Clearly the performers revel in these instruments. The Horn Trio's Scherzo and Finale abound with litheness and gusto, yet without sacrificing one iota of linear clarity. In the fluid, eloquently-spun slow movement and first-movement development section, Van der Zwart and Faust achieve a stunning expressive rapport in the variety of ways they mix and match their sonorities.

The Op. 78 Violin Sonata interpretation represents a successful fusion of temperamental opposites, where Faust's discreet vibrato deployment and classical reserve provide a foil for Melnikov's more expansive temperament. The Op. 116 Piano Pieces stand out for Melnikov's full-bodied projection and intelligent textural interplay between the hands, most tellingly so in the fast and thick Capriccios. Perhaps his basic tempo for the A minor Intermezzo drags a bit, yet he brings out certain left-hand counter-lines other pianists often ignore. In short, this release's formidable programming and interpretive distinctions provide a stimulating diversion from the catalog's Brahmsian comfort zone.

--Jed Distler, ClassicsToday.com