Notes and Editorial Reviews
"The musicians immerse the listener sometimes in a profound mental repose, sometimes in a very joyous and dynamic ambience. This strongly melodious and frequently virtuosic music is pure velvet for the ears." - "MB", Pizzicato, January 2002
"The recorded sound is good and warm, and generous to the (already heavy) instrumental playing." - Alison Bullock International Record Review October 2001
"The playing of the Ensemble Accentus is excellent. The sound of the viol consort is gorgeous--rich and well balanced." - Peter Loewen, American Record Guide, Nov/Dec, 2001
"Thomas Wimmer, the only member of the Ensemble Accentus to be named by Naxos, writes the
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excellent programme notes to this most enjoyable recording... The Charles V palace is an extraordinary piece of architecture, a circular court in a square building superbly appropriate for music and drama. Cabezon must have known this building intimately. His surviving music however is entirely for keyboard, and on many other recordings where he has so often been anthologised, it is the occasional harpsichord work, which makes an appearance. Normally it is the same pieces like the 'Pavana Italiana', or the 'Diferencias sobre el canto del Caullero'. Yet this palace contained musicians of all types, and that included instrumentalists... There is no doubt that Naxos Early Music department is striking out into some fascinating areas, and they have found fine musicians to take us into some exciting repertoire. Highly recommended." - Musicweb.vavo.com (Gary Higginson), 28th June
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Works on This Recording
1.
Diferencias sobre "La Milanesa" by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
2.
Tiento no 1 by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
3.
Fabordones y glosas del primer tono ilano by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
4.
Ancol que col partire by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
5.
Ave maris stella VI by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
6.
Pues a mi, desconsolado by Juan de Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
7.
Diferencias sobre "Las Vacas" by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
8.
Diferencias sobre "La dama le demanda" by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
9.
Fabordones y glosas del sexto tono by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
10.
Diferencias sobre el canto llano del "Caballero" by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
11.
Pavana italiana by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
12.
Tiento no 18 by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
13.
Te lucis ante terminum by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
14.
Para quien crié yo cabellos by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
15.
Rugier, glosado de Antonio by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
16.
Pavane with glosa by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
17.
Die nobis Maria by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
18.
Duuiensela by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
19.
Glossada de "Susana un jur" by Hernando de Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: by 1578
20.
Pange lingua by Antonio De Cabezón
Conductor:
Thomas Wimmer
Orchestra/Ensemble:
Accentus
Period: Renaissance
Written: 16th Century; Spain
Sound Samples
Diferencias sobre la Gallarda Milanesa: (arr. for instrumental ensemble)
Tiento I: (arr. for instrumental ensemble)
Fabordon y glosas del Prime Tono Ilano: Fabordon y glosas del Primer Tono Ilano (arr. for instrumental ensemble)
Himno: Ave, maris stella VI
Pavana con su glosa: (arr. for instrumental ensemble)
Diferencias sobre Guadarmas las vacas: Diferencias sobre, "Guadarme las vacas" (arr. for instrumental ensemble)
Diferencias sobre el canto de La Dama le demanda: Diferencias sobre el canto de La dama le demanda (arr. for instrumental ensemble)
Fabordon y glosas del Sexto Tono: Fabordon y glosas del sexto tono (arr. for instrumental ensemble)
Diferencias sobre el Canto Llano del Caballero: Diferencias sobre el canto del Cauallero (arr. for instrumental ensemble)
Himno: Te lucis ante terminum (arr. for instrumental ensemble)
Du uien sela: Du vien sela (arr. for instrumental ensemble)
Susana un jur: Fantasia a 5, "": Glosado
Romance: Para quien crie cabellos (arr. for instrumental ensemble)
Himno: Pange lingua V (arr. for instrumental ensemble)
Rugier, glosado de Antonio: (arr. for instrumental ensemble)
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