, Chandos has released a limited edition thirty-disc set featuring highlights of the company's recording history. Each CD is packaged in a CD wallet featuring the original artwork, accompanied by the 2009 Chandos catalogue. ____________ Brian and Ralph Couzens approach to this limited edition box in essence involves ensuring representation for the nodal points in the history of the company: prize-winners, firsts, key collaborations, technical and artistic triumphs. They had plenty to choose from and the process of sifting must have been challenging. This agreeably dumpy box is for inveterate bargain hunters and those who cannot resist limited production collectors editions. It also suits very well the market for young enthusiasts who have just discovered classical music, are still open-minded and unaware of boundaries in their journey of discovery. What you get is an astonishing bargain box cutting a swathe through Chandos’s award and prize winning disc. The overall design of the individual discs is consistent across the thirty but the sleeves mimic the appearance of the originals. The best of Chandos over the last thirty years. Much more than a memento. If you began your classical collection with this box you would count yourself blessed in years to come. -- Rob Barnett, MusicWeb International
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| Works on This Recording | Back to Top | ||||
| 1. |
An Irish Symphony by Sir Hamilton Harty | ||||
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Conductor:
Bryden Thomson
Orchestra/Ensemble: Ulster Orchestra Period: 20th Century Written: 1904; Ireland |
Length: 34 Minutes 3 Secs. |
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| 2. |
A Comedy Overture by Sir Hamilton Harty | ||||
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Conductor:
Bryden Thomson
Orchestra/Ensemble: Ulster Orchestra Period: 20th Century Written: 1906; Ireland |
Length: 14 Minutes 12 Secs. |
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| 3. |
The Planets, Op. 32/H 125 by Gustav Holst | ||||
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Conductor:
Sir Alexander Gibson
Orchestra/Ensemble: Scottish National Orchestra, Scottish National Chorus Period: 20th Century Written: 1914-1916; England |
Length: 52 Minutes 28 Secs. |
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| 4. |
Concerti (12) à 5, Op. 7: no 3 for Oboe in B flat major by Tomaso Albinoni | ||||
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Performer:
Anthony Robson (Oboe)
Conductor: Simon Standage Orchestra/Ensemble: Collegium Musicum 90 Period: Baroque Written: by 1715; Venice, Italy |
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| 5. |
Concerti (12) à 5, Op. 7: no 6 for Oboe in D major by Tomaso Albinoni | ||||
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Performer:
Anthony Robson (Oboe)
Conductor: Simon Standage Orchestra/Ensemble: Collegium Musicum 90 Period: Baroque Written: by 1715; Venice, Italy |
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| 6. |
Concerti (12) à 5, Op. 7: no 9 for Oboe in F major by Tomaso Albinoni | ||||
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Performer:
Anthony Robson (Oboe)
Conductor: Simon Standage Orchestra/Ensemble: Collegium Musicum 90 Period: Baroque Written: by 1715; Venice, Italy |
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| 7. |
Concerti (12) à 5, Op. 7: no 12 for Oboe in C major by Tomaso Albinoni | ||||
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Performer:
Anthony Robson (Oboe)
Conductor: Simon Standage Orchestra/Ensemble: Collegium Musicum 90 Period: Baroque Written: by 1715; Venice, Italy |
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| 8. |
Concerti (12) à 5, Op. 9: no 2 for Oboe in D minor by Tomaso Albinoni | ||||
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Performer:
Anthony Robson (Oboe)
Conductor: Simon Standage Orchestra/Ensemble: Collegium Musicum 90 Period: Baroque Written: 1722; Venice, Italy |
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| 9. |
Concerti (12) à 5, Op. 9: no 5 for Oboe in C major by Tomaso Albinoni | ||||
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Performer:
Anthony Robson (Oboe)
Conductor: Simon Standage Orchestra/Ensemble: Collegium Musicum 90 Period: Baroque Written: 1722; Venice, Italy |
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| 10. |
Concerti (12) à 5, Op. 9: no 8 for Oboe in G minor by Tomaso Albinoni | ||||
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Performer:
Anthony Robson (Oboe)
Conductor: Simon Standage Orchestra/Ensemble: Collegium Musicum 90 Period: Baroque Written: 1722; Venice, Italy |
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| 11. |
Concerti (12) à 5, Op. 9: no 11 for Oboe in B flat major by Tomaso Albinoni | ||||
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Performer:
Anthony Robson (Oboe)
Conductor: Simon Standage Orchestra/Ensemble: Collegium Musicum 90 Period: Baroque Written: 1722; Venice, Italy |
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| 12. |
Symphony no 4 by Arnold Bax | ||||
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Conductor:
Bryden Thomson
Orchestra/Ensemble: Ulster Orchestra Period: 20th Century Written: 1931; England |
Date of Recording: 04/1983 Venue: Ulster Hall, Belfast, Ireland Length: 41 Minutes 33 Secs. |
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| 13. |
Tintagel by Arnold Bax | ||||
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Conductor:
Bryden Thomson
Orchestra/Ensemble: Ulster Orchestra Period: 20th Century Written: 1917-1919; England |
Date of Recording: 04/1983 Venue: Ulster Hall, Belfast, Ireland Length: 14 Minutes 57 Secs. |
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| 14. |
Faust et Hélène by Lili Boulanger | ||||
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Performer:
Jason Howard (Bass),
Lynne Dawson (Soprano),
Bonaventure Bottone (Tenor)
Conductor: Yan Pascal Tortelier Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: 1913; Paris, France |
Date of Recording: 05/14/1999 Venue: New Broadcasting House, Manchester Length: 30 Minutes 5 Secs. Language: French |
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| 15. |
D'un matin de printemps by Lili Boulanger | ||||
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Conductor:
Yan Pascal Tortelier
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: 1918; Italy |
Date of Recording: 05/15/1999 Venue: Bridgewater Hall, Manchester, England Length: 4 Minutes 42 Secs. |
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| 16. |
D'un soir triste by Lili Boulanger | ||||
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Conductor:
Yan Pascal Tortelier
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: 1918; Italy |
Date of Recording: 05/14/1999 Venue: New Broadcasting House, Manchester Length: 10 Minutes 37 Secs. |
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| 17. |
Psalm 130 "Du fond de l'abîme" by Lili Boulanger | ||||
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Performer:
Ann Murray (Mezzo Soprano),
Neil MacKenzie (Tenor)
Conductor: Yan Pascal Tortelier Orchestra/Ensemble: BBC Philharmonic Orchestra, City of Birmingham Symphony Chorus Period: 20th Century Written: 1914-1917; Italy |
Date of Recording: 05/15/1999 Venue: Bridgewater Hall, Manchester, England Length: 24 Minutes 8 Secs. Language: French |
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| 18. |
Psalm 24 "La terre appartient à l'Éternel" by Lili Boulanger | ||||
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Performer:
Neil MacKenzie (Tenor)
Conductor: Yan Pascal Tortelier Orchestra/Ensemble: BBC Philharmonic Orchestra, City of Birmingham Symphony Chorus Period: 20th Century Written: 1916; Italy |
Date of Recording: 05/15/1999 Venue: Bridgewater Hall, Manchester, England Length: 3 Minutes 25 Secs. Language: French |
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| 19. |
Etudes (12) for Piano, Op. 10 by Frédéric Chopin | ||||
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Performer:
Louis Lortie (Piano)
Period: Romantic Written: 1829-1833; Poland |
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| 20. |
Etudes (12) for Piano, Op. 25 by Frédéric Chopin | ||||
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Performer:
Louis Lortie (Piano)
Period: Romantic Written: 1832-1836; Paris, France |
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| 21. |
Nouvelles Etudes (3) for Piano, B 130 by Frédéric Chopin | ||||
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Performer:
Louis Lortie (Piano)
Period: Romantic Written: 1839; Paris, France |
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| 22. |
Sea Drift by Frederick Delius | ||||
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Performer:
Bryn Terfel (Baritone)
Conductor: Richard Hickox Orchestra/Ensemble: Bournemouth Symphony Orchestra, Bournemouth Sinfonietta Chorus, Waynflete Singers ... Period: 20th Century Written: 1903-1904; France |
Language: English |
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| 23. |
Songs of Farewell by Frederick Delius | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: Bournemouth Symphony Orchestra, Waynflete Singers, Southern Voices ... Period: 20th Century Written: 1930; France |
Language: English |
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| 24. |
Songs of Sunset by Frederick Delius | ||||
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Performer:
Sally Burgess (Mezzo Soprano),
Bryn Terfel (Baritone)
Conductor: Richard Hickox Orchestra/Ensemble: Bournemouth Symphony Orchestra, Waynflete Singers, Southern Voices ... Period: 20th Century Written: 1906-1907; France |
Language: English |
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| 25. |
Chanson de nuit, Op. 15 no 1 by Sir Edward Elgar | ||||
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Performer:
Nigel Kennedy (Violin),
Peter Pettinger (Piano)
Period: Romantic Written: 1897; England |
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| 26. |
Sonata for Violin and Piano in E minor, Op. 82 by Sir Edward Elgar | ||||
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Performer:
Nigel Kennedy (Violin),
Peter Pettinger (Piano)
Period: Romantic Written: 1918; England |
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| 27. |
In the South, Op. 50 "Alassio" by Sir Edward Elgar | ||||
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Performer:
Nigel Kennedy (Violin),
Peter Pettinger (Piano)
Period: Romantic Written: 1903-1904; England |
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| 28. |
Mot d'amour, Op. 13 no 1 by Sir Edward Elgar | ||||
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Performer:
Nigel Kennedy (Violin),
Peter Pettinger (Piano)
Period: Romantic Written: 1889; England |
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| 29. |
Salut d'amour, Op. 12 by Sir Edward Elgar | ||||
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Performer:
Nigel Kennedy (Violin),
Peter Pettinger (Piano)
Period: Romantic Written: 1888/1889; England |
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| 30. |
Sospiri, Op. 70 by Sir Edward Elgar | ||||
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Performer:
Nigel Kennedy (Violin),
Peter Pettinger (Piano)
Period: Romantic Written: 1914; England |
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| 31. |
Very Easy Melodious Exercises (6) in the First Position for Violin and Piano, Op. 22 by Sir Edward Elgar | ||||
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Performer:
Nigel Kennedy (Violin),
Peter Pettinger (Piano)
Period: Romantic Written: 1892; England |
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| 32. |
Chanson de matin, Op. 15 no 2 by Sir Edward Elgar | ||||
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Performer:
Peter Pettinger (Piano),
Nigel Kennedy (Violin)
Period: Romantic Written: 1897; England |
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| 33. |
In a Nutshell by Percy Aldridge Grainger | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: 1916; England |
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| 34. |
Colonial Song by Percy Aldridge Grainger | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: 1911/1918; England |
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| 35. |
English Dance for 2 Pianos 6 hands by Percy Aldridge Grainger | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century |
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| 36. |
Green Bushes by Percy Aldridge Grainger | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: 1919; England |
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| 37. |
Harvest Hymn by Percy Aldridge Grainger | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: 1932; England |
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| 38. |
Duke of Marlborough Fanfare by Percy Aldridge Grainger | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century |
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| 39. |
Shepherd's Hey by Percy Aldridge Grainger | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: England |
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| 40. |
Blithe bells by Percy Aldridge Grainger | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: 1931; England |
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| 41. |
Fisher's Boarding-House by Percy Aldridge Grainger | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: England |
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| 42. |
There Were Three Friends by Percy Aldridge Grainger | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: England |
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| 43. |
We Were Dreamers by Percy Aldridge Grainger | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: England |
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| 44. |
Walking Tune by Percy Aldridge Grainger | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: 1905; England |
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| 45. |
The Seven Days of the Passion, Op. 58 by Alexander Gretchaninov | ||||
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Performer:
Caroline Markham (Mezzo Soprano),
Bryan Taylor (Baritone)
Conductor: Charles Bruffy Orchestra/Ensemble: Kansas City Chorale, Phoenix Bach Choir Period: Romantic Written: Russia |
Venue: Blessed Sacrament Church, Kansas City |
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| 46. |
Chandos Anthems: no 1, Oh be joyful in the Lord, HWV 246 by George Frideric Handel | ||||
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Performer:
Lynne Dawson (Soprano),
Michael George (Bass),
Ian Partridge (Tenor)
Conductor: Harry Christophers Orchestra/Ensemble: The Sixteen, The Sixteen Orchestra Period: Baroque Written: 1717-1718; London, England |
Date of Recording: 10/1988 |
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| 47. |
Chandos Anthems: no 2, In the Lord I put my trust, HWV 247 by George Frideric Handel | ||||
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Performer:
Ian Partridge (Tenor)
Conductor: Harry Christophers Orchestra/Ensemble: The Sixteen, The Sixteen Orchestra Period: Baroque Written: 1717-1718; London, England |
Date of Recording: 10/1988 |
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| 48. |
Chandos Anthems: no 3, Have mercy upon me, HWV 248 by George Frideric Handel | ||||
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Performer:
Ian Partridge (Tenor),
Lynne Dawson (Soprano)
Conductor: Harry Christophers Orchestra/Ensemble: The Sixteen, The Sixteen Orchestra Period: Baroque Written: 1717-1718; London, England |
Date of Recording: 10/1988 |
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| 49. |
Concerto for Piano in A minor, Op. 85 by Johann Nepomuk Hummel | ||||
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Performer:
Stephen Hough (Piano)
Conductor: Bryden Thomson Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: by 1816; Vienna, Austria |
Date of Recording: 09/1986 Venue: All Saints' Church, Tooting, London Length: 30 Minutes 19 Secs. |
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| 50. |
Concerto for Piano in B minor, Op. 89 by Johann Nepomuk Hummel | ||||
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Performer:
Stephen Hough (Piano)
Conductor: Bryden Thomson Orchestra/Ensemble: English Chamber Orchestra Period: Romantic Written: 1819; Weimar, Germany |
Date of Recording: 09/1986 Venue: All Saints' Church, Tooting, London Length: 35 Minutes 59 Secs. |
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| 51. |
Mass in D major, Op. 111 by Johann Nepomuk Hummel | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: Collegium Musicum 90, Collegium Musicum 90 Choir Period: Romantic Written: 1808; Vienna, Austria |
Language: Latin |
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| 52. |
Mass in B flat major, Op. 77 by Johann Nepomuk Hummel | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: Collegium Musicum 90, Collegium Musicum 90 Choir Period: Romantic Written: circa 1804-1810; Eszterhazá, Hungary |
Language: Latin |
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| 53. |
Alma virgo, Op. 89a by Johann Nepomuk Hummel | ||||
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Performer:
Susan Gritton (Soprano)
Conductor: Richard Hickox Orchestra/Ensemble: Collegium Musicum 90, Collegium Musicum 90 Choir Period: Romantic Written: 1805; Austria |
Language: Latin |
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| 54. |
Glagolitic Mass by Leos Janácek | ||||
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Conductor:
Sir Charles Mackerras
Orchestra/Ensemble: Danish National Radio Choir, Copenhagen Boys Choir, Danish National Radio Symphony Orchestra Period: 20th Century Written: 1926; Brno, Czech Republic |
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| 55. |
Psalmus hungaricus, Op. 13 by Zoltán Kodály | ||||
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Conductor:
Sir Charles Mackerras
Orchestra/Ensemble: Danish National Radio Choir, Copenhagen Boys Choir, Danish National Radio Symphony Orchestra Period: 20th Century Written: 1923; Hungary |
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| 56. |
Symphony no 6 in E flat minor, Op. 111 by Sergei Prokofiev | ||||
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Conductor:
Neeme Järvi
Orchestra/Ensemble: Royal Scottish National Orchestra Period: 20th Century Written: 1945-1947; USSR |
Date of Recording: 08/1984 Venue: Glasgow City Hall, Scotland Length: 41 Minutes 22 Secs. |
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| 57. |
Waltz Suite, Op. 110: no 2, In the Palace by Sergei Prokofiev | ||||
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Conductor:
Neeme Järvi
Orchestra/Ensemble: Royal Scottish National Orchestra Period: 20th Century Written: 1946; USSR |
Date of Recording: 08/1984 Venue: Glasgow City Hall, Scotland Length: 5 Minutes 27 Secs. |
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| 58. |
Waltz Suite, Op. 110: no 5, New Year's Eve Ball by Sergei Prokofiev | ||||
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Conductor:
Neeme Järvi
Orchestra/Ensemble: Royal Scottish National Orchestra Period: 20th Century Written: 1946; USSR |
Date of Recording: 08/1984 Venue: Glasgow City Hall, Scotland Length: 5 Minutes 48 Secs. |
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| 59. |
Waltz Suite, Op. 110: no 6, Happiness by Sergei Prokofiev | ||||
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Conductor:
Neeme Järvi
Orchestra/Ensemble: Royal Scottish National Orchestra Period: 20th Century Written: 1946; USSR |
Date of Recording: 08/1984 Venue: Glasgow City Hall, Scotland Length: 3 Minutes 15 Secs. |
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| 60. |
Dido and Aeneas, Z 626 by Henry Purcell | ||||
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Performer:
Judith Nelson (Soprano),
David Thomas (Bass),
Jantina Noorman (Mezzo Soprano),
Judith Rees (Soprano), Emily van Evera (Soprano), Rachel Bevan (Soprano), Emma Kirkby (Soprano), Tessa Bonner (Soprano) Conductor: Andrew Parrott Orchestra/Ensemble: Taverner Consort, Taverner Players Period: Baroque Written: 1689; England |
Length: 57 Minutes 0 Secs. Language: English |
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| 61. |
Trio for Piano and Strings no 1 in G minor "Trio élégiaque" by Sergei Rachmaninov | ||||
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Performer:
Rostislav Dubinsky (Violin),
Luba Edlina (Piano),
Yuli Turovsky (Cello)
Orchestra/Ensemble: Borodin Trio Period: Romantic Written: 1892; Russia |
Length: 15 Minutes 18 Secs. |
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| 62. |
Trio for Piano and Strings no 2 in D minor, Op. 9 "Trio élégiaque" by Sergei Rachmaninov | ||||
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Performer:
Luba Edlina (Piano),
Yuli Turovsky (Cello),
Rostislav Dubinsky (Violin)
Orchestra/Ensemble: Borodin Trio Period: Romantic Written: 1893; Russia |
Length: 43 Minutes 6 Secs. |
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| 63. |
Belkis, Queen of Sheba: Suite by Ottorino Respighi | ||||
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Conductor:
Geoffrey Simon
Orchestra/Ensemble: Philharmonia Orchestra Period: 20th Century Written: 1934; Rome, Italy |
Date of Recording: 01/1985 Venue: All Saints' Church, Tooting, London Length: 22 Minutes 30 Secs. |
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| 64. |
Metamorphoseon Modi XII by Ottorino Respighi | ||||
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Conductor:
Geoffrey Simon
Orchestra/Ensemble: Philharmonia Orchestra Period: 20th Century Written: 1929-1930; Rome, Italy |
Date of Recording: 01/1985 Venue: All Saints' Church, Tooting, London Length: 25 Minutes 36 Secs. |
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| 65. |
Concerto for Violin no 2 in C sharp minor, Op. 129 by Dmitri Shostakovich | ||||
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Performer:
Lydia Mordkovitch (Violin)
Conductor: Neeme Järvi Orchestra/Ensemble: Royal Scottish National Orchestra Period: 20th Century Written: 1967; USSR |
Date of Recording: 10/1989 Venue: Glasgow City Hall, Glasglow, Scotland Length: 30 Minutes 52 Secs. |
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| 66. |
Concerto for Violin no 1 in A minor, Op. 77 by Dmitri Shostakovich | ||||
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Performer:
Lydia Mordkovitch (Violin)
Conductor: Neeme Järvi Orchestra/Ensemble: Royal Scottish National Orchestra Period: 20th Century Written: USSR |
Date of Recording: 10/1989 Venue: Glasgow City Hall, Glasgow, Scotland Length: 38 Minutes 23 Secs. |
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| 67. |
Chamber Symphony in C minor, Op. 110a by Dmitri Shostakovich | ||||
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Conductor:
Yuli Turovsky
Orchestra/Ensemble: I Musici de Montreal Period: 20th Century Written: 1960; USSR |
Length: 23 Minutes 24 Secs. |
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| 68. |
Concerto for Piano no 1 in C minor, Op. 35 by Dmitri Shostakovich | ||||
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Performer:
Dmitri Shostakovich Jr. (Piano),
James Thompson (Trumpet)
Conductor: Maxim Shostakovich Orchestra/Ensemble: I Musici de Montreal Period: 20th Century Written: 1933; USSR |
Length: 20 Minutes 14 Secs. |
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| 69. |
Songs of the Fleet, Op. 117 by Charles Villiers Stanford | ||||
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Performer:
Gerald Finley (Baritone)
Conductor: Richard Hickox Orchestra/Ensemble: BBC National Orchestra of Wales, BBC National Chorus of Wales Period: Romantic Written: 1910; England |
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| 70. |
The Revenge: A Ballad of the Fleet, Op. 24 by Charles Villiers Stanford | ||||
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Conductor:
Richard Hickox
Orchestra/Ensemble: BBC National Orchestra of Wales, BBC National Chorus of Wales Period: Romantic Written: 1886; England |
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| 71. |
Songs (5) of the sea, Op. 91 by Charles Villiers Stanford | ||||
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Performer:
Gerald Finley (Baritone)
Conductor: Richard Hickox Orchestra/Ensemble: BBC National Orchestra of Wales, BBC National Chorus of Wales Period: Romantic Written: 1904; England |
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| 72. |
Der Rosenkavalier, Op. 59: Act 1 - Introduction by Richard Strauss | ||||
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Conductor:
David Parry
Orchestra/Ensemble: London Philharmonic Orchestra Period: Romantic Written: 1909-1910; Germany |
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| 73. |
Der Rosenkavalier, Op. 59: Wie du warst! Wie du bist! by Richard Strauss | ||||
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Performer:
Diana Montague (Mezzo Soprano),
Yvonne Kenny (Soprano)
Conductor: David Parry Orchestra/Ensemble: London Philharmonic Orchestra Period: Romantic Written: 1909-1910; Germany |
Language: English |
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| 74. |
Der Rosenkavalier, Op. 59: Da geht er hin, der aufgeblasene by Richard Strauss | ||||
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Performer:
Yvonne Kenny (Soprano)
Conductor: David Parry Orchestra/Ensemble: London Philharmonic Orchestra Period: Romantic Written: 1909-1910; Germany |
Language: English |
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| 75. |
Der Rosenkavalier, Op. 59: Ach, du bist wieder da! by Richard Strauss | ||||
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Performer:
Diana Montague (Mezzo Soprano),
Yvonne Kenny (Soprano)
Conductor: David Parry Orchestra/Ensemble: London Philharmonic Orchestra Period: Romantic Written: 1909-1910; Germany |
Language: English |
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| 76. |
Der Rosenkavalier, Op. 59: Die Zeit, die ist ein sonderbar by Richard Strauss | ||||
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Performer:
Yvonne Kenny (Soprano)
Conductor: David Parry Orchestra/Ensemble: London Philharmonic Orchestra Period: Romantic Written: 1909-1910; Germany |
Language: English |
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| 77. |
Der Rosenkavalier, Op. 59: Heut' oder morgen by Richard Strauss | ||||
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Performer:
Yvonne Kenny (Soprano),
Diana Montague (Mezzo Soprano),
Rosemary Joshua (Soprano)
Conductor: David Parry Orchestra/Ensemble: London Philharmonic Orchestra Period: Romantic Written: 1909-1910; Germany |
Language: English |
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| 78. |
Der Rosenkavalier, Op. 59: Ich werd'jetzt in die Kirchen gehn by Richard Strauss | ||||
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Performer:
Yvonne Kenny (Soprano)
Conductor: David Parry Orchestra/Ensemble: London Philharmonic Orchestra Period: Romantic Written: 1909-1910; Germany |
Language: English |
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| 79. |
Der Rosenkavalier, Op. 59: Act 2 - Introduction by Richard Strauss | ||||
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Performer:
Andrew Shore (Baritone),
Rosemary Joshua (Soprano),
Jennifer Rhys-Davies (Soprano),
Eugene Ginty (Tenor) Conductor: David Parry Orchestra/Ensemble: London Philharmonic Orchestra Period: Romantic Written: 1909-1910; Germany |
Language: English |
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| 80. |
Der Rosenkavalier, Op. 59: Mir ist..."Rose Presentation" by Richard Strauss | ||||
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Performer:
Rosemary Joshua (Soprano),
Diana Montague (Mezzo Soprano)
Conductor: David Parry Orchestra/Ensemble: London Philharmonic Orchestra Period: Romantic Written: 1909-1910; Germany |
Language: English |
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| 81. |
Der Rosenkavalier, Op. 59: Da lieg' ich...Herr Kavalier by Richard Strauss | ||||
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Performer:
John Tomlinson (Bass),
Elizabeth Vaughan (Alto)
Conductor: David Parry Orchestra/Ensemble: London Philharmonic Orchestra, Geoffrey Mitchell Choir Period: Romantic Written: 1909-1910; Germany |
Language: English |
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| 82. |
Der Rosenkavalier, Op. 59: Mein Gott, es war nicht mehr als eine Farce by Richard Strauss | ||||
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Performer:
Yvonne Kenny (Soprano),
Diana Montague (Mezzo Soprano),
Rosemary Joshua (Soprano),
Paul Parfitt (Bass Baritone), Eugene Ginty (Tenor), Gareth Roberts (Tenor), Elizabeth Vaughan (Alto), John Tomlinson (Bass) Conductor: David Parry Orchestra/Ensemble: London Philharmonic Orchestra, Geoffrey Mitchell Choir, Peter Kay Children's Choir Period: Romantic Written: 1909-1910; Germany |
Language: English |
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| 83. |
Der Rosenkavalier, Op. 59: Marie Theres'...Hab' mir's gelobt by Richard Strauss | ||||
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Performer:
Diana Montague (Mezzo Soprano),
Yvonne Kenny (Soprano),
Rosemary Joshua (Soprano)
Conductor: David Parry Orchestra/Ensemble: London Philharmonic Orchestra Period: Romantic Written: 1909-1910; Germany |
Language: English |
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| 84. |
Der Rosenkavalier, Op. 59: Ist ein Traum by Richard Strauss | ||||
|
Performer:
Andrew Shore (Baritone),
Diana Montague (Mezzo Soprano),
Rosemary Joshua (Soprano),
Yvonne Kenny (Soprano) Conductor: David Parry Orchestra/Ensemble: London Philharmonic Orchestra Period: Romantic Written: 1909-1910; Germany |
Language: English |
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| 85. |
Symphony no 5 in E minor, Op. 64 by Peter Ilyich Tchaikovsky | ||||
|
Conductor:
Mariss Jansons
Orchestra/Ensemble: Oslo Philharmonic Orchestra Period: Romantic Written: 1888; Russia |
Length: 43 Minutes 11 Secs. |
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| 86. |
Symphony in D major, B D4 by Johann Baptist Vanhal | ||||
|
Conductor:
Matthias Bamert
Orchestra/Ensemble: London Mozart Players Period: Classical Written: 18th Century; Bohemia |
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| 87. |
Symphony in C minor, B c2 by Johann Baptist Vanhal | ||||
|
Conductor:
Matthias Bamert
Orchestra/Ensemble: London Mozart Players Period: Classical Written: ?1764-67; Bohemia |
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| 88. |
Symphony in G minor, B g2 by Johann Baptist Vanhal | ||||
|
Conductor:
Matthias Bamert
Orchestra/Ensemble: London Mozart Players Period: Classical Written: 18th Century; Bohemia |
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| 89. |
Symphony no 2 "London" by Ralph Vaughan Williams | ||||
|
Conductor:
Richard Hickox
Orchestra/Ensemble: London Symphony Orchestra Period: 20th Century Written: 1913/1920; England |
Date of Recording: 12/2000 Venue: All Saints' Church, Tooting, England Length: 61 Minutes 19 Secs. |
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| 90. |
Banks of Green Willow by George Butterworth | ||||
|
Conductor:
Richard Hickox
Orchestra/Ensemble: London Symphony Orchestra Period: 20th Century Written: 1913; England |
Date of Recording: 12/2000 Venue: All Saints' Church, Tooting, England Length: 6 Minutes 15 Secs. |
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| 91. |
Scott of the Antarctic by Ralph Vaughan Williams | ||||
|
Performer:
Merryn Gamba (Soprano)
Conductor: Rumon Gamba Orchestra/Ensemble: Sheffield Philharmonic Chorus, BBC Philharmonic Orchestra Period: 20th Century Written: 1948 |
Date of Recording: 03/2002 Venue: New Broadcasting House, Manchester, UK Length: 41 Minutes 12 Secs. Language: English |
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| 92. |
The People's Land by Ralph Vaughan Williams | ||||
|
Conductor:
Rumon Gamba
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: 1943; England |
Date of Recording: 03/2002 Venue: New Broadcasting House, Manchester, UK Length: 13 Minutes 17 Secs. |
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| 93. |
Coastal Command by Ralph Vaughan Williams | ||||
|
Conductor:
Rumon Gamba
Orchestra/Ensemble: BBC Philharmonic Orchestra Period: 20th Century Written: 1942; England |
Date of Recording: 03/2002 Venue: New Broadcasting House, Manchester, UK Length: 23 Minutes 43 Secs. |
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| 94. |
Rosa solis by Giles Farnaby | ||||
|
Performer:
Christopher Plummer (Voice),
Ian Watson (Harpsichord)
Conductor: Sir Neville Marriner Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Renaissance Written: England |
Date of Recording: 05/1990 Venue: St. Judes Church, Central Square, London Length: 2 Minutes 23 Secs. |
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| 95. |
Watkins ale by Anonymous | ||||
|
Performer:
Christopher Plummer (Voice),
Ian Watson (Harpsichord)
Conductor: Sir Neville Marriner Orchestra/Ensemble: Academy of St. Martin in the Fields Period: Renaissance Written: circa 1580; England |
Date of Recording: 05/1990 Venue: St. Judes Church, Central Square, London Length: 1 Minutes 56 Secs. |
||||
| 96. |
Chants d'Auvergne: Volume 1 - no 3c, Obal, din lou Limouzi by Joseph Canteloube | ||||
|
Performer:
Ian Watson (Harpsichord),
Christopher Plummer (Voice),
Celia Nicklin (Oboe)
Conductor: Sir Neville Marriner Orchestra/Ensemble: Academy of St. Martin in the Fields Period: 20th Century Written: 1923-1930; France |
Date of Recording: 05/1990 Venue: St. Judes Church, Central Square, London Length: 1 Minutes 32 Secs. |
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| 97. |
Henry V: A Shakespearean Scenario by Sir William Walton | ||||
|
Performer:
Ian Watson (Harpsichord),
Christopher Plummer (Spoken Vocals)
Conductor: Sir Neville Marriner Orchestra/Ensemble: Academy of St. Martin in the Fields, Westminster Cathedral Choir, Academy of St. Martin in the Fields Chorus Period: 20th Century Written: 1943-1944; England |
Date of Recording: 05/1990 Venue: St. Jude on the Hill, Hampstead, London Length: 60 Minutes 56 Secs. Language: English |
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| 98. |
Royal Parks by George Lloyd | ||||
|
Conductor:
Major Peter Parkes
Orchestra/Ensemble: Black Dyke Mills Band Period: 20th Century Written: 1984; England |
Date of Recording: 1985 Length: 14 Minutes 38 Secs. |
||||
| 99. |
Contest Music by Wilfred Heaton | ||||
|
Conductor:
Major Peter Parkes
Orchestra/Ensemble: Black Dyke Mills Band Period: 20th Century |
Date of Recording: 1985 Length: 13 Minutes 55 Secs. |
||||
| 100. |
Salute to Youth by Gilbert Vinter | ||||
|
Conductor:
Major Peter Parkes
Orchestra/Ensemble: Black Dyke Mills Band Period: 20th Century Written: 1961; England |
Date of Recording: 1985 Length: 12 Minutes 19 Secs. |
||||
| 101. |
Cloudcatcher Fells by John McCabe | ||||
|
Conductor:
Major Peter Parkes
Orchestra/Ensemble: Black Dyke Mills Band Period: 20th Century Written: 1985; England |
Date of Recording: 1985 Length: 17 Minutes 54 Secs. |
||||
| 102. |
The Alamo: The Green Leaves of Summer by Dimitri Tiomkin | ||||
|
Orchestra/Ensemble:
King's Singers
Period: 20th Century Written: 1960; USA |
Length: 2 Minutes 52 Secs. Language: English |
||||
| 103. |
Cherry Ripe by Traditional | ||||
|
Orchestra/Ensemble:
King's Singers,
Gordon Langford Trio
Written: England |
Length: 2 Minutes 36 Secs. Language: English |
||||
| 104. |
El Manísero by Moises Simons | ||||
|
Orchestra/Ensemble:
King's Singers,
Gordon Langford Trio
Period: 20th Century Written: 1930; Cuba |
Length: 2 Minutes 32 Secs. Language: English |
||||
| 105. |
Scarborough Fair by Traditional | ||||
|
Orchestra/Ensemble:
King's Singers,
Gordon Langford Trio
Written: England |
Length: 3 Minutes 21 Secs. Language: English |
||||
| 106. |
Shenandoah by Traditional | ||||
|
Orchestra/Ensemble:
King's Singers,
Gordon Langford Trio
Written: USA |
Length: 3 Minutes 18 Secs. Language: English |
||||
| 107. |
Porgy and Bess: Summertime by George Gershwin | ||||
|
Orchestra/Ensemble:
King's Singers,
Gordon Langford Trio
Period: 20th Century Written: 1935; USA |
Length: 2 Minutes 15 Secs. Language: English |
||||
| 108. |
Time Was by Miguel Prado | ||||
|
Orchestra/Ensemble:
King's Singers,
Gordon Langford Trio
Period: 20th Century Written: 1941; Mexico |
Length: 2 Minutes 43 Secs. Language: English |
||||
| 109. |
Songs (6), Op. 6: no 6, None but the lonely heart by Peter Ilyich Tchaikovsky | ||||
|
Orchestra/Ensemble:
King's Singers,
Gordon Langford Trio
Period: Romantic Written: 1869; Russia |
Length: 2 Minutes 46 Secs. Language: English |
||||
| 110. |
Linstead Market by Traditional | ||||
|
Orchestra/Ensemble:
King's Singers,
Gordon Langford Trio
Written: Russia |
Length: 2 Minutes 10 Secs. Language: English |
||||
| 111. |
The oak and the ash by Traditional | ||||
|
Orchestra/Ensemble:
King's Singers,
Gordon Langford Trio
Period: Renaissance |
Length: 2 Minutes 48 Secs. Language: English |
||||
| 112. |
Wives and Lovers by Burt Bacharach | ||||
|
Orchestra/Ensemble:
King's Singers,
Gordon Langford Trio
Period: 20th Century Written: USA |
Length: 2 Minutes 15 Secs. Language: English |
||||
| 113. |
Blow away the morning dew by Traditional | ||||
|
Orchestra/Ensemble:
King's Singers,
Gordon Langford Trio
|
Length: 1 Minutes 55 Secs. Language: English |
||||
| 114. |
What Kind of Things by Ron Goodwin | ||||
|
Orchestra/Ensemble:
King's Singers,
Gordon Langford Trio
Period: 20th Century Written: England |
Length: 1 Minutes 53 Secs. Language: English |
||||
| 115. |
Concerto for Mandolin in G major, S 28 by Johann Nepomuk Hummel | ||||
|
Performer:
Craig Ogden (Guitar),
Alison Stephens (Mandolin)
Period: Romantic Written: 1799; Vienna, Austria |
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