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Gibbons: Consort And Keyboard Music, Etc / Bryan


Release Date: 11/29/1994 
Label:  Naxos   Catalog #: 8550603   Spars Code: DDD 
Composer:  Orlando Gibbons
Performer:  Susanna PellRoy MarksElizabeth LiddleJulia Hodgson,   ... 
Orchestra/Ensemble:  Rose Consort of ViolsRed Byrd
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 8 Mins. 

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Works on This Recording

1.
Pavan and Galliard a 6 by Orlando Gibbons
Performer:  Susanna Pell (Viola da gamba), Roy Marks (Viola da gamba), Elizabeth Liddle (Viola da gamba),
Julia Hodgson (Viola da gamba), Alison Crum (Bass Viola da gamba), Mark Caudle (Viola da gamba),
John Bryan (Viola da gamba)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 7 Minutes 28 Secs. 
Notes: The two sections of this work have been placed on separate tracks. 
2.
Behold, thou hast made my days by Orlando Gibbons
Performer:  Richard Wistreich (Bass), Henry Wickham (Bass), John Potter (Tenor),
Ian Honeyman (Tenor), Penny Vickers (Soprano), Caroline Trevor (Alto)
Orchestra/Ensemble:  Red Byrd,  Rose Consort of Viols
Period: Renaissance 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 4 Minutes 4 Secs. 
Language: English 
3.
Pavane and Galliard "Lord Salisbury" by Orlando Gibbons
Performer:  Timothy Roberts (Harpsichord)
Period: Renaissance 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 6 Minutes 47 Secs. 
4.
Fantasias (6) à 2: no 1 by Orlando Gibbons
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 2 Minutes 21 Secs. 
5.
First Set of Madrigals and Mottets: I waigh not fortunes frowne by Orlando Gibbons
Performer:  Tessa Bonner (Soprano)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: by 1612; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 1 Minutes 51 Secs. 
Language: English 
6.
First Set of Madrigals and Mottets: I tremble not at noise of war by Orlando Gibbons
Performer:  Tessa Bonner (Soprano)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: by 1612; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 1 Minutes 53 Secs. 
Language: English 
7.
First Set of Madrigals and Mottets: I see ambition never pleased by Orlando Gibbons
Performer:  Tessa Bonner (Soprano)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: by 1612; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 2 Minutes 12 Secs. 
Language: English 
8.
First Set of Madrigals and Mottets: I feign not friendship where I hate by Orlando Gibbons
Performer:  Tessa Bonner (Soprano)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: by 1612; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 2 Minutes 35 Secs. 
Language: English 
9.
Preludes (4) for Keyboard: no 2 in G major by Orlando Gibbons
Performer:  Timothy Roberts (Organ)
Period: Renaissance 
Written: England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 1 Minutes 40 Secs. 
10.
Go from my window by Orlando Gibbons
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 5 Minutes 12 Secs. 
11.
First Set of Madrigals and Mottets: Daintie fine bird by Orlando Gibbons
Performer:  Tessa Bonner (Soprano)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: by 1612; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 1 Minutes 46 Secs. 
Language: English 
12.
First Set of Madrigals and Mottets: Faire is the rose by Orlando Gibbons
Performer:  Tessa Bonner (Soprano)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: by 1612; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 3 Minutes 8 Secs. 
Language: English 
13.
Fantasias (4) à 6: no 3 by Orlando Gibbons
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 3 Minutes 46 Secs. 
14.
Fantasias (4) à 6: no 5 by Orlando Gibbons
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 3 Minutes 31 Secs. 
15.
The fairest nymph by Orlando Gibbons
Performer:  Timothy Roberts (Virginal)
Period: Renaissance 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 1 Minutes 30 Secs. 
16.
Lincoln's Inn Mask by Orlando Gibbons
Performer:  Timothy Roberts (Virginal)
Period: Renaissance 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 1 Minutes 15 Secs. 
17.
Alman for Keyboard in G major by Orlando Gibbons
Performer:  Timothy Roberts (Virginal)
Period: Renaissance 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 1 Minutes 49 Secs. 
18.
Fantasias (2) à 4 "for the great double bass": no 1 by Orlando Gibbons
Performer:  Timothy Roberts (Organ)
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 4 Minutes 29 Secs. 
19.
Galliard à 3 by Orlando Gibbons
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 1 Minutes 12 Secs. 
20.
First Set of Madrigals and Mottets: The silver swanne by Orlando Gibbons
Performer:  Tessa Bonner (Soprano)
Orchestra/Ensemble:  Rose Consort of Viols
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 1 Minutes 20 Secs. 
Language: English 
21.
In Nomine à 4 by Orlando Gibbons
Orchestra/Ensemble:  Rose Consort of Viols
Period: Renaissance 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 3 Minutes 51 Secs. 
22.
Glorious and powerful God by Orlando Gibbons
Orchestra/Ensemble:  Red Byrd,  Rose Consort of Viols
Period: Renaissance 
Written: 17th Century; England 
Date of Recording: 1992 
Venue:  Forde Abbey, Dorset, England 
Length: 4 Minutes 44 Secs. 
Language: English 

Sound Samples

Pavan
Galliard a 3: Galliard
Behold, thou hast made my days
Pavan and galliard Lord Salisbury: The Lord of Salisbury his Pavan and Galliard
Fantasia No. 1 for 2 Trebles: Fantasia No. 1 for Two Trebles
I weigh not Fortune's frown: I weigh not fortune's frown
I tremble not at noise of war
I see ambition never pleased
I feign not friendship where I hate
Preludium in G major: Preludium in G
Go from my window
Daintie fine bird: Dainty fine bird
Faire is the rose: Fair is the rose
Fantasia No. 3
Fantasia No. 5
Mask, "The Fairest Nymph": A Mask: The Fairest Nymph
Lincoln's Inn mask: Lincoln's Inn Mask
Allmaine in G major: Allmaine in G
Fantasia No. 1 for Great Double Bass: Fantasia No. 1 for the Great Double Bass
Galliard a 3: Galliard
The silver swanne: The silver swan
In Nomine a 4: In Nomine
Glorious and powerful God: Glorious and Powerful God

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