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| Bach: Johannespassion / Suzuki, Bach Collegium Japan | ||||||
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Release Date: 04/01/1999 Label: Bis Catalog #: 921 Spars Code: DDD Composer: Johann Sebastian Bach Performer: Ingrid Schmithüsen, Yoshikazu Mera, Gerd Türk, Makoto Sakurada, Yoshie Hida, Chiyuki Urano, Peter Kooy Conductor: Masaaki Suzuki Orchestra/Ensemble: Bach Collegium Japan
Number of Discs: 2 |
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| Notes & Reviews | Back to Top | ||||
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It’s reported that, after a Passion performance (composer unknown), an elderly noble widow exclaimed: ‘God save us, my children! It’s just as if we were at a comic opera.’ Though Bach never wrote an opera, he was no stranger to the genre. His cantatas reflect the recitative/aria structure and the Passion story provided the missing element, dramatic narrative. In the theatre of his imagination, Bach’s response matched anything staged by his secular contemporaries. The music is dramatic from the start: dissonant wind above nervous violins and pulsating bass, before the choir prays of the glory and pain of the Passion. Suzuki balances the layers beautifully: the dense texture, recorded fairly close, retains every detail. Türk’s narrative as Evangelist is accompanied by harpsichord, with organ added for the words of Jesus. He sings with dramatic insight, though without the theatrical sensitivity which sets my benchmark – Rolfe-Johnson’s offhand approach to less consequential moments exemplifies the visionary realism of Gardiner and his team. The chorus is a fearsome mob – indignant, angry, self-righteous in turn. As the Christian congregation, its chorales flow without sanctimonious pauses. The soloists are superb in their eight arias, each differently coloured. Orchestral playing is meticulous, the intonation exemplary, even in the wind-players’ B flat minor graveyard, as the soprano’s heart ‘melts in floods of tears’ (No. 35). My benchmark remains. But if you prefer reverence to dramatic realism, this outstanding achievement will surely be for you. Performance: 5 (out of 5), Sound: 5 (out of 5) -- George Pratt, BBC Music Magazine |
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| Works on This Recording | Back to Top | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Saint John Passion, BWV 245 by Johann Sebastian Bach | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Performer:
Ingrid Schmithüsen (Soprano),
Yoshikazu Mera (Countertenor),
Gerd Türk (Tenor),
Makoto Sakurada (Tenor), Yoshie Hida (Soprano), Chiyuki Urano (Bass), Peter Kooy (Bass) Conductor: Masaaki Suzuki Orchestra/Ensemble: Bach Collegium Japan Period: Baroque Written: 1724; Leipzig, Germany |
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