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Lang Lang Live at Carnegie Hall [Deluxe Edition]

Release Date: 06/10/2008 
Label:  Deutsche Grammophon   Catalog #: 1154072   Spars Code: n/a 
Composer:  Robert SchumannFrédéric ChopinFranz SchubertTan Dun,   ... 
Performer:  Lang Lang
Number of Discs: 2 
Recorded in: Stereo 
Length: 1 Hours 8 Mins. 

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Notes and Editorial Reviews

This deluxe edition spreads the concert material over a CD and a DVD. The DVD includes:

1. Introduction
2. Franz Liszt: Réminiscences du Don Juan de Mozart
3. Schumann: Träumerei (from “Kinderszenen”)
4. Appearance with father (Lang Guo-ren)
5. Horses (after pieces by Huang Hai Hwai, Chen Rao Xing and Shen Li Qun, arranged by Lang Lang and Lang Guo-ren); Lang Guo-ren, erhu
6. Liszt: Liebestraum No. 3

Recorded live in Carnegie Hall, New York on November 7, 2003


LANG LANG—LIVE AT CARNEGIE HALL Lang Lang (pn); Lang Guo-ren (erhu)
Read more 2 DEUTSCHE GRAMMOPHON 001121610 (CD: 68:24) Live: New York 11/7/2003

SCHUMANN Theme and Variations on the Name Abegg. Träumerai. 1 HAYDN Piano Sonata in C, Hob XVI:50. SCHUBERT Fantasy in C, “Wanderer.” DUN 8 Memories in Watercolor. CHOPIN Nocturne in D?, op.27/2. LISZT Réminiscences du “Don Juan” de Mozart. 1 Liebestraum No. 3. 1 HWAI-XING-QUN (arr. LANG) Horses 1,2 &

& DVD: 1 Interviews

Classical performers are rushed into their Carnegie Hall debuts before age 30 for one of two reasons: they’re young and handsome (or pretty), and so it is hoped they appeal to young people as well as the mommy (or daddy) instinct among older female (or male) concertgoers, or they are transcendent geniuses. Chinese pianist Lang Lang falls into a middle ground occupied by very few. He is young and handsome, and he is also very talented, though not quite transcendent.

A pupil of Gary Graffman, one of my favorite pianists of the 1960s, he has many of the same skills Graffman exhibited: a sparkling technique, continent phrasing, excellent musical balance, and a keen sense of drama. He is Graffman reincarnated, at least the very young Graffman when he showed tremendous promise but was not quite among the piano elite. Lang was much further along the road to greatness at the time of this recital, however, than Evgeny Kissin was at 21; he does not “play” with the music, distort it to his own lights, use it as an excuse for—as he so aptly puts it—“strangeness.” For that, I applaud him, and give credit to Graffman for instilling the sense that the artist is the servant of the music in him. He has a way to go before I will claim him one of my favorite artists, but his feet are certainly on the path and his eyes and mind are pointed in the right direction. He’s proud of his accomplishments and his artistry, but not arrogant. He knows that he still has a way to grow. Good for him!

I did not listen to the audio CD in performance order, but started with the Haydn sonata, not because it’s a piece I know extremely well but because, if he showed any failings as a musical artist, Haydn would be the first place such shortcomings would turn up. I’m delighted to report that he plays with sparkle, charm, and a touch of humor. His tempos in this as well as in everything else are regular almost to the point of metronomic strictness, but he is no automaton. He knows the value of light and shade. I followed this with the “Wanderer” Fantasy of Schubert, a piece I do know well. Here, I found him very slightly deficient compared with the youngish Alfred Brendel, who recorded it for Vox when in his early thirties. Brendel had a touch more charm and élan, as well as a more fluid sense of rhythm, but Lang is, again, on the right path. I do sometimes enjoy Schubert with a touch of Viennese charm, but not so much that the underlying structure of the music turns to mush. Lang understands that this piece does not depict a woozy, cotton-headed, overly romantic wanderer, but someone striving against inner storms and torments and succeeds in overcoming them. It may not be the most sensitive performance I’ve heard, but it has the requisite spirit.

Lang’s reading of the Chopin Nocturne in D-flat, on the other hand, was surprisingly limpid and melting, not quite in the manner of Rubinstein’s last (stereo) recording but reminiscent of the kind of Chopin played by Walter Gieseking and Dinu Lipatti. Again, he’s on the right path. (Yet, curiously, I noticed that in my review of Daniel Barenboim’s Beethoven master classes, I did not like his performance of the “Appassionata” Sonata very much, finding it uneven in meter and ill conceived, so perhaps he was wise to avoid a big piece like this for his Carnegie debut.) Schumann’s Abegg Variations, on the other hand, were somewhat prosaic, but I think he was trying to reveal the work’s structure rather than interpret it. Turning to Tan Dun’s Eight Memories in Watercolor, we hear him play with equal integrity but, I felt, less range of color than the work calls for. On the other hand, the music isn’t exactly of the masterpiece variety; thus it would take a more mature and sensitized artist to bring out its delicate shadings.

Turning to the second half of the concert, released as a DVD, we begin with the bravura Réminiscences du “Don Juan” de Mozart by Liszt, and here I found Lang’s playing somewhat lacking bravura. All I could think of, listening to him, was the way György Cziffra played Liszt, or William Kapell’s youthful recording of the Mephisto Waltz , or Raymond Lewenthal’s remarkable performance of the Liszt-Thalberg-Chopin-everybody else Hexameron. Nice, clean, continent playing may work for Schumann and Schubert, but not for the demon of the keyboard. On the other hand, Träumerai was played with remarkable sensitivity and rubato, his own arrangement of the Chinese erhu piece Horses with his father was delightful, and Liebestraum was a lovely wrap-up to the concert.

The bonus interviews on the DVD are of slight interest to serious listeners but I’m sure will delight newbies. Lang does a nice job of describing the music he performs in layman’s terms without being condescending—a difficult tightrope to walk. I’ve just noticed that this CD-DVD combo was first issued in 2004. I don’t notice anywhere on the slipcase that it’s a reissue. So what’s going on? Oh, well. I still give it a thumbs-up, even though it’s not a disc I’ll probably return to very often in the future. Good, clean, natural sound quality.

FANFARE: Lynn René Bayley
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Works on This Recording

Theme and Variations for Piano on the name ABEGG, Op. 1 by Robert Schumann
Performer:  Lang Lang (Piano)
Period: Romantic 
Written: 1829-1830; Germany 
Nocturnes (2) for Piano, Op. 27: no 2 in D flat major, B 96 by Frédéric Chopin
Performer:  Lang Lang (Piano)
Period: Romantic 
Written: 1835; Paris, France 
Fantasy for Piano in C major, D 760/Op. 15 "Wanderer" by Franz Schubert
Performer:  Lang Lang (Piano)
Period: Romantic 
Written: 1822; Vienna, Austria 
Eight Memories in Watercolor, Op. 1 by Tan Dun
Performer:  Lang Lang (Piano)
Period: 20th Century 
Written: 1978 
Sonata for Keyboard no 60 in C major, H 16 no 50 by Franz Joseph Haydn
Period: Classical 
Written: c1794-95 

Customer Reviews

Average Customer Review:  2 Customer Reviews )
 Misrepresentation  August 14, 2015 By B. Brolin (New City, NY) See All My Reviews "This is a puff piece, a PR video, not a music CD. Lang Lang striding the sidewalks of New York, gazing into the future. Don't bother." Report Abuse
 Visually arresting! July 24, 2015 By Paul R. (Warwick, NY) See All My Reviews "I bought the CD years ago, and always wondered why the full concert was never issued. I remember the New York Times review talking about the duet with his father. Not on the original CD. Now, the Deluxe Edition has a DVD with the missing tracks. Lang Lang will startel you with his facial expressions, and lightening hands. Highly recommended!" Report Abuse
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