This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
In case you may be wondering, this is the same recording released in 2005 and very favorably reviewed here. That original title has been deleted in favor of this new incarnation, which boasts a multi-channel hybrid SACD format (the recording was recorded, edited, and mastered in DSD). If you have a standard CD listening setup and you own the earlier version, you won't notice any improved sonic characteristics from this new issue; however, if you are equipped with SACD playback components, you'll certainly appreciate the multi-channel benefits of music that really wants to surround and engulf its listeners in its wide registers, rich textures,Read more and full-bodied dynamics. Still, this recording remains more about wonderful, deeply felt singing than about audiophile treats. Paul Hillier and his exceptionally accomplished choir know this music and how to "feel" it in its most important spiritual sense—but also understanding its appeal as concert music. For more detailed discussion of the music and performances, please refer to my earlier review. Highly recommended!
– David Vernier, ClassicsToday.com
This music is all about texture and tone and color, and your judgement regarding a performance will have as much to do with matters of ensemble technique as with your preference for true Slavic vocal quality or for a more Western sound. Many, many excellent choirs have performed and recorded this liturgical masterpiece, and overall the most impressive combination of emotional integrity, artful choral blend and balance, and sheer sumptuousness of tone belongs to the Robert Shaw Festival Singers (Telarc), whose sincerity of expression offsets the choir's decidedly non-Slavic vocal timbre.
However, from the first notes of this performance by the superb Estonian Philharmonic Chamber Choir we appreciate the difference between Western and Slavic sound, as a super-deep and resonant bass voice intones the Deacon's gathering words: "Arise! Bless us, O Lord." This and the following short chanted lesson by the Priest (a tenor) are left out of many recordings, including Shaw's, and it's a treat to hear this bit of added authenticity, especially when sung with such conviction and power. Although the Estonian choir's basses have nothing on the Festival Singers regarding range and fullness of sound, there's slightly more weight and timbral "buzz" to the former's quality, especially as the pitch moves lower.
Overall, these are exciting and often moving performances as the choir works the phrasing and dynamics into thoughtful, sincere expressions of the texts, never losing the effect and inherent Romanticism of Rachmaninov's gorgeous lines and rich harmonies. O gentle light is stunning in its unadorned directness, its words expressed both in simple, gentle gestures and strong, forceful outbursts. Likewise the following Lord, now lettest Thou (known in Western churches as the Nunc dimittis), which is graced with beautiful tenor solo work by Mati Turi (his counterpart on the Telarc disc is equally impressive). The beloved and oft-performed Rejoice, O Virgin (Bogoroditsye Devo) receives an appropriately reverent and harmonically luscious rendition (the big crescendo is truly awesome), and the basses eschew the low-C that choirs often interpolate at the end of the piece (which Shaw's basses deliver with relish!).
The Estonians do, however, show their low-end stuff everywhere else that's required—the B-flat at the end of Lord, now lettest Thou is marvelous! Another highlight is The Six Psalms, with its truly ethereal textural and tonal effects. The sound is a bit on the bright side, with some significant resonance that creates some harshness and messes with the otherwise fine blend and balance in the loudest passages. Although I remain a Shaw fan for this work, I also cherish this version for its special Eastern-quality choral sound and for the inclusion of the various intonations. The packaging is excellent and George Gelles' notes are thoughtful and informative. Strongly recommended.
– David Vernier, ClassicsToday.com, reviewing the first issue of this release Read less
Works on This Recording
Vespers, Op. 37by Sergei Rachmaninov Conductor:
Estonian Philharmonic Chamber Choir
Period: 20th Century Written: 1915; Russia
Average Customer Review: ( 2 Customer Reviews )
preparation for sleepApril 30, 2013By Georgiana Brennen (Fairbanks, AK)See All My Reviews"Quieting, contemplative music in a Greek Orthodox Russian motif."Report Abuse
Vigil: Perfect BalanceJanuary 28, 2013By Leo K. (Waltham, MA)See All My Reviews"The performance and recording are excellent. The Dome Church acoustics are a perfect balance of space defining ambience without interfering with clarity of singers' voices and phrases."Report Abuse