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| Cabezón: Tientos Y Glosados / Wimmer, Ensemble Accentus | ||||||
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Release Date: 06/19/2001 Label: Naxos Catalog #: 8554836 Spars Code: DDD Composer: Antonio de Cabezón, Juan de Cabezón, Hernando de Cabezón Conductor: Thomas Wimmer Orchestra/Ensemble: Accentus
Number of Discs: 1 |
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| Notes & Reviews | Back to Top | ||||
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"The musicians immerse the listener sometimes in a profound mental repose, sometimes in a very joyous and dynamic ambience. This strongly melodious and frequently virtuosic music is pure velvet for the ears." - "MB", Pizzicato, January 2002 "The recorded sound is good and warm, and generous to the (already heavy) instrumental playing." - Alison Bullock International Record Review October 2001 "The playing of the Ensemble Accentus is excellent. The sound of the viol consort is gorgeous--rich and well balanced." - Peter Loewen, American Record Guide, Nov/Dec, 2001 "Thomas Wimmer, the only member of the Ensemble Accentus to be named by Naxos, writes the excellent programme notes to this most enjoyable recording... The Charles V palace is an extraordinary piece of architecture, a circular court in a square building superbly appropriate for music and drama. Cabezon must have known this building intimately. His surviving music however is entirely for keyboard, and on many other recordings where he has so often been anthologised, it is the occasional harpsichord work, which makes an appearance. Normally it is the same pieces like the 'Pavana Italiana', or the 'Diferencias sobre el canto del Caullero'. Yet this palace contained musicians of all types, and that included instrumentalists... There is no doubt that Naxos Early Music department is striking out into some fascinating areas, and they have found fine musicians to take us into some exciting repertoire. Highly recommended." - Musicweb.vavo.com (Gary Higginson), 28th June |
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| Works on This Recording | Back to Top | |||||||||||||||||||||||||||||||||||||||
| 1. |
Diferencias sobre "La Milanesa" by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 2. |
Tiento no 1 by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 3. |
Fabordones y glosas del primer tono ilano by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 4. |
Ancol que col partire by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance |
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| 5. |
Ave maris stella VI by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 6. |
Pues a mi, desconsolado by Juan de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 7. |
Diferencias sobre "Las Vacas" by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 8. |
Diferencias sobre "La dama le demanda" by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 9. |
Fabordones y glosas del sexto tono by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 10. |
Diferencias sobre el canto llano del "Caballero" by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 11. |
Pavana italiana by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 12. |
Tiento no 18 by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 13. |
Te lucis ante terminum by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 14. |
Para quien crié yo cabellos by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 15. |
Rugier, glosado de Antonio by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 16. |
Pavane with glosa by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance |
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| 17. |
Die nobis Maria by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 18. |
Duuiensela by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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| 19. |
Glossada de "Susana un jur" by Hernando de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: by 1578 |
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| 20. |
Pange lingua by Antonio de Cabezón | |||||||||||||||||||||||||||||||||||||||
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Conductor:
Thomas Wimmer
Orchestra/Ensemble: Accentus Period: Renaissance Written: 16th Century; Spain |
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