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Walter Felsenstein Edition [12-DVD Set]

Walter Felsenstein Edition / Various
Release Date: 11/25/2008 
Label:  Arthaus Musik   Catalog #: 101345  
Composer:  Ludwig van BeethovenLeos JanácekWolfgang Amadeus MozartGiuseppe Verdi,   ... 
Performer:  Magda LászlóKurt EquiluzRichard HolmHeinz Rehfuss,   ... 
Conductor:  Fritz LehmannVáclav NeumannZdenek KoslerKurt Masur,   ... 
Orchestra/Ensemble:  Vienna Symphony OrchestraBerlin Comic Opera Orchestra
Number of Discs: 12 
In Stock: Usually ships in 24 hours.  
DVD:  $148.99
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Notes and Editorial Reviews

Deluxe Edition with 104-page book also available

"A treasure ... a fascinating glimpse of an important moment in operatic history ... prov[ing] that Felsenstein was one of 20th-century opera's most influential and creative geniuses." – Peter G. Davis, The New York Times [May 18, 2008]

"A significant new box set of DVDs that should be required viewing for anyone who really loves opera.... The set is a time capsule that offers, if not a definitive statement, at least a number of revealing glimpses into what made Felsenstein's work so extraordinary." – Anne Midgette, The Washington Post [July 6, 2008]

Read more EDITION

Beethoven: Fidelio (1956)
Janá?ek: The Cunning Little Vixen (1965)
Mozart: Don Giovanni (1966)
Verdi: Otello (1969)
Offenbach: Les contes d'Hoffmann (The Tales of Hoffmann) (1970)
Offenbach: Barbe-bleu (Bluebeard) (1973)
Mozart: Le Nozze di Figaro (The Marriage of Figaro) (1975-76)

All Opera films are sung in German.

Artists: Anny Schlemm, Irmgard Arnold, Hanns Nocker, Rudolf Asmus, Christa Noack, Werner Enders, Ursula Reinhardt-Kiss, Melitta Muszely, Magda Laszlo, Vladimír Bauer

Picture format: NTSC 4:3
Sound format: PCM stereo
Region code: 0 (worldwide)
Menu languages: English, German, French, Spanish
Subtitles: English, German, French, Spanish
Running time: 18 hours 20 mins

Walter Felsenstein (1901 - 1975), founder and general director of the Komische Oper in Berlin, was one of the twentieth century’s greatest creative theatre directors, who played a hugely important role in the revival of opera as a theatrical art form. A brilliant artist who directed over 190 productions during the course of his career, he was equally committed to the works, their creators, the ensemble and the audience. This unique edition brings together 7 opera films in a rare documentation that offers an insight into the theatrical work of a man whose legendary productions fascinated international audiences for decades. The films can now be experienced for the first time in carefully restored digital form. Felsenstein’s consistent development of the musical/visual language of opera film remains a source of inspiration even today. Opera on film – opera as film – however one describes them, his productions continue to astonish with their clarity and intensity.

Read less

Works on This Recording

Fidelio, Op. 72 by Ludwig van Beethoven
Performer:  Magda László (Soprano), Kurt Equiluz (Tenor), Richard Holm (Tenor),
Heinz Rehfuss (Bass Baritone), Sonja Schöner (Soprano), Georg Wieter (Bass)
Conductor:  Fritz Lehmann
Orchestra/Ensemble:  Vienna Symphony Orchestra
Period: Classical 
Written: 1804/1814; Vienna, Austria 
Date of Recording: 1956 
The Cunning Little Vixen by Leos Janácek
Performer:  Ruth Schob-Lipka (Mezzo Soprano), Irmgard Arnold (Soprano), Christel Oelhmann (Soprano),
Werner Enders (Tenor), Rudolf Asmus (Baritone), Herbert Rossler (Bass)
Conductor:  Václav Neumann
Orchestra/Ensemble:  Berlin Comic Opera Orchestra
Period: 20th Century 
Written: 1921-1923; Brno, Czech Republic 
Date of Recording: 1965 
Language: German 
Don Giovanni, K 527 by Wolfgang Amadeus Mozart
Performer:  Anny Schlemm (Soprano), Eva Maria Baum (Soprano), Klara Barlow (Soprano),
Fritz Hübner (Bass), György Melis (Baritone), Rudolf Asmus (Baritone),
Herbert Rossler (Bass)
Conductor:  Zdenek Kosler
Orchestra/Ensemble:  Berlin Comic Opera Orchestra
Period: Classical 
Written: 1787; Prague 
Date of Recording: 1966 
Language: German 
Otello by Giuseppe Verdi
Performer:  Hanna Schmoock (Mezzo Soprano), Peter Seufert (Tenor), Hans-Otto Rogge (Tenor),
Hans Günther Nöcker (Bass), Herbert Rossler (Bass), Vladimir Bauer (Baritone),
Erich Blasberg (Bass)
Conductor:  Kurt Masur
Orchestra/Ensemble:  Berlin Comic Opera Orchestra
Period: Romantic 
Written: 1887; Italy 
Date of Recording: 1969 
Language: German 
Les contes d'Hoffmann by Jacques Offenbach
Performer:  Uwe Kreyssig (Baritone), Werner Enders (Tenor), Rudolf Asmus (Baritone),
Alfred Wroblewski (Bass), Melitta Muszely (Soprano), Hans Günther Nöcker (Bass),
Vladimir Bauer (Baritone), Sylvia Kuziemski (Mezzo Soprano), Horst-Dieter Kaschel (Bass),
Heinz Kogel (Baritone)
Conductor:  Karl-Fritz Voigtmann
Orchestra/Ensemble:  Berlin Comic Opera Orchestra
Period: Romantic 
Written: 1881; Paris, France 
Date of Recording: 1970 
Language: German 
Barbe-bleue by Jacques Offenbach
Performer:  Hans-Otto Rogge (Tenor), Hans Günther Nöcker (Bass), Ingrid Czerny (Soprano),
Helmut Polze (Baritone), Werner Enders (Tenor), Ute Trekel-Burckhardt (Alto),
Eva Maria Baum (Soprano), Anny Schlemm (Soprano), Rudolf Asmus (Bass),
Ruth Schob-Lipka (Mezzo Soprano)
Conductor:  Karl-Fritz Voigtmann
Orchestra/Ensemble:  Berlin Comic Opera Orchestra
Period: Romantic 
Written: 1866; Paris, France 
Date of Recording: 1973 
Language: German 
Le nozze di Figaro, K 492 by Wolfgang Amadeus Mozart
Performer:  Barbara Sternberger (Soprano), Rudolf Asmus (Bass), József Dene (Baritone),
Helmut Volker (Bass), Werner Enders (Tenor), Magdalena Falewicz (Soprano),
Ursula Reinhardt-Kiss (Soprano), Ruth Schob-Lipka (Mezzo Soprano), Ute Trekel-Burckhardt (Alto),
Uwe Kreyssig (Baritone)
Conductor:  Géza Oberfrank
Orchestra/Ensemble:  Berlin Comic Opera Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Date of Recording: 1976 
Language: German 

Customer Reviews

Average Customer Review:  1 Customer Review )
 The Felsenstein Legend is True April 4, 2012 By Stephen D. B. (Great Barrington, MA) See All My Reviews "The legendary Walter Felsenstein productions at the Komische Oper in East Berlin are indeed worthy of their reputation. Powerful and gripping staging which holds the audience like a thriller and exciting musical pacing with every word clear and every facial expression and gesture united with the musical and dramatic content to make an impression far greater than the sum of its parts. Nothing comes close in opera production today. Nothing is nearly as gripping and sensational. Here is the only record of what musical theatre can be." Report Abuse
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