There are no disappointments anywhere in this set, and there are countless outstanding moments. The very opening of the First Symphony sets the tone: powerful, like Klemperer, but also propulsive. The finale of the Second Symphony shows exactly how to increase excitement toward the end without wild extremes of tempo (not that this can't be fun now and then). The Third and Fourth Symphonies may be the best interpretations of all, particularly the Third, a work that Levine always did particularly well. The opening is wonderfully passionate, the wind playing in the slow movement gorgeous, and the finale epic. This last quality also pervades the Fourth's concluding passacaglia, but never at the expense of necessary forward momentum.

The sonics are big and rich, and very flattering to the orchestra, while the equally sympathetic accounts of the Alto Rhapsody and Tragic Overture make welcome bonuses. Levine, let us not forget, was a student of Szell, and this set reveals him as a particularly apt pupil. Thank God it's back.

--David Hurwitz, ClassicsToday.com