This release is desirable not only for Bohuslav Matoušek's total identification with Martinu's idiom--his rhythmic confidence, technical security (especially in high positions), and a lyrical sweetness that never turns cloying (in both slow movements)--but also for the crisp, snappy playing of the Czech Philharmonic under Christopher Hogwood, arguably today's preeminent Martinu conductor (how about a symphony cycle, Hyperion?). These two works aren't just two of the 20th century's best violin concertos; they also offer a perfect synopsis of the composer's mature style.

The First Concerto is a brash, spiky piece in Martinu's "concerto grosso" mode, pitting the violin against small instrumental groups--including percussion--in every imaginable combination with unflagging rhythmic verve. The Second Concerto, written in the U.S. for Misha Elman, adopts a more lyrical idiom, with plenty of "golden age" Romantic virtuosity built in as well. Both are essential, as is this whole series. What a pleasure it is to see labels taking on and completing interesting, rewarding, and ambitious projects like this with such distinction. Bravo!

--David Hurwitz, ClassicsToday.com