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Alfred Deller Complete Vanguard Recordings - Christmas Carols & Motets / 4-Disc Set


Release Date: 10/14/2008 
Label:  Musical Concepts   Catalog #: 192   Spars Code: n/a 
Composer:  TraditionalJohn Henry Hopkins Jr.Richard Storrs WillisHenry John Gauntlett,   ... 
Performer:  Alfred DellerMaurice BevanApril CanteloDesmond Dupré,   ... 
Conductor:  Alfred DellerRené Clemencic
Orchestra/Ensemble:  Deller ConsortVienna Musica Antiqua
Number of Discs: 4 
Recorded in: n/a 
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Notes and Editorial Reviews

Includes a bonus CD ROM that contains original liner notes and lyrics.

The universality of Christmas and the special place it holds in people's hearts are apparent in the wealth of folk and popular song it has inspired, with each age adding to the tradition. Christmas carols hold a two-fold interest: both as a celebration of the season, and also as a musical revelation when performed by a group like Alfred Deller and the Deller Consort. The aim of such interpretation is not merely to invest the songs with beauty, but to recreate a sense of history.

The history itself is a remarkable one, beginning perhaps in the 13th century when St. Francis and his followers built a crib on the day of the Nativity and danced
Read more about it, singing songs. From this stemmed the popular "mystery plays" in towns and villages on the Nativity story, and from these plays in turn came a wealth of French, German and English carols. In the early 16th century, some of this music began to be collected and printed.
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Works on This Recording

1.
Patapan by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Renaissance 
Written: Burgundy, France 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
2.
We three kings by John Henry Hopkins Jr.
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: 20th Century 
Written: England 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
3.
I saw three ships by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: England 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
4.
Lully, lulla, thow littel tyne child "Coventry Carol" by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
5.
It came upon the midnight clear by Richard Storrs Willis
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Romantic 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
6.
Good King Wenceslas by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: England 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
7.
Once in Royal David's City by Henry John Gauntlett
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Romantic 
Written: 19th Century; England 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
8.
Rocking by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: Czech Republic 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
9.
The first nowell by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: England 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
10.
God rest ye merry, gentlemen by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: England 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
11.
Wither's rocking Hymn by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
Notes: Arranger: Ralph Vaughan Williams. 
12.
Silent Night by Franz Xaver Gruber
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Classical 
Written: 1818; Austria 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
13.
Wassail Song by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
14.
Dormi Jesus by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
15.
Boar's Head Carol by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: England 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
16.
Past three o'clock by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: 16th Century; England 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
17.
Lullay My Liking by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
Notes: Arranger: Gustav Holst. 
18.
Adam lay ybounden by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
Notes: Arranger: Peter Warlock. 
19.
Herrick's Carol by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
20.
Angelus ad virginem by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: 20th Century 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
21.
The Holly and the Ivy by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: England 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
Notes: Arranger: Cecil Sharp. 
22.
O Jesulein süss (O little one sweet) by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Baroque 
Written: Germany 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
Notes:   
23.
Song of the Nuns of Chester by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
24.
Winter-Rose by Traditional
Performer:  Alfred Deller (Countertenor), Maurice Bevan (Baritone), April Cantelo (Soprano),
Desmond Dupré (Lute), Gerald English (Tenor), Stanley Taylor (Recorder)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
25.
In dulci jubilo by Traditional
Performer:  Stanley Taylor (Recorder), Gerald English (Tenor), Alfred Deller (Countertenor),
Maurice Bevan (Baritone), April Cantelo (Soprano), Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Medieval 
Written: 12th Century; Germany 
Date of Recording: 06/1956 
Venue:  Cricklewood Church, London, England 
26.
Deck the Halls by Traditional
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: Wales, UK 
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
27.
Festgesang "Hark! The herald angels sing" by Felix Mendelssohn
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Romantic 
Written: 1840; Germany 
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
28.
Lute-book lullaby by Traditional
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
29.
Ye shepherds by Traditional
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
30.
Joy to the World by Lowell Mason
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Romantic 
Written: 19th Century; USA 
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
31.
Down in yon forest by Traditional
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: England 
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
32.
People, Look East by Traditional
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
33.
Blessed be that Maid Mary by Traditional
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: England 
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
34.
Sir Christèmas by Traditional
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
35.
Musae Sioniae: Es ist ein' Ros' entsprungen by Michael Praetorius
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Renaissance 
Written: by 1609; Germany 
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
36.
Adeste fideles "O come, all ye faithful" by John Francis Wade
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Classical 
Written: by 1782; England 
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
37.
The Twelve Days of Christmas by Traditional
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: England 
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
38.
Here we come a-wassailing by Traditional
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: England 
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
39.
All my heart this night rejoices by Johann Georg Ebeling
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
40.
Josef, lieber Josef mein by Traditional
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Baroque 
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
41.
I saw three ships by Traditional
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: England 
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
42.
How Far Is It To Bethlehem by Geoffrey Shaw
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: 20th Century 
Written: England 
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
43.
The birds by Traditional
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
44.
Greensleeves by Traditional
Performer:  Mary Thomas (Soprano), Alfred Deller (Countertenor), Eileen Poulter (Soprano),
Wilfred Brown (Tenor), Gerald English (Tenor), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
45.
We wish you a merry Christmas by Traditional
Performer:  Gerald English (Tenor), Mary Thomas (Soprano), Alfred Deller (Countertenor),
Wilfred Brown (Tenor), Eileen Poulter (Soprano), Maurice Bevan (Baritone),
Desmond Dupré (Lute)
Conductor:  Alfred Deller
Orchestra/Ensemble:  Deller Consort
Written: England 
Date of Recording: 1960 
Venue:  Conway Hall, London, England 
46.
Gymel by Guillelmus Monachus
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua
Period: Renaissance 
Written: 15th Century; Italy 
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
47.
Tidings true by Anonymous
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
48.
Sanctus by King V Henry
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua
Period: Renaissance 
Written: England 
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
49.
Blessed Be Thou, Heavenly Queen by Anonymous
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
50.
Qui natus est by Anonymous
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
51.
Burden and Carol by Anonymous
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
52.
Nova! nova! by Anonymous
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Medieval 
Written: 15th Century 
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
53.
Angelus ad Virginem by Anonymous
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua
Period: Medieval 
Written: 13th Century; England 
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
54.
Hail Mary, full of grace by Anonymous
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Renaissance 
Written: 15th Century; England 
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
55.
In Die Nativitas by Richard Smert
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Renaissance 
Written: 15th Century; England 
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
56.
There is no rose by Traditional
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Written: England 
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
57.
Kyrie by John Dunstable
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua
Period: Medieval 
Written: 15th Century; England 
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
58.
Quid petis, o fili? by Richard Pygott
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Renaissance 
Written: 16th Century; England 
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
59.
I saw by Anonymous
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
60.
Out of your sleep by Anonymous
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
61.
Fauxbourdon by Guillelmus Monachus
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
62.
Quam pulchra es, MB 44 by John Dunstable
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Renaissance 
Written: 15th Century; England 
Date of Recording: 05/1963 
Venue:  Vienna, Austria 
63.
De Nativitate Domini by Anonymous
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Date of Recording: 1965 
Venue:  Vienna, Austria 
64.
Ave Maria by Giacomo Fogliano
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Renaissance 
Written: Italy 
Date of Recording: 1965 
Venue:  Vienna, Austria 
65.
Decet huius cunctis horis by Jan of Jenstejn
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Medieval 
Date of Recording: 1965 
Venue:  Vienna, Austria 
66.
In Nativitate Domini by Pedro de Escobar
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Date of Recording: 1965 
Venue:  Vienna, Austria 
67.
O Regina, Lux Divina by Anonymous
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Date of Recording: 1965 
Venue:  Vienna, Austria 
68.
Hodie Christus natus est by Giovanni Palestrina
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Renaissance 
Written: 16th Century; Italy 
Date of Recording: 1965 
Venue:  Vienna, Austria 
69.
Nesciens mater by Byttering
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Medieval 
Written: circa 1410; England 
Date of Recording: 1965 
Venue:  Vienna, Austria 
70.
Et in terra pax by Johannes Ciconia
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua
Period: Medieval 
Date of Recording: 1965 
Venue:  Vienna, Austria 
71.
Crist and Saint Marië by Saint Godric
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Medieval 
Written: England 
Date of Recording: 1965 
Venue:  Vienna, Austria 
72.
Sancta Maria by John Dunstable
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Renaissance 
Written: 15th Century; England 
Date of Recording: 1965 
Venue:  Vienna, Austria 
73.
O Maria virgo pia by Anonymous
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua
Date of Recording: 1965 
Venue:  Vienna, Austria 
74.
Gloria by Anonymous
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Medieval 
Date of Recording: 1965 
Venue:  Vienna, Austria 
75.
Puer natus by Heinrich Isaac
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Renaissance 
Date of Recording: 1965 
Venue:  Vienna, Austria 
76.
Foeno iacere pertulit by Thomas Stoltzer
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua
Period: Renaissance 
Date of Recording: 1965 
Venue:  Vienna, Austria 
77.
Maria zart, von edler Art by Ludwig Senfl
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Renaissance 
Written: 16th Century; Germany 
Date of Recording: 1965 
Venue:  Vienna, Austria 
78.
Beata progenies by Leonel Power
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Renaissance 
Written: 15th Century; England 
Date of Recording: 1965 
Venue:  Vienna, Austria 
79.
Alleluia Psallat by Anonymous
Performer:  Robert Tear (Tenor), Honor Sheppard (Soprano), Mark Deller (Countertenor),
Alfred Deller (Countertenor), Maurice Bevan (Baritone)
Conductor:  René Clemencic
Orchestra/Ensemble:  Vienna Musica Antiqua,  Deller Consort
Period: Renaissance 
Written: England 
Date of Recording: 1965 
Venue:  Vienna, Austria 

Featured Sound Samples

Winter-Rose (Traditional)
The Holly and the Ivy (Traditional)
Angelus ad Virginem (Traditional)

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