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Haydn Edition / 150-Disc Set


Release Date: 11/11/2008 
Label:  Brilliant Classics   Catalog #: 93782   Spars Code: DDD 
Composer:  Franz Joseph Haydn
Performer:  Jolanda ViolanteFederico GuglielmoAnton HolzapfelAlan Stringer,   ... 
Conductor:  Adám FischerFederico GuglielmoAnton HolzapfelSir Neville Marriner,   ... 
Orchestra/Ensemble:  Austro-Hungarian Haydn OrchestraL'Arte dell'ArcoDolce Risonanza,   ... 
Number of Discs: 150 
This title is currently unavailable.



Notes and Editorial Reviews

The supreme, voluptuary realist of French painting, Jean Ingres, exclaimed that Haydn was music’s alpha and omega: ‘Whoever studies music, let his daily bread be Haydn...the first who created everything, discovered everything, taught everything to the rest!’ While an intervening century or two of musicology might tell us that if Haydn was father to the symphony and string quartet, there were some interesting midwives among his contemporaries, Haydn’s sheer industry remains unequalled; but so too his creative facility and fertility in returning to the well time and time again, and never returning empty. In this first volume of Brilliant Classics’s survey of Haydn’s music, issued to mark the 200th anniversary of his death in 1809, are many of Read more his most famous works: all 104 symphonies, his two oratorios of imperishable power and beauty, The Creation and The Seasons, as well as another with much no less striking music, The Return of Tobit. There are several of the operas he wrote for the court at Eszterhaza, where he was more or less a servant-prisoner for most of his adult life, and – a first on disc – a complete recording of the 126 trios written at the behest of the court’s prince for an obsolete string instrument, the baryton, in which the prince had himself attained a modest accomplishment. Most of the string quartets are here too, in recordings made especially for Brilliant by the Buchberger Quartet, and historically informed interpretations of the complete piano sonatas on instruments of Haydn’s day. This is a significant contribution to the anniversary of one of the great composers, with much new material, and at an unbeatable price.

* Bonus CD-ROM contains song texts and a specially commissioned essay exploring Haydn’s music, genre by genre, by the renowned Haydn authority, Richard Wigmore.
* New recordings of bayton trios and other chamber works made especially for this set and not previously released.

R E V I E W:

3241300.az_HAYDN_Collected_Works.html

HAYDN Collected Works (incomplete) & Various conductors, soloists, and ensembles BRILLIANT 93782 (150 CDs: c. 150:00:00)


& CD-ROM with song texts and Richard Wigmore essay


This “Haydn Edition” is not the complete Haydn, nor is it intended to be. It is a collection of what Brilliant Classics had in their catalog and what was available for licensing. It does include many first recordings, of which more later. Let’s start by noting what is missing among the best-known works. The string quartets, played by the Buchberger Quartet, do not include op. 50 (4–6), op. 54, or op. 76 (4–6). Of the final six masses, only the Paukenmesse and Harmoniemesse are here. Four operas are included, leaving 10 unrepresented: La canterina, Lo speziale, Le pescatrici, Philomon und Baucis, L’incontro improvviso, Il mondo della luna, L’isola dishabitata, Orlando Paladino, Armida , and Orfeo ed Euridice . Missing, too, are the oratorio Applausus , the cantatas Arianna a Naxos and Berenice, che fai , and almost all of the smaller religious and secular vocal/choral pieces (other than songs); the many minuets, dances, and marches; large numbers of divertimentos, cassations, scherzandos, and Feldparthia (which include some early works once labeled string quartets). The Seven Last Words appears in three arrangements as oratorio, string quartet, and fortepiano solo, but not in its original orchestral form. Brilliant Classics wisely ignores almost all of the works merely “attributed to Haydn.”


Now let’s concentrate on what is here. This will be a summary review: I have heard and reviewed perhaps one third of these performances before; I have only sampled the 126 baryton trios on 20 CDs and the several hundred Scottish and Welsh Songs that I had not previously reviewed. The packaging is very neat: each CD is in a numbered, thin-cardboard envelope, with track listings, the whole packed in an easy-opening heavy cardboard box. The inside of the lid (on display when open) lists the contents of each of the 150 CDs. The individual CD envelopes are color coded into eight categories: symphonies (33 discs), concertos (7), vocal/choral works (20), songs (21), string quartets (20), piano trios (10), baryton trios and octets, works for lute, concertinos and divertimentos, violin sonatas (24), and keyboard sonatas (15). A CD-ROM containing 139-pages of generic notes in five languages plus many sung texts (but no opera librettos) concludes the inventory.


The 106 symphonies (including “A” and “B”) and the Sinfonia concertante are Adam Fischer’s first recordings, using modern instruments, recorded over 14 years (1987–2001) by Nimbus in the Haydnsaal of the Esterházy palace in Eisenstadt. The earliest recordings—the late symphonies—are not very good, but both the performances and the recorded sound got better year by year, and most of the early and middle symphonies are excellent. These recordings have achieved two Classical Hall of Fame nominations in Fanfare 28:6 and 32:2.


The piano concertos (Hob XIII:11, 4, and 3) and violin concertos (Hob VIIa:1, 4, and 2) are played by a gorgeous period-instrument ensemble, L’Arte dell’Arco. Jolanda Violante’s fortepiano is equally lovely, and she delivers spirited, sensitive performances. Her phrasing is individual enough to spark interest but never too much so, and she adds her own touches to the cadenzas. The violin concertos are more problematical. Right from the opening ritornello, the phrasing is stiff and square, and yet the tonal beauties of the ensemble and of Federcio Guglielmi’s 1757 Gennaro Gagliano violin are exquisite. There is more life and sunshine in the recent Naxos recordings ( Fanfare 32:1), even though the modern instruments of the Cologne Chamber Orchestra are less appealing. The two issues complement each other.


The Organ Concertos (Hob XVII:1, 2, 5, 6, 7, 8, and 10) are played by Anton Holzapfel, with Ensemble Dolce Risonanza (an aptly named period-instruments ensemble) led by Florian Wieninger. The trumpets and drums of two C-Major concertos ring out gloriously in the extremely live acoustics of churches in Vienna and Eisenstadt—we are not told what was recorded in which church. All the performances are excellent. Filling out these two CDs are the Double Concerto for Violin and Organ, Hob XVII:6, with Susanne Sholz joining the performers, and—a special delight—13 brief pieces for flute-clock (Hob XIX), played by Holzapfel with convincing flute and wind stops.


Alan Stringer plays the Trumpet Concerto, with Neville Marriner and the Academy of St. Martin in the Fields; Herman Baumann plays the two horn concertos, with Iona Brown leading the Academy. These 1994 Decca and 1989 Philips recordings enshrine well-played but conservative modern-instrument performances. The two cello concertos are 1972 Decca recordings, by Christine Walevska and the English Chamber Orchestra under Edo de Waart; everything is wrong with the lifeless performances. The five concertos for two lire organizzate (Hob VIIh) are usually played by a flute and an oboe, with six strings and two horns; the program notes on the CD-ROM say that is the case here, but in this Vox recording Hugo Ruf does play a lira—possibly there was only one such instrument operative at the time. Described as a “hurdy-gurdy with sympathetic strings and an inbuilt organ,” only the latter comes through: a miniature flute-like organ with a very limited range. The instrument produces loud clicking noises in cadenza-like passages, but it is worth hearing, and Haydn’s 1786 music is wonderful.


Thirteen CDs of choral music bring us seven masses (Nos. 1, 4, 5, 6, 8, 9, and 14), both Salve reginae , the Stabat mater, The Creation, The Seasons , the Seven Last Words , and Il ritorno di Tobia . All but the last two are the old Vox recordings. The masses are dull recordings of mediocre performances, about what one would hear in a Vienna church on Sunday, suitable for the service or for a musical visit but far from competitive on discs. The 1771 Salve regina in G Minor , led by Frieder Bernius, is a lovely if old-fashioned performance. The same may be said for Bernius’s Stabat mater , a work that often can turn sour in either modern or period-instrument performances. The Creation and The Seasons are decent performances that do not cut it among today’s many superb recordings. Stick with Thomas Hengelbrock (Deutsche Harmonia Mundi) for the former and René Jacobs (Harmonia Mundi) for the latter, both period performances. This Il ritorno di Tobia , a 1971 Hungaroton recording, suffers from some glacial tempos, and one of the soloists reminds me of Florence Foster Jenkins. Search the Internet for Dorati’s magnificent recording, Decca 440 038 (3 CDs). A 2002 recording of The Seven Last Words , led by Nicol Matt, is routine, with some shaky solo singing.


There are four operas here, three led by Frank van Koten in the early 1990s—none of them performances I have previously encountered. Die Feuerbrunst , a comic German Singspiel in two acts, is an absolute winner, one of the joys of this set. A 1976 live performance on two Pan LPs made little impression. Here it bursts with energy, wit, and charm; high horns and drums blaze away during vivacious, grand choruses. The Esterházy Orchestra and Chorus are superb; all five soloists not only sing beautifully but also invest their roles with plenty of character. The lack of a libretto hurts—I have never found one. The notes give brief hints about this low-comedy delight. The same ensemble, with different soloists, gave a live performance of La fedeltà premiata in the Esterházy castle at Eisenstadt (September 14 and 15, 1994). Again the results are brilliant, the recorded sound a bit too much so, in the ultra-bright acoustic of the Haydnsaal. A lot of stage noise, as well as applause, is present, but this performance is so exciting that one easily gets past the problems. The finale disappoints slightly; everyone was probably exhausted. La vera costanza is a 1990 studio recording, this time with the Dutch ensemble Catharijne Consort. The performance is excellent, but the opera lacks the wit and panache of Haydn’s other comedies. Rosina’s minor-key aria in act II and the lengthy chain finales of acts I and II (17 and 16 minutes) are the highlights; all look forward to Mozart. L’infedeltà delusa is a 1975 Hungaroton issue led by Sándor Frigyes, probably the finest recording of Haydn’s most popular opera. The orchestra is satisfactory, the singing excellent. Soprano Júlia Pászthy’s warm, liquid, smoothly produced tones should have made her an international star.


Beginning in 1795, Haydn wrote accompaniments for some Scottish folk songs (many of which were recently composed frauds, but that’s another story). The results were so commercially successful that he was commissioned again and again to write more arrangements; he seemed to like the easy work, and it paid well, so he continued until 1803. Some of the later ones were subcontracted to pupils; we still don’t know which. The earliest were bare-bones accompaniments, but most contain some original music, “conceived as a full piano trio texture with independent introductions and postludes” (H. C. Robbins Landon). See Fanfare 29:3 for my review of five of these 18 CDs, including more discussion of the circumstances and the results. There are 435 songs here (thank goodness word processors can add!), 62 of them Welsh folk songs, the remainder Scottish. They are sung nicely by soprano Lorna Anderson and tenor Jamie MacDougal, accompanied by Haydn Trio Eisenstadt (where they were recorded). English texts appear for apparently all the folk songs, on 186 closely spaced pages!


Haydn’s solo songs with keyboard accompaniment (Hob XXVIa) are late works, the first dozen Lieder written in 1780 and 1781, the remaining songs from 1790 to 1803. Elly Ameling sings them all, accompanied by Jörg Demus on a modern piano, with which he sometimes gives a convincing imitation of a fortepiano. These are 1980 recordings released on three Philips LPs. The Dutch soprano was one of the most highly admired Lieder singers of her time; the voice is beautiful, the singing elegant, and her command of English seems excellent, but her English songs are rather characterless, not only the 12 canzonettas to Anne Hunter’s poetry but also Shakespeare’s She Never Told Her Love . Ameling’s Lieder and the two Italian songs are excellent. The set ends with Haydn’s magnificent Lied, Gott, erhalte den Kaiser! , which would become a string quartet movement and the anthem of nations and universities. Ameling does it full justice. The CD-ROM contains song texts in the sung languages only (the Philips three-LP set had Engish, German, and French, adding Italian for the two songs in that language).


Counting the Seven Last Words as one work, there are 60 of Haydn’s 69 String Quartets here. I have previously reviewed 39 of them ( Fanfare 30: 5, 31:1, 31:5, 31:6, 32:1, and perhaps in this issue as well). The Buchberger plays period instruments at modern pitch; it boasts a gorgeous ensemble sound, with a silky first violin and a warm, solid cello; and its members have a fine feel for Haydn’s music. On the other hand, it tends to underplay staccato markings, skimming along in fast movements, and it often ignores second repeats in Sonata-Allegro movements. I had some problems with its op. 71/74 and op. 77, but its op. 20 quartets have become my first-choice recordings, and the rest have been very fine. The more I listen to Buchberger performances, the better I like them; they bristle with energy and revel in high spirits, even if their attacks are not always as clean as are those of some other ensembles. In the earlier quartets, through op. 33, the Buchberger makes my previous favorite period-instrument performances, by the Festetics and the Mosaïques, seem a bit cold and dry.


I am now listening to the Buchberger performances—21 quartets—that I have not previously reviewed. Its performances of op. 9 are similar to those of the London Haydn Quartet, which I praised so highly (“a gentle manner, emphasizing the beauty of the music”) in Fanfare 31:5. Hubert Buchberger’s first violin sings gloriously in the Largo of op. 9/3. Overly cool Menuets were the only problem with the Londoners; these are livelier. Most repeats are ignored; the English group observes all but those in Menuets da capo. I don’t miss the repeats that extend a Largo (in No. 5) and an Adagio (No. 6) to unwieldy lengths. In op. 64/3, the chugging rhythms of the opening Vivace assai are vibrantly realized by the Buchberger, although there are a couple of awkward transitions. All of op. 64/6 is a delight, its final Presto had everyone in this house smiling and laughing with joy. The Vivace finale to 64/5 is very enjoyable, but its fugal passages get a bit messy. The first three quartets of op. 50 are, if possible, even more delightful, so much fun that one must abandon criticism. Although all the quartets were recorded at the same site (Evangelische Burgkirche Nieder-Rosbach), the sound of the op. 55 quartets is a touch drier than the rest. The extra clarity may be intentional, aimed at the serious nature of the music (the Trio of the “Razor” Quartet’s Menuetto is pure tragedy, the opening Vivace assai of the B? Quartet equally grim). Tempos are slow throughout op. 55, and the sweetness of Buchberger’s violin disappears; seldom has this music felt so anguished. So far, all the performances discussed in this paragraph have replaced my previous favorites: the Panocha in op. 55, the Salomon in op. 64. I’m less pleased with the first three quartets of op. 76, which continue some of the harshness heard in op. 55. With that exception, the Buchberger performances—like the Adam Fischer symphonies—got better as the recording sessions proceeded (they are presented in this set in order of recording, as I have discussed them). There are, of course, many ways to play Haydn’s string quartets; but if I were limited to a single set of recordings, the Buchberger might well be it.


Forty-one piano trios are performed by the Van Swieten Trio; I have sampled about a dozen. Bart van Oort plays a potent, dusky fortepiano (by Job ter Haar, after Anton Walter). These period performances are tough and gutsy (sorry about that), genial and at times rustic, at the opposite end of the spectrum from the Beaux Arts Trio’s elegance and sweetness; the two excellent sets complement each other.


Jens Peter Larsen in The New Grove : “[I]t is part of [Haydn’s] greatness that he was able to display his extraordinary musicianship and inventiveness not only in the outstanding masterworks but also in more domestic pieces like the baryton trios.” Perhaps two dozen of them have been recorded before. Michael Brüssing’s baryton is the most colorful one I have heard, its sympathetically vibrating metal strings adding more than the usual twang. That, plus sympathetic colleagues on viola and cello, produces pleasing results. Most of the trios are in three movements; performance times run from 10 to 15 minutes. Earlier recordings concentrated on the later trios; the earliest ones do have some dull moments but are worth hearing nevertheless. The first 10 are in A Major; A and D—easy keys for the amateur Prince Nikolaus—predominate until the later trios, suggesting that the Prince eventually became more accomplished. I listened to about one trio in every five, finding many charming movements and considerable satisfaction; Trio No. 26 in G is wonderful throughout—rich, imaginative, and graceful. So is No. 30 in G. Was Haydn reveling in not having to write in A or D Major? No. 33 in A has a marvelous fugal Allegro finale, although it does generate some noisy action from the baryton. By this point, the music is more often interesting than not. No. 36 in D finds the wire strings plucked more often, and an Allegro molto is wild and forceful. Nevertheless, Robbins Landon was right to note that “even the fascination of the instrument palls after a while.” Although these pieces offer nothing for the audiophile, the bright, clean sound does help us appreciate this odd instrument. Since nearly 100 of these trio performances are premiere recordings, their existence and availability far outweigh my response to any one of them. Discover them for yourself!


I had never heard any of the seven baryton octets (Divertimentos for Eight Instruments, Hob X:1–6 and 12), at least not in their original form. A string quartet, violone, and two horns fill out the ensemble. They are three-movement pieces, stylistically consistent with the baryton trios, except that the horns often dominate the ensemble, sometimes with virtuoso passages. These period performances with natural horns were recorded at the Eisenstadt palace in 2006–2008 (as were the baryton trios); the Haydnsaal’s bright acoustics are immediately recognizable and contribute much to the overall flavor. Moderatos and Adagios, where the baryton comes into its own, predominate. Three of the octets have Presto finales, which are taken cautiously, probably for the hornists’ sake. A Quintet for baryton, two horns, viola, and bass, Hob X:10, is squeezed in among the octets. The next CD, an appendix to the baryton trios, brings us single movements or reconstructions of the missing trios, plus 20 very brief “movements” (from seven seconds to 20) for one or two barytons, alone or with other instruments. Although the notes say nothing about these, they are probably themes from missing works, taken from Haydn’s thematic catalog.


Next comes a CD (no. 132) of works for lute and strings, performed by Jakob Lindberg and the Drottningholm Baroque Ensemble (violin, viola, and cello). The lute’s distinctive tones and nimble movement make it a better solo presence than the baryton in these two cassations, (Hob III:1 and 6), Quarteto (Hob III:8), and Sonata a tre (Hob IV:F20). These 1987 BIS recordings are lovely. Two CDs are devoted to the four piano concertinos and five divertimentos (the titles are more or less interchangeable) that form Hob XIV, all with two violins and cello. Harold Kosik plays superbly, and his modern Steinway sounds gorgeous in the Haydnsaal, but the strings are dry and weak. A Naxos CD ( Fanfare 30:5) has a well-balanced ensemble with fortepiano playing the concertinos; however, its extremely fast Prestos and Allegros obscure some details that are clearly executed here. You can’t go wrong with either choice for this delightful early Haydn. The second disc closes with a Sonata for Piano and Violin in G, Hob XV:32. I don’t know it and cannot locate it in The New Grove . It sounds nothing like Haydn to my ears, but who knows? CD 135 contains the six sonatas for violin and cello, Hob VI:1–6, Hungaroton recordings from 1992–93. The performances are square and unimaginative, the violin tone harsh.


Last comes the solo keyboard music, played on various fortepianos. Brilliant divides the 52 sonatas more or less evenly among five artists: Bart van Oort, Ursula Dütschler, Stanley Hoogland, Yoshiko Kojima, and Riko Fukuda; each gets to play one of the five great sonatas. The pianists are obviously connected: they share instruments from each other’s collections, Fukuda studied with Hoogland, and the sonatas were recorded at more or less continuous sessions in September and October of 2000 in an old Utrecht church now used as a museum. Five CDs of other keyboard pieces are played by van Oort, recorded in another Dutch church in 2007 and 2008. I recently reviewed (perhaps in this issue) Ronald Brautigam’s Haydn on BIS, also on 15 CDs. Brautigam’s fortepiano is far brighter than the ones used here, and also has more potent low notes; by comparison, it seems almost a piano. His playing of the faster movements tends to be more brilliant than the playing on this set; the Brilliant Classics performances tend to look back to the early sonatas, the BIS look forward. Yet there are notable differences among the fortepianists here: van Oort is conservative yet elegant, always on the money and never at odds with one’s expectations; Dütschler is just the opposite—her tempos can be slow, her phrasing square, and she has no use for legato. It’s a shock at first, but when one becomes accustomed to her ways, she throws some fascinating light on the sonatas she plays. When she reaches the well-known Hob XVI:49 in E?, however, she reverts to a consensus interpretation. Fukuda plays stylishly except for the great C-Minor Sonata, Hob XVI:33. Her opening Moderato is very slow, she ignores most dynamic indications but exaggerates every other marking, inserts an unwritten little cadenza at one point and many uncalled-for pauses; then she ignores the second repeat. To my ears, she is playing the notes but not the music. Everyone plays most repeats except in Menuets da capo, but there are differences: Brautigam’s performances conform to my Dover scores, these do not. Van Oort plays a second repeat in the opening Allegro of Hob XVI:33 in D, one that is not indicated by Dover. Brautigam plays the second movement of Hob XVI:1 in C at Dover’s Andante (in 2:50); van Oort’s playing and label is Adagio (3:35). On at least one occasion, van Oort’s subtlety trumps Brautigam’s brilliance: In Hob XVI: 12 in A, the Menuet’s Trio switches to minor; van Oort observes the p and legato markings, and the moment is breathtaking; Bautigam plows ahead, and it passes almost unnoticed. Such comparisons are made difficult by the layouts of the two sets. BIS has the sonatas in chronological order (in so far as we know it), and its booklet specifies both the Landon number (1–62) and the Hoboken number for each. Brilliant has the sonatas organized by performer (two CDs for each), so the order is random; furthermore, individual envelopes list only the key and the Hoboken identification, making crosschecking and locating the score a frustrating, time-consuming exercise. Suffice to say that both sets are first-rate, and there is no way to choose between them.


In conclusion (whew!), this is not a set for the casual or novice Haydn listener: the late symphonies are not well played, and four of the six late masses (among Haydn’s greatest works) are missing. On the other hand, the set is a gem for the devoted Haydn enthusiast, who will already own favorite recordings of those works. Hundreds of less-known pieces—most of them marvelous music—are beautifully played, many recorded for the first time. Other than the late symphonies, the works recorded in the Haydnsaal at Eisenstadt maintain high standards of performance and recorded sound. The newly recorded period-instrument performances are generally very fine; the licensed reissues of modern instruments generally not. The set may be had for roughly one dollar per disc at many sites on the Internet.


FANFARE: James H. North
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Works on This Recording

1. Symphony no 1 in D major, H 1 no 1 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1759; Vienna, Austria 
2. Symphony no 2 in C major, H 1 no 2 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1764; Austria 
3. Symphony no 3 in G major, H 1 no 3 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1762; Austria 
4. Symphony no 4 in D major, H 1 no 4 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1762; Austria 
5. Symphony no 5 in A major, H 1 no 5 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1762; Austria 
6. Symphony no 6 in D major, H 1 no 6 "Le Matin" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: ?1761; Eszterhazá, Hungary 
7. Symphony no 7 in C major, H 1 no 7 "Le Midi" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1761; Eszterhazá, Hungary 
8. Symphony no 8 in G major, H 1 no 8 "Le Soir" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: ?1761; Eszterhazá, Hungary 
9. Symphony no 9 in C major, H 1 no 9 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: ?1762; Austria 
10. Symphony no 10 in D major, H 1 no 10 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1766; Vienna, Austria 
11. Symphony no 11 in E flat major, H 1 no 11 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1769; Austria 
12. Symphony no 12 in E major, H 1 no 12 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1763; Eszterhazá, Hungary 
13. Symphony no 13 in D major, H 1 no 13 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1763; Eszterhazá, Hungary 
14. Symphony no 14 in A major, H 1 no 14 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1764; Austria 
15. Symphony no 15 in D major, H 1 no 15 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1764; Austria 
16. Symphony no 16 in B flat major, H 1 no 16 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1766; Austria 
17. Symphony no 17 in F major, H 1 no 17 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1766; Austria 
18. Symphony no 18 in G major, H 1 no 18 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1766; Austria 
19. Symphony no 19 in D major, H 1 no 19 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1766; Austria 
20. Symphony no 20 in C major, H 1 no 20 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1766; Austria 
21. Symphony no 21 in A major, H 1 no 21 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1764; Eszterhazá, Hungary 
22. Symphony no 22 in E flat major, H 1 no 22 "Philosopher" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1764; Eszterhazá, Hungary 
23. Symphony no 23 in G major, H 1 no 23 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1764; Eszterhazá, Hungary 
24. Symphony no 24 in D major, H 1 no 24 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1764; Eszterhazá, Hungary 
25. Symphony no 25 in C major, H 1 no 25 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1766; Austria 
26. Symphony no 26 in D minor, H 1 no 26 "Lamentatione" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1770; Eszterhazá, Hungary 
27. Symphony no 27 in G major, H 1 no 27 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1766; Austria 
28. Symphony no 28 in A major, H 1 no 28 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1765; Eszterhazá, Hungary 
29. Symphony no 29 in E major, H 1 no 29 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1765; Eszterhazá, Hungary 
30. Symphony no 30 in C major, H 1 no 30 "Alleluia" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1765; Eszterhazá, Hungary 
31. Symphony no 31 in D major, H 1 no 31 "Hornsignal" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1765; Eszterhazá, Hungary 
32. Symphony no 32 in C major, H 1 no 32 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1766; Austria 
33. Symphony no 33 in C major, H 1 no 33 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1767; Austria 
34. Symphony no 34 in D minor, H 1 no 34 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1767; Austria 
35. Symphony no 35 in B flat major, H 1 no 35 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1767; Eszterhazá, Hungary 
36. Symphony no 36 in E flat major, H 1 no 36 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1769; Austria 
37. Symphony no 37 in C major, H 1 no 37 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1758; Vienna, Austria 
38. Symphony no 38 in C major, H 1 no 38 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1769; Austria 
39. Symphony no 39 in G minor, H 1 no 39 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1770; Eszterhazá, Hungary 
40. Symphony no 107 in B flat major, H 1 no 107 "Symphony A" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1762; Austria 
41. Symphony no 108 in B flat major, H 1 no 108 "Symphony B" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1765; Austria 
42. Symphony no 40 in F major, H 1 no 40 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1763; Eszterhazá, Hungary 
43. Symphony no 41 in C major, H 1 no 41 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1770; Eszterhazá, Hungary 
44. Symphony no 42 in D major, H 1 no 42 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1771; Eszterhazá, Hungary 
45. Symphony no 43 in E flat major, H 1 no 43 "Mercury" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1772; Eszterhazá, Hungary 
46. Symphony no 44 in E minor, H 1 no 44 "Trauer" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1772; Eszterhazá, Hungary 
47. Symphony no 45 in F sharp minor, H 1 no 45 "Farewell" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1772; Eszterhazá, Hungary 
48. Symphony no 46 in B major, H 1 no 46 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1772; Eszterhazá, Hungary 
49. Symphony no 47 in G major, H 1 no 47 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1772; Eszterhazá, Hungary 
50. Symphony no 48 in C major, H 1 no 48 "Maria Theresia" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1769; Eszterhazá, Hungary 
51. Symphony no 49 in F minor, H 1 no 49 "La Passione" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1768; Eszterhazá, Hungary 
52. Symphony no 50 in C major, H 1 no 50 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1773; Eszterhazá, Hungary 
53. Symphony no 51 in B flat major, H 1 no 51 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1774; Eszterhazá, Hungary 
54. Symphony no 52 in C minor, H 1 no 52 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1774; Eszterhazá, Hungary 
55. Symphony no 53 in D major, H 1 no 53 "L'Impériale" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: ?1778-79; Eszterhazá, Hungary 
56. Symphony no 54 in G major, H 1 no 54 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1774; Eszterhazá, Hungary 
57. Symphony no 55 in E major, H 1 no 55 "The Schoolmaster" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1774; Eszterhazá, Hungary 
58. Symphony no 56 in C major, H 1 no 56 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1774; Eszterhazá, Hungary 
59. Symphony no 57 in C major, H 1 no 57 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1774; Eszterhazá, Hungary 
60. Symphony no 58 in F major, H 1 no 58 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1775; Eszterhazá, Hungary 
61. Symphony no 59 in A major, H 1 no 59 "Fire" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1769; Eszterhazá, Hungary 
62. Symphony no 60 in C major, H 1 no 60 "Il distratto" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1774; Eszterhazá, Hungary 
63. Symphony no 61 in D major, H 1 no 61 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1776; Eszterhazá, Hungary 
64. Symphony no 62 in D major, H 1 no 62 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1781; Eszterhazá, Hungary 
65. Symphony no 63 in C major, H 1 no 63 "La Roxelane" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1781; Eszterhazá, Hungary 
66. Symphony no 64 in A major, H 1 no 64 "Tempora mutantur" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1778; Eszterhazá, Hungary 
67. Symphony no 65 in A major, H 1 no 65 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1778; Eszterhazá, Hungary 
68. Symphony no 66 in B flat major, H 1 no 66 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1779; Eszterhazá, Hungary 
69. Symphony no 67 in F major, H 1 no 67 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1779; Eszterhazá, Hungary 
70. Symphony no 68 in B flat major, H 1 no 68 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1779; Eszterhazá, Hungary 
71. Symphony no 69 in C major, H 1 no 69 "Laudon" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1779; Eszterhazá, Hungary 
72. Symphony no 70 in D major, H 1 no 70 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1778-1779; Eszterhazá, Hungary 
73. Symphony no 71 in B flat major, H 1 no 71 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1780; Eszterhazá, Hungary 
74. Symphony no 72 in D major, H 1 no 72 no 72 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1765; Austria 
75. Symphony no 73 in D major, H 1 no 73 "La Chasse" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1782; Eszterhazá, Hungary 
76. Symphony no 74 in E flat major, H 1 no 74 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1781; Eszterhazá, Hungary 
77. Symphony no 75 in D major, H 1 no 75 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: by 1781; Eszterhazá, Hungary 
78. Symphony no 76 in E flat major, H 1 no 76 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: ?1782; Eszterhazá, Hungary 
79. Symphony no 77 in B flat major, H 1 no 77 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: ?1782; Eszterhazá, Hungary 
80. Symphony no 78 in C minor, H 1 no 78 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: ?1782; Eszterhazá, Hungary 
81. Symphony no 79 in F major, H 1 no 79 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1784; Eszterhazá, Hungary 
82. Symphony no 80 in D minor, H 1 no 80 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1784; Eszterhazá, Hungary 
83. Symphony no 81 in G major, H 1 no 81 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1784; Eszterhazá, Hungary 
84. Symphony no 82 in C major, H 1 no 82 "The Bear" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1786; Eszterhazá, Hungary 
85. Symphony no 83 in G minor, H 1 no 83 "The Hen" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1785; Eszterhazá, Hungary 
86. Symphony no 84 in E flat major, H 1 no 84 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1786; Eszterhazá, Hungary 
87. Symphony no 85 in B flat major, H 1 no 85 "La Reine" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: ?1785; Eszterhazá, Hungary 
88. Symphony no 86 in D major, H 1 no 86 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1786; Eszterhazá, Hungary 
89. Symphony no 87 in A major, H 1 no 87 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1785; Eszterhazá, Hungary 
90. Symphony no 88 in G major, H 1 no 88 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: circa 1787 ; Eszterhazá, Hungary 
91. Symphony no 89 in F major, H 1 no 89 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1787; Eszterhazá, Hungary 
92. Symphony no 90 in C major, H 1 no 90 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1788; Eszterhazá, Hungary 
93. Symphony no 91 in E flat major, H 1 no 91 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1788; Eszterhazá, Hungary 
94. Symphony no 92 in G major, H 1 no 92 "Oxford" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1789; Eszterhazá, Hungary 
95. Sinfonia Concertant for Violin, Cello, Oboe and Bassoon in B flat major, H 1 no 105 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1792; London, England 
96. Symphony no 93 in D major, H 1 no 93 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1791; London, England 
97. Symphony no 94 in G major, H 1 no 94 "Surprise" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1791; London, England 
98. Symphony no 95 in C minor, H 1 no 95 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1791; London, England 
99. Symphony no 96 in D major, H 1 no 96 "Miracle" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1791; London, England 
100. Symphony no 97 in C major, H 1 no 97 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1792; London, England 
101. Symphony no 98 in B flat major, H 1 no 98 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1792; London, England 
102. Symphony no 99 in E flat major, H 1 no 99 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1793; Vienna, Austria 
103. Symphony no 100 in G major, H 1 no 100 "Military" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1793-1794; London, England 
104. Symphony no 101 in D major, H 1 no 101 "Clock" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1793-1794; London, England 
105. Symphony no 102 in B flat major, H 1 no 102 by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1794; London, England 
106. Symphony no 103 in E flat major, H 1 no 103 "Drumroll" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1795; London, England 
107. Symphony no 104 in D major, H 1 no 104 "London" by Franz Joseph Haydn
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra
Period: Classical 
Written: 1795; London, England 
108. Concerto for Keyboard in D major, H 18 no 11 by Franz Joseph Haydn
Performer:  Jolanda Violante (Piano)
Conductor:  Federico Guglielmo
Orchestra/Ensemble:  L'Arte dell'Arco
Period: Classical 
Written: by 1784; Eszterhazá, Hungary 
109. Concerto for Keyboard in G major, H 18 no 4 by Franz Joseph Haydn
Performer:  Jolanda Violante (Piano)
Conductor:  Federico Guglielmo
Orchestra/Ensemble:  L'Arte dell'Arco
Period: Classical 
Written: by 1781; Eszterhazá, Hungary 
110. Concerto for Keyboard in F major, H 18 no 3 by Franz Joseph Haydn
Performer:  Jolanda Violante (Piano)
Conductor:  Federico Guglielmo
Orchestra/Ensemble:  L'Arte dell'Arco
Period: Classical 
Written: by 1771; Austria 
111. Concerto for Violin no 1 in C major, H 7a no 1 by Franz Joseph Haydn
Performer:  Federico Guglielmo (Violin)
Conductor:  Federico Guglielmo
Orchestra/Ensemble:  L'Arte dell'Arco
Period: Classical 
Written: by 1769; Eszterhazá, Hungary 
112. Concerto for Violin no 4 in G major, H 7a no 4 by Franz Joseph Haydn
Performer:  Federico Guglielmo (Violin)
Conductor:  Federico Guglielmo
Orchestra/Ensemble:  L'Arte dell'Arco
Period: Classical 
Written: by 1769; Eszterhazá, Hungary 
113. Concerto for Violin no 3 in A major, H 7a no 3 "Melk" by Franz Joseph Haydn
Performer:  Federico Guglielmo (Violin)
Conductor:  Federico Guglielmo
Orchestra/Ensemble:  L'Arte dell'Arco
Period: Classical 
Written: by 1771; Eszterhazá, Hungary 
114. Concerto for Organ no 1 in C major, H 18 no 1 by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Conductor:  Anton Holzapfel
Orchestra/Ensemble:  Dolce Risonanza
Period: Classical 
Written: ?1756; Vienna, Austria 
115. Concerto for Keyboard in D major, H 18 no 2 by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Conductor:  Anton Holzapfel
Orchestra/Ensemble:  Dolce Risonanza
Period: Classical 
Written: by 1767; Austria 
116. Works (32) for Mechanical Clock, H 19: no 11, Allegretto in C major by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Period: Classical 
Written: 1789-1793 
117. Works (32) for Mechanical Clock, H 19: no 16, Fugue in C major by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Period: Classical 
Written: 1789 
118. Concerto for Organ no 3 in C major, H 18 no 5 by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Conductor:  Anton Holzapfel
Orchestra/Ensemble:  Dolce Risonanza
Period: Classical 
Written: by 1763; Austria 
119. Concerto for Keyboard and Violin in F major, H 18 no 6 by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Conductor:  Anton Holzapfel
Orchestra/Ensemble:  Dolce Risonanza
Period: Classical 
Written: by 1766; Austria  
120. Concerto for Organ in C major, H 18 no 8 by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Conductor:  Anton Holzapfel
Orchestra/Ensemble:  Dolce Risonanza
Period: Classical 
Written: by 1766; Austria 
121. Concerto for Organ in C major, H 18 no 10 by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Conductor:  Anton Holzapfel
Orchestra/Ensemble:  Dolce Risonanza
Period: Classical 
Written: by 1771; Eszterhazá, Hungary 
122. Works (32) for Mechanical Clock, H 19: no 17 in C major by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Period: Classical 
Written: circa 1789-1792 
123. Works (32) for Mechanical Clock, H 19: no 10, Andante in C major by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Period: Classical 
Written: circa 1789-1792 
124. Works (32) for Mechanical Clock, H 19: no 18, Presto in F major by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Period: Classical 
Written: circa 1789-1792 
125. Works (32) for Mechanical Clock, H 19: no 20 in C major by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Period: Classical 
Written: 1792 
126. Works (32) for Mechanical Clock, H 19: no 19, Allegretto by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Period: Classical 
Written: 1793; Vienna, Austria 
127. Works (32) for Mechanical Clock, H 19: no 8 in C major by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Period: Classical 
Written: 1789-1793 
128. Works (32) for Mechanical Clock, H 19: no 21, Vivace by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Period: Classical 
Written: circa 1789-1793 
129. Works (32) for Mechanical Clock, H 19: no 7 in C major by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Period: Classical 
Written: ?1796 
130. Works (32) for Mechanical Clock, H 19: no 22 by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Period: Classical 
131. Works (32) for Mechanical Clock, H 19: no 23 in C major by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Period: Classical 
Written: 1789-1793 
132. Works (32) for Mechanical Clock, H 19: no 9, Menuet in C major by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Period: Classical 
Written: ?1789; Eszterhazá, Hungary 
133. Works (32) for Mechanical Clock, H 19: no 24, Allegro by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Period: Classical 
Written: 1793; Vienna, Austria 
134. Concerto for Keyboard in F major, H 18 no 7 by Franz Joseph Haydn
Performer:  Anton Holzapfel (Organ)
Conductor:  Anton Holzapfel
Orchestra/Ensemble:  Dolce Risonanza
Period: Classical 
Written: by 1766; Austria 
135. Concerto for Trumpet in E flat major, H 7e no 1 by Franz Joseph Haydn
Performer:  Alan Stringer (Trumpet)
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Period: Classical 
Written: 1796; Vienna, Austria 
136. Concerto for Horn no 1 in D major, H 7d no 3 by Franz Joseph Haydn
Performer:  Hermann Baumann (French Horn)
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Period: Classical 
Written: 1762; Eszterhazá, Hungary 
137. Concerto for Horn no 2 in D major, H 7d no 4 by Franz Joseph Haydn
Performer:  Hermann Baumann (French Horn)
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Period: Classical 
138. Concerto for Cello no 1 in C major, H 7b no 1 by Franz Joseph Haydn
Performer:  Christine Walevska (Cello)
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Period: Classical 
Written: circa 1761-1765; Eszterhazá, Hungary 
139. Concerto for Cello no 2 in D major, Op. 101/H 7b no 2 by Franz Joseph Haydn
Performer:  Christine Walevska (Cello)
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Period: Classical 
Written: 1783; Eszterhazá, Hungary 
140. Concerto for 2 Lire organizzate in C major, H 7h no 1 by Franz Joseph Haydn
Performer:  Hugo Ruf (Lira Organizzata)
Conductor:  Susanne Lautenbacher
Orchestra/Ensemble:  Susanne Lautenbacher Ensemble
Period: Classical 
Written: ?1786-87; Eszterhazá, Hungary 
141. Concerto for 2 Lire organizzate in F major, H 7h no 5 by Franz Joseph Haydn
Performer:  Hugo Ruf (Lira Organizzata)
Conductor:  Susanne Lautenbacher
Orchestra/Ensemble:  Susanne Lautenbacher Ensemble
Period: Classical 
Written: ?1786-87; Eszterhazá, Hungary 
142. Concerto for 2 Lire organizzate in G major, H 7h no 3 by Franz Joseph Haydn
Performer:  Hugo Ruf (Lira Organizzata)
Conductor:  Susanne Lautenbacher
Orchestra/Ensemble:  Susanne Lautenbacher Ensemble
Period: Classical 
Written: ?1786-87; Eszterhazá, Hungary 
143. Concerto for 2 Lire organizzate in F major, H 7h no 4 by Franz Joseph Haydn
Performer:  Hugo Ruf (Lira Organizzata)
Conductor:  Susanne Lautenbacher
Orchestra/Ensemble:  Susanne Lautenbacher Ensemble
144. Concerto for 2 Lire organizzate in G major, H 7h no 2 by Franz Joseph Haydn
Performer:  Hugo Ruf (Lira Organizzata)
Conductor:  Susanne Lautenbacher
Orchestra/Ensemble:  Susanne Lautenbacher Ensemble
Period: Classical 
Written: ?1786-87; Eszterhazá, Hungary 
145. Missa in tempore belli, H 22 no 9 "Paukenmesse" by Franz Joseph Haydn
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Württemberg Chamber Orchestra Heilbronn
Period: Classical 
Written: 1796; Vienna, Austria 
146. Missa Sancti Nicolai, H 22 no 6 "Nikolaimesse" by Franz Joseph Haydn
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Württemberg Chamber Orchestra Heilbronn
Period: Classical 
Written: 1772; Eszterhazá, Hungary 
147. Mass in B flat major, H 22 no 14 "Harmoniemesse" by Franz Joseph Haydn
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Württemberg Chamber Orchestra Heilbronn
Period: Classical 
Written: 1802; Vienna, Austria 
148. Missa Cellensis, H 22 no 8 "Mariazellermesse" by Franz Joseph Haydn
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Württemberg Chamber Orchestra Heilbronn
Period: Classical 
Written: 1782; Eszterhazá, Hungary 
149. Missa in honorem BVM, H 22 no 4 "Grosse Orgelmesse" by Franz Joseph Haydn
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Württemberg Chamber Orchestra Heilbronn
Period: Classical 
Written: by 1774; Eszterhazá, Hungary 
150. Missa Cellensis in honorem, H 22 no 5 "Cäcilienmesse" by Franz Joseph Haydn
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Württemberg Chamber Orchestra Heilbronn
Period: Classical 
Written: 1766; Eszterhazá, Hungary 
151. Salve Regina in G minor, H 23b no 2 "Organ solo" by Franz Joseph Haydn
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Württemberg Chamber Orchestra Heilbronn
Period: Classical 
Written: 1771; Eszterhazá, Hungary 
152. Missa brevis in F major, H 22 no 1 by Franz Joseph Haydn
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Württemberg Chamber Orchestra Heilbronn
Period: Classical 
Written: ?1749; Vienna, Austria 
153. Salve Regina in E flat major, H 23b no 4 by Franz Joseph Haydn
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Württemberg Chamber Orchestra Heilbronn
Period: Classical 
Written: by 1773 
154. Stabat Mater, H 20 bis by Franz Joseph Haydn
Conductor:  Frieder Bernius
Orchestra/Ensemble:  Württemberg Chamber Orchestra Heilbronn
Period: Classical 
Written: 1767; Eszterhazá, Hungary 
155. The Seasons, H 21 no 3 by Franz Joseph Haydn
Performer:  Helen Donath (Soprano), Adalbert Kraus (Tenor), Kurt Widmer (Bass)
Conductor:  Wolfgang Gönnenwein
Orchestra/Ensemble:  Ludwigsburg Festival Orchestra,  South German Madrigal Choir Stuttgart
Period: Classical 
Written: 1799-1801; Vienna, Austria 
156. The Creation, H 21 no 2 by Franz Joseph Haydn
Performer:  Adalbert Kraus (Tenor), Helen Donath (Soprano), Kurt Widmer (Bass),
Vera Scherr (Mezzo Soprano)
Conductor:  Wolfgang Gönnenwein
Orchestra/Ensemble:  Ludwigsburg Festival Orchestra,  South German Madrigal Choir Stuttgart
Period: Classical 
Written: 1796-1798; Vienna, Austria 
157. La vera Costanza, H 28 no 8 by Franz Joseph Haydn
Conductor:  Frank van Koten
Orchestra/Ensemble:  Zomeropera Orchestra
Period: Classical 
Written: ?1778; Eszterhazá, Hungary 
158. Die Feuersbrunst, H 29b no A by Franz Joseph Haydn
Conductor:  Frank van Koten
Orchestra/Ensemble:  Zomeropera Orchestra
Period: Baroque 
159. La fedeltŕ premiata, H 28 no 10 by Franz Joseph Haydn
Conductor:  Frank van Koten
Orchestra/Ensemble:  Zomeropera Orchestra
Period: Classical 
Written: 1780; Eszterhazá, Hungary 
160. L'infedeltŕ delusa, H 28 no 5 by Franz Joseph Haydn
Conductor:  Frigyes Sándor
Orchestra/Ensemble:  Franz Liszt Chamber Orchestra
Period: Classical 
Written: 1773; Eszterhazá, Hungary 
161. Il ritorno di Tobia, H 21 no 1 by Franz Joseph Haydn
Conductor:  Ferenc Szekeres
Orchestra/Ensemble:  Hungarian State Orchestra
Period: Classical 
Written: 1774-1775; Eszterhazá, Hungary 
162. Seven last words of Christ on the Cross, H 20 no 2 by Franz Joseph Haydn
Performer:  Gabriele Wunderer (Alto), Petra Labitzke (Soprano), Christof Fischesser (Bass),
Daniel Sans (Tenor)
Conductor:  Nicol Matt
Orchestra/Ensemble:  Chamber Choir of Europe,  Kurpfälzisches Chamber Orchestra
Period: Classical 
Written: 1795-1796; Eszterhazá, Hungary 
163. Scottish Folksong, H 31a by Franz Joseph Haydn
Performer:  Lorna Anderson (Soprano), Jamie MacDougall (Tenor)
Orchestra/Ensemble:  Haydn Trio Eisenstadt
Period: Classical 
164. Welsh Folksong, H 31b by Franz Joseph Haydn
Performer:  Lorna Anderson (Soprano), Jamie MacDougall (Tenor)
Orchestra/Ensemble:  Haydn Trio Eisenstadt
Period: Classical 
165. O Tuneful Voice, H 26a no 42 by Franz Joseph Haydn
Performer:  Elly Ameling (Soprano), Jörg Demus (Piano)
Period: Classical 
Written: circa ?1795; London, England 
166. Original Canzonettas Book 1, H 26a no 25-30 by Franz Joseph Haydn
Performer:  Elly Ameling (Soprano), Jörg Demus (Piano)
Period: Classical 
Written: 1794 
167. Original Canzonettas Book 2, H 26a no 31-36 by Franz Joseph Haydn
Performer:  Elly Ameling (Soprano), Jörg Demus (Piano)
Period: Classical 
Written: 1795 
168. The Lady's Looking-glass, H 31c no 17 by Franz Joseph Haydn
Performer:  Elly Ameling (Soprano), Jörg Demus (Piano)
Period: Classical 
Written: c1791–1795 
169. Pensi a me sě fido amante by Franz Joseph Haydn
Performer:  Elly Ameling (Soprano), Jörg Demus (Piano)
Period: Classical 
170. Un tetto umil by Franz Joseph Haydn
Performer:  Elly Ameling (Soprano), Jörg Demus (Piano)
Period: Classical 
171. Lieder für Clavier Book 1, H 26a no 1-12 by Franz Joseph Haydn
Performer:  Elly Ameling (Soprano), Jörg Demus (Piano)
Period: Classical 
Written: 1781 
172. Als einst mit Weibes Schönheit, H 26a no 44 by Franz Joseph Haydn
Performer:  Elly Ameling (Soprano), Jörg Demus (Piano)
Period: Classical 
Written: ?c1796-1800 
173. Der schlaue und dienstfertige Pudel, H 26a no 38 by Franz Joseph Haydn
Performer:  Elly Ameling (Soprano), Jörg Demus (Piano)
Period: Classical 
Written: c1780-1787 
174. Bald wehen uns des Frühlings Lüfte, H 26a no 47 by Franz Joseph Haydn
Performer:  Elly Ameling (Soprano), Jörg Demus (Piano)
Period: Classical 
175. Trachten will ich nicht auf Erden, H 26a no 39 by Franz Joseph Haydn
Performer:  Elly Ameling (Soprano), Jörg Demus (Piano)
Period: Classical 
Written: by 1790; Austria 
176. Lieder für Clavier Book 2, H 26a no 13-24 by Franz Joseph Haydn
Performer:  Elly Ameling (Soprano), Jörg Demus (Piano)
Period: Classical 
Written: 1781 
177. Beim Schmerz, der dieses Herz durchwühlet, H 26a no 37 by Franz Joseph Haydn
Performer:  Elly Ameling (Soprano), Jörg Demus (Piano)
Period: Classical 
Written: by 1775; Austria 
178. Abschiedslied, H 26a no F1 by Franz Joseph Haydn
Performer:  Elly Ameling (Soprano), Jörg Demus (Piano)
Period: Classical 
179. Gott erhalte Franz den Kaiser, H 26a no 43 by Franz Joseph Haydn
Performer:  Jörg Demus (Piano), Elly Ameling (Soprano)
Period: Classical 
Written: 1796-1797; Vienna, Austria 
180. Trio(s) for Baryton, Viola and Cello by Franz Joseph Haydn
Orchestra/Ensemble:  Esterházy Ensemble
Period: Classical 
181. Cassation in B flat major, H 3 no 1 by Franz Joseph Haydn
Performer:  Jakob Lindberg (Lute)
Orchestra/Ensemble:  Drottningholm Baroque Ensemble
Period: Classical 
182. Cassation in C major, H 3 no 6 by Franz Joseph Haydn
Performer:  Jakob Lindberg (Lute)
Orchestra/Ensemble:  Drottningholm Baroque Ensemble
Period: Classical 
183. Quartet for Strings in E major, Op. 2 no 2/H 3 no 8 by Franz Joseph Haydn
Performer:  Jakob Lindberg (Lute)
Orchestra/Ensemble:  Drottningholm Baroque Ensemble
Period: Classical 
Written: by 1765; Austria 
184. Trio for Lute, Violin and Cello in F major, H 4 no F 2 by Franz Joseph Haydn
Performer:  Jakob Lindberg (Lute)
Orchestra/Ensemble:  Drottningholm Baroque Ensemble
Period: Classical 
185. Concertino for Harpsichord in C major, H 14 no 12 by Franz Joseph Haydn
Orchestra/Ensemble:  Haydn Trio Eisenstadt
Period: Classical 
Written: by 1772; Eszterhazá, Hungary 
186. Divertimento for Harpsichord and Strings in C major, H 14 no 7 by Franz Joseph Haydn
Orchestra/Ensemble:  Haydn Trio Eisenstadt
Period: Classical 
Written: by 1767; Austria 
187. Concerto for Keyboard in C major, H 18 no F2 by Franz Joseph Haydn
Orchestra/Ensemble:  Haydn Trio Eisenstadt
Period: Classical 
Written: circa 1767; Austria  
188. Divertimento in C major, H 14 no 3 by Franz Joseph Haydn
Orchestra/Ensemble:  Haydn Trio Eisenstadt
Period: Classical 
189. Quintet in E flat major, H 14 no 1 by Franz Joseph Haydn
Orchestra/Ensemble:  Haydn Trio Eisenstadt
Period: Classical 
190. Divertimento for Harpsichord and Strings in C major, H 14 no C 2 by Franz Joseph Haydn
Orchestra/Ensemble:  Haydn Trio Eisenstadt
Period: Classical 
Written: by 1767; Austria 
191. Divertimento in C major, H 14 no 4 by Franz Joseph Haydn
Orchestra/Ensemble:  Haydn Trio Eisenstadt
Period: Classical 
Written: 1764 
192. Concertino for Harpsichord in C major, H 14 no 11 by Franz Joseph Haydn
Orchestra/Ensemble:  Haydn Trio Eisenstadt
Period: Classical 
Written: 1760; Vienna, Austria 
193. Divertimento for Harpsichord and Strings in C major, H 14 no 8 by Franz Joseph Haydn
Orchestra/Ensemble:  Haydn Trio Eisenstadt
Period: Classical 
Written: circa 1768-1772; Eszterhazá, Hungary 
194. Concertino for Harpsichord and Strings in G major, H 14 no 13 by Franz Joseph Haydn
Orchestra/Ensemble:  Haydn Trio Eisenstadt
Period: Classical 
Written: by 1767; Austria 
195. Divertimento for Harpsichord and Strings in F major, H 14 no 9 by Franz Joseph Haydn
Orchestra/Ensemble:  Haydn Trio Eisenstadt
Period: Classical 
Written: by 1767; Austria 
196. Trio for Piano, Violin and Cello in G major, H 15 no 32 by Franz Joseph Haydn
Orchestra/Ensemble:  Haydn Trio Eisenstadt
Period: Classical 
Written: 1794; London, England 
197. Quartet for Strings in B flat major, Op. 50 no 1/H 3 no 44 by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1787; Eszterhazá, Hungary 
198. Quartet for Strings in C major, Op. 50 no 2/H 3 no 45 by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1787; Eszterhazá, Hungary 
199. Quartet for Strings in E flat major, Op. 50 no 3/H 3 no 46 by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1787; Eszterhazá, Hungary 
200. Quartet for Strings in A major, Op. 55 no 1/H 3 no 60 by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1788; Eszterhazá, Hungary 
201. Quartet for Strings in F minor, Op. 55 no 2/H 3 no 61 "Razor" by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1788; Eszterhazá, Hungary 
202. Quartet for Strings in B flat major, Op. 55 no 3/H 3 no 62 by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1788; Eszterhazá, Hungary 
203. Quartet for Strings in G major, Op. 76 no 1/H 3 no 75 by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1797; Vienna, Austria 
204. Quartet for Strings in D minor, Op. 76 no 2/H 3 no 76 "Quinten" by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1797; Vienna, Austria 
205. Quartet for Strings in C major, Op. 76 no 3/H 3 no 77 "Emperor" by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1797; Vienna, Austria 
206. Quartet for Strings in D minor, Op. 9 no 4/H 3 no 22 by Franz Joseph Haydn
Performer:  Julia Greve (Violin), Joachim Etzel (Viola), Hubert Buchberger (Violin),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1771; Eszterhazá, Hungary 
Venue:  Evangelical Town Church, Nieder-Rosbach, 
Length: 20 Minutes 13 Secs. 
207. Quartet for Strings in C major, Op. 9 no 1/H 3 no 19 by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Helmut Sohler (Cello), Joachim Etzel (Viola),
Julia Greve (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1771; Eszterhazá, Hungary 
Venue:  Evangelical Town Church, Nieder-Rosbach, 
Length: 18 Minutes 17 Secs. 
208. Quartet for Strings in G major, Op. 9 no 3/H 3 no 21 by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Helmut Sohler (Cello), Joachim Etzel (Viola),
Julia Greve (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1771; Eszterhazá, Hungary 
Venue:  Evangelical Town Church, Nieder-Rosbach, 
Length: 15 Minutes 41 Secs. 
209. Quartet for Strings in E flat major, Op. 9 no 2/H 3 no 20 by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Joachim Etzel (Viola), Julia Greve (Violin),
Hubert Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1771; Eszterhazá, Hungary 
Venue:  Evangelical Town Church, Nieder-Rosbach, 
Length: 17 Minutes 3 Secs. 
210. Quartet for Strings in B flat major, Op. 9 no 5/H 3 no 23 by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Helmut Sohler (Cello), Joachim Etzel (Viola),
Julia Greve (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1771; Eszterhazá, Hungary 
Venue:  Evangelical Town Church, Nieder-Rosbach, 
Length: 21 Minutes 20 Secs. 
211. Quartet for Strings in A major, Op. 9 no 6/H 3 no 24 by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Joachim Etzel (Viola), Julia Greve (Violin),
Hubert Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1771; Eszterhazá, Hungary 
Venue:  Evangelical Town Church, Nieder-Rosbach, 
Length: 13 Minutes 35 Secs. 
212. Quartet for Strings in G major, Op. 33 no 5/H 3 no 41 by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Julia Greve (Violin), Helmut Sohler (Cello),
Joachim Etzel (Viola)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1781; Eszterhazá, Hungary 
Venue:  Evangelical Town Church, Nieder-Rosbach, 
Length: 17 Minutes 18 Secs. 
213. Quartet for Strings in E flat major, Op. 33 no 2/H 3 no 38 "Joke" by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Julia Greve (Violin), Joachim Etzel (Viola),
Hubert Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1781; Eszterhazá, Hungary 
Date of Recording: 05/26/2005 
Venue:  Evangelical Town Church, Nieder-Rosbach, 
Length: 15 Minutes 1 Secs. 
214. Quartet for Strings in B minor, Op. 33 no 1/H 3 no 37 by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Julia Greve (Violin), Helmut Sohler (Cello),
Joachim Etzel (Viola)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1781; Eszterhazá, Hungary 
Date of Recording: 12/08/2004 
Venue:  Evangelical Town Church, Nieder-Rosbach, 
Length: 17 Minutes 22 Secs. 
215. Quartet for Strings in C major, Op. 33 no 3/H 3 no 39 "Bird" by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Julia Greve (Violin), Joachim Etzel (Viola),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1781; Eszterhazá, Hungary 
Venue:  Evangelical Town Church, Nieder-Rosbach, 
Length: 20 Minutes 13 Secs. 
216. Quartet for Strings in D major, Op. 33 no 6/H 3 no 42 by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Hubert Buchberger (Violin), Julia Greve (Violin),
Joachim Etzel (Viola)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1781; Eszterhazá, Hungary 
Venue:  Evangelical Town Church, Nieder-Rosbach, 
Length: 16 Minutes 42 Secs. 
217. Quartet for Strings in B flat major, Op. 33 no 4/H 3 no 40 by Franz Joseph Haydn
Performer:  Joachim Etzel (Viola), Helmut Sohler (Cello), Hubert Buchberger (Violin),
Julia Greve (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1781; Eszterhazá, Hungary 
Venue:  Evangelical Town Church, Nieder-Rosbach, 
Length: 15 Minutes 46 Secs. 
218. Quartet for Strings in D minor, Op. 42/H 3 no 43 by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Julia Greve (Violin), Joachim Etzel (Viola),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1785; Eszterhazá, Hungary 
Venue:  Evangelical Town Church, Nieder-Rosbach, 
Length: 12 Minutes 20 Secs. 
219. Quartet for Strings in G major, Op. 77 no 1/H 3 no 81 "Lobkowitz" by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1799; Vienna, Austria 
220. Quartet for Strings in F major, Op. 77 no 2/H 3 no 82 "Lobkowitz" by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1799; Vienna, Austria 
221. Quartet for Strings in D minor, Op. 103/H 3 no 83 by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1802-1803; Vienna, Austria 
222. Seven last words of Christ on the Cross, Op. 51/H 3 no 50-56 by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1787; Eszterhazá, Hungary 
223. Quartet for Strings in B flat major, Op. 71 no 1/H 3 no 69 by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Hubert Buchberger (Violin), Julia Greve (Violin),
Joachim Etzel (Viola)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1793; Vienna, Austria 
Length: 19 Minutes 49 Secs. 
224. Quartet for Strings in D major, Op. 71 no 2/H 3 no 70 by Franz Joseph Haydn
Performer:  Julia Greve (Violin), Hubert Buchberger (Violin), Joachim Etzel (Viola),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1793; Vienna, Austria 
Length: 16 Minutes 11 Secs. 
225. Quartet for Strings in E flat major, Op. 71 no 3/H 3 no 71 by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Julia Greve (Violin), Joachim Etzel (Viola),
Hubert Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1793; Vienna, Austria 
Length: 22 Minutes 8 Secs. 
226. Quartet for Strings in C major, Op. 74 no 1/H 3 no 72 by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Julia Greve (Violin), Joachim Etzel (Viola),
Hubert Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1793; Vienna, Austria 
Length: 22 Minutes 17 Secs. 
227. Quartet for Strings in F major, Op. 74 no 2/H 3 no 73 by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Julia Greve (Violin), Joachim Etzel (Viola),
Hubert Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1793; Vienna, Austria 
Length: 22 Minutes 9 Secs. 
228. Quartet for Strings in G minor, Op. 74 no 3/H 3 no 74 "Rider" by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Julia Greve (Violin), Joachim Etzel (Viola),
Hubert Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1793; Vienna, Austria 
Length: 21 Minutes 36 Secs. 
229. Quartet for Strings in F minor, Op. 20 no 5/H 3 no 35 by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Joachim Etzel (Viola), Julia Greve (Violin),
Rudolf Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1772; Eszterhazá, Hungary 
Length: 6 Minutes 53 Secs. 
230. Quartet for Strings in A major, Op. 20 no 6/H 3 no 36 by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Joachim Etzel (Viola), Julia Greve (Violin),
Rudolf Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1772; Eszterhazá, Hungary 
Length: 5 Minutes 32 Secs. 
231. Quartet for Strings in C major, Op. 20 no 2/H 3 no 32 by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Joachim Etzel (Viola), Julia Greve (Violin),
Rudolf Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1772; Eszterhazá, Hungary 
Length: 6 Minutes 48 Secs. 
232. Quartet for Strings in G minor, Op. 20 no 3/H 3 no 33 by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Joachim Etzel (Viola), Julia Greve (Violin),
Rudolf Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1772; Eszterhazá, Hungary 
Length: 6 Minutes 2 Secs. 
233. Quartet for Strings in D major, Op. 20 no 4/H 3 no 34 by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Joachim Etzel (Viola), Julia Greve (Violin),
Rudolf Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1772; Eszterhazá, Hungary 
Length: 7 Minutes 24 Secs. 
234. Quartet for Strings in E flat major, Op. 20 no 1/H 3 no 31 by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Joachim Etzel (Viola), Julia Greve (Violin),
Rudolf Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1772; Eszterhazá, Hungary 
Length: 6 Minutes 25 Secs. 
235. Quartet for Strings in B flat major, Op. 1 no 1 "La Chasse" by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Julia Greve (Violin), Joachim Etzel (Viola),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1762; Austria 
Length: 15 Minutes 28 Secs. 
236. Quartet for Strings in E flat major, Op. 1 no 2/H 3 no 2 by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Julia Greve (Violin), Joachim Etzel (Viola),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1762; Austria 
Length: 16 Minutes 44 Secs. 
237. Quartet for Strings in D major, Op. 1 no 3/H 3 no 3 by Franz Joseph Haydn
Performer:  Joachim Etzel (Viola), Julia Greve (Violin), Hubert Buchberger (Violin),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1762; Austria 
Length: 13 Minutes 42 Secs. 
238. Quartet for Strings in G major, Op. 1 no 4/H 3 no 4 by Franz Joseph Haydn
Performer:  Joachim Etzel (Viola), Julia Greve (Violin), Hubert Buchberger (Violin),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1762; Austria 
Length: 19 Minutes 34 Secs. 
239. Quartet for Strings in E flat major, Op. 1 no "0"/H 2 no 6 by Franz Joseph Haydn
Performer:  Joachim Etzel (Viola), Julia Greve (Violin), Hubert Buchberger (Violin),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: circa 1757-1759; Austria 
Length: 18 Minutes 24 Secs. 
240. Quartet for Strings in C major, Op. 1 no 6/H 3 no 6 by Franz Joseph Haydn
Performer:  Joachim Etzel (Viola), Julia Greve (Violin), Hubert Buchberger (Violin),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1762; Austria 
Length: 18 Minutes 10 Secs. 
241. Quartet for Strings in A major, Op. 2 no 1/H 3 no 7 by Franz Joseph Haydn
Performer:  Joachim Etzel (Viola), Julia Greve (Violin), Hubert Buchberger (Violin),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1765; Austria 
Length: 17 Minutes 2 Secs. 
242. Quartet for Strings in B flat major, Op. 2 no 6/H 3 no 12 by Franz Joseph Haydn
Performer:  Julia Greve (Violin), Joachim Etzel (Viola), Helmut Sohler (Cello),
Hubert Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1762; Austria 
Length: 16 Minutes 18 Secs. 
243. Quartet for Strings in E major, Op. 2 no 2/H 3 no 8 by Franz Joseph Haydn
Performer:  Julia Greve (Violin), Joachim Etzel (Viola), Helmut Sohler (Cello),
Hubert Buchberger (Violin)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1765; Austria 
Length: 18 Minutes 29 Secs. 
244. Quartet for Strings in F major, Op. 2 no 4/H 3 no 10 by Franz Joseph Haydn
Performer:  Helmut Sohler (Cello), Hubert Buchberger (Violin), Julia Greve (Violin),
Joachim Etzel (Viola)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: by 1762; Austria 
Length: 17 Minutes 32 Secs. 
245. Quartet for Strings in E major, Op. 17 no 1/H 3 no 25 by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Joachim Etzel (Viola), Julia Greve (Violin),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1771; Eszterhazá, Hungary 
Length: 22 Minutes 9 Secs. 
246. Quartet for Strings in F major, Op. 17 no 2/H 3 no 26 by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Joachim Etzel (Viola), Julia Greve (Violin),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1771; Eszterhazá, Hungary 
Length: 17 Minutes 23 Secs. 
247. Quartet for Strings in E flat major, Op. 17 no 3/H 3 no 27 by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Joachim Etzel (Viola), Julia Greve (Violin),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1771; Eszterhazá, Hungary 
Length: 22 Minutes 24 Secs. 
248. Quartet for Strings in C minor, Op. 17 no 4/H 3 no 28 by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Joachim Etzel (Viola), Julia Greve (Violin),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1771; Eszterhazá, Hungary 
Length: 21 Minutes 42 Secs. 
249. Quartet for Strings in E flat major, Op. 20 no 1/H 3 no 31 by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Joachim Etzel (Viola), Julia Greve (Violin),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1772; Eszterhazá, Hungary 
Length: 16 Minutes 55 Secs. 
250. Quartet for Strings in D major, Op. 17 no 6/H 3 no 30 by Franz Joseph Haydn
Performer:  Hubert Buchberger (Violin), Joachim Etzel (Viola), Julia Greve (Violin),
Helmut Sohler (Cello)
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1771; Eszterhazá, Hungary 
Length: 17 Minutes 20 Secs. 
251. Quartet for Strings in C major, Op. 64 no 1/H 3 no 65 by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1790; Eszterhazá, Hungary 
252. Quartet for Strings in B minor, Op. 64 no 2/H 3 no 68 by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1790; Eszterhazá, Hungary 
253. Quartet for Strings in B flat major, Op. 64 no 3/H 3 no 67 by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1790; Eszterhazá, Hungary 
254. Quartet for Strings in G major, Op. 64 no 4/H 3 no 66 by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1790; Eszterhazá, Hungary 
255. Quartet for Strings in D major, Op. 64 no 5/H 3 no 63 "Lark" by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1790; Eszterhazá, Hungary 
256. Quartet for Strings in E flat major, Op. 64 no 6/H 3 no 64 by Franz Joseph Haydn
Orchestra/Ensemble:  Buchberger String Quartet
Period: Classical 
Written: 1790; Eszterhazá, Hungary 
257. Trio for Piano, Violin and Cello in G minor, H 15 no 1 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: by 1766; Austria 
258. Trio for Piano, Violin and Cello in G major, H 15 no 5 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: by 1784; Eszterhazá, Hungary 
259. Trio for Piano, Violin and Cello in C major, H 15 no C1 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: by 1766; Austria 
260. Trio for Piano, Violin and Cello in F major, H 15 no 37 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: by 1766; Austria 
261. Trio for Piano, Violin and Cello in F major, H 15 no 6 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1784; Eszterhazá, Hungary 
262. Trio for Piano, Violin and Cello in D major, H 15 no 7 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1785; Eszterhazá, Hungary 
263. Trio for Piano, Violin and Cello in E major, H 15 no 34 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: by 1771; Eszterhazá, Hungary 
264. Trio for Piano, Violin and Cello in A major, H 15 no 35 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: by 1771; Eszterhazá, Hungary 
265. Trio for Piano, Violin and Cello in F minor, H 15 no f1 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: by 1760; Austria 
266. Trio for Piano, Violin and Cello in F major, H 15 no 40 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: circa ?1760; Austria 
267. Trio for Piano, Violin and Cello in G major, H 15 no 41 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: by 1767; Austria 
268. Trio for Piano, Violin and Cello in A major, H 15 no 9 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1785; Eszterhazá, Hungary 
269. Trio for Piano, Violin and Cello in B flat major, H 15 no 8 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: by 1785; Eszterhazá, Hungary 
270. Trio for Piano, Violin and Cello in E flat major, H 15 no 10 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1785; Eszterhazá, Hungary 
271. Trio for Piano, Violin and Cello in C minor, H 15 no 13 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1789; Eszterhazá, Hungary 
272. Trio for Piano, Violin and Cello in A flat major, H 15 no 14 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1790; Eszterhazá, Hungary 
273. Trio for Piano, Violin and Cello in F major, H 15 no 2 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: ?1767-71; Eszterhazá, Hungary 
274. Sonata for Harpsichord, Violin and Cello in F major, H 15 no 39 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: by 1767; Austria 
275. Trio for Piano, Flute and Cello in D major, H 15 no 16 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1790; Eszterhazá, Hungary 
276. Trio for Piano, Violin and Cello in G major, H 15 no 15 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1790; Eszterhazá, Hungary 
277. Trio for Piano, Flute and Cello in F major, H 15 no 17 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1790; Eszterhazá, Hungary 
278. Trio for Piano, Violin and Cello in A major, H 15 no 18 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1790; Eszterhazá, Hungary 
279. Trio for Piano, Violin and Cello in G minor, H 15 no 19 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1794; London, England 
280. Trio for Piano, Violin and Cello in B flat major, H 15 no 20 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1794; London, England 
281. Sonata for Harpsichord, Violin, and Cello in G major, H 14 no 6 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: by 1767; Austria 
282. Trio for Piano, Violin and Cello in C major, H 15 no 21 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1795; London, England 
283. Trio for Piano, Violin and Cello in E flat major, H 15 no 22 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1795; London, England 
284. Trio for Piano, Violin and Cello in D minor, H 15 no 23 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1795; London, England 
285. Trio for Piano, Violin and Cello in E flat minor, H 15 no 31 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1795 
286. Trio for Piano, Violin and Cello in D major, H 15 no 24 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1795; London, England 
287. Trio for Piano, Violin and Cello in G major, H 15 no 25 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1795; London, England 
288. Trio for Piano, Violin and Cello in F sharp minor, H 15 no 26 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1795; London, England 
289. Trio for Piano, Violin and Cello in G major, H 15 no 32 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1794; London, England 
290. Trio for Piano, Violin and Cello in C major, H 15 no 27 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1795-1797; Vienna, Austria 
291. Trio for Piano, Violin and Cello in E major, H 15 no 28 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1795-1797; Vienna, Austria 
292. Trio for Piano, Violin and Cello in E flat major, H 15 no 29 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1795-1797; Vienna, Austria 
293. Trio for Piano, Violin and Cello in E flat major, H 15 no 30 by Franz Joseph Haydn
Performer:  Remy Baudet (Violin), Bart Van Oort (Fortepiano), Jaap ter Linden (Cello)
Orchestra/Ensemble:  Van Swieten Trio
Period: Classical 
Written: 1797; Vienna, Austria 
294. Duo for Violin and Viola no 1 in F major, H 6 no 1 by Franz Joseph Haydn
Performer:  György Déri (Cello), Ildikó Hajdu (Violin)
Orchestra/Ensemble:  Duo Ongarese
Period: Classical 
Written: by 1777; Eszterhazá, Hungary 
Venue:  Hungaroton Classic Studio 
Length: 13 Minutes 0 Secs. 
295. Duo for Violin and Viola no 2 in A major, H 6 no 2 by Franz Joseph Haydn
Performer:  Ildikó Hajdu (Violin), György Déri (Cello)
Orchestra/Ensemble:  Duo Ongarese
Period: Classical 
Written: by 1777; Eszterhazá, Hungary 
Venue:  Hungaroton Classic Studio 
Length: 12 Minutes 25 Secs. 
296. Duo for Violin and Viola no 3 in B flat major, H 6 no 3 by Franz Joseph Haydn
Performer:  Ildikó Hajdu (Violin), György Déri (Cello)
Orchestra/Ensemble:  Duo Ongarese
Period: Classical 
Written: by 1777; Eszterhazá, Hungary 
Venue:  Hungaroton Classic Studio 
Length: 11 Minutes 3 Secs. 
297. Duo for Violin and Viola no 4 in D major, H 6 no 4 by Franz Joseph Haydn
Performer:  Ildikó Hajdu (Violin), György Déri (Cello)
Orchestra/Ensemble:  Duo Ongarese
Period: Classical 
Written: by 1777; Eszterhazá, Hungary 
Venue:  Hungaroton Classic Studio 
Length: 12 Minutes 47 Secs. 
298. Duo for Violin and Viola no 5 in E flat major, H 6 no 5 by Franz Joseph Haydn
Performer:  Ildikó Hajdu (Violin), György Déri (Cello)
Orchestra/Ensemble:  Duo Ongarese
Period: Classical 
Written: by 1777; Eszterhazá, Hungary 
Venue:  Hungaroton Classic Studio 
Length: 9 Minutes 43 Secs. 
299. Duo for Violin and Viola no 6 in C major, H 6 no 6 by Franz Joseph Haydn
Performer:  Ildikó Hajdu (Violin), György Déri (Cello)
Orchestra/Ensemble:  Duo Ongarese
Period: Classical 
Written: by 1777; Eszterhazá, Hungary 
Venue:  Hungaroton Classic Studio 
Length: 11 Minutes 18 Secs. 
300. Sonata for Keyboard no 55 in B flat major, H 16 no 41 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Written: before 1784 
301. Sonata for Keyboard in E flat major, H 16 no 16 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: circa 1750-1755; Austria 
302. Sonata for Keyboard no 11 in B flat major, H 16 no 2 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Written: before ?1767 
303. Sonata for Keyboard no 47 in B minor, H 16 no 32 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: by 1776; Eszterhazá, Hungary 
304. Sonata for Keyboard no 31 in A flat major, H 16 no 46 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Written: 1778 
305. Sonata for Keyboard no 34 in D major, H 16 no 33 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: by 1778; Eszterhazá, Hungary 
306. Sonata for Keyboard no 10 in C major, H 16 no 1 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Written: ? c1750-55 
307. Sonata for Keyboard no 12 in A major, H 16 no 12 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: by 1767; Vienna, Austria 
308. Sonata for Keyboard no 56 in D major, H 16 no 42 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Written: before 1784 
309. Sonata for Keyboard no 60 in C major, H 16 no 50 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: c1794-95 
310. Sonata for Keyboard no 4 in G major, H 16 no G1 by Franz Joseph Haydn
Performer:  Ursula Dütschler (Fortepiano)
Period: Classical 
Written: circa ?1760; Vienna, Austria 
311. Sonata for Keyboard no 14 in C major, H 16 no 3 by Franz Joseph Haydn
Performer:  Ursula Dütschler (Fortepiano)
Written: 1767 
312. Sonata for Keyboard no 15 in E major, H 16 no 13 by Franz Joseph Haydn
Performer:  Ursula Dütschler (Fortepiano)
Written: before 1767 
313. Sonata for Keyboard no 45 in A major, H 16 no 30 by Franz Joseph Haydn
Performer:  Ursula Dütschler (Fortepiano)
Period: Classical 
Written: by 1776; Eszterhazá, Hungary 
314. Sonata for Keyboard no 32 in G minor, H 16 no 44 by Franz Joseph Haydn
Performer:  Ursula Dütschler (Fortepiano)
Written: 1778 
315. Sonata for Keyboard no 43 in E flat major, H 16 no 28 by Franz Joseph Haydn
Performer:  Ursula Dütschler (Fortepiano)
Period: Classical 
Written: by 1776; Eszterhazá, Hungary 
316. Sonata for Keyboard no 6 in C major, H 16 no 10 by Franz Joseph Haydn
Performer:  Ursula Dütschler (Fortepiano)
Written: before 1767 
317. Sonata for Keyboard no 8 in A major, H 16 no 5 by Franz Joseph Haydn
Performer:  Ursula Dütschler (Fortepiano)
Written: before 1763 
318. Sonata for Keyboard no 37 in E major, H 16 no 22 by Franz Joseph Haydn
Performer:  Ursula Dütschler (Fortepiano)
Period: Classical 
Written: 1773; Eszterhazá, Hungary 
319. Sonata for Keyboard no 50 in D major, H 16 no 37 by Franz Joseph Haydn
Performer:  Ursula Dütschler (Fortepiano)
Period: Classical 
Written: by 1780; Eszterhazá, Hungary 
320. Sonata for Keyboard no 59 in E flat major, H 16 no 49 by Franz Joseph Haydn
Performer:  Ursula Dütschler (Fortepiano)
Period: Classical 
Written: 1789; Eszterhazá, Hungary 
321. Sonata for Keyboard no 2 in C major, H 16 no 7 by Franz Joseph Haydn
Performer:  Stanley Hoogland (Fortepiano)
Written: before 1766 
322. Sonata for Keyboard no 57 in F major, H 16 no 47 by Franz Joseph Haydn
Performer:  Stanley Hoogland (Fortepiano)
Written: 1788 
323. Sonata for Keyboard no 38 in F major, H 16 no 23 by Franz Joseph Haydn
Performer:  Stanley Hoogland (Fortepiano)
Period: Classical 
Written: 1773; Eszterhazá, Hungary 
324. Sonata for Keyboard no 42 in G major, H 16 no 27 by Franz Joseph Haydn
Performer:  Stanley Hoogland (Fortepiano)
Period: Classical 
Written: by 1776; Eszterhazá, Hungary 
325. Sonata for Keyboard no 62 in E flat major, H 16 no 52 by Franz Joseph Haydn
Performer:  Stanley Hoogland (Fortepiano)
Period: Classical 
Written: 1794; London, England 
326. Sonata for Keyboard no 5 in G major, H 16 no 11 by Franz Joseph Haydn
Performer:  Stanley Hoogland (Fortepiano)
Written: ? 
327. Sonata for Keyboard no 30 in D major, H 16 no 19 by Franz Joseph Haydn
Performer:  Stanley Hoogland (Fortepiano)
Written: 1767 
328. Sonata for Keyboard no 48 in C major, H 16 no 35 by Franz Joseph Haydn
Performer:  Stanley Hoogland (Fortepiano)
Period: Classical 
Written: by 1780; Eszterhazá, Hungary 
329. Sonata for Keyboard no 53 in E minor, H 16 no 34 by Franz Joseph Haydn
Performer:  Stanley Hoogland (Fortepiano)
Period: Classical 
Written: by 1784; Eszterhazá, Hungary 
330. Sonata for Keyboard no 61 in D major, H 16 no 51 by Franz Joseph Haydn
Performer:  Stanley Hoogland (Fortepiano)
Period: Classical 
Written: circa 1794-1795; London, England 
331. Sonata for Keyboard in D major, H 17 no D1 by Franz Joseph Haydn
Performer:  Yoshiko Kojima (Fortepiano)
332. Sonata for Keyboard no 39 in D major, H 16 no 24 by Franz Joseph Haydn
Performer:  Yoshiko Kojima (Fortepiano)
Period: Classical 
Written: ?1773; Eszterhazá, Hungary 
333. Sonata for Keyboard no 40 in E flat major, H 16 no 25 by Franz Joseph Haydn
Performer:  Yoshiko Kojima (Fortepiano)
Period: Classical 
Written: ?1773; Eszterhazá, Hungary 
334. Sonata for Keyboard no 44 in F major, H 16 no 29 by Franz Joseph Haydn
Performer:  Yoshiko Kojima (Fortepiano)
Period: Classical 
Written: 1774; Eszterhazá, Hungary 
335. Sonata for Keyboard no 52 in G major, H 16 no 39 by Franz Joseph Haydn
Performer:  Yoshiko Kojima (Fortepiano)
Period: Classical 
Written: by 1780; Eszterhazá, Hungary 
336. Sonata for Keyboard no 29 in E flat major, H 16 no 45 by Franz Joseph Haydn
Performer:  Yoshiko Kojima (Fortepiano)
Written: 1766 
337. Sonata for Keyboard no 20 in B flat major, H 16 no 18 by Franz Joseph Haydn
Performer:  Yoshiko Kojima (Fortepiano)
Period: Classical 
Written: circa 1771-1773; Eszterhazá, Hungary 
338. Sonata for Keyboard no 51 in E flat major, H 16 no 38 by Franz Joseph Haydn
Performer:  Yoshiko Kojima (Fortepiano)
Period: Classical 
Written: circa 1770-1775; Eszterhazá, Hungary 
339. Sonata for Keyboard no 54 in G major, H 16 no 40 by Franz Joseph Haydn
Performer:  Yoshiko Kojima (Fortepiano)
Written: before 1784 
340. Sonata for Keyboard no 58 in C major, H 16 no 48 by Franz Joseph Haydn
Performer:  Yoshiko Kojima (Fortepiano)
Period: Classical 
Written: 1789 
341. Sonata for Keyboard no 36 in C major, H 16 no 21 by Franz Joseph Haydn
Performer:  Riko Fukuda (Fortepiano)
Period: Classical 
Written: 1773; Eszterhazá, Hungary 
342. Sonata for Keyboard no 33 in C minor, H 16 no 20 by Franz Joseph Haydn
Performer:  Riko Fukuda (Fortepiano)
Period: Classical 
Written: 1771; Eszterhazá, Hungary 
343. Sonata for Keyboard no 41 in A major, H 16 no 26 by Franz Joseph Haydn
Performer:  Riko Fukuda (Fortepiano)
Period: Classical 
Written: 1773; Eszterhazá, Hungary 
344. Sonata for Keyboard no 9 in D major, H 16 no 4 by Franz Joseph Haydn
Performer:  Riko Fukuda (Fortepiano)
Written: 1766 
345. Sonata for Keyboard no 46 in E major, H 16 no 31 by Franz Joseph Haydn
Performer:  Riko Fukuda (Fortepiano)
Period: Classical 
Written: by 1776; Eszterhazá, Hungary 
346. Sonata for Keyboard no 43 in E flat major, H 16 no 28 by Franz Joseph Haydn
Performer:  Riko Fukuda (Fortepiano)
Period: Classical 
Written: by 1776; Eszterhazá, Hungary 
347. Sonata for Keyboard no 49 in C sharp minor, H 16 no 36 by Franz Joseph Haydn
Performer:  Riko Fukuda (Fortepiano)
Period: Classical 
Written: circa 1770-1775; Eszterhazá, Hungary 
348. Sonata for Keyboard no 16 in D major, H 16 no 14 by Franz Joseph Haydn
Performer:  Riko Fukuda (Fortepiano)
Period: Classical 
Written: by 1760; Austria 
349. Sonata for Keyboard no 13 in G major, H 16 no 6 by Franz Joseph Haydn
Performer:  Riko Fukuda (Fortepiano)
Written: 1767 
350. Sonata for Keyboard no 3 in F major, H 16 no 9 by Franz Joseph Haydn
Performer:  Riko Fukuda (Fortepiano)
Written: ?1760 
351. Sonata for Keyboard no 1 in G major, H 16 no 8 by Franz Joseph Haydn
Performer:  Riko Fukuda (Fortepiano)
Written: before 1766 
352. Variations (12) for Harpsichord in E flat major, H 17 no 3 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: circa 1770-1774; Eszterhazá, Hungary 
Length: 14 Minutes 10 Secs. 
353. Sonata for Keyboard in F minor, H 17 no 6 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1793; Vienna, Austria 
Length: 14 Minutes 56 Secs. 
354. Variations (20) for Harpsichord in A major, H 17 no 2 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: by 1771; Eszterhazá, Hungary 
Length: 15 Minutes 38 Secs. 
355. Variations (4) for Piano on "Gott erhalte den Kaiser", H i430 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1797-1799; Austria 
Length: 5 Minutes 50 Secs. 
356. Variations (5) for Harpsichord in D major, H 17 no 7 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: by 1766; Vienna, Austria 
Length: 4 Minutes 28 Secs. 
357. Variations (6) for Piano in C major, H 17 no 5 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1790-1791; Eszterhazá, Hungary 
Length: 7 Minutes 31 Secs. 
358. Minuets (12) for Keyboard, H 9 no 8 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1785; Eszterhazá, Hungary 
Length: 13 Minutes 17 Secs. 
359. Marches (2) "Derbyshire", H 8: no 1 in E flat major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Length: 1 Minutes 28 Secs. 
360. Minuets (12) for Keyboard, H 9 no 3 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: circa 1763-1767; Eszterhazá, Hungary 
Length: 12 Minutes 2 Secs. 
361. Marches (2) "Derbyshire", H 8: no 2 in C major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Length: 1 Minutes 40 Secs. 
362. Minuetti di ballos (12), H 9 no 11 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; Vienna, Austria 
Length: 24 Minutes 32 Secs. 
363. March in E flat major, H 8 no 3 "Royal Society of Musicians" by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; London, England 
Length: 4 Minutes 2 Secs. 
364. German Dances (12), H 9 no 12: no 1 in G major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; Vienna, Austria 
Length: 0 Minutes 37 Secs. 
365. German Dances (12), H 9 no 12: no 2 in B flat major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; Vienna, Austria 
Length: 0 Minutes 40 Secs. 
366. German Dances (12), H 9 no 12: no 3 in G major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; Vienna, Austria 
Length: 0 Minutes 44 Secs. 
367. German Dances (12), H 9 no 12: no 4 in C major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; Vienna, Austria 
Length: 1 Minutes 45 Secs. 
368. German Dances (12), H 9 no 12: no 5 in A major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; Vienna, Austria 
Length: 0 Minutes 32 Secs. 
369. German Dances (12), H 9 no 12: no 6 in D major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; Vienna, Austria 
Length: 0 Minutes 39 Secs. 
370. German Dances (12), H 9 no 12: no 7 in G major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; Vienna, Austria 
Length: 0 Minutes 45 Secs. 
371. German Dances (12), H 9 no 12: no 8 in D major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; Vienna, Austria 
Length: 0 Minutes 44 Secs. 
372. German Dances (12), H 9 no 12: no 9 in B flat major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; Vienna, Austria 
Length: 0 Minutes 52 Secs. 
373. German Dances (12), H 9 no 12: no 10 in C major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; Vienna, Austria 
Length: 0 Minutes 49 Secs. 
374. German Dances (12), H 9 no 12: no 11 in F major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; Vienna, Austria 
Length: 0 Minutes 35 Secs. 
375. German Dances (12), H 9 no 12: no 12 in D major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; Vienna, Austria 
Length: 1 Minutes 6 Secs. 
376. Contredanse for Piano in D major, H 31c no 17b by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Length: 0 Minutes 35 Secs. 
377. Fantasia for Piano in C major, H 17 no 4 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1789; Eszterhazá, Hungary 
Length: 6 Minutes 14 Secs. 
378. Adagio for Keyboard in F major, H 17 no 9 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: by 1786; Eszterhazá, Hungary 
Length: 4 Minutes 41 Secs. 
379. Capriccio for Harpsichord in G major, H 17 no 1 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1765; Eszterhazá, Hungary 
Length: 7 Minutes 23 Secs. 
380. Sonata for Keyboard no 7 in D major, H 16 no D1 "Militare" by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: circa 1760; Esterhazy Palace, Ei 
Length: 6 Minutes 4 Secs. 
381. Divertimento in F Major for Harpsichord Four Hands (Il maestro e lo scolare), H 17a no 1 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: by 1778; Esterházy Estate, Hu 
Length: 17 Minutes 21 Secs. 
382. Menuets (18) for Piano, H 9 no 20 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Length: 19 Minutes 11 Secs. 
383. Aria for Harpsichord in F, H 17 no F1 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Length: 0 Minutes 48 Secs. 
384. Works (32) for Mechanical Clock, H 19: no 11, Allegretto in C major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1789-1793 
Length: 1 Minutes 37 Secs. 
385. Symphony no 81 in G major, H 1 no 81: 2nd movement, Andante by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1784; Eszterhazá, Hungary 
Length: 6 Minutes 17 Secs. 
386. Symphony no 79 in F major, H 1 no 79: 2nd movement, Adagio cantabile - un poco allegro by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1784; Eszterhazá, Hungary 
Length: 4 Minutes 45 Secs. 
387. Symphony no 85 in B major, H 1 no 85 "La Reine": 3rd movement, Menuetto "Allegretto" by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: ?1785; Eszterhazá, Hungary 
Length: 3 Minutes 6 Secs. 
388. Symphony no 85 in B major, H 1 no 85 "La Reine": 2nd movement, Romanza by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: ?1785; Eszterhazá, Hungary 
Length: 3 Minutes 25 Secs. 
389. Symphony no 53 in D major, H 1 no 53 "L'Impériale": 2nd movement, Andante by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: ?1778-79; Eszterhazá, Hungary 
Length: 2 Minutes 35 Secs. 
390. Symphony no 93 in D major, H 1 no 93: 2nd movement, Largo cantabile by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1791; London, England 
Length: 4 Minutes 32 Secs. 
391. Symphony no 97 in C major, H 1 no 97: 3rd movement, Menuetto e Trio "Allegretto" by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1792; London, England 
Length: 3 Minutes 12 Secs. 
392. Symphony no 94 in G major, H 1 no 94 "Surprise": 2nd movement, Andante by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1791; London, England 
Length: 5 Minutes 15 Secs. 
393. La vera costanza, H 28 no 8: Io son poverina by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: ?1778; Eszterhazá, Hungary 
Length: 1 Minutes 11 Secs. 
394. La vera costanza, H 28 no 8: Act 1, Prelude - Part 2 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: ?1778; Eszterhazá, Hungary 
Length: 1 Minutes 32 Secs. 
395. La vera costanza, H 28 no 8: Act 1, Prelude - Part 3 by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: ?1778; Eszterhazá, Hungary 
Length: 1 Minutes 4 Secs. 
396. Quartet for Strings in G major, Op. 33 no 5/H 3 no 41: 4th movement, Allegretto-Presto by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1781; Eszterhazá, Hungary 
Length: 2 Minutes 43 Secs. 
397. Quartet for Strings in G minor, Op. 74 no 3/H 3 no 74 "Rider": 2nd movement, Largo assai by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1793; Vienna, Austria 
Length: 5 Minutes 24 Secs. 
398. Trio for Piano, Violin and Cello in F major, H 15 no 37: 3rd movement, Menuet by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: by 1766; Austria 
Length: 2 Minutes 55 Secs. 
399. Trio for Piano, Violin and Cello in B flat major, H 15 no 38: 3rd movement, Menuet by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: by 1769; Austria 
Length: 3 Minutes 49 Secs. 
400. Trio for Piano, Violin and Cello in F major, H 15 no 40: 2nd movement, Menuet by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: circa ?1760; Austria 
Length: 3 Minutes 43 Secs. 
401. Trio for Piano, Violin and Cello in E flat major, H 15 no 22: 2nd movement, Adagio in G major by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1795; London, England 
Length: 5 Minutes 16 Secs. 
402. Seven last words of Christ on the Cross, H 20 no 1a by Franz Joseph Haydn
Performer:  Bart Van Oort (Fortepiano)
Period: Classical 
Written: 1787; Eszterhazá, Hungary 
Length: 55 Minutes 29 Secs. 
403. Haydn Edition - A 150 CD Set of Music by Franz Joseph Haydn by Franz Joseph Haydn
Performer:  Various (Various Instruments)
Conductor:  Adám Fischer
Orchestra/Ensemble:  Austro-Hungarian Haydn Orchestra

Customer Reviews

Average Customer Review:  1 Customer Review )
 The Supreme Haydn July 2, 2013 By Stephen Schoeman (Westfield, NJ) See All My Reviews "Anyone who has a musical interest in Joseph Haydn will want this set. And anyone who wants to learn more about this great classical composer will do well to purchase this 150-disc set of his music that includes all 104 of his symphonies. The symphonies, in particular, are a monumental work by the composer who invented the symphony. As you listen, you can hear the evolution of his invention so that in the last symphonies it is hard to recognize them having been composed by the same composer responsible for the first several symphonies. All of them deserve repeated listening. They rank with the finest symphonic music, including his pupil Beethoven. But there is much more treasure in this CD set. A vast world of classical music. Stephen Schoeman, Ph. D." Report Abuse
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