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Musique and Sweet Poetrie / Emma Kirkby, Jakob Lindberg


Release Date: 01/30/2007 
Label:  Bis   Catalog #: 1505   Spars Code: DDD 
Composer:  Robert JohnsonThomas MorleyGregorio HuetJohn Dowland,   ... 
Performer:  Jakob LindbergEmma Kirkby
Number of Discs: 1 
Recorded in: Multi 
Length: 1 Hours 20 Mins. 

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Notes and Editorial Reviews

A thoroughly enjoyable conspectus of lute songs and lute solos from Renaissance Europe, mixing familiar and unfamiliar and played by two modern masters of these forms. There’s music here from England, Italy, Germany, France and Poland. Of course the composers concerned were, in many respects, more ‘international’ than ‘national’. Their persons – and their music – crossed many boundaries and many musical exchanges were effected in this period.

Dowland, for example, spent some four years in Paris as a young man, visited and performed (and listened to others perform) at such important musical courts as those of Heinrich Julius, Duke of Brunswick, at Wolfenbüttel, and Moritz, Landgrave of Hesse, at Kassel. He travelled in
Read more Italy, with spells in Venice (where he met Giovanni Croce), Padua, Genoa, Ferrara, and Florence. From 1598 to 1606 he was lutenist at the court of Christian IV of Denmark. Or, to take two more examples, Giovanni Kapsberger was born Johann(es) Hieronymus Kapsberger, supposedly born in Venice, son of a German gentleman; the Polish lutenist and composer, Wojchiech (Albertus) D?ugoraj had his music published in France by Jean-Baptiste Brossard and lived most of his mature life outside his native Poland. So, though it makes some sense to talk of national styles in this period, it also makes sense to create an anthology such as this which stresses the internationalism of the prevailing musical idioms.

On this CD, Lindberg plays a restored lute of c.1590, identified as the work of Sixtus Rauwolf, a lute-maker of Augsburg, claimed, quite plausibly, to be the oldest surviving lute in playable condition, still retaining its original soundboard. The instrument’s lovely sound is quite beautifully captured in this recording, both in solo pieces – not least the quite ravishing Fantasia by Gregory Huwet (who was born in Antwerp, worked at Wolfenbüttel and was held in high regard by Dowland) – and as accompaniment to the voice of Emma Kirkby.

Most readers of MusicWeb have presumably long since made up their mind about Kirkby. If, like me, you find her voice, and the intelligence with which she uses it, one of the great joys to be had in hearing this repertoire, then this, you will want to know, is another excellent CD, on which the voice seems yet to have lost very little and the intelligence (or musical experience) is even greater than on her youthful recordings. If you never fell under Kirkby’s musical spell than this is not, I imagine, a recital likely to effect any kind of sudden conversion.

The subtlety of interpretation on offer here is remarkable, but entirely unostentatious. Listen, for example, to Kirkby’s phrasing in Heinrich Schütz’s ‘Eile mich, Gott, zu erreten’ – few singers, in whatever style, can so wonderfully give equal weight to the demands of text and music; or listen to the marvellous interplay between singer and accompanist in Sigismondo d’India’s beautiful ‘Quella vermiglia rosa’; or to Lindberg’s exquisite presentation of three short pieces for lute by Michelangelo Galilei (another ‘international’ figure, born in Italy, who worked in Poland and Bavaria). These are jewels indeed.

The recorded sound is perfect; intimate but not over-close. Full texts and translations are provided.

-- Glyn Pursglove, MusicWeb International

This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
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Works on This Recording

1. Alman by Robert Johnson
Performer:  Jakob Lindberg (Lute)
Period: Baroque 
Written: 17th Century; England 
2. Full fathom five by Robert Johnson
Performer:  Emma Kirkby (Soprano), Jakob Lindberg (Lute)
Period: Baroque 
Written: 1611; England 
3. Come, sorrow, come by Thomas Morley
Performer:  Jakob Lindberg (Lute), Emma Kirkby (Soprano)
Period: Renaissance 
Written: by 1600; England 
4. Thrysis and Milla by Thomas Morley
Performer:  Jakob Lindberg (Lute), Emma Kirkby (Soprano)
Period: Renaissance 
Written: by 1600; England 
5. Fantasie no 6 by Gregorio Huet
Performer:  Jakob Lindberg (Lute)
Period: Renaissance 
6. Firste Booke of Songes or Ayres: no 9, Go, crystall teares by John Dowland
Performer:  Emma Kirkby (Soprano), Jakob Lindberg (Lute)
Period: Renaissance 
Written: by 1597; England 
7. Second Booke of Songes or Ayres: no 19, Shall I sue, shall I seeke for grace? by John Dowland
Performer:  Jakob Lindberg (Lute), Emma Kirkby (Soprano)
Period: Renaissance 
Written: 1600; England 
8. Toccata by Giovanni Kapsberger
Performer:  Jakob Lindberg (Lute)
Period: Renaissance 
Written: Italy 
9. Madrigale ŕ voce sola: Dolce tempo passato by Georg Schimmelpfennig
Performer:  Emma Kirkby (Soprano), Jakob Lindberg (Lute)
Written: 1615 
10. Kleine geistliche Konzerte, Op. 8: Eile mich, Gott, zu erretten, SWV 282 by Heinrich Schütz
Performer:  Jakob Lindberg (Lute), Emma Kirkby (Soprano)
Period: Baroque 
Written: 1636; Germany 
11. Primo libro d'intavolatura di liuto: Toccata by Michelangelo Galilei
Performer:  Jakob Lindberg (Lute)
Period: Baroque 
Written: by 1620; Monaco 
12. Primo libro d'intavolatura di liuto: Corrente by Michelangelo Galilei
Performer:  Jakob Lindberg (Lute)
Period: Baroque 
Written: by 1620; Monaco 
13. Primo libro d'intavolatura di liuto: Volta by Michelangelo Galilei
Performer:  Jakob Lindberg (Lute)
Period: Baroque 
Written: by 1620; Monaco 
14. Le musiche I: Da l'onde del mio pianto by Sigismondo D'India
Performer:  Jakob Lindberg (Lute), Emma Kirkby (Soprano)
Written: by 1609 
15. Le musiche, book 1: Quella vermiglia rosa by Sigismondo D'India
Performer:  Jakob Lindberg (Lute), Emma Kirkby (Soprano)
Period: Renaissance 
Written: by 1609; Italy 
16. Entrée by Robert Ballard
Performer:  Jakob Lindberg (Lute)
17. Cessés mortels de soupirer by Pierre Guédron
Performer:  Emma Kirkby (Soprano), Jakob Lindberg (Lute)
Period: Renaissance 
18. Que Philis a l'esprit léger by Jean-Baptiste Boësset
Performer:  Emma Kirkby (Soprano), Jakob Lindberg (Lute)
19. Paisible et ténébreuse nuit by Etienne Moulinie
Performer:  Emma Kirkby (Soprano), Jakob Lindberg (Lute)
Period: Baroque 
Written: 17th Century; France 
20. Branles de Village by Robert Ballard
Performer:  Jakob Lindberg (Lute)
Period: Renaissance 
21. Fantasia by Wojciech Dlugoraj
Performer:  Jakob Lindberg (Lute)
Period: Renaissance 
Written: pub 1603 
22. A Pilgrimes Solace: no 5, Shall I strive with wordes to move by John Dowland
Performer:  Emma Kirkby (Soprano), Jakob Lindberg (Lute)
Period: Renaissance 
Written: 1612; England 
23. Songs for the Lute, Viol and Voice: Dost thou withdraw thy grace by John Danyel
Performer:  Emma Kirkby (Soprano), Jakob Lindberg (Lute)
Period: Renaissance 
Written: by 1606; England 
24. Songs for the Lute, Viol and Voice: He whose desires are still abroad by John Danyel
Performer:  Emma Kirkby (Soprano), Jakob Lindberg (Lute)
Period: Renaissance 
Written: by 1606; England 
25. Songs for the Lute, Viol and Voice: Why canst thou not? by John Danyel
Performer:  Emma Kirkby (Soprano), Jakob Lindberg (Lute)
Period: Renaissance 
Written: by 1606; England 
26. Pavin for Lute in C minor by Robert Johnson
Performer:  Jakob Lindberg (Lute)
Period: Renaissance 
Written: England 

Sound Samples

Full fathom five: thy father lies
Dolce tempo passato
Erbarm dich mein, O Herre Gott, SWV 447: Eile mich, Gott, zu erretten
Da l'onde del mio pianto
Que Philis a l'esprit leger
Paisible et tenebreuse nuit
Book of Songs, Book 4, "A Pilgrimes Solace": Shall I strive with words to move: Shall I strive with words to move
Dost thou withdraw thy grace?

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