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Bach: Complete Sacred Cantatas


Release Date: 01/15/2008 
Label:  Teldec Das Alte Werk Catalog #: 407420   Spars Code: ADD 
Composer:  Johann Sebastian Bach
Performer:  Max van EgmondKurt EquiluzPaul EsswoodWalter Gampert,   ... 
Conductor:  Nikolaus HarnoncourtGustav Leonhardt
Orchestra/Ensemble:  Vienna Concentus MusicusChorus ViennensisVienna Boys' Choir,   ... 
Number of Discs: 60 
Recorded in: Stereo 
Length: 62 Hours 56 Mins. 

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Notes and Editorial Reviews

This is all 10 volumes of the complete Sacred Cantatas of J.S. Bach including 60 CDs in a deluxe box set.
Bach Cantatas Vol 1 - BWV 1-14, 16-19
Bach Cantatas Vol 2 - BWV 20-36
Bach Cantatas Vol 3 - BWV 37-52, 54-60
Bach Cantatas Vol 4 - BWV 61-78
Bach Cantatas Vol 5 - BWV 79-99
Bach Cantatas Vol 6 - BWV 100-117
Bach Cantatas Vol 7 - BWV 119-137
Bach Cantatas Vol 8 - BWV 138-140, 143-159, 161-162
Bach Cantatas Vol 9 - BWV 163-182
Bach Cantatas Vol 10 - BWV 183-188, 192, 194-199
Includes cantata(s) by Johann Sebastian Bach. Ensembles: Vienna Concentus Musicus, Leonhardt Consort. Conductors: Nikolaus Harnoncourt, Gustav Leonhardt.
This is all 10 volumes of the complete Sacred Cantatas of J.S. Bach including 60 CDs in a deluxe box set.
Bach Cantatas Vol 1 - BWV 1-14, 16-19
Bach Cantatas Vol 2 - BWV 20-36
Bach Cantatas Vol 3 - BWV 37-52, 54-60
Bach Cantatas Vol 4 - BWV 61-78
Bach Cantatas Vol 5 - BWV 79-99
Bach Cantatas Vol 6 - BWV 100-117
Bach Cantatas Vol 7 - BWV 119-137
Bach Cantatas Vol 8 - BWV 138-140, 143-159, 161-162
Bach Cantatas Vol 9 - BWV 163-182
Bach Cantatas Vol 10 - BWV 183-188, 192, 194-199
Includes cantata(s) by Johann Sebastian Bach. Ensembles: Vienna Concentus Musicus, Leonhardt Consort. Conductors: Nikolaus Harnoncourt, Gustav Leonhardt. Read less

Works on This Recording

1. Wie schön leuchtet der Morgenstern, BWV 1 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 25 Minutes 32 Secs. 
Language: German 
2. Ach Gott, vom Himmel sieh' darein, BWV 2 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 55 Secs. 
Language: German 
3. Ach Gott, wie manches Herzeleid, BWV 3 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 44 Secs. 
Language: German 
4. Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1708; Weimar, Germany 
Date of Recording: 1970-75 
Length: 20 Minutes 9 Secs. 
Language: German 
5. Wo soll ich fliehen hin?, BWV 5 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 22 Minutes 46 Secs. 
Language: German 
6. Bleib bei uns, denn es will Abend werden, BWV 6 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 52 Secs. 
Language: German 
7. Christ, unser Herr, zum Jordan kam, BWV 7 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Cambridge King's College Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 25 Minutes 58 Secs. 
Language: German 
8. Liebster Gott, wenn werd' ich sterben?, BWV 8 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Regensburg Cathedral Choir soloists,  Cambridge King's College Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 19 Minutes 3 Secs. 
Language: German 
9. Es ist das Heil uns kommen her, BWV 9 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Regensburg Cathedral Choir soloists,  Cambridge King's College Choir
Period: Baroque 
Written: circa 1732-1735; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 24 Minutes 45 Secs. 
Language: German 
10. Meine Seel' erhebt den Herren, BWV 10 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Regensburg Cathedral Choir soloists,  Cambridge King's College Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 21 Minutes 53 Secs. 
Language: German 
11. Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio" by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 28 Minutes 53 Secs. 
Language: German 
12. Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1714; Weimar, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 41 Secs. 
Language: German 
13. Meine Seufzer, meine Tränen, BWV 13 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Walter Gampert (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 13 Secs. 
Language: German 
14. Wär Gott nicht mit uns diese Zeit, BWV 14 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Peter Hinterreiter (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1735; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 42 Secs. 
Language: German 
15. Herr Gott, dich loben wir, BWV 16 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 5 Secs. 
Language: German 
16. Wer Dank opfert, der preiset mich, BWV 17 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 49 Secs. 
Language: German 
17. Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: ?1715; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 14 Minutes 21 Secs. 
Language: German 
18. Es erhub sich ein Streit, BWV 19 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 19 Minutes 39 Secs. 
Language: German 
19. O Ewigkeit, du Donnerwort, BWV 20 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 26 Minutes 51 Secs. 
Language: German 
20. Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
Performer:  Walker Wyatt (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 36 Minutes 51 Secs. 
Language: German 
21. Jesus nahm zu sich die Zwölfe, BWV 22 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1723; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 47 Secs. 
Language: German 
22. Du wahrer Gott und Davids Sohn, BWV 23 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Marius Van Altena (Tenor), Max van Egmond (Bass),
Peter Hinterreiter (Boy Soprano), Walter Gampert (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Cambridge King's College Choir
Period: Baroque 
Written: 1723; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 22 Minutes 57 Secs. 
Language: German 
23. Ein ungefärbt Gemüte von deutscher Treu und Güte, BWV 24 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 8 Secs. 
Language: German 
24. Es ist nichts Gesundes an meinem Leibe, BWV 25 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 18 Secs. 
Language: German 
25. Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 16 Minutes 39 Secs. 
Language: German 
26. Wer weiss, wie nahe mir mein Ende, BWV 27 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Siegmund Nimsgern (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 30 Secs. 
Language: German 
27. Gottlob! nun geht das Jahr zu Ende, BWV 28 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 56 Secs. 
Language: German 
28. Wir danken dir, Gott, BWV 29 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 23 Secs. 
Language: German 
29. Freue dich, erlöste Schar, BWV 30 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1738; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 37 Minutes 31 Secs. 
Language: German 
30. Der Himmel lacht! die Erde jubilieret, BWV 31 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1970-75 
Length: 20 Minutes 59 Secs. 
Language: German 
31. Liebster Jesu, mein Verlangen, BWV 32 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Walter Gampert (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 23 Minutes 43 Secs. 
Language: German 
32. Allein zu dir, Herr Jesu Christ, BWV 33 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), René Jacobs (Countertenor), Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 21 Minutes 17 Secs. 
Language: German 
33. O ewiges Feuer, O Ursprung der Liebe, BWV 34 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Siegmund Nimsgern (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: after 1740; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 20 Secs. 
Language: German 
34. Geist und Seele wird verwirret, BWV 35 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 26 Minutes 57 Secs. 
Language: German 
35. Schwingt freudig euch empor, BWV 36 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 30 Minutes 2 Secs. 
Language: German 
36. Wer da gläubet und getauft wird, BWV 37 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 16 Minutes 24 Secs. 
Language: German 
37. Aus tiefer Not schrei'ich zu dir, BWV 38 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 18 Minutes 36 Secs. 
Language: German 
38. Brich dem Hungrigen dein Brot, BWV 39 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Max van Egmond (Bass), Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir Members,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 24 Minutes 46 Secs. 
Language: German 
39. Dazu ist erschienen der Sohn Gottes, BWV 40 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 15 Minutes 8 Secs. 
Language: German 
40. Jesu, nun sei gepreiset, BWV 41 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 27 Minutes 30 Secs. 
Language: German 
41. Am Abend aber desselbigen Sabbats, BWV 42 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 27 Minutes 12 Secs. 
Language: German 
42. Gott fähret auf mit Jauchzen, BWV 43 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 20 Minutes 44 Secs. 
Language: German 
43. Sie werden euch in den Bann tun, BWV 44 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 17 Minutes 21 Secs. 
Language: German 
44. Es ist dir gesagt, Mensch, was gut ist, BWV 45 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Hanns-Friedrich Kunz (Bass), René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir Members,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 19 Minutes 12 Secs. 
Language: German 
45. Schauet doch und sehet, ob irgend ein Schmerz sei, wie mein Schmerz, BWV 46 by Johann Sebastian Bach
Performer:  Hanns-Friedrich Kunz (Bass), René Jacobs (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir Members,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 16 Minutes 28 Secs. 
Language: German 
46. Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1970-75 
Length: 22 Minutes 19 Secs. 
Language: German 
47. Ich elender Mensch, wer wird mich erlösen vom Leibe dieses Todes, BWV 48 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 3 Secs. 
Language: German 
48. Ich geh' und suche mit Verlangen, BWV 49 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 25 Minutes 24 Secs. 
Language: German 
49. Nun ist das Heil und die Kraft, BWV 50 [fragment] by Johann Sebastian Bach
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Vienna Boys' Choir
Period: Baroque 
Written: ?1723; ?Leipzig, Germany 
Date of Recording: 1967-78 
Length: 3 Minutes 38 Secs. 
Language: German 
50. Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach
Performer:  Marianne Kweksilber (Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Written: 1730 
Date of Recording: 1967-78 
Length: 17 Minutes 51 Secs. 
Language: German 
51. Falsche Welt, dir trau' ich nicht, BWV 52 by Johann Sebastian Bach
Performer:  Seppi Kronwitter (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 26 Secs. 
Language: German 
52. Widerstehe doch der Sünde, BWV 54 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 28 Secs. 
Language: German 
53. Ich armer Mensch, ich Sündenknecht, BWV 55 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 0 Secs. 
Language: German 
54. Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Performer:  Michael Schopper (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 57 Secs. 
Language: German 
55. Selig ist der Mann, der die Anfechtung erdulet, BWV 57 by Johann Sebastian Bach
Performer:  Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Written: 1725 
Date of Recording: 1967-78 
Length: 22 Minutes 24 Secs. 
Language: German 
56. Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach
Performer:  Peter Jelosits (Boy Soprano), Seppi Kronwitter (Boy Soprano), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1727; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 14 Secs. 
Language: German 
57. Wer mich liebet, der wird mein Wort halten, BWV 59 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: circa 1723-1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 8 Secs. 
Language: German 
58. O Ewigkeit, du Donnerwort, BWV 60 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 9 Secs. 
Language: German 
59. Nun komm, der Heiden Heiland, BWV 61 by Johann Sebastian Bach
Performer:  Seppi Kronwitter (Boy Soprano), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 39 Secs. 
Language: German 
60. Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach
Performer:  Peter Jelosits (Boy Soprano), Ruud Van der Meer (Bass), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 19 Minutes 45 Secs. 
Language: German 
61. Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass),
Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Tölz Boys Choir
Period: Baroque 
Written: 1713-1715; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 28 Minutes 54 Secs. 
Language: German 
62. Sehet, welch eine Liebe, BWV 64 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 20 Minutes 12 Secs. 
Language: German 
63. Sie werden aus Saba alle kommen, BWV 65 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Chorus Viennensis,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 45 Secs. 
Language: German 
64. Erfreut euch, ihr Herzen, entweichet ihr Schmerzen, es lebet der Heiland, BWV 66 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 31 Minutes 15 Secs. 
Language: German 
65. Halt im Gedächtnis Jesum Christ, der auferstanden ist von der Todten, BWV 67 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 32 Secs. 
Language: German 
66. Also hat Gott die Welt geliebt, BWV 68 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Peter Jelosits (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 16 Minutes 49 Secs. 
Language: German 
67. Lobe den Herrn, meine Seele; und vergiss nicht, was er dir Gutes getan, BWV 69 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: circa 1743; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 10 Minutes 50 Secs. 
Language: German 
68. Lobe den Herrn, meine Seele, BWV 69a by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 19 Minutes 26 Secs. 
Language: German 
69. Wachet! Betet! Betet! Wachet!, BWV 70 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 22 Minutes 8 Secs. 
Language: German 
70. Gott ist mein König, BWV 71 by Johann Sebastian Bach
Performer:  Lieuwe Visser (Bass), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1708; Mühlhausen, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 7 Secs. 
Language: German 
71. Alles nur nach Gottes Willen, BWV 72 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 17 Minutes 29 Secs. 
Language: German 
72. Herr, wie du willt, so schicks mit mir, BWV 73 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 57 Secs. 
Language: German 
73. Wer mich liebet, der wird mein Wort halten, BWV 74 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Jörg Erler (Boy Soprano), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 21 Minutes 29 Secs. 
Language: German 
74. Die Elenden sollen essen, dass sie satt werden, BWV 75 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Paul Esswood (Countertenor), Adalbert Kraus (Tenor),
Markus Klein (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 33 Minutes 9 Secs. 
Language: German 
75. Die Himmel erzählen die Ehre Gottes, BWV 76 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Ruud Van der Meer (Bass), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 30 Minutes 32 Secs. 
Language: German 
76. Du sollst Gott, deinen Herren Lieben, BWV 77 by Johann Sebastian Bach
Performer:  Adalbert Kraus (Tenor), Max van Egmond (Bass), Detlef Bratschke (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 49 Secs. 
Language: German 
77. Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 21 Minutes 12 Secs. 
Language: German 
78. Gott, der Herr, ist Sonn und Schild, BWV 79 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass),
Detlef Bratschke (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 36 Secs. 
Language: German 
79. Ich hab in Gottes Herz und Sinn mein Herz und Sinn ergeben, BWV 92 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Detlef Bratschke (Boy Soprano),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 29 Minutes 16 Secs. 
Language: German 
80. Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Ruud Van der Meer (Bass), Kurt Equiluz (Tenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: by 1744; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 22 Minutes 58 Secs. 
Language: German 
81. Jesus schläft, was soll ich hoffen?, BWV 81 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 58 Secs. 
Language: German 
82. Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer:  Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1727; Cöthen, Germany 
Date of Recording: 1967-78 
Length: 20 Minutes 39 Secs. 
Language: German 
83. Erfreute Zeit im neuen Bunde, BWV 83 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Paul Esswood (Countertenor), Philippe Huttenlocher (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir  ... 
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 20 Minutes 22 Secs. 
Language: German 
84. Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert, BWV 84 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir
Period: Baroque 
Written: 1727; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 22 Secs. 
Language: German 
85. Ich bin ein guter Hirt, BWV 85 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 15 Minutes 12 Secs. 
Language: German 
86. Wahrlich, wahrlich ich sage euch, BWV 86 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Paul Esswood (Countertenor), Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir,  Vienna Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 13 Minutes 2 Secs. 
Language: German 
87. Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 17 Minutes 37 Secs. 
Language: German 
88. Siehe, ich will viel Fischer aussenden, BWV 88 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Detlef Bratschke (Boy Soprano), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 34 Secs. 
Language: German 
89. Was soll ich aus dir machen, Ephraim, BWV 89 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Markus Klein (Boy Soprano), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 26 Secs. 
Language: German 
90. Es reisset euch ein schrecklich Ende, ihr sündlichen verächter, hin, BWV 90 by Johann Sebastian Bach
Performer:  Markus Klein (Boy Soprano), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 12 Minutes 14 Secs. 
Language: German 
91. Gelobet seist du, Jesu Christ, BWV 91 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Detlef Bratschke (Boy Soprano),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 2 Secs. 
Language: German 
92. Wer nur den lieben Gott lässt walten, BWV 93 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 3 Secs. 
Language: German 
93. Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Philippe Huttenlocher (Bass), Wilhelm Wiedl (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 24 Minutes 52 Secs. 
Language: German 
94. Christus, der ist mein Leben, BWV 95 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 36 Secs. 
Language: German 
95. Herr Christ, der ein'ge Gottessohn, BWV 96 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
96. In allen meinen Taten, BWV 97 by Johann Sebastian Bach
Performer:  Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass),
Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1734; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 26 Minutes 38 Secs. 
Language: German 
97. Was Gott tut, das ist wohlgetan, BWV 98 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor),
Wilhelm Wiedl (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 14 Minutes 27 Secs. 
Language: German 
98. Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach
Performer:  Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1967-78 
Length: 18 Minutes 18 Secs. 
Language: German 
99. Was Gott tut, das ist wohlgetan, BWV 100 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Detlef Bratschke (Boy Soprano), Paul Esswood (Countertenor),
Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: circa 1735; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 23 Minutes 47 Secs. 
Language: German 
100. Nimm von uns, Herr, du treuer Gott, BWV 101 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Wilhelm Wiedl (Boy Soprano), Philippe Huttenlocher (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 24 Minutes 4 Secs. 
Language: German 
101. Herr, deine Augen sehen nach dem Glauben, BWV 102 by Johann Sebastian Bach
Performer:  Philippe Huttenlocher (Bass), Kurt Equiluz (Tenor), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 21 Secs. 
Language: German 
102. Ihr werdet weinen und heulen, aber die Welt wird sich Freuen, BWV 103 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 16 Minutes 17 Secs. 
Language: German 
103. Du Hirte Israel, höre, BWV 104 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 18 Secs. 
Language: German 
104. Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor),
Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 0 Secs. 
Language: German 
105. Gottes Zeit ist die allerbeste, BWV 106 "Actus tragicus" by Johann Sebastian Bach
Performer:  Raphael Harten (Countertenor), Marius Van Altena (Tenor), Max van Egmond (Bass),
Markus Klein (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Hanover Boys' Choir
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 11 Secs. 
Language: German 
106. Was willst du dich betrüben, o meine liebe Seel', BWV 107 by Johann Sebastian Bach
Performer:  Markus Klein (Boy Soprano), Kurt Equiluz (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 31 Secs. 
Language: German 
107. Es ist euch gut, das ich hingehe, BWV 108 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Ruud Van der Meer (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 16 Minutes 1 Secs. 
Language: German 
108. Ich glaube, lieber Herr, hilf meinem Unglauben!, BWV 109 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Wilhelm Wiedl (Boy Soprano), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 19 Secs. 
Language: German 
109. Unser Mund sei voll Lachens, BWV 110 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Stefan Frangoulis (Boy Soprano),
Ruud Van der Meer (Bass), Wilhelm Wiedl (Boy Soprano), Siegfried Lorenz (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 24 Minutes 55 Secs. 
Language: German 
110. Was mein Gott will, das g'scheh allzeit, BWV 111 by Johann Sebastian Bach
Performer:  Markus Huber (Boy Soprano), Paul Esswood (Countertenor), Ruud Van der Meer (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 8 Secs. 
Language: German 
111. Der Herr ist mein getreuer Hirt, BWV 112 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ruud Van der Meer (Bass), Markus Huber (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 40 Secs. 
Language: German 
112. Herr Jesu Christ, du höchstes Gut, BWV 113 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Kurt Equiluz (Tenor), Detlef Bratschke (Countertenor),
Max van Egmond (Bass), Sebastian Hennig (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 37 Secs. 
Language: German 
113. Ach, lieben Christen, seid getrost, BWV 114 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Max van Egmond (Bass), Sebastian Hennig (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 24 Minutes 1 Secs. 
Language: German 
114. Mache dich, mein Geist, bereit, BWV 115 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 55 Secs. 
Language: German 
115. Du Freidefürst, Herr Jesu Christ, BWV 116 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 34 Secs. 
Language: German 
116. Sei Lob und Ehr dem höchsten Gut, BWV 117 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), René Jacobs (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 19 Minutes 20 Secs. 
Language: German 
117. Preise, Jerusalem, den Herrn, BWV 119 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Paul Esswood (Countertenor),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 18 Secs. 
Language: German 
118. Gott, mann lobet dich in der Stille, BWV 120 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Paul Esswood (Countertenor),
Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1728-1729; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 17 Secs. 
Language: German 
119. Christum wir sollen loben schon, BWV 121 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Paul Esswood (Countertenor),
Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 23 Secs. 
Language: German 
120. Das neugeborne Kindelein, BWV 122 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Markus Huber (Boy Soprano), Thomas Schilling (Countertenor),
Philippe Huttenlocher (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 25 Secs. 
Language: German 
121. Liebster Immanuel, Herzog der Frommen, BWV 123 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Stefan Rampf (Boy Alto), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 21 Minutes 20 Secs. 
Language: German 
122. Meinen Jesum lass ich nicht, BWV 124 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Stefan Rampf (Boy Alto), Kurt Equiluz (Tenor),
Thomas Thomaschke (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 24 Secs. 
Language: German 
123. Mit Fried und Freud ich fahr dahin, BWV 125 by Johann Sebastian Bach
Performer:  Thomas Thomaschke (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 23 Minutes 50 Secs. 
Language: German 
124. Erhalt uns, Herr, bei dienem Wort, BWV 126 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Thomas Thomaschke (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 9 Secs. 
Language: German 
125. Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Sebastian Hennig (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 1 Secs. 
Language: German 
126. Auf Christi Himmelfahrt allein, BWV 128 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), René Jacobs (Countertenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Written: 1725 
Date of Recording: 1978-84 
Length: 17 Minutes 43 Secs. 
Language: German 
127. Gelobet sei der Herr, mein Gott, BWV 129 by Johann Sebastian Bach
Performer:  Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 4 Secs. 
Language: German 
128. Herr Gott, dich loben alle wir, BWV 130 by Johann Sebastian Bach
Performer:  Stefan Rampf (Boy Alto), Walter Heldwein (Bass), Alan Bergius (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 15 Minutes 49 Secs. 
Language: German 
129. Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1707; Mühlhausen, Germany 
Date of Recording: 1978-84 
Length: 25 Minutes 1 Secs. 
Language: German 
130. Bereitet die Wege, bereitet die Bahn!, BWV 132 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Sebastian Hennig (Boy Soprano), Marius Van Altena (Tenor),
René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1715; Weimar, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 54 Secs. 
Language: German 
131. Ich freue mich in dir, BWV 133 by Johann Sebastian Bach
Performer:  Sebastian Hennig (Boy Soprano), René Jacobs (Countertenor), Marius Van Altena (Tenor),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 20 Minutes 47 Secs. 
Language: German 
132. Ein Herz, das seinen Jesum lebend weiss, BWV 134 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 26 Minutes 30 Secs. 
Language: German 
133. Ach Herr, mich armen Sünder straf nicht in deinem Zorn, BWV 135 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Marius Van Altena (Tenor), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 13 Secs. 
Language: German 
134. Erforsche mich, Gott, und erfahre mein Herz, prüfe mich und erfahre, wie ich's meine, BWV 136 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Paul Esswood (Countertenor), Walter Heldwein (Bass),
Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 16 Minutes 51 Secs. 
Language: German 
135. Lobe den Herrn, den mächtigen König der Ehren, BWV 137 by Johann Sebastian Bach
Performer:  Albert Hartinger (Bass), Paul Esswood (Countertenor), Kurt Equiluz (Tenor),
Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 14 Minutes 6 Secs. 
Language: German 
136. Warum betrübst du dich, mein Herz?, BWV 138 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Stefan Rampf (Boy Alto),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 14 Secs. 
Language: German 
137. Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen!, BWV 139 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Alan Bergius (Boy Soprano), Stefan Rampf (Boy Alto),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724-1725; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 18 Minutes 47 Secs. 
Language: German 
138. Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer:  Thomas Hampson (Bass), Kurt Equiluz (Tenor), Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1731; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 28 Minutes 29 Secs. 
Language: German 
139. Lobe den Herrn, meine Seele, BWV 143 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Roger Cericius (Boy Soprano), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 9 Secs. 
Language: German 
140. Nimm, was dein ist, und gehe hin, BWV 144 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Ansgar Pfeiffer (Boy Soprano), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 13 Minutes 11 Secs. 
Language: German 
141. Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 by Johann Sebastian Bach
Performer:  Thomas Hampson (Bass), Kurt Equiluz (Tenor), Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 9 Minutes 38 Secs. 
Language: German 
142. Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146 by Johann Sebastian Bach
Performer:  Thomas Hampson (Bass), Paul Esswood (Countertenor), Alan Bergius (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1728; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 38 Minutes 2 Secs. 
Language: German 
143. Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Thomas Hampson (Bass), Stefan Rampf (Boy Alto),
Alan Bergius (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Written: 1723 
Date of Recording: 1978-84 
Length: 31 Minutes 36 Secs. 
Language: German 
144. Bringet dem Herrn Ehre seines Namens, betet an den Herrn in Heil'gem Schmuck, BWV 148 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 17 Minutes 35 Secs. 
Language: German 
145. Man singet mit Freuden vom Sieg, BWV 149 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Sebastian Hennig (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1728; Leipzig, Germany 
Date of Recording: 1978-84 
Length: 19 Minutes 19 Secs. 
Language: German 
146. Nach dir, Herr, verlanget mich, BWV 150 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor),
Ansgar Pfeiffer (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: circa 1708-1709; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 15 Minutes 34 Secs. 
Language: German 
147. Süsser Trost, mein Jesus kömmt, BWV 151 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Sebastian Hennig (Boy Soprano), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Written: 1725 
Date of Recording: 1983-88 
Length: 16 Minutes 12 Secs. 
Language: German 
148. Tritt auf die Glaubensbahn, BWV 152 by Johann Sebastian Bach
Performer:  Christoph Wegmann (Boy Soprano), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 19 Minutes 8 Secs. 
Language: German 
149. Schau, lieber Gott, wie meine Feind', BWV 153 by Johann Sebastian Bach
Performer:  Stefan Rampf (Boy Alto), Kurt Equiluz (Tenor), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 15 Minutes 6 Secs. 
Language: German 
150. Mein liebster Jesus ist verloren, BWV 154 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 15 Minutes 59 Secs. 
Language: German 
151. Mein Gott, wie lang, ach lange, BWV 155 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Thomas Hampson (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1716; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 8 Secs. 
Language: German 
152. Ich steh' mit einem Fuss im Grabe, BWV 156 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Christoph Wegmann (Boy Soprano), Thomas Hampson (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 22 Secs. 
Language: German 
153. Ich lasse dich nicht, du segnest mich denn, BWV 157 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: ?1728; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 19 Minutes 35 Secs. 
Language: German 
154. Der Friede sei mit dir, BWV 158 by Johann Sebastian Bach
Performer:  Christoph Wegmann (Boy Soprano), Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: after 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 11 Minutes 32 Secs. 
Language: German 
155. Sehet, wir gehn hinauf gen Jerusalem, BWV 159 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Max van Egmond (Bass), Kurt Equiluz (Tenor),
Tobias Eiwanger (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 36 Secs. 
Language: German 
156. Komm, du süsse Todesstunde, BWV 161 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 18 Minutes 13 Secs. 
Language: German 
157. Ach, ich sehe, itzt, da ich zu Hochzeit gehe, BWV 162 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Tobias Eiwanger (Boy Soprano),
Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 37 Secs. 
Language: German 
158. Nur jedem das Seine, BWV 163 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Kurt Equiluz (Tenor), Tobias Eiwanger (Boy Soprano),
Panito Iconomou (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 14 Secs. 
Language: German 
159. Ihr, die ihr euch von Christo nennet, BWV 164 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Christoph Wegmann (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1728; Leipzig, Germany 
Date of Recording: 1883-88 
Length: 17 Minutes 26 Secs. 
Language: German 
160. O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Max van Egmond (Bass), Paul Esswood (Countertenor),
Tobias Eiwanger (Boy Soprano)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 31 Secs. 
Language: German 
161. Wo gehest du hin?, BWV 166 by Johann Sebastian Bach
Performer:  Christoph Wegmann (Boy Soprano), Max van Egmond (Bass), Kurt Equiluz (Tenor),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Tölz Boys Choir,  Ghent Collegium Vocale
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 17 Minutes 53 Secs. 
Language: German 
162. Ihr Menschen, rühmet Gottes Liebe, BWV 167 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Panito Iconomou (Boy Alto), Kurt Equiluz (Tenor),
Helmut Wittek (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 18 Minutes 42 Secs. 
Language: German 
163. Tue Rechnung! Donnerwort, BWV 168 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Christian Immler (Boy Alto), Helmut Wittek (Boy Soprano),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 13 Minutes 27 Secs. 
Language: German 
164. Gott soll allein mein Herze haben, BWV 169 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Robert Holl (Bass), Helmut Wittek (Boy Soprano),
Paul Esswood (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 22 Minutes 39 Secs. 
Language: German 
165. Vergnügte Ruh, beliebte Seelenlust, BWV 170 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 22 Minutes 42 Secs. 
Language: German 
166. Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor),
Panito Iconomou (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: ?1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 1 Secs. 
Language: German 
167. Lobe den Erschallet, ihr Lieder, erklinget ihr Saiten!, BWV 172 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Matthias Echternach (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1714; Weimar, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 47 Secs. 
Language: German 
168. Erhöhtes Fleisch und Blut, BWV 173 by Johann Sebastian Bach
Performer:  Alan Bergius (Boy Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass),
Stefan Gienger (Boy Soprano), Christian Immler (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 13 Minutes 56 Secs. 
Language: German 
169. Ich liebe den Höchsten von ganzem Gemüte, BWV 174 by Johann Sebastian Bach
Performer:  Christian Immler (Boy Alto), Kurt Equiluz (Tenor), Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1729; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 20 Minutes 37 Secs. 
Language: German 
170. Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Marius Van Altena (Tenor), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 16 Minutes 57 Secs. 
Language: German 
171. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Matthias Echternach (Boy Soprano), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 21 Secs. 
Language: German 
172. Ich ruf zu dir, Herr Jesu Christ, BWV 177 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Panito Iconomou (Boy Alto), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1732; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 24 Minutes 53 Secs. 
Language: German 
173. Wo Gott, der Herr, nicht bei uns hält wenn unsre Feinden toben, BWV 178 by Johann Sebastian Bach
Performer:  Robert Holl (Bass), Panito Iconomou (Boy Alto), Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 20 Minutes 12 Secs. 
Language: German 
174. Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 54 Secs. 
Language: German 
175. Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an's helle Licht gegangen, BWV 180 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Jan Patrick O'Farrell (Boy Soprano), Paul Esswood (Countertenor),
Marius Van Altena (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 24 Minutes 53 Secs. 
Language: German 
176. Leichtgesinnte Flattergeister, BWV 181 by Johann Sebastian Bach
Performer:  Max van Egmond (Bass), Kurt Equiluz (Tenor), Alexander Raymann (Boy Soprano),
Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 48 Secs. 
Language: German 
177. Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Performer:  Kurt Equiluz (Tenor), Robert Holl (Bass), Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 30 Minutes 50 Secs. 
Language: German 
178. Sie werden euch in den Bann tun, BWV 183 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Kurt Equiluz (Tenor), Helmut Wittek (Boy Soprano),
Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1725; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 13 Minutes 37 Secs. 
Language: German 
179. Erwünschtes Freudenlicht, BWV 184 by Johann Sebastian Bach
Performer:  Alexander Raymann (Boy Soprano), Paul Esswood (Countertenor), Kurt Equiluz (Tenor),
Max van Egmond (Bass)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 23 Minutes 26 Secs. 
Language: German 
180. Barmherziges Herze der ewigen Liebe, BWV 185 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Helmut Wittek (Boy Soprano), Thomas Hampson (Bass),
Kurt Equiluz (Tenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 14 Minutes 15 Secs. 
Language: German 
181. Ärgre dich, o Seele, nicht, BWV 186 by Johann Sebastian Bach
Performer:  Paul Esswood (Countertenor), Robert Holl (Bass), Kurt Equiluz (Tenor),
Helmut Wittek (Boy Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 27 Minutes 32 Secs. 
Language: German 
182. Es wartet alles auf dich, dass du ihnen Speise, BWV 187 by Johann Sebastian Bach
Performer:  Michael Emmermann (Boy Soprano), Max van Egmond (Bass), Paul Esswood (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1726; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 23 Minutes 5 Secs. 
Language: German 
183. Ich habe meine Zuversicht auf den getreuen Gott gericht, BWV 188 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Robert Holl (Bass),
Paul Esswood (Countertenor)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: ?1728; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 24 Minutes 50 Secs. 
Language: German 
184. Nun danket alle Gott, BWV 192 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1730; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 13 Secs. 
Language: German 
185. Höchsterwünschtes Freudenfest, BWV 194 by Johann Sebastian Bach
Performer:  Hans Stricker (Boy Soprano), Kurt Equiluz (Tenor), Thomas Hampson (Bass),
Stefan Gienger (Boy Alto)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 39 Minutes 13 Secs. 
Language: German 
186. Dem Gerechten muss das Licht, BWV 195 by Johann Sebastian Bach
Performer:  Jan Patrick O'Farrell (Boy Soprano), John Elwes (Tenor), Harry Van der Kamp (Bass),
René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: circa 1737; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 18 Minutes 57 Secs. 
Language: German 
187. Der Herr denket an uns, BWV 196 by Johann Sebastian Bach
Performer:  Helmut Wittek (Boy Soprano), Kurt Equiluz (Tenor), Thomas Hampson (Bass)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus,  Tölz Boys Choir
Period: Baroque 
Written: ?1708; Weimar, Germany 
Date of Recording: 1983-88 
Length: 12 Minutes 12 Secs. 
Language: German 
188. Gott ist unser Zuversicht, BWV 197 by Johann Sebastian Bach
Performer:  Jan Patrick O'Farrell (Boy Soprano), Kurt Equiluz (Tenor), Harry Van der Kamp (Bass),
René Jacobs (Countertenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1739-1742; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 30 Minutes 1 Secs. 
Language: German 
189. Lass, Fürstin, lass noch einen Strahl, BWV 198 by Johann Sebastian Bach
Performer:  René Jacobs (Countertenor), Harry Van der Kamp (Bass), Jan Patrick O'Farrell (Boy Soprano),
John Elwes (Tenor)
Conductor:  Gustav Leonhardt
Orchestra/Ensemble:  Leonhardt Consort,  Ghent Collegium Vocale,  Hanover Boys' Choir
Period: Baroque 
Written: 1727; Leipzig, Germany 
Date of Recording: 1983-88 
Length: 35 Minutes 14 Secs. 
Language: German 
190. Mein Herze schwimmt im Blut, BWV 199 by Johann Sebastian Bach
Performer:  Barbara Bonney (Soprano)
Conductor:  Nikolaus Harnoncourt
Orchestra/Ensemble:  Vienna Concentus Musicus
Period: Baroque 
Written: 1714; Cöthen, Germany 
Date of Recording: 1983-88 
Length: 23 Minutes 42 Secs. 
Language: German 

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