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Bach: Complete Edition

Bach: Complete Edition Box / Various (Uk)
Release Date: 09/02/2014 
Label:  Brilliant Classics   Catalog #: 1116165   Spars Code: DDD 
Composer:  Johann Sebastian Bach
Performer:  Remy Baudet,  Theunis Van der Zwart,  Erwin Wieringa,  Pieter-Jan Belder,   ... 
Conductor:  Pieter-Jan Belder,  Ludwig Güttler,  Thomas Zehetmair,  Kurt Masur,   ... 
Orchestra/Ensemble:  Musica Amphion,  Virtuosi Saxoniae,  Amsterdam Bach Soloists,   ... 
Number of Discs: 142 
Recorded in: Stereo 
In Stock: Usually ships in 24 hours.  

Notes and Editorial Reviews

Johann Sebastian Bach’s stature as a composer of extraordinary talent and widespread influence is so firmly established in Western culture that it is difficult to believe that only 150 years ago his works lay in veritable obscurity, unknown to all but a small group of scholars. It is largely thanks to Mendelssohn, who essentially effected a revival of the composer’s music through his rediscovery and promulgation of the St Matthew Passion, besides other pieces, that his works are today regarded as pinnacles of music expression. That they are among the most performed and widely attended is in no doubt; in Holland alone, thousands of singers and musicians are involved in dozens of performances of the St Matthew Passion in Holy Week, with Read more hundreds of thousands listening in churches and concert halls, or gathered around the radio, to what has been described as ‘the Gospel according to Bach’.

Bringing together all of his works, this dynamic 142-CD set offers a resounding impression of this great spirit of our Western culture, presenting dynamic performances – many period-based, many acclaimed by the international press – that are divided according to genre, thus making for a highly user-friendly compendium. The set draws on all periods of his career, tracing the development of a style that was much influenced by contemporary and past fashions but which was always adapted to Bach’s own purpose, often far surpassing the models on which he drew. The German composer travelled a great deal from city to city, and the different circumstances of his various positions are reflected in the great range of works comprising his output: while his early years are dominated by much keyboard music, on account of the numerous organist posts he held during this period, later positions at various courts accorded him more personal and artistic freedom – in Cöthen, for example, Prince Leopold’s passion for music-making and his renowned resident orchestra resulted in a string of unforgettable works including the great Brandenburg Concertos, the Solo Cello Suites and the Well-Tempered Clavier Part 1, beside many others.

Bach was a master of all genres, whether sacred, secular, instrumental or vocal, and his oeuvre is a rich mixture of severe Baroque craftsmanship and expressive Romanticism. Thomas Zehetmair, Kristof Barati, the Gewandhausorchester Leipzig, René Jacobs, Peter Schreier and Lucia Popp are just a handful of the first-class performers and ensembles gracing this set. It is a collection not to be passed up.

R E V I E W S:

"Brilliant Classics embarked on a daring project in the year 2000, the year of the 250th anniversary of Johann Sebastian Bach's death: this budget label decided to release a complete set of Bach's works...some 65% of the 155 CDs in this set were newly recorded (the remainder was licensed from other labels), including Bach's almost 200 sacred cantatas...I highly recommend this set. I have recordings of all of Bach's works and yet I was delighted and surprised as I listened to the many pearls that I discovered here...if you like Bach's music, you owe it to yourself to get this - at its super-bargain price, even those recordings you don't like will not cause too much disappointment, but the quality of the excellent ones is such that you will certainly be delighted...If only to have the 60 CDs of sacred cantatas, and to discover what is an incredible collection of moving and memorable music, this set is worth having. Treat yourself to 160 CDs of Bach, then, take a few weeks off to enjoy this music." -- Kirk McElhearn, MusicWeb International, reviewing the original version of this set

"Brilliant's 2006 recordings of J.S. Bach's Brandenburg Concertos, performed by Pieter-Jan Belder and the Netherlandish original instruments ensemble Musica Amphion, have been reissued several times as two separate discs, though the original release containing all six concertos maintains a separate existence as a budget release. This volume contains the Concerto No. 4 in G major, BWV 1049, the Concerto No. 5 in D major, BWV 1050, and the Concerto No. 6 in B flat major, BWV 1051, all played in clean and colorful period style and recorded in a resonant church acoustic that gives the music a fresh, lustrous ambience. Because this, like other titles in Brilliant's catalog, has the drab appearance of a poorly produced cost-cutter release, some collectors may pass it by, but that would be a mistake since these are exceptional performances that can give many of the better-known authentic renditions a run for the money. As leader of the group and performer on recorder and harpsichord, Belder offers intelligent and expressive interpretations that closely follow accepted Baroque practices, and though he and his fellow musicians aren't widely known outside the circle of listeners interested in early music, they can be respected for their musicianship and scholarly credentials. While these Brandenburgs may not be everyone's favorite performances in the end, they deserve attention from experienced listeners and newcomers alike." -- Blair Sanderson, AllMusic.com, reviewing the Brandenburg Concertos

"In their fusion of grand rhetoric, sharp technique, and obvious musical intelligence, Baráti’s readings of this bedrock literature recall both the most majestic and the most thoughtful ones from an earlier era. Urgently recommended, especially to those who honor that tradition and who lament its coming to a premature and unfortunate end." -- Robert Maxham, FANFARE, reviewing the Sonatas and Partitas for Violin

"Jaap ter Linden's traversal of the Bach cello suites is exceptionally fine; right across these discs, his playing never falters. His painstakingly researching interpretations are vividly spontaneous, yet unusually acerbic and philosophically probing." -- Classic CD, reviewing the Cello Suites Read less

Works on This Recording

1.
Brandenburg Concerto no 1 in F major, BWV 1046 by Johann Sebastian Bach
Performer:  Remy Baudet (Violino Piccolo), Theunis Van der Zwart (French Horn), Erwin Wieringa (French Horn),
Pieter-Jan Belder (Harpsichord), Frank De Bruine (Oboe)
Conductor:  Pieter-Jan Belder
Orchestra/Ensemble:  Musica Amphion
Period: Baroque 
Written: 1717; ?Cöthen, Germany 
 Venue:  Lokhurst Church, Leiden, The Netherlands 
Length: 19 Minutes 41 Secs. 
2.
Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Recorder), Remy Baudet (Violin), Frank De Bruine (Oboe),
William Wroth (Trumpet), Siebe Henstra (Harpsichord)
Conductor:  Pieter-Jan Belder
Orchestra/Ensemble:  Musica Amphion
Period: Baroque 
Written: 1717-1718; ?Cöthen, Germany 
 Venue:  Lokhurst Church, Leiden, The Netherlands 
Length: 10 Minutes 42 Secs. 
3.
Brandenburg Concerto no 4 in G major, BWV 1049 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Recorder), Saskia Coolen (Recorder), Siebe Henstra (Harpsichord),
Remy Baudet (Violin)
Conductor:  Pieter-Jan Belder
Orchestra/Ensemble:  Musica Amphion
Period: Baroque 
Written: circa 1720; ?Cöthen, Germany 
 Venue:  Lokhurst Church, Leiden, The Netherlands 
Length: 14 Minutes 45 Secs. 
4.
Brandenburg Concerto no 5 in D major, BWV 1050 by Johann Sebastian Bach
Performer:  Remy Baudet (Violin), Wilbert Hazelzet (Flute), Pieter-Jan Belder (Harpsichord)
Conductor:  Pieter-Jan Belder
Orchestra/Ensemble:  Musica Amphion
Period: Baroque 
Written: 1720-1721; ?Cöthen, Germany 
 Venue:  Lokhurst Church, Leiden, The Netherlands 
Length: 20 Minutes 39 Secs. 
5.
Brandenburg Concerto no 6 in B flat major, BWV 1051 by Johann Sebastian Bach
Performer:  Mieneke Van der Velden (Viola da gamba), Lucia Swarts (Cello), Sayuri Yamagata (Viola),
Johannes Boer (Viola da gamba), Pieter-Jan Belder (Harpsichord), Staas Swierstra (Viola)
Conductor:  Pieter-Jan Belder
Orchestra/Ensemble:  Musica Amphion
Period: Baroque 
Written: 1708-1710; ?Weimar, Germany 
 Venue:  Lokhurst Church, Leiden, The Netherlands 
Length: 16 Minutes 19 Secs. 
6.
Brandenburg Concerto no 3 in G major, BWV 1048 by Johann Sebastian Bach
Performer:  Rainer Zipperling (Cello), Irmgard Schaller (Violin), Sayuri Yamagata (Violin),
Albert Brüggen (Cello), Pieter-Jan Belder (Harpsichord), Richte Van der Meer (Cello),
Remy Baudet (Violin), Staas Swierstra (Viola), Mariette Holtrop (Viola),
Marten Boeken (Viola)
Conductor:  Pieter-Jan Belder
Orchestra/Ensemble:  Musica Amphion
Period: Baroque 
Written: 1711-1713; ?Weimar, Germany 
 Venue:  Lokhurst Church, Leiden, The Netherlands 
Length: 10 Minutes 4 Secs. 
7.
Suite for Orchestra no 1 in C major, BWV 1066 by Johann Sebastian Bach
Performer:  Guido Titze (Oboe), Andreas Lorenz (Oboe), Günter Klier (Bassoon)
Conductor:  Ludwig Güttler
Orchestra/Ensemble:  Virtuosi Saxoniae
Period: Baroque 
Written: circa 1717-1723; Cöthen, Germany 
 Date of Recording: 03/1992 
Venue:  Studio Lukaskirche, Dresden, Germany 
Length: 19 Minutes 13 Secs. 
8.
Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach
Performer:  Werner Zeibig (Double Bass), Roland Straumer (Violin), Heinz-Dieter Richter (Violin),
Friedemann Jähnig (Viola), Joachim Bischof (Cello), Eckart Haupt (Flute)
Conductor:  Ludwig Güttler
Orchestra/Ensemble:  Virtuosi Saxoniae
Period: Baroque 
Written: 1738-1739; Leipzig, Germany 
 Date of Recording: 05/1992 
Venue:  Studio Lukaskirche, Dresden, Germany 
Length: 18 Minutes 19 Secs. 
9.
Suite for Orchestra no 3 in D major, BWV 1068 by Johann Sebastian Bach
Performer:  Thomas Käppler (Timpani), Ludwig Güttler (Trumpet), Mathias Schmutzler (Trumpet),
Roland Rudolph (Trumpet), Roland Straumer (Violin)
Conductor:  Ludwig Güttler
Orchestra/Ensemble:  Virtuosi Saxoniae
Period: Baroque 
Written: circa 1729-1731; Leipzig, Germany 
 Venue:  Studio Lukaskirche, Dresden, Germany 
Length: 17 Minutes 59 Secs. 
10.
Suite for Orchestra no 4 in D major, BWV 1069 by Johann Sebastian Bach
Performer:  Ludwig Güttler (Trumpet), Günter Klier (Bassoon), Manfred Krause (Oboe),
Guido Titze (Oboe), Andreas Lorenz (Oboe), Mathias Schmutzler (Trumpet),
Roland Rudolph (Trumpet), Thomas Käppler (Timpani)
Conductor:  Ludwig Güttler
Orchestra/Ensemble:  Virtuosi Saxoniae
Period: Baroque 
Written: circa 1729-1731; Leipzig, Germany 
 Date of Recording: 10/1991 
Venue:  Studio Lukaskirche, Dresden, Germany 
Length: 17 Minutes 10 Secs. 
11.
Concerto for Violin no 1 in A minor, BWV 1041 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Conductor:  Thomas Zehetmair
Orchestra/Ensemble:  Amsterdam Bach Soloists
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
 Date of Recording: 1994 
Venue:  Waalse Church, Amsterdam, Holland 
Length: 13 Minutes 39 Secs. 
12.
Concerto for Violin no 2 in E major, BWV 1042 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Conductor:  Thomas Zehetmair
Orchestra/Ensemble:  Amsterdam Bach Soloists
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
 Date of Recording: 1994 
Venue:  Waalse Church, Amsterdam, Holland 
Length: 16 Minutes 39 Secs. 
13.
Concerto for Violin in D minor, BWV 1052 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Conductor:  Thomas Zehetmair
Orchestra/Ensemble:  Amsterdam Bach Soloists
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
 Date of Recording: 1994 
Venue:  Waalse Church, Amsterdam, Holland 
Length: 21 Minutes 45 Secs. 
14.
Concerto for Violin in G minor, BWV 1056 by Johann Sebastian Bach
Performer:  Thomas Zehetmair (Violin)
Conductor:  Thomas Zehetmair
Orchestra/Ensemble:  Amsterdam Bach Soloists
Period: Baroque 
 Date of Recording: 1994 
Venue:  Waalse Church, Amsterdam, Holland 
Length: 9 Minutes 39 Secs. 
15.
Concerto for 2 Violins in D minor, BWV 1043 by Johann Sebastian Bach
Performer:  Karl Suske (Violin), Giorgio Krohner (Violin)
Conductor:  Kurt Masur
Orchestra/Ensemble:  Leipzig Gewandhaus Orchestra
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
16.
Concerto for Harpsichord in D major, BWV 1054 by Johann Sebastian Bach
Performer:  Christine Schornsheim (Harpsichord)
Conductor:  Burkhard Glaetzner
Orchestra/Ensemble:  New Bach Collegium Musicum Orchestra
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
17.
Concerto for Harpsichord in D minor, BWV 1052 by Johann Sebastian Bach
Performer:  Christine Schornsheim (Harpsichord)
Conductor:  Burkhard Glaetzner
Orchestra/Ensemble:  New Bach Collegium Musicum Orchestra
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
18.
Concerto for Harpsichord in F minor, BWV 1056 by Johann Sebastian Bach
Performer:  Christine Schornsheim (Harpsichord)
Conductor:  Burkhard Glaetzner
Orchestra/Ensemble:  New Bach Collegium Musicum Orchestra
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
19.
Concerto for Harpsichord in E major, BWV 1053 by Johann Sebastian Bach
Performer:  Christine Schornsheim (Harpsichord)
Conductor:  Burkhard Glaetzner
Orchestra/Ensemble:  New Bach Collegium Musicum Orchestra
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
20.
Concerto for Harpsichord in A major, BWV 1055 by Johann Sebastian Bach
Performer:  Christine Schornsheim (Harpsichord)
Conductor:  Burkhard Glaetzner
Orchestra/Ensemble:  New Bach Collegium Musicum Orchestra
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
21.
Concerto for Harpsichord and 2 Recorders in F major, BWV 1057 by Johann Sebastian Bach
Performer:  Christine Schornsheim (Harpsichord)
Conductor:  Burkhard Glaetzner
Orchestra/Ensemble:  New Bach Collegium Musicum Orchestra
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
22.
Concerto for Harpsichord in G minor, BWV 1058 by Johann Sebastian Bach
Performer:  Christine Schornsheim (Harpsichord)
Conductor:  Burkhard Glaetzner
Orchestra/Ensemble:  New Bach Collegium Musicum Orchestra
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
23.
Concerto for 2 Harpsichords in C minor, BWV 1060 by Johann Sebastian Bach
Performer:  Christine Schornsheim (Harpsichord), Armin Thalheim (Harpsichord)
Conductor:  Burkhard Glaetzner
Orchestra/Ensemble:  New Bach Collegium Musicum Orchestra
Period: Baroque 
Written: 1738-1739; Leipzig, Germany 
24.
Concerto for 4 Harpsichords in A minor, BWV 1065 by Johann Sebastian Bach
Performer:  Mechtild Stark (Harpsichord), Christine Schornsheim (Harpsichord), Violetta Liebsch (Harpsichord),
Armin Thalheim (Harpsichord)
Conductor:  Burkhard Glaetzner
Orchestra/Ensemble:  New Bach Collegium Musicum Orchestra
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
25.
Concerto for 2 Harpsichords in C major, BWV 1061 by Johann Sebastian Bach
Performer:  Menno Van Delft (Harpsichord), Pieter-Jan Belder (Harpsichord)
Conductor:  Pieter-Jan Belder
Orchestra/Ensemble:  Musica Amphion
Period: Baroque 
Written: 1738-1739; Leipzig, Germany 
 Date of Recording: 05/2006/06/2006 
Venue:  Schiedam/ Leiden 
Length: 17 Minutes 8 Secs. 
26.
Concerto for 2 Harpsichords in C minor, BWV 1062 by Johann Sebastian Bach
Performer:  Siebe Henstra (Harpsichord), Pieter-Jan Belder (Harpsichord)
Conductor:  Pieter-Jan Belder
Orchestra/Ensemble:  Musica Amphion
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
 Date of Recording: 05/2006/06/2006 
Venue:  Schiedam/ Leiden 
Length: 13 Minutes 12 Secs. 
27.
Concerto for 3 Harpsichords in D minor, BWV 1063 by Johann Sebastian Bach
Performer:  Siebe Henstra (Harpsichord), Menno Van Delft (Harpsichord), Pieter-Jan Belder (Harpsichord)
Conductor:  Pieter-Jan Belder
Orchestra/Ensemble:  Musica Amphion
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
 Date of Recording: 05/2006/06/2006 
Venue:  Schiedam/ Leiden 
Length: 12 Minutes 46 Secs. 
28.
Concerto for 3 Harpsichords in C major, BWV 1064 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord), Siebe Henstra (Harpsichord), Menno Van Delft (Harpsichord)
Conductor:  Pieter-Jan Belder
Orchestra/Ensemble:  Musica Amphion
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
 Date of Recording: 05/2006/06/2006 
Venue:  Schiedam/ Leiden 
Length: 15 Minutes 52 Secs. 
29.
Concerto for Flute, Violin and Harpsichord in A minor, BWV 1044 "Triple Concerto" by Johann Sebastian Bach
Performer:  Elizabeth Perry (Violin), Marieke Schneemann (Flute), Menno Van Delft (Harpsichord)
Orchestra/Ensemble:  Netherlands Bach Ensemble
Period: Baroque 
Written: circa 1730; Leipzig, Germany 
30.
Concerto for Oboe d'Amore in A major, BWV 1055 by Johann Sebastian Bach
Performer:  Rob Visser (Oboe D'amore)
Conductor:  Krijn Koetsveld
Orchestra/Ensemble:  Amsterdam Bach Soloists
Period: Baroque 
31.
Concerto for 3 Violins and Strings in D, BWV1064 by Johann Sebastian Bach
Performer:  Henk Rubingh (Violin), Rainer Kussmaul (Violin), Thomas Hengelbrock (Violin)
Conductor:  Krijn Koetsveld
Orchestra/Ensemble:  Amsterdam Bach Soloists
32.
Sonata for Violin solo no 1 in G minor, BWV 1001 by Johann Sebastian Bach
Performer:  Kristóf Baráti (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
33.
Partita for Violin solo no 1 in B minor, BWV 1002 by Johann Sebastian Bach
Performer:  Kristóf Baráti (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
34.
Sonata for Violin solo no 2 in A minor, BWV 1003 by Johann Sebastian Bach
Performer:  Kristóf Baráti (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
35.
Partita for Violin solo no 2 in D minor, BWV 1004 by Johann Sebastian Bach
Performer:  Kristóf Baráti (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
36.
Sonata for Violin solo no 3 in C major, BWV 1005 by Johann Sebastian Bach
Performer:  Kristóf Baráti (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
37.
Partita for Violin solo no 3 in E major, BWV 1006 by Johann Sebastian Bach
Performer:  Kristóf Baráti (Violin)
Period: Baroque 
Written: 1720; Cöthen, Germany 
38.
Suite for Cello solo no 4 in E flat major, BWV 1010 by Johann Sebastian Bach
Performer:  Jaap ter Linden (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
39.
Suite for Cello solo no 1 in G major, BWV 1007 by Johann Sebastian Bach
Performer:  Jaap ter Linden (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
40.
Suite for Cello solo no 3 in C major, BWV 1009 by Johann Sebastian Bach
Performer:  Jaap ter Linden (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
41.
Suite for Cello solo no 5 in C minor, BWV 1011 by Johann Sebastian Bach
Performer:  Jaap ter Linden (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
42.
Suite for Cello solo no 6 in D major, BWV 1012 by Johann Sebastian Bach
Performer:  Jaap ter Linden (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
43.
Suite for Cello solo no 2 in D minor, BWV 1008 by Johann Sebastian Bach
Performer:  Jaap ter Linden (Cello)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
44.
Partita for Flute solo in A minor, BWV 1013 by Johann Sebastian Bach
Performer:  Jed Wentz (Flute), Michael Borgstede (Harpsichord)
Period: Baroque 
Written: ?1720s; ?Cöthen, Germany 
45.
Sonata for Flute and Harpsichord in B minor, BWV 1030 by Johann Sebastian Bach
Performer:  Michael Borgstede (Harpsichord), Jed Wentz (Flute)
Period: Baroque 
Written: ?1738; Leipzig, Germany 
46.
Sonata for Flute and Harpsichord in A major, BWV 1032 by Johann Sebastian Bach
Performer:  Jed Wentz (Flute), Michael Borgstede (Harpsichord)
Period: Baroque 
Written: ?1724; Leipzig, Germany 
47.
Sonata for Flute and Basso Continuo in E minor, BWV 1034 by Johann Sebastian Bach
Performer:  Jed Wentz (Flute), Michael Borgstede (Harpsichord)
Period: Baroque 
Written: circa 1717-1720; ?Cöthen, Germany 
48.
Sonata for Flute and Basso Continuo in E major, BWV 1035 by Johann Sebastian Bach
Performer:  Jed Wentz (Flute), Michael Borgstede (Harpsichord)
Period: Baroque 
Written: 1717-1720; ?Cöthen, Germany 
49.
Trio Sonata for Flute, Violin and Harpsichord in G major, BWV 1038 by Johann Sebastian Bach
Performer:  Jed Wentz (Flute), Michael Borgstede (Harpsichord)
Period: Baroque 
Written: 1732-1735; Leipzig, Germany 
50.
Trio Sonata for 2 Flutes and Basso Continuo in G major, BWV 1039 by Johann Sebastian Bach
Performer:  Jed Wentz (Flute), Michael Borgstede (Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
51.
Musikalisches Opfer, BWV 1079 by Johann Sebastian Bach
Performer:  Michael Borgstede (Harpsichord), Jed Wentz (Flute)
Period: Baroque 
Written: 1747; Leipzig, Germany 
52.
Suite for Lute in G minor, BWV 995 by Johann Sebastian Bach
Performer:  Mario D'Agosto (Lute)
Period: Baroque 
Written: 1727-1731; Leipzig, Germany 
53.
Suite for Lute in E minor, BWV 996 by Johann Sebastian Bach
Performer:  Mario D'Agosto (Lute)
Period: Baroque 
Written: circa 1708-1717; Weimar, Germany 
54.
Prelude, Fugue and Allegro for Lute in E flat major, BWV 998 by Johann Sebastian Bach
Performer:  Mario D'Agosto (Lute)
Period: Baroque 
Written: circa 1740; Leipzig, Germany 
55.
Prelude for Lute in C minor, BWV 999 by Johann Sebastian Bach
Performer:  Mario D'Agosto (Lute)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
56.
Partita for Lute in E major, BWV 1006a by Johann Sebastian Bach
Performer:  Mario D'Agosto (Lute)
Period: Baroque 
Written: after 1720; Germany 
57.
Partita for Lute in C minor, BWV 997 by Johann Sebastian Bach
Performer:  Mario D'Agosto (Lute)
Period: Baroque 
Written: 1737-1741; Leipzig, Germany 
58.
Fugue for Lute in G minor, BWV 1000 by Johann Sebastian Bach
Performer:  Mario D'Agosto (Lute)
Period: Baroque 
Written: circa ?1725; Leipzig, Germany 
59.
Sonata for Viola da Gamba and Harpsichord no 2 in D major, BWV 1028 by Johann Sebastian Bach
Performer:  Patxi Montero (Viola Da Gamba), Daniele Boccaccio (Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
60.
Sonata for Viola da Gamba and Harpsichord no 1 in G major, BWV 1027 by Johann Sebastian Bach
Performer:  Patxi Montero (Viola Da Gamba), Daniele Boccaccio (Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
61.
Sonata for Viola da Gamba and Harpsichord no 3 in G minor, BWV 1029 by Johann Sebastian Bach
Performer:  Patxi Montero (Viola Da Gamba), Daniele Boccaccio (Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
62.
Musikalisches Opfer, BWV 1079 by Johann Sebastian Bach
Orchestra/Ensemble:  Netherlands Bach Ensemble
Period: Baroque 
Written: 1747; Leipzig, Germany 
63.
Canon trias harmonica, BWV 1072 by Johann Sebastian Bach
Orchestra/Ensemble:  Netherlands Bach Ensemble
Period: Baroque 
64.
Canon a 4 perpetuus, BWV 1073 by Johann Sebastian Bach
Orchestra/Ensemble:  Netherlands Bach Ensemble
Period: Baroque 
Written: 1713; Weimar, Germany 
65.
Canon a 4, BWV 1074 by Johann Sebastian Bach
Orchestra/Ensemble:  Netherlands Bach Ensemble
Period: Baroque 
Written: 1727; Leipzig, Germany 
66.
Canon a 2 perpetuus, BWV 1075 by Johann Sebastian Bach
Orchestra/Ensemble:  Netherlands Bach Ensemble
Period: Baroque 
Written: 1734; Leipzig, Germany 
67.
Canon triplex a 6, BWV 1076 by Johann Sebastian Bach
Orchestra/Ensemble:  Netherlands Bach Ensemble
Period: Baroque 
68.
Canon doppio sopr'il soggetto, BWV 1077 by Johann Sebastian Bach
Orchestra/Ensemble:  Netherlands Bach Ensemble
Period: Baroque 
Written: 1747; Leipzig, Germany 
69.
Canon super fa mi a 7 post tempus musicum, BWV 1078 by Johann Sebastian Bach
Orchestra/Ensemble:  Netherlands Bach Ensemble
Period: Baroque 
Written: 1749; Leipzig, Germany 
70.
Canon a 2, BWV deest by Johann Sebastian Bach
Orchestra/Ensemble:  Netherlands Bach Ensemble
Period: Baroque 
Written: Germany 
71.
Canons (14) on the Ground from the "Goldberg Variations", BWV 1087 by Johann Sebastian Bach
Orchestra/Ensemble:  Netherlands Bach Ensemble
Period: Baroque 
Written: ?1731; Leipzig, Germany 
72.
Sonata for Violin and Harpsichord no 1 in B minor, BWV 1014 by Johann Sebastian Bach
Performer:  Luis Otavio Santos (Violin), Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
73.
Sonata for Violin and Harpsichord no 2 in A major, BWV 1015 by Johann Sebastian Bach
Performer:  Luis Otavio Santos (Violin), Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
74.
Sonata for Violin and Harpsichord no 3 in E major, BWV 1016 by Johann Sebastian Bach
Performer:  Luis Otavio Santos (Violin), Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
75.
Sonata for Violin and Harpsichord no 4 in C minor, BWV 1017 by Johann Sebastian Bach
Performer:  Luis Otavio Santos (Violin), Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
76.
Sonata for Violin and Harpsichord no 5 in F minor, BWV 1018 by Johann Sebastian Bach
Performer:  Luis Otavio Santos (Violin), Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
77.
Sonata for Violin and Harpsichord no 6 in G major, BWV 1019 by Johann Sebastian Bach
Performer:  Luis Otavio Santos (Violin), Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
78.
Sonata for Violin and Harpsichord in G major, BWV 1019a by Johann Sebastian Bach
Performer:  Luis Otavio Santos (Violin), Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1717-1723; Cöthen, Germany 
79.
Anna Magdalena Bach Notebook by Johann Sebastian Bach
Performer:  Johannette Zomer (Soprano), Pieter-Jan Belder (Harpsichord)
Period: Baroque 
80.
Sonata for Violin and Basso Continuo in E minor, BWV 1023 by Johann Sebastian Bach
Performer:  Valerio Losito (Baroque Violin), Federico Del Sordo (Harpsichord)
Period: Baroque 
Written: Weimar, Germany 
81.
Sonata for Violin and Basso Continuo in G major, BWV 1021 by Johann Sebastian Bach
Performer:  Valerio Losito (Baroque Violin), Federico Del Sordo (Harpsichord)
Period: Baroque 
Written: by 1720; Cöthen, Germany 
82.
Trio Sonata for 2 Flutes and Basso Continuo in G major, BWV 1039 by Johann Sebastian Bach
Orchestra/Ensemble:  Ensemble Il Quadrifoglio
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
83.
Trio Sonata for Flute, Violin and Harpsichord in G major, BWV 1038 by Johann Sebastian Bach
Orchestra/Ensemble:  Heidelberg Bach Ensemble
Period: Baroque 
Written: 1732-1735; Leipzig, Germany 
84.
Well-Tempered Clavier, Book 1, BWV 846-869 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1722; Cöthen, Germany 
85.
Well-Tempered Clavier, Book 2, BWV 870-893 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1738-1742; Leipzig, Germany 
86.
Partita for Keyboard no 1 in B flat major, BWV 825 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
87.
Partita for Keyboard no 2 in C minor, BWV 826 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1726-1731; Germany 
88.
Partita for Keyboard no 3 in A minor, BWV 827 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
89.
Partita for Keyboard no 4 in D major, BWV 828 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1726-1731; Germany 
90.
Partita for Keyboard no 5 in G major, BWV 829 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
91.
Partita for Keyboard no 6 in E minor, BWV 830 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1726-1731; Leipzig, Germany 
92.
Sonata in A minor, BWV 965 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
93.
Fugue in D minor, BWV 948 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
94.
Suite in F minor, BWV 823 [fragment] by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: 1708-1714; Weimar, Germany 
95.
Prelude in A minor, BWV 922 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
96.
Prelude and Partita for Keyboard in F major, BWV 833 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: 1708-1714; Weimar, Germany 
97.
Fantasie in G minor, BWV 917 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
98.
Sonata in D major, BWV 963 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: circa 1704 
99.
Fugue in A minor, BWV 947 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
100.
Fugue in A minor, BWV 958 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
101.
Prelude in B minor, BWV 923 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
102.
Fugue on a theme by Albinoni in B minor, BWV 951 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
103.
Fugue on a theme by Albinoni in B minor, BWV 951a by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: by 1710; Weimar, Germany 
104.
Suite in G minor, BWV 822 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
105.
Sonata in C major, BWV 966 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
106.
Capriccio in E major, BWV 993 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: circa 1704 
107.
Sonata in A minor, BWV 967 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: by 1715 
108.
Fugue in A minor, BWV 959 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
109.
Concerto and Fugue in C minor, BWV 909 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
110.
Partita in A major, BWV 832 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: Weimar, Germany 
111.
Aria Variata in a, BWV 989 "In the Italian Style" by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: by 1714; Weimar, Germany 
112.
Suite in B flat major, BWV 821 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: 1708-1714; Weimar, Germany 
113.
Fugue in B flat major, BWV 955 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
114.
Overture in F major, BWV 820 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: 1708-1714; Weimar, Germany 
115.
Fugue on a theme by Albinoni in A major, BWV 950 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
116.
Capriccio in B flat major on the Departure of his Most Beloved Brother, BWV 992 by Johann Sebastian Bach
Performer:  Christiane Wuyts (Harpsichord)
Period: Baroque 
Written: circa 1704; Arnstadt, Germany 
117.
Italian Concerto, BWV 971 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1735; Leipzig, Germany 
 Date of Recording: 1999 
Venue:  Maria Minor Church, Utrecht, Holland 
Length: 12 Minutes 59 Secs. 
118.
Overture in the French style in B minor, BWV 831 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1735; Leipzig, Germany 
 Date of Recording: 1999 
Venue:  Maria Minor Church, Utrecht, Holland 
Length: 28 Minutes 29 Secs. 
119.
Chromatic Fantasia and Fugue in D minor, BWV 903 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
 Date of Recording: 1999 
Venue:  Maria Minor Church, Utrecht, Holland 
Length: 10 Minutes 48 Secs. 
120.
Goldberg Variations, BWV 988 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1741-1742; Nuremberg, Germany 
 Date of Recording: 1999 
Venue:  Maria Minor Church, Utrecht, Holland 
Length: 77 Minutes 28 Secs. 
121.
English Suite no 1 in A major, BWV 806 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
122.
English Suite no 2 in A minor, BWV 807 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
123.
English Suite no 3 in G minor, BWV 808 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
124.
English Suite no 4 in F major, BWV 809 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
125.
English Suite no 5 in E minor, BWV 810 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
126.
English Suite no 6 in D minor, BWV 811 by Johann Sebastian Bach
Performer:  Bob van Asperen (Harpsichord)
Period: Baroque 
Written: circa 1715; Weimar, Germany 
127.
Concerto in D major after Vivaldi, BWV 972 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
128.
Concerto in G major after Vivaldi, BWV 973 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
129.
Concerto in G minor after Vivaldi, BWV 975 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
130.
Concerto in C major after Vivaldi, BWV 976 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
131.
Concerto in D minor after Alessandro Marcello, BWV 974 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
132.
Concerto in G major after Vivaldi, BWV 980 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
133.
Concerto in F major after Vivaldi, BWV 978 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
134.
Concerto in C minor after Benedetto Marcello, BWV 981 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
135.
Concerto in G major after Duke Johann Ernst of Saxe-Weimar, BWV 592a by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
136.
Concerto in D minor after Duke Johann Ernst of Saxe-Weimar, BWV 987 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
137.
Concerto in B flat major after Duke Johann Ernst of Saxe-Weimar, BWV 982 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
138.
Concerto in C major after Duke Johann Ernst of Saxe-Weimar, BWV 984 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
139.
Concerto in G minor after Telemann, BWV 985 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
140.
Concerto in G major after an unknown composer, BWV 986 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
141.
Concerto in G minor after an unknown composer, BWV 983 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
142.
Concerto in C major after an unknown composer, BWV 977 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
143.
Concerto in B minor after an unknown composer, BWV 979 by Johann Sebastian Bach
Performer:  Pieter Dirksen (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
144.
French Suite no 1 in D minor, BWV 812 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
145.
French Suite no 2 in C minor, BWV 813 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
146.
French Suite no 3 in B minor, BWV 814 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
147.
French Suite no 4 in E flat major, BWV 815 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
148.
French Suite no 5 in G major, BWV 816 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
149.
French Suite no 6 in E major, BWV 817 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1724; Leipzig, Germany 
150.
Toccata in D minor, BWV 913 by Johann Sebastian Bach
Performer:  Menno Van Delft (Harpsichord)
Period: Baroque 
Written: by 1708; ?Weimar, Germany 
151.
Toccata in E minor, BWV 914 by Johann Sebastian Bach
Performer:  Menno Van Delft (Harpsichord)
Period: Baroque 
Written: by 1708; ?Weimar, Germany 
152.
Toccata in F sharp minor, BWV 910 by Johann Sebastian Bach
Performer:  Menno Van Delft (Harpsichord)
Period: Baroque 
Written: circa 1710 ; Weimar, Germany 
153.
Toccata in G minor, BWV 915 by Johann Sebastian Bach
Performer:  Menno Van Delft (Harpsichord)
Period: Baroque 
Written: by 1708; ?Weimar, Germany 
154.
Toccata in D major, BWV 912 by Johann Sebastian Bach
Performer:  Menno Van Delft (Harpsichord)
Period: Baroque 
Written: circa 1710; Weimar, Germany 
155.
Toccata in C minor, BWV 911 by Johann Sebastian Bach
Performer:  Menno Van Delft (Harpsichord)
Period: Baroque 
Written: circa 1717; Weimar, Germany 
156.
Toccata in G major, BWV 916 by Johann Sebastian Bach
Performer:  Menno Van Delft (Harpsichord)
Period: Baroque 
Written: by 1710; ?Weimar, Germany 
157.
The Art of Fugue, BWV 1080 by Johann Sebastian Bach
Performer:  Menno Van Delft (Harpsichord)
Period: Baroque 
Written: circa 1745-1750; Leipzig, Germany 
158.
Sonata in D minor, BWV 964 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
159.
Little Preludes (6): no 1 in C major, BWV 933 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
160.
Little Preludes (6): no 2 in C minor, BWV 934 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
161.
Little Preludes (6): no 3 in D minor, BWV 935 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
162.
Little Preludes (6): no 4 in D major, BWV 936 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: Germany 
163.
Little Preludes (6): no 5 in E major, BWV 937 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
164.
Little Preludes (6): no 6 in E minor, BWV 938 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
165.
Fantasia and Fugue in A minor, BWV 904 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1725; Leipzig, Germany 
166.
Adagio in G major, BWV 968 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
167.
Prelude and Fughetta in G major, BWV 902 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
168.
Fantasia on a Rondo in C minor, BWV 918 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: by 1710; ?Weimar, Germany 
169.
Fughetta in C minor, BWV 961 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
170.
Suite in A minor, BWV 818a by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1722; Cöthen, Germany 
171.
Fantasia and Fugue in C minor, BWV 906 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1738; Leipzig, Germany 
172.
Fugue in A minor, BWV 944 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: ?Weimar, Germany 
173.
Prelude in C major, BWV 939 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
174.
Prelude in D minor, BWV 940 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
175.
Prelude in E minor, BWV 941 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
176.
Prelude in C major, BWV 942 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
177.
Prelude in C major, BWV 943 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
178.
Prelude for Lute in C minor, BWV 999 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
179.
Fantasie in C minor, BWV 919 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: after 1712; ?Weimar, Germany 
180.
Suite in E flat major, BWV 819a by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: ?1730s; Cöthen, Germany 
181.
Prelude and Fughetta in A minor, BWV 895 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: by 1725 
182.
Fugue in C major, BWV 952 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
183.
Fugue in C major, BWV 953 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1723 
184.
Prelude and Fughetta in G major, BWV 902a by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
185.
Prelude and Fughetta in D minor, BWV 899 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
186.
Prelude and Fughetta in E minor, BWV 900 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1720; Cöthen, Germany 
187.
Suite in A minor, BWV 818 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1722; Cöthen, Germany 
188.
Prelude and Fughetta in F major, BWV 901 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
189.
French Suite no 2 in C minor, BWV 813a: Minuet by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
190.
French Suite no 4 in E flat major, BWV 815a: Minuet by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
191.
Prelude and Fugue in A minor, BWV 894 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
192.
Two-Part Inventions (15), BWV 772-786 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1723; Cöthen, Germany 
193.
Three-Part Inventions (15), BWV 787-801 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1723; Cöthen, Germany 
194.
Prelude in C major, BWV 924 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
195.
Prelude in D minor, BWV 926 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
196.
Praeambulum in F major, BWV 927 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
197.
Praeambulum in G minor, BWV 930 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
198.
Prelude in F major, BWV 928 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: after 1720; Cöthen, Germany 
199.
Prelude in D major, BWV 925 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
200.
Prelude in A minor, BWV 931 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
201.
Applicatio in C major, BWV 994 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: Germany 
202.
Wer nur den lieben Gott lässt walten, BWV 691 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: 1720; Cöthen, Germany 
203.
Allemande for Keyboard in G minor, BWV 836 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1720-1722; Leipzig, Germany 
204.
Minuet in G major, BWV 841 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1720; Leipzig, Germany 
205.
Minuet in G minor, BWV 842 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1720; Leipzig, Germany 
206.
Minuet in G major, BWV 843 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
Written: circa 1720; Leipzig, Germany 
207.
Prelude in G minor, BWV 929 by Johann Sebastian Bach
Performer:  Pieter-Jan Belder (Harpsichord)
Period: Baroque 
208.
Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: by 1744; Leipzig, Germany 
209.
Ich habe genug, BWV 82 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1727; Cöthen, Germany 
210.
Nun komm, der Heiden Heiland, BWV 61 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1714; Cöthen, Germany 
211.
Herr Gott, dich loben wir, BWV 16 by Johann Sebastian Bach
Performer:  Ruth Holton (Soprano), Nico Van der Meel (Tenor), Bas Ramselaar (Bass),
Sytse Buwalda (Alto)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
212.
Vergnügte Ruh, beliebte Seelenlust, BWV 170 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Ruth Holton (Soprano), Sytse Buwalda (Alto)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
213.
Ich freue mich in dir, BWV 133 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Ruth Holton (Soprano),
Knut Schoch (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
214.
In allen meinen Taten, BWV 97 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1734; Leipzig, Germany 
215.
Bereitet die Wege, bereitet die Bahn!, BWV 132 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1715; Weimar, Germany 
216.
Alles nur nach Gottes Willen, BWV 72 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
217.
Herr Jesu Christ, du höchstes Gut, BWV 113 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
218.
Am Abend aber desselbigen Sabbats, BWV 42 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
219.
Allein zu dir, Herr Jesu Christ, BWV 33 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
220.
Ich will den Kreuzstab gerne tragen, BWV 56 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
221.
Wer da gläubet und getauft wird, BWV 37 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
222.
Ich hab in Gottes Herz und Sinn mein Herz und Sinn ergeben, BWV 92 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
223.
Widerstehe doch der Sünde, BWV 54 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1714; Cöthen, Germany 
224.
Sie werden euch in den Bann tun, BWV 44 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
225.
Was mein Gott will, das g'scheh allzeit, BWV 111 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass),
Nico Van der Meel (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
226.
Sehet, wir gehn hinauf gen Jerusalem, BWV 159 by Johann Sebastian Bach
Performer:  Knut Schoch (Tenor), Sytse Buwalda (Alto), Ruth Holton (Soprano),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1729; Leipzig, Germany 
227.
O heiliges Geist- und Wasserbad, das Gottes Reich uns einverliebet, BWV 165 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass),
Nico Van der Meel (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1715; Cöthen, Germany 
228.
Jesus nahm zu sich die Zwölfe, BWV 22 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass),
Nico Van der Meel (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Cöthen, Germany 
229.
Ach, lieben Christen, seid getrost, BWV 114 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
230.
Selig ist der Mann, der die Anfechtung erdulet, BWV 57 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Written: 1725 
231.
Mein Gott, wie lang, ach lange, BWV 155 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1716; Cöthen, Germany 
232.
Was Gott tut, das ist wohlgetan, BWV 98 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
233.
Ich habe meine Zuversicht auf den getreuen Gott gericht, BWV 188 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass),
Nico Van der Meel (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: ?1728; Leipzig, Germany 
234.
Du wahrer Gott und Davids Sohn, BWV 23 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass),
Nico Van der Meel (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Cöthen, Germany 
235.
Ach Herr, mich armen Sünder straf nicht in deinem Zorn, BWV 135 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
236.
Wahrlich, wahrlich ich sage euch, BWV 86 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
237.
Ich bin ein guter Hirt, BWV 85 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass),
Nico Van der Meel (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
238.
Ihr Menschen, rühmet Gottes Liebe, BWV 167 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass),
Nico Van der Meel (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
239.
Lobe den Erschallet, ihr Lieder, erklinget ihr Saiten!, BWV 172 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1714; Weimar, Germany 
240.
Himmelskönig sei willkommen, BWV 182 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1714; Cöthen, Germany 
241.
Es reisset euch ein schrecklich Ende, ihr sündlichen verächter, hin, BWV 90 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
242.
Gottes Zeit ist die allerbeste, BWV 106 "Actus tragicus" by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Bas Ramselaar (Bass), Knut Schoch (Tenor),
Marjon Strijk (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
243.
Mein Herze schwimmt im Blut, BWV 199 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Bas Ramselaar (Bass), Knut Schoch (Tenor),
Ruth Holton (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1714; Cöthen, Germany 
244.
Komm, du süsse Todesstunde, BWV 161 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Bas Ramselaar (Bass), Knut Schoch (Tenor),
Ruth Holton (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1715; Cöthen, Germany 
245.
Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Bas Ramselaar (Bass), Knut Schoch (Tenor),
Ruth Holton (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
246.
Geist und Seele wird verwirret, BWV 35 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Bas Ramselaar (Bass), Knut Schoch (Tenor),
Ruth Holton (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
247.
Wer Dank opfert, der preiset mich, BWV 17 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Bas Ramselaar (Bass), Knut Schoch (Tenor),
Ruth Holton (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
248.
Liebster Immanuel, Herzog der Frommen, BWV 123 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass),
Knut Schoch (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
249.
Bisher habt ihr nichts gebeten in meinem Namen, BWV 87 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass),
Nico Van der Meel (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
250.
Erhöhtes Fleisch und Blut, BWV 173 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass),
Knut Schoch (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
251.
Sei Lob und Ehr dem höchsten Gut, BWV 117 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
252.
Schau, lieber Gott, wie meine Feind', BWV 153 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
253.
Tue Rechnung! Donnerwort, BWV 168 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Knut Schoch (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
254.
Herr Gott, dich loben alle wir, BWV 130 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Knut Schoch (Tenor),
Ruth Holton (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
255.
Warum betrübst du dich, mein Herz?, BWV 138 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Knut Schoch (Tenor),
Marjon Strijk (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
256.
Jesus schläft, was soll ich hoffen?, BWV 81 by Johann Sebastian Bach
Performer:  Knut Schoch (Tenor), Sytse Buwalda (Alto), Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
257.
Man singet mit Freuden vom Sieg, BWV 149 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Knut Schoch (Tenor),
Ruth Holton (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1728; Leipzig, Germany 
258.
Lobe den Herrn, meine Seele; und vergiss nicht, was er dir Gutes getan, BWV 69 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Ruth Holton (Soprano),
Nico Van der Meel (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: circa 1743; Leipzig, Germany 
259.
Gott soll allein mein Herze haben, BWV 169 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Bas Ramselaar (Bass), Ruth Holton (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
260.
Es ist dir gesagt, Mensch, was gut ist, BWV 45 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Knut Schoch (Tenor),
Ruth Holton (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
261.
Nach dir, Herr, verlanget mich, BWV 150 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Knut Schoch (Tenor),
Ruth Holton (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: circa 1708-1709; Cöthen, Germany 
262.
Das neugeborne Kindelein, BWV 122 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Knut Schoch (Tenor),
Ruth Holton (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
263.
Du Freidefürst, Herr Jesu Christ, BWV 116 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Knut Schoch (Tenor),
Ruth Holton (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
264.
Meine Seufzer, meine Tränen, BWV 13 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Knut Schoch (Tenor),
Ruth Holton (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
265.
Nimm, was dein ist, und gehe hin, BWV 144 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Knut Schoch (Tenor),
Ruth Holton (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
266.
Herr, deine Augen sehen nach dem Glauben, BWV 102 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Ruth Holton (Soprano),
Nico Van der Meel (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
267.
Christ, unser Herr, zum Jordan kam, BWV 7 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Ruth Holton (Soprano),
Nico Van der Meel (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
268.
Der Herr denket an uns, BWV 196 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Ruth Holton (Soprano),
Nico Van der Meel (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: ?1708; Weimar, Germany 
269.
Schauet doch und sehet, ob irgend ein Schmerz sei, wie mein Schmerz, BWV 46 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
270.
Was willst du dich betrüben, o meine liebe Seel', BWV 107 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
271.
Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei, BWV 179 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
272.
Bleib bei uns, denn es will Abend werden, BWV 6 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
273.
Nur jedem das Seine, BWV 163 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1715; Cöthen, Germany 
274.
Herr Christ, der ein'ge Gottessohn, BWV 96 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
275.
Wo Gott, der Herr, nicht bei uns hält wenn unsre Feinden toben, BWV 178 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Knut Schoch (Tenor), Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
276.
Ich steh' mit einem Fuss im Grabe, BWV 156 by Johann Sebastian Bach
Performer:  Nico Van der Meel (Tenor), Ruth Holton (Soprano), Sytse Buwalda (Alto),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1729; Leipzig, Germany 
277.
Wer weiss, wie nahe mir mein Ende, BWV 27 by Johann Sebastian Bach
Performer:  Knut Schoch (Tenor), Marjon Strijk (Soprano), Sytse Buwalda (Alto),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
278.
Mache dich, mein Geist, bereit, BWV 115 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Marjon Strijk (Soprano), Sytse Buwalda (Alto),
Nico Van der Meel (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
279.
Ich armer Mensch, ich Sündenknecht, BWV 55 by Johann Sebastian Bach
Performer:  Knut Schoch (Tenor), Marjon Strijk (Soprano), Sytse Buwalda (Alto),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
280.
Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Marjon Strijk (Soprano), Sytse Buwalda (Alto),
Nico Van der Meel (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
281.
Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
282.
Ihr, die ihr euch von Christo nennet, BWV 164 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Sytse Buwalda (Alto), Ruth Holton (Soprano),
Marcel Beekman (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1728; Leipzig, Germany 
283.
Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen!, BWV 139 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724-1725; Leipzig, Germany 
284.
Liebster Gott, wenn werd' ich sterben?, BWV 8 by Johann Sebastian Bach
Performer:  Ruth Holton (Soprano), Sytse Buwalda (Alto), Marcel Beekman (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
 Date of Recording: 1999 
285.
Ärgre dich, o Seele, nicht, BWV 186 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass),
Knut Schoch (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
 Date of Recording: 1999 
286.
Ach Gott, wie manches Herzeleid, BWV 3 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass),
Knut Schoch (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
 Date of Recording: 1999 
287.
Nun danket alle Gott, BWV 192 by Johann Sebastian Bach
Performer:  Bas Ramselaar (Bass), Marjon Strijk (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1730; Leipzig, Germany 
 Date of Recording: 1999 
288.
Wer nur den lieben Gott lässt walten, BWV 93 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass),
Knut Schoch (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
 Date of Recording: 1999 
289.
Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145 by Johann Sebastian Bach
Performer:  Ruth Holton (Soprano), Nico Van der Meel (Tenor), Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1729; Leipzig, Germany 
 Date of Recording: 1999 
290.
Gott, wie dein Name, so ist auch dein Ruhm, BWV 171 by Johann Sebastian Bach
Performer:  Marcel Beekman (Tenor), Sytse Buwalda (Alto), Ruth Holton (Soprano),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: ?1729; Leipzig, Germany 
 Date of Recording: 1999 
291.
Auf Christi Himmelfahrt allein, BWV 128 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Nico Van der Meel (Tenor), Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Written: 1725 
 Date of Recording: 1999 
292.
Mein liebster Jesus ist verloren, BWV 154 by Johann Sebastian Bach
Performer:  Marcel Beekman (Tenor), Sytse Buwalda (Alto), Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
 Date of Recording: 1999 
293.
Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
 Date of Recording: 1999 
294.
O Ewigkeit, du Donnerwort, BWV 60 by Johann Sebastian Bach
Performer:  Marcel Beekman (Tenor), Sytse Buwalda (Alto), Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
 Date of Recording: 1999 
295.
Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
 Date of Recording: 1999 
296.
Süsser Trost, mein Jesus kömmt, BWV 151 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Written: 1725 
 Date of Recording: 1999 
297.
Ihr werdet weinen und heulen, aber die Welt wird sich Freuen, BWV 103 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Bas Ramselaar (Bass), Knut Schoch (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
 Date of Recording: 1999 
298.
Barmherziges Herze der ewigen Liebe, BWV 185 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass),
Knut Schoch (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1715; Cöthen, Germany 
 Date of Recording: 1999 
299.
Ach Gott, vom Himmel sieh' darein, BWV 2 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Bas Ramselaar (Bass), Knut Schoch (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
 Date of Recording: 1999 
300.
Lass, Fürstin, lass noch einen Strahl, BWV 198: Excerpt(s) by Johann Sebastian Bach
Performer:  Sytse Buwalda (Soprano)
Conductor:  Pieter-Jan Leusink
Period: Baroque 
Written: 1727; Leipzig, Germany 
301.
Unser Mund sei voll Lachens, BWV 110 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
302.
Herr, wie du willt, so schicks mit mir, BWV 73 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
303.
Mit Fried und Freud ich fahr dahin, BWV 125 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
304.
Ich lasse dich nicht, du segnest mich denn, BWV 157 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Netherlands Bach Collegium
Period: Baroque 
Written: ?1728; Leipzig, Germany 
305.
Es ist das Heil uns kommen her, BWV 9 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Netherlands Bach Collegium
Period: Baroque 
Written: circa 1732-1735; Leipzig, Germany 
306.
Gelobet seist du, Jesu Christ, BWV 91 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
307.
Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
308.
Tritt auf die Glaubensbahn, BWV 152 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Netherlands Bach Collegium
Period: Baroque 
Written: 1714; Cöthen, Germany 
309.
Christum wir sollen loben schon, BWV 121 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
310.
Wo gehest du hin?, BWV 166 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
311.
Schwingt freudig euch empor, BWV 36 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Netherlands Bach Collegium
Period: Baroque 
Written: 1731; Leipzig, Germany 
312.
Erwünschtes Freudenlicht, BWV 184 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
313.
Gelobet sei der Herr, mein Gott, BWV 129 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
314.
Gleich wie der Regen und Schnee vom Himmel fällt, BWV 18 by Johann Sebastian Bach
Performer:  Marjon Strijk (Soprano), Bas Ramselaar (Bass), Robert Getchell (Tenor),
Sytse Buwalda (Alto), Marcel Beekman (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: ?1715; Cöthen, Germany 
 Date of Recording: 2000 
315.
Freue dich, erlöste Schar, BWV 30 by Johann Sebastian Bach
Performer:  Ruth Holton (Soprano), Nico Van der Meel (Tenor), Sytse Buwalda (Alto),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1738; Leipzig, Germany 
 Date of Recording: 2000 
316.
Dazu ist erschienen der Sohn Gottes, BWV 40 by Johann Sebastian Bach
Performer:  Marcel Beekman (Tenor), Sytse Buwalda (Alto), Ruth Holton (Soprano),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
 Date of Recording: 2000 
317.
Ich geh' und suche mit Verlangen, BWV 49 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
 Date of Recording: 2000 
318.
Gott, der Herr, ist Sonn und Schild, BWV 79 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
 Date of Recording: 2000 
319.
Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert, BWV 84 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1727; Leipzig, Germany 
 Date of Recording: 2000 
320.
Was soll ich aus dir machen, Ephraim, BWV 89 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
 Date of Recording: 2000 
321.
Was Gott tut, das ist wohlgetan, BWV 100 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Nico Van der Meel (Tenor), Bas Ramselaar (Bass),
Marjon Strijk (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: circa 1735; Leipzig, Germany 
 Date of Recording: 2000 
322.
Es ist euch gut, das ich hingehe, BWV 108 by Johann Sebastian Bach
Performer:  Marcel Beekman (Tenor), Sytse Buwalda (Alto), Bas Ramselaar (Bass),
Marjon Strijk (Soprano)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
 Date of Recording: 2000 
323.
Erforsche mich, Gott, und erfahre mein Herz, prüfe mich und erfahre, wie ich's meine, BWV 136 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
 Date of Recording: 2000 
324.
Wachet auf, ruft uns die Stimme, BWV 140 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1731; Leipzig, Germany 
 Date of Recording: 2000 
325.
Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
 Date of Recording: 2000 
326.
Es wartet alles auf dich, dass du ihnen Speise, BWV 187 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
 Date of Recording: 2000 
327.
Höchsterwünschtes Freudenfest, BWV 194 by Johann Sebastian Bach
Performer:  Sytse Buwalda (Alto), Ruth Holton (Soprano), Nico Van der Meel (Tenor),
Bas Ramselaar (Bass), Rudolf Schock (Tenor)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
 Date of Recording: 2000 
328.
Siehe, ich will viel Fischer aussenden, BWV 88 by Johann Sebastian Bach
Performer:  Marcel Beekman (Tenor), Sytse Buwalda (Alto), Ruth Holton (Soprano),
Bas Ramselaar (Bass)
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
 Date of Recording: 2000 
329.
Dem Gerechten muss das Licht, BWV 195 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: circa 1737; Leipzig, Germany 
330.
Wie schön leuchtet der Morgenstern, BWV 1 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
331.
Christen, ätzet diesen Tag, BWV 63 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1713-1715; Cöthen, Germany 
332.
Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Written: 1730 
333.
Liebster Jesu, mein Verlangen, BWV 32 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
334.
Wär Gott nicht mit uns diese Zeit, BWV 14 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1735; Leipzig, Germany 
335.
Ich glaube, lieber Herr, hilf meinem Unglauben!, BWV 109 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
336.
Ach Gott, wie manches Herzeleid, BWV 58 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1727; Leipzig, Germany 
337.
Ach, ich sehe, itzt, da ich zu Hochzeit gehe, BWV 162 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1715; Cöthen, Germany 
338.
Du Hirte Israel, höre, BWV 104 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
339.
Erfreute Zeit im neuen Bunde, BWV 83 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
340.
Nun ist das Heil und die Kraft, BWV 50 [fragment] by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: ?1723; ?Leipzig, Germany 
341.
Sie werden euch in den Bann tun, BWV 183 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
342.
Wo soll ich fliehen hin?, BWV 5 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
343.
Aus tiefer Not schrei'ich zu dir, BWV 38 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
344.
O Ewigkeit, du Donnerwort, BWV 20 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
345.
Wir müssen durch viel Trübsal in das Reich Gottes eingehen, BWV 146 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1728; Leipzig, Germany 
346.
Gottlob! nun geht das Jahr zu Ende, BWV 28 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
347.
Ich elender Mensch, wer wird mich erlösen vom Leibe dieses Todes, BWV 48 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
348.
Brich dem Hungrigen dein Brot, BWV 39 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
349.
Lobe den Herrn, meine Seele, BWV 143 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: Leipzig, Germany 
350.
Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
351.
Sie werden aus Saba alle kommen, BWV 65 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
352.
Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an's helle Licht gegangen, BWV 180 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
353.
Gott ist unser Zuversicht, BWV 197 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1739-1742; Leipzig, Germany 
354.
Falsche Welt, dir trau' ich nicht, BWV 52 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
355.
Lobe den Herrn, den mächtigen König der Ehren, BWV 137 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
356.
Es ist nichts Gesundes an meinem Leibe, BWV 25 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
357.
Preise, Jerusalem, den Herrn, BWV 119 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
358.
Gott fähret auf mit Jauchzen, BWV 43 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
359.
Die Elenden sollen essen, dass sie satt werden, BWV 75 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Cöthen, Germany 
360.
Wer mich liebet, der wird mein Wort halten, BWV 59 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: circa 1723-1724; Leipzig, Germany 
361.
Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1714; Cöthen, Germany 
362.
Nimm von uns, Herr, du treuer Gott, BWV 101 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
363.
Herr Jesu Christ, wahr' Mensch und Gott, BWV 127 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
364.
Christus, der ist mein Leben, BWV 95 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
365.
Meinen Jesum lass ich nicht, BWV 124 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
366.
Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1714; Weimar, Germany 
367.
Wer mich liebet, der wird mein Wort halten, BWV 74 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
368.
Ich ruf zu dir, Herr Jesu Christ, BWV 177 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1732; Leipzig, Germany 
369.
Gott ist mein König, BWV 71 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1708; Mühlhausen, Germany 
370.
Die Himmel erzählen die Ehre Gottes, BWV 76 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
371.
Meine Seel' erhebt den Herren, BWV 10 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
372.
Sehet, welch eine Liebe, BWV 64 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
373.
Ein Herz, das seinen Jesum lebend weiss, BWV 134 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
374.
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
375.
Christ lag in Todesbanden, BWV 4 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1708; Weimar, Germany 
376.
Der Friede sei mit dir, BWV 158 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: after 1723; Leipzig, Germany 
377.
Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1707; Mühlhausen, Germany 
378.
Wachet! Betet! Betet! Wachet!, BWV 70 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
379.
Herz und Mund und Tat und Leben, BWV 147 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Written: 1723 
380.
Leichtgesinnte Flattergeister, BWV 181 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
381.
Erfreut euch, ihr Herzen, entweichet ihr Schmerzen, es lebet der Heiland, BWV 66 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
382.
Bringet dem Herrn Ehre seines Namens, betet an den Herrn in Heil'gem Schmuck, BWV 148 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
383.
Ich liebe den Höchsten von ganzem Gemüte, BWV 174 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1729; Leipzig, Germany 
384.
Der Herr ist mein getreuer Hirt, BWV 112 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1731; Leipzig, Germany 
385.
Also hat Gott die Welt geliebt, BWV 68 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
386.
Du sollst Gott, deinen Herren Lieben, BWV 77 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
387.
Ein ungefärbt Gemüte von deutscher Treu und Güte, BWV 24 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1723; Leipzig, Germany 
388.
Erhalt uns, Herr, bei dienem Wort, BWV 126 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
389.
Halt im Gedächtnis Jesum Christ, der auferstanden ist von der Todten, BWV 67 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1724; Leipzig, Germany 
390.
O ewiges Feuer, O Ursprung der Liebe, BWV 34 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: after 1740; Leipzig, Germany 
391.
Der Himmel lacht! die Erde jubilieret, BWV 31 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1715; Cöthen, Germany 
392.
Es erhub sich ein Streit, BWV 19 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1726; Leipzig, Germany 
393.
Jesu, nun sei gepreiset, BWV 41 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1725; Leipzig, Germany 
394.
Wir danken dir, Gott, BWV 29 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1731; Leipzig, Germany 
395.
Gott, mann lobet dich in der Stille, BWV 120 by Johann Sebastian Bach
Conductor:  Pieter-Jan Leusink
Orchestra/Ensemble:  Holland Boys Choir,  Netherlands Bach Collegium
Period: Baroque 
Written: 1728-1729; Leipzig, Germany 
396.
Mass in B minor, BWV 232 by Johann Sebastian Bach
Performer:  Axel Köhler (Countertenor), Christoph Prégardien (Tenor), Bernarda Fink (Mezzo Soprano),
Hillevi Martinpelto (Soprano), Matthias Goerne (Bass Baritone), Franz-Joseph Selig (Bass)
Conductor:  René Jacobs
Orchestra/Ensemble:  Berlin RIAS Chamber Chorus,  Academy for Ancient Music Berlin
Period: Baroque 
Written: 1747-49; Leipzig, Germany 
 Language: Latin 
397.
Missa brevis in F major, BWV 233 by Johann Sebastian Bach
Performer:  Jürgen Pilz (Violin), Helmut Rucker (Flute), Renate Krahmer (Soprano),
Theo Adam (Bass), Wolfgang Pechke (Flute), Herbert Collum (Organ),
Manfred Reichelt (Cello), Heinz Schmidt (Double Bass), Helmut Radatz (Bassoon),
Gerhard Hauptmann (Oboe), Annelies Burmeister (Mezzo Soprano)
Conductor:  Martin Flämig
Orchestra/Ensemble:  Dresden Kreuz Choir,  Dresden Philharmonic Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
 Date of Recording: 1972 
Venue:  Lukas Church, Dresden, Germany 
Length: 27 Minutes 57 Secs. 
Language: Latin 
398.
Missa brevis in A major, BWV 234 by Johann Sebastian Bach
Performer:  Heinz Schmidt (Double Bass), Manfred Reichelt (Cello), Herbert Collum (Organ),
Jürgen Pilz (Violin), Gerhard Hauptmann (Oboe), Wolfgang Pechke (Flute),
Helmut Rucker (Flute), Theo Adam (Bass), Renate Krahmer (Soprano),
Annelies Burmeister (Mezzo Soprano), Helmut Radatz (Bassoon)
Conductor:  Martin Flämig
Orchestra/Ensemble:  Dresden Kreuz Choir,  Dresden Philharmonic Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
 Date of Recording: 1972 
Venue:  Lukas Church, Dresden, Germany 
Length: 32 Minutes 47 Secs. 
Language: Latin 
399.
Missa brevis in G minor, BWV 235 by Johann Sebastian Bach
Performer:  Heinz Schmidt (Double Bass), Manfred Reichelt (Cello), Herbert Collum (Organ),
Jürgen Pilz (Violin), Gerhard Hauptmann (Oboe), Wolfgang Pechke (Flute),
Helmut Rucker (Flute), Theo Adam (Bass), Peter Schreier (Tenor),
Annelies Burmeister (Mezzo Soprano), Helmut Radatz (Bassoon)
Conductor:  Martin Flämig
Orchestra/Ensemble:  Dresden Kreuz Choir,  Dresden Philharmonic Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
 Date of Recording: 1972 
Venue:  Lukas Church, Dresden, Germany 
Length: 30 Minutes 32 Secs. 
Language: Latin 
400.
Missa brevis in G major, BWV 236 by Johann Sebastian Bach
Performer:  Gerhard Hauptmann (Oboe), Theo Adam (Bass), Wolfgang Pechke (Flute),
Jürgen Pilz (Violin), Herbert Collum (Organ), Manfred Reichelt (Cello),
Heinz Schmidt (Double Bass), Helmut Radatz (Bassoon), Annelies Burmeister (Mezzo Soprano),
Helmut Rucker (Flute), Renate Krahmer (Soprano), Peter Schreier (Tenor)
Conductor:  Martin Flämig
Orchestra/Ensemble:  Dresden Kreuz Choir,  Dresden Philharmonic Orchestra
Period: Baroque 
Written: after 1735; Leipzig, Germany 
 Date of Recording: 1972 
Venue:  Lukas Church, Dresden, Germany 
Length: 28 Minutes 4 Secs. 
Language: Latin 
401.
Ach, dass nicht die letzte Stunde, BWV 439 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
402.
Kommt, Seelen, dieser Tag, BWV 479 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
403.
Die goldne Sonne, voll Freud' und Wonne, BWV 451 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
404.
Vergiss mein nicht, vergiss mein nicht! BWV 505 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
405.
Erwürgtes Lamm, das die verwahrten Siegel, BWV 455 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
406.
Auf, auf! mein Herz mit Freuden nimm wahr, BWV 441 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
407.
Jesus, unser Trost und Leben, BWV 475 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
408.
Kommt wieder aus der finstern Gruft, BWV 480 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
409.
Brunnquell aller Güter, Herrscher der Gemüter, BWV 445 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
410.
Gott, wie gross ist deine Güte, BWV 462 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
411.
Dich bet' ich an, mein höchster Gott, BWV 449 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
412.
Es kostet viel, ein Christ zu sein, BWV 459 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
413.
Jesu, meines Herzens Freud', BWV 473 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
414.
Beschränkt, ihr Weisen dieser Welt, BWV 443 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
415.
Nur mein Jesus ist mein Leben, BWV 490 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
416.
Der lieben Sonnen Licht und Pracht, BWV 446 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
417.
Der Tag ist hin, die Sonne gehet nieder, BWV 447 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
418.
Der Tag mit seinem Lichte, BWV 448 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
419.
Jesu, deine Liebeswunden, BWV 471 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
420.
Lasset uns mit Jesu ziehen, BWV 481 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
421.
Die bittre Leidenszeit beginnet abermal, BWV 450 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
422.
Sei gegrüsset Jesu gütig, BWV 499 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
423.
O du Liebe meiner Liebe, BWV 491 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
424.
Mein Jesu, was für Seelenweh, BWV 487 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
425.
So gehst du nun, mein Jesu, hin, BWV 500 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
426.
Selig, wer an Jesum denkt, BWV 498 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
427.
So gibst du nun, mein Jesu, gute Nacht, BWV 412 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: ?Leipzig, Germany 
428.
Brich entzwei, mein armes Herze, BWV 444 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
429.
Es ist vollbracht! vergiss ja nicht, BWV 458 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
430.
Dir, dir, Jehova, will ich singen, BWV 452 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
431.
O liebe Seele, zieh' die Sinnen, BWV 494 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
432.
Beglückter Stand getreuer Seelen, BWV 442 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
433.
Es glänzet der Christen, BWV 456 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
434.
Jesu, meines Glaubens Zier, BWV 472 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
435.
Eins ist Not! Ach Herr, dies eine lehre mich, BWV 453 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
436.
Mein Jesu, dem die Seraphinen, BWV 486 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
437.
Jesus ist das schönste Licht, BWV 474 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
438.
Seelen-Bräutigam, Jesu, Gottes Lamm!, BWV 496 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
439.
Liebes Herz, bedenke doch, BWV 482 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
440.
Ich freue mich in der, BWV 465 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
441.
Ermuntre dich, mein schwacher Geist, BWV 454 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
442.
Ich lass' dich nicht, BWV 467 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
443.
O Jesulein süss, O Jesulein mild, BWV 493 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
444.
Ich steh' an deiner Krippen hier, BWV 469 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
445.
Was bist du doch, o Seele, so betrübet, BWV 506 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
446.
Auf, auf! Die rechte Zeit ist hier, BWV 440 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
447.
Ich lass' dich nicht, BWV 467 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
448.
Liebster Immanuel, Herzog der Frommen, BWV 485 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
449.
Jesu, Jesu, du bist mein, BWV 470 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
450.
Ich liebe Jesum alle Stund', BWV 468 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
451.
Liebster Gott, wann werd'ich sterben?, BWV 483 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
452.
O finstre Nacht, BWV 492 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
453.
Komm, süsser Tod, komm, sel'ge Ruh'!, BWV 478 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
454.
Ich bin ja, Herr, in deiner Macht, BWV 464 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
455.
Es ist nun aus mit meinem Leben, BWV 457 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
456.
Meines Lebens letzte Zeit, BWV 488 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
457.
Liebster Herr Jesu! Wo bleibest du so lange?, BWV 484 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
458.
O wie selig seid ihr doch, ihr Frommen, BWV 495 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
459.
Kein Stündlein geht dahin, BWV 477 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
460.
So wünsch'ich mir zu guter Letzt, BWV 502 by Johann Sebastian Bach
Performer:  Georg Jelden (Tenor), Heinz Schnauffer (Organ)
Period: Baroque 
Written: by 1736; Leipzig, Germany 
461.
Singet Dem Hern, BWV 225 by Johann Sebastian Bach
Conductor:  Nicol Matt
Orchestra/Ensemble:  Chamber Choir of Europe,  European Chamber Soloists
462.
Der Geist hilft unser Schwachheit auf, BWV 226 by Johann Sebastian Bach
Conductor:  Nicol Matt
Orchestra/Ensemble:  Chamber Choir of Europe,  European Chamber Soloists
Period: Baroque 
Written: 1729; Leipzig, Germany 
463.
Jesu, meine Freude, BWV 227 by Johann Sebastian Bach
Conductor:  Nicol Matt
Orchestra/Ensemble:  Chamber Choir of Europe,  European Chamber Soloists
Period: Baroque 
Written: 1723; Leipzig, Germany 
464.
Fürchte dich nicht, ich bin bei dir, BWV 228 by Johann Sebastian Bach
Conductor:  Nicol Matt
Orchestra/Ensemble:  Chamber Choir of Europe,  European Chamber Soloists
Period: Baroque 
Written: 1726; Leipzig, Germany 
465.
Komm, Jesu, komm!, BWV 229 by Johann Sebastian Bach
Conductor:  Nicol Matt
Orchestra/Ensemble:  Chamber Choir of Europe,  European Chamber Soloists
Period: Baroque 
Written: circa 1725-1749; Leipzig, Germany 
466.
Lobet den Herrn, alle Heiden, BWV 230 by Johann Sebastian Bach
Conductor:  Nicol Matt
Orchestra/Ensemble:  Chamber Choir of Europe,  European Chamber Soloists
Period: Baroque 
Written: circa 1723-1729; Leipzig, Germany 
467.
Easter Oratorio, BWV 249 by Johann Sebastian Bach
Conductor:  Rolf Schweizer
Orchestra/Ensemble:  Pforzheim Southwest German Chamber Orchestra,  Pforzheim Motet Choir
Period: Baroque 
Written: 1732-1735; Leipzig, Germany 
468.
Magnificat in D major, BWV 243 by Johann Sebastian Bach
Performer:  Mitsuko Shirai (Soprano), Hermann-Christian Polster (Bass), Peter Schreier (Tenor),
Doris Soffel (Mezzo Soprano)
Conductor:  Hans-Joachim Rotzsch
Orchestra/Ensemble:  Leipzig New Bach Collegium Musicum,  Leipzig St. Thomas Church Choir
Period: Baroque 
Written: circa 1728-1731; Leipzig, Germany 
 Date of Recording: C1980 
Language: German 
469.
Schwingt freudig euch empor, BWV 36c by Johann Sebastian Bach
Performer:  Siegfried Lorenz (Baritone), Peter Schreier (Tenor), Edith Mathis (Soprano)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Chamber Orchestra,  Berlin Soloists
Period: Baroque 
Written: 1725; Leipzig, Germany 
 Length: 24 Minutes 28 Secs. 
470.
Non sa che sia dolore, BWV 209 by Johann Sebastian Bach
Performer:  Siegfried Lorenz (Baritone), Peter Schreier (Tenor), Edith Mathis (Soprano)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Chamber Orchestra,  Berlin Soloists
Period: Baroque 
Written: ?1734; Leipzig, Germany 
 Length: 21 Minutes 48 Secs. 
471.
Amore traditore, BWV 203 by Johann Sebastian Bach
Performer:  Siegfried Lorenz (Baritone), Peter Schreier (Tenor), Edith Mathis (Soprano),
Siegfried Lorenz (Bass)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Chamber Orchestra,  Berlin Soloists
Period: Baroque 
Written: Germany 
 Length: 13 Minutes 21 Secs. 
472.
Der Streit zwischen Phoebus und Pan, BWV 201 by Johann Sebastian Bach
Performer:  Theo Adam (Bass), Edith Mathis (Soprano), Eberhard Büchner (Tenor),
Siegfried Lorenz (Baritone), Peter Schreier (Tenor), Carolyn Watkinson (Alto)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Soloists,  Berlin Chamber Orchestra
Period: Baroque 
Written: ?1729; Leipzig, Germany 
 Length: 46 Minutes 17 Secs. 
473.
Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata" by Johann Sebastian Bach
Performer:  Edith Mathis (Soprano), Lucia Popp (Soprano)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Chamber Orchestra
Period: Baroque 
Written: circa 1718-1723; Cöthen, Germany 
 Length: 20 Minutes 50 Secs. 
474.
O holder Tag, erwünschte Zeit, BWV 210 by Johann Sebastian Bach
Performer:  Edith Mathis (Soprano), Lucia Popp (Soprano)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Chamber Orchestra
Period: Baroque 
Written: ?1740; Leipzig, Germany 
 Length: 35 Minutes 29 Secs. 
475.
Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata" by Johann Sebastian Bach
Performer:  Arleen Augér (Soprano), Peter Schreier (Tenor), Edith Mathis (Soprano),
Theo Adam (Bass)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Chamber Orchestra,  Berlin Soloists
Period: Baroque 
Written: 1713; Cöthen, Germany 
476.
Ich bin in mir vergnügt, BWV 204 by Johann Sebastian Bach
Performer:  Edith Mathis (Soprano), Peter Schreier (Tenor), Arleen Augér (Soprano),
Theo Adam (Bass)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Chamber Orchestra,  Berlin Soloists
Period: Baroque 
Written: 1726-1727; Leipzig, Germany 
 Length: 32 Minutes 39 Secs. 
477.
Der zufriedengestellte Äolus, BWV 205 by Johann Sebastian Bach
Performer:  Carolyn Watkinson (Alto), Edith Mathis (Soprano), Peter Schreier (Tenor),
Siegfried Lorenz (Baritone), Julia Hamari (Soprano)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Soloists,  Berlin Chamber Orchestra
Period: Baroque 
Written: 1725; Leipzig, Germany 
 Length: 37 Minutes 4 Secs. 
478.
Vereingte Zwietracht der wechselnden Saiten, BWV 207 by Johann Sebastian Bach
Performer:  Siegfried Lorenz (Baritone), Peter Schreier (Tenor), Edith Mathis (Soprano),
Julia Hamari (Alto)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Chamber Orchestra,  Berlin Soloists
Period: Baroque 
Written: 1726; Germany 
479.
Schleicht spielende Wellen, BWV 206 by Johann Sebastian Bach
Performer:  Edith Mathis (Soprano), Peter Schreier (Tenor), Siegfried Lorenz (Baritone),
Carolyn Watkinson (Alto)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Soloists,  Berlin Chamber Orchestra
Period: Baroque 
Written: 10/07/1733; Leipzig, Germany 
 Length: 39 Minutes 17 Secs. 
480.
Preise dein Glücke, gesegnetes Sachsen, BWV 215 by Johann Sebastian Bach
Performer:  Edith Mathis (Soprano), Peter Schreier (Tenor), Siegfried Lorenz (Baritone),
Carolyn Watkinson (Alto)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Soloists,  Berlin Chamber Orchestra
Period: Baroque 
Written: Germany 
 Length: 30 Minutes 35 Secs. 
481.
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata" by Johann Sebastian Bach
Performer:  Edith Mathis (Soprano), Peter Schreier (Tenor), Theo Adam (Bass)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Chamber Orchestra
Period: Baroque 
Written: circa 1734-1735; Leipzig, Germany 
 Length: 26 Minutes 53 Secs. 
482.
Mer Hahn en neue Oberkeet, BWV 212 "Peasant Cantata" by Johann Sebastian Bach
Performer:  Edith Mathis (Soprano), Peter Schreier (Tenor), Theo Adam (Bass)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Chamber Orchestra
Period: Baroque 
Written: 1742; Leipzig, Germany 
 Length: 27 Minutes 38 Secs. 
483.
Hercules auf dem Scheidewege, BWV 213 by Johann Sebastian Bach
Performer:  Astrid Pilzecker (Alto), Theo Adam (Bass), Carolyn Watkinson (Alto),
Peter Schreier (Tenor), Siegfried Lorenz (Baritone), Edith Mathis (Soprano),
Julia Hamari (Alto)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Soloists,  Berlin Chamber Orchestra
Period: Baroque 
Written: by 1733; Leipzig, Germany 
 Length: 43 Minutes 26 Secs. 
484.
Tönet, ihr Pauken! Erschallet Trompeten!, BWV 214 by Johann Sebastian Bach
Performer:  Carolyn Watkinson (Alto), Siegfried Lorenz (Baritone), Peter Schreier (Tenor),
Edith Mathis (Soprano), Julia Hamari (Alto), Theo Adam (Bass),
Astrid Pilzecker (Alto), Julia Hamari (Soprano)
Conductor:  Peter Schreier
Orchestra/Ensemble:  Berlin Soloists,  Berlin Chamber Orchestra
Period: Baroque 
Written: 1733; Leipzig, Germany 
 Length: 24 Minutes 31 Secs. 
485.
Saint Matthew Passion, BWV 244 by Johann Sebastian Bach
Performer:  Hans-Joachim Rotzsch (Tenor), Peter Schreier (Tenor), Siegfried Vogel (Bass),
Johannes Künzel (Bass), Hermann-Christian Polster (Bass), Hans-Martin Nau (Bass),
Erika Wustman (Soprano), Gerda Schriever (Alto), Eva Hassbecker (Soprano),
Adele Stolte (Soprano), Annelies Burmeister (Alto), Günther Leib (Bass)
Conductor:  Erhard Mauersberger,  Rudolf Mauersberger
Orchestra/Ensemble:  Leipzig Gewandhaus Orchestra,  Leipzig St. Thomas Church Choir,  Dresden Boys' Choir
Period: Baroque 
Written: Circa 1727; Leipzig, Germany 
486.
Saint John Passion, BWV 245 by Johann Sebastian Bach
Performer:  Hans-Jürgen Richter (Tenor), Sylke Schwab (Soprano), Andreas Scheibner (Bass),
Egbert Junghanns (Bass), Annette Markert (Alto), Christiane Oelze (Soprano),
Christoph Genz (Tenor)
Conductor:  Ludwig Güttler
Orchestra/Ensemble:  Virtuosi Saxoniae,  Hallé Madrigal Singers
Period: Baroque 
Written: 1724; Leipzig, Germany 
487.
Christmas Oratorio, BWV 248 by Johann Sebastian Bach
Performer:  Annelies Burmeister (Mezzo Soprano), Peter Schreier (Tenor), Arleen Augér (Soprano),
Theo Adam (Bass)
Conductor:  Martin Flämig
Orchestra/Ensemble:  Dresden Kreuz Choir,  Dresden Philharmonic Orchestra
Period: Baroque 
Written: 1734-1735; Leipzig, Germany 
488.
Chorale(s) by Johann Sebastian Bach
Conductor:  Nicol Matt
Orchestra/Ensemble:  Chamber Choir of Europe
Period: Baroque 
489.
Work(s) for Organ by Johann Sebastian Bach
Performer:  Stefano Molardi (Organ)
Period: Baroque 
490.
Complete Works by Johann Sebastian Bach
Period: Baroque 

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 baroque music September 20, 2014 By juan rene arocho velez See All My Reviews "I am interested in baroque music performance,conductors and all related" Report Abuse
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