BRETÓN Piano Trio in E. 4 piezas españolas • LOM Pn Tr • NAXOS 8.570713 (53:26)

As you would expect from a composer of popular zarzuelas (La verbena de paloma being the best known), this is tuneful music with a generally sunny outlook.

The Trio (1887) is an extended work in four movements, to some extent utilizing themes with a Spanish inflection, but not neglecting counterpoint or thematic development. The first movement feels a little drawn out at 12 minutes, but overall this is music of substance and point. I especially enjoyed the plaintive slow movement and the spirited finale.

The Four Spanish Pieces of 1911 are lighter, with cleaner textures and a stylistic basis in dance. The titles explain: “Danza oriental,” “Scherzo andaluz,” “Bolero,” and “Polo gitano.” Subtle use is made of string pizzicato in the latter. More straightforward than Turina’s similar chamber works, and a less earthy evocation of Spain than that of Albéniz or even Carmen, this neglected set of pieces is a delightful discovery.

The LOM Trio—the name apparently derives from the first letter of the three last names—includes the excellent pianist Daniel Ligorio, who has recorded Falla’s complete piano music for this label. The other musicians are violinist Joan Orpella and cellist José Mor. All play with poise and energy when required. I wish they had been recorded with a little more space between the instruments, as some of the thicker textures in Bretón’s Piano Trio suffer as a result. Recommended nevertheless, especially for the Four Spanish Pieces.

FANFARE: Phillip Scott