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Songs By Great Conductors


Release Date: 03/25/2008 
Label:  Oehms   Catalog #: 808   Spars Code: DDD 
Composer:  Hans von BülowClemens KraussBruno Walter
Performer:  Michael VolleAdrian BaianuPetra [Mezzo-Soprano Vocals] Lang
Number of Discs: 1 
Length: 0 Hours 58 Mins. 

CD not available: This title is currently only available as an MP3 download.  

Notes and Editorial Reviews

Throughout all the songs each great conductor’s creativity shines out.

In the estimable completion of his study of the life of Gustav Mahler (A Life Cut Short, OUP, 2008) Henry-Louis de La Grange devotes one of his appendices (Why did Mahler not Write an Opera?) to a discussion of why Mahler only (basically) wrote songs and symphonies. With respect to the author his argument is a hollow one because in his unfortunately short life Mahler was too busy conducting to spend more than his summer holidays composing. This was long enough for a symphony but too short a time to plan an opera. For most of his life Mahler was in debt and had no wealthy patron, like Wagner in his later years, and, like many us, was resigned to the
Read more daily drudgery of a day job. He was not the first and will not be the last conductor/composer. Names of the present and the past that also combined both roles include Leonard Bernstein, Lorin Maazel, Pierre Boulez, Peter Eötvös, Michael Tilson Thomas and Esa-Pekka Salonen. Others such as Benjamin Britten and Thomas Adès are possibly better known as composers than conductors but that duality is still there.

In this fascinating CD forgotten songs composed by three peerless conductors of the nineteenth and twentieth century are brought together for the first time in outstanding performances from Petra Lang, Michael Volle and their impeccable and expressive pianist, Adrian Baianu who was, I understand, the inspiration behind this collection.

At nine years-old Hans von Bülow was a student of Friedrich Wieck: Clara Schumann’s father. However his parents later sent him to Leipzig to study law. There he met Franz Liszt, and on hearing some of Richard Wagner’s music - specifically, the première of Lohengrin in 1850 - he decided to ignore what his parents wanted him to be and make himself a career in music instead. His first conducting job was in Zürich, on Wagner's recommendation, in 1850. He was ambivalent, to say the least, towards Mahler as a composer but admired him as a conductor. The songs on this CD are his Fünf Lieder that he composed when he was 27 and the Drei Lieder from 1884, a year after Wagner’s death, when he was living in Hamburg.

Bruno Walter was himself nine when he made his first public appearance as a pianist. Following a visit to one of Hans von Bülow's concerts in 1889, he then went to Bayreuth in 1891. This confirmed in his mind that he wanted to be a conductor. He was first engaged in 1893 as a coach at the Cologne Opera and made his conducting début there with Lortzing's Waffenschmied. The next year he went to the Hamburg Opera where he worked as an assistant to Gustav Mahler. His songs performed here, with texts by Heinrich Heine, are from his mid-twenties and those to the words of Joseph von Eichendorff date from about a decade later.

Clemens Krauss was born too late to know either Wagner or Mahler neither it seems did he spend much time in Hamburg. He was however championed by – and later a champion of – Richard Strauss. Strauss himself had heard the music of Wagner for the first time in 1874 and this had a deep effect on him. In Berlin he had successful performances of his own compositions with the Meiningen Orchestra conducted by Hans von Bülow. In 1884 he conducted that orchestra himself for the first time. Within a year he was appointed assistant conductor to von Bülow, beating off competition from Mahler! Krauss’s Acht Gesänge were first published in 1920 only a couple of years before he was brought to Vienna State Opera by Strauss and Franz Schalk.

This CD had a long gestation period and Michael Volle recorded his songs in 2004, while Petra Lang did hers in 2007, yet the quality of performance and recording is uniformly first class. Throughout the CD Adrian Baianu is always a wonderfully sensitive accompanist. Listen particularly to his trotting accompaniment to the very first song Freisinn and to his subtle introduction to Walter’s Tragödie II when you can almost feel the chill of the frost on the flowers. In this same song the authoritative voice of Michael Volle, who is excellent throughout, emotively intones ‘sie send vesture, gesture’ as the fleeing lovers go to their ruin and die. It will be the most hard-hearted of listener who will not be affected by this simple song.

Petra Lang’s use of words is exceptional. Listen to the first of her three von Bülow songs and you can almost hear the gaze of her eyes at ‘eggplant’ and then ‘Erode Lust’ sounds potently full of ‘earthly desire’. Her incredible vocal range is ideally suited to the Krauss songs where she can reach up to the ecstatically high-lying ‘Wicket’ (‘Eternity’) at the end of Und reden sie dir jetzt von Schande and then produce a delicately fluttering ‘Schmetterling’ (‘Butterfly’) in the next one, ending with the quiet low notes of ‘er Sterben trinkt’ (‘drinks its death’).

It is such a shame that when these conductors were employed in the late-nineteenth/early-twentieth century it was not considered possible also to be a significant composer. These neglected songs will never enter the mainstream repertoire but they deserve to be performed and Adrian Baianu must be congratulated for going some way to preserving these rarities that could so easily be lost forever. The songs of Von Bülow follow in the tradition of Schumann and Brahms - just listen to his charming Volkslied. With Walter’s Der Soldat we have something very Mahlerian. Krauss veers from echt-Strauss in Das war der Tag der weißen Chrysanthemen to the almost Alban Berg-like Herbst: Die Blätter fallen. Yet throughout all the songs each great conductor’s own creativity shines out.

Jim Pritchard, MusicWeb International
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Works on This Recording

1. Lieder (5), for voice & piano, Op. 5 by Hans von Bülow
Performer:  Michael Volle (), Adrian Baianu (Piano)
Written: 1857 
Venue:  BR Studio 2 
Length: 10 Minutes 54 Secs. 
2. Lieder (3), for voice & piano, Op. 30 by Hans von Bülow
Performer:  Adrian Baianu (Piano), Petra [Mezzo-Soprano Vocals] Lang ()
Written: 1884 
Venue:  BR Studio 2 
Length: 7 Minutes 5 Secs. 
3. Songs (8) after poems by Rilke, for voice & piano by Clemens Krauss
Performer:  Petra [Mezzo-Soprano Vocals] Lang (), Adrian Baianu (Piano)
Venue:  BR Studio 2 
Length: 23 Minutes 6 Secs. 
4. Musikantengruß, for voice & piano by Bruno Walter
Performer:  Adrian Baianu (Piano), Michael Volle ()
Period: Modern 
Venue:  BR Studio 2 
Length: 2 Minutes 21 Secs. 
5. Der junge Ehemann, for voice & keyboard by Bruno Walter
Performer:  Adrian Baianu (Piano), Michael Volle ()
Period: Modern 
Venue:  BR Studio 2 
Length: 2 Minutes 55 Secs. 
6. Der Soldat, for voice & keyboard by Bruno Walter
Performer:  Adrian Baianu (Piano), Michael Volle ()
Period: Modern 
Venue:  BR Studio 2 
Length: 1 Minutes 46 Secs. 
7. Tragödie I ("Entflieh mit mir"), for voice & piano by Bruno Walter
Performer:  Adrian Baianu (Piano), Michael Volle ()
Period: Modern 
Venue:  BR Studio 2 
Length: 1 Minutes 28 Secs. 
8. Tragödie II (""Es fiel ein Reif"), for voice & piano by Bruno Walter
Performer:  Adrian Baianu (Piano), Michael Volle ()
Period: Modern 
Venue:  BR Studio 2 
Length: 3 Minutes 14 Secs. 
9. Tragödie III ("Auf ihrem Grab"), for voice & piano by Bruno Walter
Performer:  Michael Volle (), Adrian Baianu (Piano)
Period: Modern 
Venue:  BR Studio 2 
Length: 3 Minutes 27 Secs. 

Sound Samples

5 Lieder, Op. 5: No. 1. Freisinn
5 Lieder, Op. 5: No. 2. Der Fichtenbaum
5 Lieder, Op. 5: No. 3. Wunsch
5 Lieder, Op. 5: No. 4. Nachts
5 Lieder, Op. 5: No. 5. Volkslied
3 Lieder von August Freiherrn von Loen, Op. 30: No. 1. Du bist fur mich
3 Lieder von August Freiherrn von Loen, Op. 30: No. 2. Immer fuhl ich deine Nahe
3 Lieder von August Freiherrn von Loen, Op. 30: No. 3. Wenn an des Weltmeers
3 Lieder nach Josef von Eichendorff: No. 1. Musikantengruss (The Musician's Greeting)
3 Lieder nach Josef von Eichendorff: No. 2. Der junge Ehemann (The Young Husband)
3 Lieder nach Josef von Eichendorff: No. 3. Der Soldat (The Soldier)
6 Songs, Op. 12: No. 4. Entflieh mit mir
6 Songs, Op. 12: No. 5. Es fiel ein Reif
6 Songs, Op. 12: No. 6. Auf ihrem Grab
8 Gesange nach Gedichten von Rainer Maria Rilke: No. 1. Das war der Tag der weissen Chrysanthemen
8 Gesange nach Gedichten von Rainer Maria Rilke: No. 2. Manchmal geschieht es in tiefer Nacht
8 Gesange nach Gedichten von Rainer Maria Rilke: No. 3. Gehst du aussen die Mauem entlang
8 Gesange nach Gedichten von Rainer Maria Rilke: No. 4. Im flachen Land war ein Erwarten
8 Gesange nach Gedichten von Rainer Maria Rilke: No. 5. Der Abend ist mein Buch
8 Gesange nach Gedichten von Rainer Maria Rilke: No. 6. Und reden sie dir jetzt von Schande
8 Gesange nach Gedichten von Rainer Maria Rilke: No. 7. Wie eine Riesenwunderblume prangt voll Duft die Welt
8 Gesange nach Gedichten von Rainer Maria Rilke: No. 8. Herbst: Die Blatter fallen

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