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Géza Anda Vol 2 - Beethoven, Liszt, Brahms

Release Date: 08/12/2008 
Label:  Audite   Catalog #: 23408   Spars Code: n/a 
Composer:  Ludwig van BeethovenJohannes BrahmsFranz Liszt
Performer:  Géza Anda
Orchestra/Ensemble:  Cologne Radio Symphony Orchestra
Number of Discs: 2 
Length: 2 Hours 27 Mins. 

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Notes and Editorial Reviews

Listening to Géza Anda, playing such a widely contrasting range of composers (including Mozart in the May issue and Bartók in August), has been a source of almost undiluted enjoyment. There appears to be a vast archive of recordings in Cologne of concerts he gave for the radio, mainly without an audience. Although the discs to hand were recorded in the 1950s, and are in mono, the sound is rich and on occasion plummy. It sounds as if Anda favoured a Steinway or comparably velvety instrument. That works better for some of these composers than others, though we are now used to hearing the Viennese classics played on an instrument with a more incisive upper register. The Beethoven Concerto, numbered as '1' but second in order of Read more composition, is conducted by Anda, and the orchestra proves highly responsive. This radiant and exhilarating work gets as lively a performance as it deserves, and could easily be a first choice for anyone who isn't addicted to state-of-the-art sound. It's followed by a straightforward rendition of Beethoven's first large-scale piano sonata, which Anda is careful not to over-dramatise; and then he plays the elusive, ground-breaking Op. 101, which, thanks to its seemingly improvisatory character, gets mauled by many pianists. Anda plays it spontaneously, but without searching for effect.

The directness of his playing is one of its most attractive features, and is as rewarding in Chopin and Schumann as in classical repertoire. The extraordinary freshness of both these composers, in their approach to form, signalled by the capricious titles that Schumann often gave his works, and the very general ones which Chopin awarded his, comes across quite marvellously in all these performances. Anda wasn't an exploiter of extremes, so if you want the unbridled fury of the last of Chopin's Op. 28 Preludes go to Argerich; or to Richter to unleash a volcano in the penultimate Etude Op. 25. But listened to as whole sets, Anda offers unfailing insights, gives new life to numbers that can sound tired, and left me purring with satisfaction at such lack of ostentation. Anyone who thinks Romantic music has to be played with flamboyance should listen to the Liszt and Brahms here and will soon develop quite different priorities.

-- Michael Tanner, BBC Music Magazine [9/2008]
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Works on This Recording

Concerto for Piano no 1 in C major, Op. 15 by Ludwig van Beethoven
Performer:  Géza Anda (Piano)
Orchestra/Ensemble:  Cologne Radio Symphony Orchestra
Period: Classical 
Written: 1795; Vienna, Austria 
Sonata for Piano no 7 in D major, Op. 10 no 3 by Ludwig van Beethoven
Performer:  Géza Anda (Piano)
Period: Classical 
Written: 1797-1798; Vienna, Austria 
Sonata for Piano no 28 in A major, Op. 101 by Ludwig van Beethoven
Performer:  Géza Anda (Piano)
Period: Classical 
Written: 1816; Vienna, Austria 
Sonata for Piano no 3 in F minor, Op. 5 by Johannes Brahms
Performer:  Géza Anda (Piano)
Period: Romantic 
Written: 1853; Germany 
Intermezzi (3) for Piano, Op. 117 by Johannes Brahms
Performer:  Géza Anda (Piano)
Period: Romantic 
Written: 1892; Austria 
Sonata for Piano in B minor, S 178 by Franz Liszt
Performer:  Géza Anda (Piano)
Period: Romantic 
Written: 1852-1853; Weimar, Germany 

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