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Rachmaninov: Complete Preludes / Eldar Nebolsin


Release Date: 05/29/2007 
Label:  Naxos   Catalog #: 8570327   Spars Code: DDD 
Composer:  Sergei Rachmaninov
Performer:  Eldar Nebolsin
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 18 Mins. 

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Notes and Editorial Reviews



RACHMANINOFF Preludes (complete) Eldar Nebolsin (pn) NAXOS 8.570327 (77: 44)


The technical and musical demands of the Rachmaninoff preludes are legion. A partial catalog might include: the ability to negotiate massive chords, sensitively voiced and often in quick succession; seamless arpeggios; perfect thirds, sixths, and other double-note figurations; a wide variety of attack and release strategies; the most delicate, Read more style="font-style:italic">leggierissimo fioratura; infinitely calibrated effects of crescendo, diminuendo, accelerando , and meno mosso ; intelligent rubato; and perhaps above all, the ability to launch and sustain a singing line. To these requirements might be added some suggestion of that special attribute (of which Rachmaninoff himself was the unexcelled exemplar) namely, the ability to suggest aural planes—a vivid foreground, mid-distance, and background—capable of revealing the most complex textures to the listener. Happily, this new recording reveals Eldar Nebolsin as a pianist equal to these demands.


After encountering Ashkenazy’s recording of these pieces from the mid 1970s (Decca 475 8238), I find Nebolsin’s interpretations are a breath of fresh air. Each piece unfolds as a miniature drama with its own unique character, lending the entire set great variety of mood—from serene tranquility, to ebullient joy, to the most crushing sadness. Nothing in these interpretations suggests the routine. Nebolsin is hypersensitive to each of Rachmaninoff’s articulation indications, pedal markings, and dynamic subtleties. And while the performances are thoughtful, they never sound fussy. In every instance, one has the feeling that this bouquet of late-Romantic expression emanates directly from the pianist’s heart.


The highest compliment that may be paid Nebolsin’s technique is that, in its complete subordination to the music, one is simply never aware of it. His sound is always beautiful, whether in the transparency of the most massive fortissimos or in the rainbow of subtly contrasted pianissimos. If the soaring op. 23/2 takes flight effortlessly, its fierce left-hand figurations never obtrude on the ebb and flow of exultant musical substance. The exquisite op. 23/10 breathes all the freshness of dew on delicate blossoms opening to the morning sun; the voice leading is simply gorgeous. The great B-Minor Prelude (op. 32/10) begins with a heart-rending sadness, so immobilized and still that the subsequent chordal section assumes an awesome grandeur of uncanny power and eloquence.


The recording was made in Westleton, Suffok, U.K., this past January and is, in all technical aspects, commendable. One hopes that, despite the inevitable vicissitudes of career-building, this 33-year-old pianist will continue to exhibit this degree of instrumental prowess in the service of a sensitive and deeply artistic musicality. Highly recommended.


FANFARE: Patrick Rucker
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Works on This Recording

1.
Morceaux de fantaisies (5), Op. 3: no 2, Prélude in C sharp minor by Sergei Rachmaninov
Performer:  Eldar Nebolsin (Piano)
Period: Romantic 
Written: 1892; Russia 
Venue:  Potton Hall, Westleton, Suffolk, England 
Length: 4 Minutes 21 Secs. 
Notes: Potton Hall, Westleton, Suffolk, England (01/27/2007 - 01/29/2007) 
2.
Preludes (10) for Piano, Op. 23 by Sergei Rachmaninov
Performer:  Eldar Nebolsin (Piano)
Period: Romantic 
Written: 1901-1903; Russia 
Venue:  Potton Hall, Westleton, Suffolk, England 
Length: 33 Minutes 55 Secs. 
Notes: Potton Hall, Westleton, Suffolk, England (01/27/2007 - 01/29/2007) 
3.
Preludes (13) for Piano, Op. 32 by Sergei Rachmaninov
Performer:  Eldar Nebolsin (Piano)
Period: Romantic 
Written: 1910; Russia 
Venue:  Potton Hall, Westleton, Suffolk, England 
Length: 39 Minutes 27 Secs. 
Notes: Potton Hall, Westleton, Suffolk, England (01/27/2007 - 01/29/2007) 

Sound Samples

Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C sharp minor
10 Preludes, Op. 23: No. 1 in F sharp minor: Largo
10 Preludes, Op. 23: No. 2 in B flat major: Maestoso
10 Preludes, Op. 23: No. 3 in D minor: Tempo di minuetto
10 Preludes, Op. 23: No. 4 in D major: Andante cantabile
10 Preludes, Op. 23: No. 5 in G minor: Alla marcia
10 Preludes, Op. 23: No. 6 in E flat major: Andante
10 Preludes, Op. 23: No. 7 in C minor: Allegro
10 Preludes, Op. 23: No. 8 in A flat major: Allegro vivace
10 Preludes, Op. 23: No. 9 in E flat minor: Presto
10 Preludes, Op. 23: No. 10 in G flat major: Largo
13 Preludes, Op. 32: No. 1 in C major: Allegro vivace
13 Preludes, Op. 32: No. 2 in B flat minor: Allegretto
13 Preludes, Op. 32: No. 3 in E major: Allegro vivace
13 Preludes, Op. 32: No. 4 in E minor: Allegro con brio
13 Preludes, Op. 32: No. 5 in G major: Moderato
13 Preludes, Op. 32: No. 6 in F minor: Allegro appassionato
13 Preludes, Op. 32: No. 7 in F major: Moderato
13 Preludes, Op. 32: No. 8 in A minor: Vivo
13 Preludes, Op. 32: No. 9 in A major: Allegro moderato
13 Preludes, Op. 32: No. 10 in B minor: Lento
13 Preludes, Op. 32: No. 11 in B major: Allegretto
13 Preludes, Op. 32: No. 12 in G sharp minor: Allegro
13 Preludes, Op. 32: No. 13 in D flat major: Grave - Allegro

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