Music hewn from granite: the most rewarding Tüür collection to date?
Estonia’s best-known internationally orientated modernist has composed six symphonies (the latest having had its premiere earlier this year in Tallinn), among which the 30?minute single-movement Fourth, dating from 2002 and subtitled Magma, is outstanding. Tüür’s style is essentially mobile-sculptural: which is to say that shifting sound-masses count for more than expressivity. Sibelius is a distant yet clear affinity, and Lutoslawski and the sonorism of the Polish school of the 1960s and ’70s supply something of the technical means. At its gentlest – as in theRead more tinkling early stages of Magma – the effect resembles Oliver Knussen; at its toughest, Elliott Carter. Impersonal yet irresistible forces seem to guide the structure, while the orchestra builds up a succession of analogies to unpopulated landscapes and natural forces. Behind the sonic richness and the dazzling surfaces there is an ascetic instinct at work: a refusal to take easy, opportunistic paths and an immensely impressive traversal of craggier ones.
Though written for Evelyn Glennie, who takes the solo percussion part with superb aplomb, this really is a symphony rather than a flashy, beefed-up concerto. It stays just on that side of the divide everywhere except in the brief cadenza at approximately the half-way mark.
The other three works on this disc feel similarly substantial and born of inner necessity. The Path and the Traces is simply the finest recently composed piece I have heard for string orchestra, and each of the choral items is memorable, without sacrificing complexity. Tüür is currently well represented on CD, but this new disc strikes me as probably the most rewarding devoted to his music, no doubt partly because performances and recordings are first-class. If the prospect of challenging, granite-hewn musical invention has any appeal, then this is a must.
Paavo Järvi (),
Evelyn Glennie (Percussion)
Estonian National Symphony Orchestra
Period: 20th Century
Symphony No.4 Magma for solo percussion & symphony orchestra (dedicated to Evelyn Glennie, 2002)
Inquiétude du fini for chamber choir & orchestra (dedicated to Arvo Pärt, 1992)
Igavik (Eternity) for male choir & orchestra (in memoriam Lennart Meri, 2006)
The Path and the Traces for strings (2005)
Average Customer Review: ( 1 Customer Review )
A happy findSeptember 17, 2013By Endel Bendel (Spencer, MA)See All My Reviews"Ordered this out of confusion from the description. Unfamiliar with this composer, i thought his name a title from Arvo Part. The music, very very modern, is mildly challenging, extremely rewarding; energetic performance with clarity in the sound."Report Abuse