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The British Light Music Collection 1 / Alwyn, Sutherland


Release Date: 06/12/2007 
Label:  Resonance Catalog #: 205   Spars Code: n/a 
Composer:  Malcolm ArnoldWilliam AlwynSargent, Malcolm, SirClifton Parker,   ... 
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Number of Discs: 2 
Recorded in: Stereo 
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Notes and Editorial Reviews

Resonance now set about reissuing the munificent ASV British light music anthology catalogue. Things start very well indeed with this slimline double; the first of three.

The Roots of Heaven overture is from Arnold's store of film music. It's vintage stridingly romantic stuff (2:33) and has never been heard to such good advantage not even in the hands of Carl Davis who revived it on radio as part of a BBC Radio 3 British film music series back in the early 1990s. Splendid stuff - some of it softly jazzy and some African exotic. Gold ebullience from Arnold. Next some Scottish Dances but not from Arnold. This time it's a seven movement suite of pastiche Handelian Scottishry with a good humoured kick, skirl and intake of breath
Read more - liberally soused in uisge-bheatha. Colonel Thornton's Strathspey is affectingly romantic while Carelton House is a Mozartian wind cassation. The movements are fleeting miniatures - never outstaying their welcome.

Whether we can really call Sargent's reputation-famous Impression on a Windy Day ‘light music’ I am not sure. Its language owes something to Glazunov's Seasons but it's still exhilarating. Clifton Parker's film music has a Chandos CD all to itself. Here we have the micro-overture The Glass Slipper which flickers enchantingly along and makes one want to hear the children's operetta to which it is the prelude. It fleetingly recalls Prokofiev’s Classical Symphony. James Langley's Bredon Hill contributes honourably and with a little magic - perhaps more to be extracted if taken at a slower gait. Gordon Jacob the symphonist has been to the fore again recently with the new Lyrita CD of his two wartime symphonies. His The Barber of Seville Goes to the Devil is a clever romp through some vary familiar Rossini material. Britten was not the only one to triumph in this material.

The single most extended piece of music in this collection is Maurice Johnstone's poetic-nostalgic hymn to the water and landscape between Hawkshead and Coniston. For my money this deserves to be counted in the company of the Moeran, Patrick Hadley, Bridge, RVW, Butterworth pastoral-orchestral pieces. It is not light music - magnificently evocative certainly - but far from inconsequential. It stands tall in this company. Time we heard a lot more Johnstone. Not convinced - then listen to Tarn Hows and hear that tender and treasurable lyrical spell spun and stretched by a great melody at 4.23.

Alan Langford's Two Worlds Overture does the brilliant ‘splits’ between Copland, Arnold and Mozart. Richard Rodney Bennett's mid-1960s Little Suite takes some children's songs he had written and arranges them with a gentle and kindly hand for full orchestra. At the same time it conjures up the essence of English countryside idylls. Light on the aural palate.

David Lyon's Joie de Vivre overture is based on an early clarinet sonata. It at times recalls Rawsthorne's two concert overtures married with the English Dances of Malcolm Arnold.

The second CD kicks off with Arnold's Little Suite No. 4: is the orchestral reworking of his own Little Suite No. 1 for brass band. In the original Arnold pays stormy tribute to Holst's two brass suites. The memorable Siciliano is superbly swayed and I think works here better than in the original. William Blezard was a very fine composer - a pupil of Howells and Jacob at the RCM. It is a more than usually honeyed ech of Howells that we hear in Blezard's romantic overture The River where two lovers meet by its waters which chime in with their lyrically evoked mood. Adrian Cruft in his Traditional Hornpipe Suite takes us back to the Handelian frolics of the Alywn Dances. In fact these micro-short movements would fit well across the two suites.

Fenby's Rossini on Ilkla Moor is another of those overtures beloved of the conductor stalwarts of the BBC's long-defunct Matinee Musicale. It’s Rossini meets Ilkla Moor with lolling eyes, a wink and a wobbly gait and of course that crescendo. Raymond Warren's suite was the outcome of a commission from the BBC Northern Ireland Light Orchestra; another victim of yet another cuts exercise. Again there is pastiche air to this music - Capriol is suggested in the first movement. The liquid cor anglais carol of the Lute Book Lullaby provides much needed delight in the face of some Graingerian heartiness.

Arthur Butterworth's The Path Across the Moors is redolent of the music of his own heroes: Bax and Sibelius. It is one of the most accomplished and serious pieces in the collection; vying with the Johnstone in this respect. This is probably Butterworth's most played piece. It really is time we had recordings of all Butterworth's impressively sombre symphonies, not to mention his violin concerto and cello concerto. This piece is strongly atmospheric music and should be heard yet more often.

Hedges' Ayrshire Serenade was commissioned by the Ayrshire Symphony Orchestra. It is not specially Scottish - more closely echoing the light and the dark of Ayr's scenery - some of it in Sibelian desolation - at least in the central movement. There is a touch of all-purpose English celebration in the finale but it's skilled and personable writing. An English Overture is Brighton-born Paul Lewis's raucous and rambunctious carousal. Make no mistake there's a pint or three being taken here among the jostle of hornpipes.

Philip Lane's Suite of Cotswold Dances cannot resist the siren call of Malcolm Arnold - whose style is touched on time and again among the composers' represented on this set. Listen to the start of Constant Billy for example - never mind the red-cheeked brassy stuff in Jockie to the Fair. Mind you Constant Billy, Ladies of Pleasure and Brighton Camp have a lovely Celtic lilt as well. Philip Lane says farewell with a tripping hornpipe in Princess Royal. Lane also provides the concise notes for this set. The suite was premiered in 1978 by Sidney Sager and the Bristol Sinfonia - who contributed to my musical education while a law student in Bristol in the early 1970s. Good to see their name again.

Having missed most of these discs first time around I am hoping to catch the reissues. Roll on RSB206 and RSB207. This is well worth the outlay – light music of euphoria and contentment.

-- Rob Barnett, MusicWeb International
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Works on This Recording

1.
The Roots of Heaven: Overture by Malcolm Arnold
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1958; England 
2.
Scottish Dances (7) by William Alwyn
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
3.
Allegro impetuoso in B minor, Op. 9 "An Impression on a Windy Day" by Sargent, Malcolm, Sir
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
4.
The Glass Slipper Overture by Clifton Parker
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
5.
The Coloured Counties by James W. Langley
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: England 
6.
The Barber of Seville Goes to the Devil by Gordon Jacob
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: England 
Length: 4 Minutes 34 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
7.
Tarn Hows "A Cumbrian Rhapsody" by Maurice Johnstone
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: England 
8.
Two Worlds by Alan Langford
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: England 
Length: 5 Minutes 17 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
9.
Little Suite by Richard Rodney Bennett
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: England 
10.
Joie de vivre by David Lyon
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 6 Minutes 50 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
11.
The River by William Blezard
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1969; England 
Length: 6 Minutes 15 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
12.
Traditional Hornpipe Suite by Adrian Cruft
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
13.
Rossini on Ilkla Moor by Eric Fenby
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Written: 1938 
14.
Suite on Old Irish Tunes "Wexford Bells" by Raymond H. C. Warren
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1970; England 
15.
The Path across the Moors by Arthur Butterworth
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1958; England 
Length: 6 Minutes 50 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
16.
An Ayrshire Serenade by Anthony Hedges
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1971; Scotland 
17.
An English Overture by Paul Lewis
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: England 
Length: 5 Minutes 32 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
18.
Suite of Cotswold Folk Dances by Philip Lane
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1978; England 
19.
Scottish Dances (7): no 1, The Indian Queen by William Alwyn
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 1 Minutes 7 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
20.
Scottish Dances (7): no 2, A Trip to Italy by William Alwyn
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 0 Minutes 49 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
21.
Scottish Dances (7): no 3, Colonel Thornton's Strathspey by William Alwyn
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 2 Minutes 11 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
22.
Scottish Dances (7): no 4, The Perthshire Hunt Reel by William Alwyn
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 0 Minutes 57 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
23.
Scottish Dances (7): no 5, Loch Earn Reel by William Alwyn
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 1 Minutes 1 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
24.
Scottish Dances (7): no 6, Carleton House by William Alwyn
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 0 Minutes 47 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
25.
Scottish Dances (7): no 7, Miss Ann Carnegie's Hornpipe by William Alwyn
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 0 Minutes 55 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
26.
Allegro impetuoso in B minor, Op. 9 "An Impression on a Windy Day" by Sargent, Malcolm, Sir
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 7 Minutes 20 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
27.
The Glass Slipper: Overture by Clifton Parker
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1942; London, Engalnd 
Length: 3 Minutes 16 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
28.
The Coloured Counties by James Langley
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 5 Minutes 57 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
29.
Tarn Hows by Maurice Johnstone
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1947; England 
Length: 14 Minutes 2 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
30.
Little Suite: The Bird's Lament by Richard Rodney Bennett
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 2 Minutes 49 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
31.
Little Suite: The Widow Bird by Richard Rodney Bennett
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 1 Minutes 25 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
32.
Little Suite: The Ladybird by Richard Rodney Bennett
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 2 Minutes 13 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
33.
Little Suite: Glow-worms by Richard Rodney Bennett
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 2 Minutes 17 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
34.
Little Suite: The Lark by Richard Rodney Bennett
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 1 Minutes 5 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
35.
Little Suite for Orchestra no 4, Op 80a: Prelude by Malcolm Arnold
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: England 
Length: 2 Minutes 1 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
36.
Little Suite for Orchestra no 4, Op 80a: Siciliano by Malcolm Arnold
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: England 
Length: 3 Minutes 34 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
37.
Little Suite for Orchestra no 4, Op 80a: Rondo by Malcolm Arnold
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: England 
Length: 2 Minutes 7 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
38.
Traditional Hornpipe Suite: Newcastle and Navvie by Adrian Cruft
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 1 Minutes 26 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
39.
Traditional Hornpipe Suite: Irish by Adrian Cruft
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 1 Minutes 27 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
40.
Traditional Hornpipe Suite: Del Caro's by Adrian Cruft
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 1 Minutes 4 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
41.
Traditional Hornpipe Suite: Oak Hill by Adrian Cruft
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 0 Minutes 55 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
42.
Traditional Hornpipe Suite: Fisher's by Adrian Cruft
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 0 Minutes 43 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
43.
Traditional Hornpipe Suite: Billy Bones by Adrian Cruft
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Length: 1 Minutes 33 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
44.
Overture "Rossini on Ilkla Moor" by Eric Fenby
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: England 
Length: 6 Minutes 42 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
45.
Suite on Old Irish Tunes "Wexford Bells": Shepherd's Dance by Raymond H. C. Warren
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1970; England 
Length: 2 Minutes 43 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
46.
Suite on Old Irish Tunes "Wexford Bells": Lute Book Lullaby by Raymond H. C. Warren
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1970; England 
Length: 3 Minutes 33 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
47.
Suite on Old Irish Tunes "Wexford Bells": Christmas Jig by Raymond H. C. Warren
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1970; England 
Length: 1 Minutes 54 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
48.
Suite on Old Irish Tunes "Wexford Bells": Wexford Bells by Raymond H. C. Warren
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1970; England 
Length: 3 Minutes 28 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
49.
An Ayrshire Serenade, Op. 4: Allegro moderato by Anthony Hedges
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1971; Scotland 
Length: 3 Minutes 12 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
50.
An Ayrshire Serenade, Op. 4: Andantino by Anthony Hedges
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1971; Scotland 
Length: 3 Minutes 50 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
51.
An Ayrshire Serenade, Op. 4: Molto vivace by Anthony Hedges
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1971; Scotland 
Length: 3 Minutes 16 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
52.
Cotswold Folk Dances: Wheatly Processional by Philip Lane
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1978; England 
Length: 1 Minutes 44 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
53.
Cotswold Folk Dances: Constant Billy by Philip Lane
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1978; England 
Length: 2 Minutes 26 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
54.
Cotswold Folk Dances: Brighton Camp by Philip Lane
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1978; England 
Length: 1 Minutes 59 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
55.
Cotswold Folk Dances: Jockie to the Fair by Philip Lane
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1978; England 
Length: 1 Minutes 32 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
56.
Cotswold Folk Dances: Ladies of Pleasure by Philip Lane
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1978; England 
Length: 1 Minutes 52 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 
57.
Cotswold Folk Dances: Princess Royal by Philip Lane
Conductor:  Gavin Sutherland
Orchestra/Ensemble:  Royal Ballet Sinfonia
Period: 20th Century 
Written: 1978; England 
Length: 2 Minutes 14 Secs. 
Notes: Audio Engineer: Mike Ross-Trevor.
Audio Producer: Philip Lane. 

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