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Carter: Violin Concerto, Concerto For Orchestra / Ole Böhn, Oliver Knussen


Release Date: 06/24/2008 
Label:  Emi Classics   Catalog #: 6629   Spars Code: n/a 
Composer:  Elliott Carter
Performer:  Ole Böhn
Conductor:  Oliver Knussen
Orchestra/Ensemble:  London Sinfonietta
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 3 Mins. 

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Notes and Editorial Reviews

Superbly recorded and brilliantly performed Carter collection.

I am sure that many people are hoping that the American Classics line will not start and end with the ten discs issued in May. While EMI's vaults may not be as generously stocked with American music as with British music there is surely much more to come. I think particularly of Abravanel's splendid Utah Symphony Orchestra recording of the Roy Harris Folksong Symphony and their Albany collection of tone-poems from the American Musical Renaissance. If they could also strike a deal with Sony to reissue the Ruggles-Tilson Thomas recordings issued on vinyl by CBS in 1973 the company would sweep the board. As it is, the present month's release schedule mixes the
Read more usual suspects with the less predictable such as this extremely valuable reissue from 1992.

The long-lived and staggeringly productive Elliott Carter is represented by three works in his later non-tonal idiom. Two of the works strike me as episodically engaging while the third has a more consistent grip on the attention. Carter specialises in episodic constructs and this is in evidence here. The manner is virtually expected in the Three Occasions and in the Concerto for Orchestra. The first two Occasions present the composer as the master of bejewelled incident - a sequence of flurries, eddies, squalls and fleeting tempests. The third, Anniversary, is more prepossessing with a sour-edged lyrical flux and several intriguing asides such as the impudent clarinet figuration towards the close. The Concerto for Orchestra virtually incites flashes of virtuosity and this Carter provides across six movements including a bat-wing fluttering Presto volando. Oliver Knussen and the well practised London Sinfonietta are attuned to this music and play it with consummate confidence. They were fully aware of the honours and duties of making the first commercial recordings of these works. In contrast with the other works the Violin Concerto conveys a greater sense of line and communication. Ole Böhn's absorbed and absorbing advocacy undoubtedly help. Here Carter's music moves between furious atonal yet aspirational virtuosity, the spattered angular projection of a Jackson Pollock, ancient mysteries (the central Angosciato) and the feathery-spiky, William Schuman-like Scherzando.

Martin Cotton's notes do not tell us the simple essentials about dates of works and of premieres and dedications. A pity.

A superbly recorded and brilliantly performed Carter collection.

-- Rob Barnett, MusicWeb International
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Works on This Recording

1.
Concerto for Orchestra by Elliott Carter
Conductor:  Oliver Knussen
Orchestra/Ensemble:  London Sinfonietta
Period: 20th Century 
Written: 1969; USA 
Length: 19 Minutes 30 Secs. 
2.
Concerto for Violin by Elliott Carter
Performer:  Ole Böhn (Violin)
Conductor:  Oliver Knussen
Orchestra/Ensemble:  London Sinfonietta
Period: 20th Century 
Written: 1990; USA 
Length: 25 Minutes 15 Secs. 
3.
Three Occasions by Elliott Carter
Conductor:  Oliver Knussen
Orchestra/Ensemble:  London Sinfonietta
Period: 20th Century 
Written: 1986-1989; USA 
Length: 16 Minutes 21 Secs. 

Sound Samples

Three Occasions for Orchestra: A Celebration of some 100 x 150 Notes
Three Occasions for Orchestra: Remembrance
Three Occasions for Orchestra: Anniversary
Violin Concerto: I. Impulsivo
Violin Concerto: II. Angosciato (violin)
Violin Concerto: III. Scherzando
Concerto for Orchestra: Introduction (Misterioso)
Concerto for Orchestra: I. Allegro non troppo
Concerto for Orchestra: II. Presto volando
Concerto for Orchestra: III. Maestoso
Concerto for Orchestra: IV. Coda
Concerto for Orchestra: Coda (Allegro molto)

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