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Classical Guitar Collection


Release Date: 11/15/2006 
Label:  Naxos   Catalog #: 8502505  
Composer:  Niccolò PaganiniMarco PereiraJoao PernambucoAntonio Carlos Jobim,   ... 
Performer:  Marco TamayoGraham Anthony DevineVictor VilladangosMarc Teicholz,   ... 
Conductor:  Johannes WildnerPeter Breiner
Orchestra/Ensemble:  Camerata Cassovia
Number of Discs: 25 
This title is currently unavailable.



Notes and Editorial Reviews

An ArkivMusic Exclusive! 25 Disc Set!

Also available - The Spanish Music Collection


At 25-CDs, this may well be the only collection you’ll need of the best classical guitar music. Featuring numerous prizewinners from the Naxos catalog, this overview brings together over three centuries of music for the guitar by Sor, Paganini, Lauro, Villa Lobos and many others.
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SELECT REVIEWS OF SOME OF THE INDIVIDUAL DISCS IN THE CLASSICAL GUITAR COLLECTION:

Cancion De Cuna - Guitar Music From Cuba / Marco Tamayo, Naxos 8555887 -- "Each piece is a gem, wonderfully written, performed, and recorded... Short of buying a ticket for a weekend excursion to Havana, this is certainly one of the most enjoyable ways to explore the musical traditions of Cuba..." - musicweb.uk.net

Barrios: Guitar Music Vol 1 / Antigoni Goni, Naxos 8554558 -- Uplifting, imaginative music in many varieties gushed from Agustín Barrios' fecund brain directly into his agile hands and perpetually singing guitar...Don't miss this one!

Lauro: Venezuelan Waltzes / Adam Holzman, Naxos 554348 -- Buy this disc and you'll encounter a treasure trove of exquisitely wrought miniatures. They are gorgeously deployed for the instrument, laced with ear-tickling harmonic invention, and offer further rewards with each hearing...On top of that, the disc is excellently recorded. A lovely, lovely release.

Guitar Music Of Argentina / Villadangos, Naxos 8555058 -- A charming programme elegantly played...Villadangos is a refined player in every good sense...Recording quality and annotation is excellent.

Bach: Guitar Transcriptions / Voorhorst, Naxos 8555369 -- Voorhorst is unquestionably a fine musician whose mastery of the guitar in this repertoire is beyond doubt...The sound is fully supportive of the solo instrumental setting and affords a natural, intimate acoustic.

Classical Guitar Collection

Instruments bearing at least some similarity to what we know as the guitar have been popular for several thousand years. The guitar appears to be derived from an earlier instrument known in Central Asia as the cithara, found depicted on Persian cave dwellings. The modern word, guitar, comes from the Spanish guitarra, perhaps from the earlier Greek kithara. More likely, the word is derived from the Iberian Arabic qitara, an Arabic name for the lute family. The name guitarra morphed into Spanish when guitars were brought to the peninsula during the Moorish invasions. Celebrated also for the development of the Mandolin, the Vinanccia family of Naples created the earliest 6-string guitars in the late 18th-century. Though some composers were proficient on the instrument, most notably Paganini and Berlioz, the guitar has not been regarded as central to the classical music canon, like the piano has, another harmony instrument that underwent a design overhaul at the beginning of the 19th century. A notable guitar innovation has been the extensive use of the steel-string instrument in folk, rock and popular music for well over a century.

Though many of their names are not among the list of most notable composers, the guitar’s repertoire has been enriched by several individuals who wrote almost exclusively for the instrument. Though J.S. Bach would not have been familiar with the guitar, the contrapuntal nature of his work has presented challenges for instrumentalists of various types, and several of his pieces pose serious challenges in their guitar transcriptions. Not one to shy away from challenges, supervirtuoso violinist/composer Nicolo Paganini composed several remarkably adventurous works for the guitar. The slightly-older Spaniard Fernando Sor did more to popularize the instrument in the 19th-century than any other individual. He sought to elevate the guitar to concert status, bringing it out of the taverns where it was used mostly as song accompaniment. Not until Andres Segovia in the 20th century would the guitar have such a strong advocate. The Neapolitan Ferdinando Carulli was the first to publish a guitar method and, like Sor, composed a great amount of music. Miguel Llobet, years later, became a major touring virtuoso, composing an impressive body of work in the early 20th century.

Due in no small part to Spanish colonization, the guitar holds a central place in the music of Latin America, and its countries have boasted a large share of talented composers. These include Mexico’s Miguel Ponce, Cuba’s Leo Brouwer, Venezuela’s Antonio Lauro, and countless numbers of other composers who wrote idiomatic works that absorbed the rhythms and vocabulary of the region. Paraguayan Augustin Barrios composed graceful works of supreme craftsmanship that incorporated folk elements of the region, and Hector Villa-Lobos – the titan of Brazilian music - wrote several demanding pieces for the guitar (he played it and dedicated some works to Segovia), the most significant of which are the celebrated sets of Etudes and Preludes. One of the most prolific of composers, his forty guitar works are, to many, the most important guitar pieces of the 20th century.

-- Sean Hickey

SEE ALSO, the complete series of Exclusive Gift Sets from Naxos on ArkivMusic!
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Works on This Recording

1.
Sonata for Guitar in A major, MS 3 "Grande" by Niccolò Paganini
Performer:  Marco Tamayo (Guitar)
Period: Romantic 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 21 Minutes 35 Secs. 
2.
Sonatas (34) for Guitar, MS 84: no 4 in D major by Niccolò Paganini
Performer:  Marco Tamayo (Guitar)
Period: Romantic 
Written: circa 1800-1820 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 3 Minutes 51 Secs. 
3.
Ghiribizzi (43) for Guitar, MS 43: no 15, Allegro by Niccolò Paganini
Performer:  Marco Tamayo (Guitar)
Period: Romantic 
Written: 1819-1820; Naples, Italy 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 1 Minutes 12 Secs. 
4.
Ghiribizzi (43) for Guitar, MS 43: no 16, Larghetto by Niccolò Paganini
Performer:  Marco Tamayo (Guitar)
Period: Romantic 
Written: 1819-1820; Naples, Italy 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 2 Minutes 15 Secs. 
5.
Ghiribizzi (43) for Guitar, MS 43: no 37, Adagetto con espressione by Niccolò Paganini
Performer:  Marco Tamayo (Guitar)
Period: Romantic 
Written: 1819-1820; Naples, Italy 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 1 Minutes 41 Secs. 
6.
Ghiribizzi (43) for Guitar, MS 43: no 38, Vivace by Niccolò Paganini
Performer:  Marco Tamayo (Guitar)
Period: Romantic 
Written: 1819-1820; Naples, Italy 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 0 Minutes 48 Secs. 
7.
Ghiribizzi (43) for Guitar, MS 43: no 22, Larghetto by Niccolò Paganini
Performer:  Marco Tamayo (Guitar)
Period: Romantic 
Written: 1819-1820; Naples, Italy 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 3 Minutes 0 Secs. 
8.
Sonatas (34) for Guitar, MS 84: no 30 in A major by Niccolò Paganini
Performer:  Marco Tamayo (Guitar)
Period: Romantic 
Written: circa 1800-1820 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 3 Minutes 11 Secs. 
9.
Sonatas (34) for Guitar, MS 84: no 6 in F major by Niccolò Paganini
Performer:  Marco Tamayo (Guitar)
Period: Romantic 
Written: circa 1800-1820 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 4 Minutes 15 Secs. 
10.
Sonatas (34) for Guitar, MS 84: no 14 in F major by Niccolò Paganini
Performer:  Marco Tamayo (Guitar)
Period: Romantic 
Written: circa 1800-1820 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 5 Minutes 9 Secs. 
11.
Caprices (24) for Violin solo, Op. 1: no 11 in C major by Niccolò Paganini
Performer:  Marco Tamayo (Guitar)
Period: Romantic 
Written: circa 1805; Italy 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 5 Minutes 29 Secs. 
12.
Caprices (24) for Violin solo, Op. 1: no 5 in A minor by Niccolò Paganini
Performer:  Marco Tamayo (Guitar)
Period: Romantic 
Written: circa 1805; Italy 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 3 Minutes 15 Secs. 
13.
Caprices (24) for Violin solo, Op. 1: no 24 in A minor by Niccolò Paganini
Performer:  Marco Tamayo (Guitar)
Period: Romantic 
Written: circa 1805; Italy 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 5 Minutes 21 Secs. 
14.
Pixaim by Marco Pereira
Performer:  Graham Anthony Devine (Guitar)
Period: 20th Century 
Written: Brazil 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 3 Minutes 20 Secs. 
15.
Plainte by Marco Pereira
Performer:  Graham Anthony Devine (Guitar)
Period: 20th Century 
Written: Brazil 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 3 Minutes 6 Secs. 
16.
Num pagode em Planaltina by Marco Pereira
Performer:  Graham Anthony Devine (Guitar)
Period: 20th Century 
Written: Brazil 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 4 Minutes 43 Secs. 
17.
Sons de Carrilhoes by Joao Pernambuco
Performer:  Graham Anthony Devine (Guitar)
Period: 20th Century 
Written: Brazil 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 2 Minutes 28 Secs. 
18.
Grauna by Joao Pernambuco
Performer:  Graham Anthony Devine (Guitar)
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 2 Minutes 55 Secs. 
19.
Luiza by Antonio Carlos Jobim
Performer:  Graham Anthony Devine (Guitar)
Period: 20th Century 
Written: Brazil 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 3 Minutes 27 Secs. 
20.
The girl from Ipanema by Antonio Carlos Jobim
Performer:  Graham Anthony Devine (Guitar)
Period: 20th Century 
Written: 1963; Brazil 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 2 Minutes 58 Secs. 
21.
Agua e vinho by Egberto Gismonti
Performer:  Graham Anthony Devine (Guitar)
Period: 20th Century 
Written: Brazil 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 5 Minutes 24 Secs. 
22.
Black Orpheus: Manha de Carnaval by Luiz Bonfá
Performer:  Graham Anthony Devine (Guitar)
Period: 20th Century 
Written: 1958; Brazil 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 3 Minutes 22 Secs. 
23.
Aquarelle by Sérgio Assad
Performer:  Graham Anthony Devine (Guitar)
Period: 20th Century 
Written: 1988 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 13 Minutes 26 Secs. 
24.
Sete Cordas by Rafael Rabello
Performer:  Graham Anthony Devine (Guitar)
Period: 20th Century 
Written: Brazil 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 5 Minutes 16 Secs. 
25.
Pieces brésiliennes: Chôro de Juliana by Marco Pereira
Performer:  Graham Anthony Devine (Guitar)
Period: 20th Century 
Written: Brazil 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 3 Minutes 2 Secs. 
26.
Pó de Mico by Joao Pernambuco
Performer:  Graham Anthony Devine (Guitar)
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 2 Minutes 59 Secs. 
27.
Melodia sentimental, W 556 by Heitor Villa-Lobos
Performer:  Graham Anthony Devine (Guitar)
Period: 20th Century 
Written: 1958-1959; Brazil 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 4 Minutes 20 Secs. 
28.
Appassionata by Ronaldo Miranda
Performer:  Graham Anthony Devine (Guitar)
Period: 20th Century 
Written: Brazil 
Venue:  St. John Chrysostom, Newmarket, Ontario 
Length: 7 Minutes 49 Secs. 
29.
Prelude for Guitar by Carlos Fariñas
Performer:  Marco Tamayo (Guitar)
Period: 20th Century 
Written: Cuba 
30.
Guyun - El meastro by Nico Rojas
Performer:  Marco Tamayo (Guitar)
Period: 20th Century 
Written: Cuba 
31.
En el abra del Yumuri by Nico Rojas
Performer:  Marco Tamayo (Guitar)
Period: 20th Century 
Written: Cuba 
32.
Francito y Alfonsito by Nico Rojas
Performer:  Marco Tamayo (Guitar)
Period: 20th Century 
Written: Cuba 
33.
Lilliam by Nico Rojas
Performer:  Marco Tamayo (Guitar)
Period: 20th Century 
Written: Cuba 
34.
Guajira a mi madre by Nico Rojas
Performer:  Marco Tamayo (Guitar)
Period: 20th Century 
Written: Cuba 
35.
Cancion by Aldo Rodriguez
Performer:  Marco Tamayo (Guitar)
Period: 20th Century 
Written: Cuba 
36.
Danza by Aldo Rodriguez
Performer:  Marco Tamayo (Guitar)
Period: 20th Century 
Written: Cuba 
37.
Suite breve by Harold Gramatges
Performer:  Marco Tamayo (Guitar)
Period: 20th Century 
Written: Cuba 
38.
Canción de cuna by Leo Brouwer
Performer:  Marco Tamayo (Guitar)
Period: 20th Century 
Written: by 1978; Cuba 
39.
Temas populares cubanos (3): Zapateado by Leo Brouwer
Performer:  Marco Tamayo (Guitar)
Period: 20th Century 
Written: Cuba 
40.
Ojos brujos by Leo Brouwer
Performer:  Marco Tamayo (Guitar)
Period: 20th Century 
Written: 1978; Cuba 
41.
Cancion Triste by Carlos Fariñas
Performer:  Marco Tamayo (Guitar)
Period: 20th Century 
Written: Cuba 
42.
Cantos Yoruba de Cuba by Hector Angulo
Performer:  Marco Tamayo (Guitar)
43.
El manicero by Edward Simon
Performer:  Marco Tamayo (Guitar)
Period: 20th Century 
44.
Piezas (3) Rioplatenses by Maximo Diego Pujol
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Written: 1992; Argentina 
Date of Recording: 2/2000 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 9 Minutes 44 Secs. 
45.
Suite del Plata no 1 by Maximo Diego Pujol
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Written: 1995; Argentina 
Date of Recording: 2/2000 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 11 Minutes 24 Secs. 
46.
Boulevard San Jorge by Narciso Saúl
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Written: 1990; Geneva, Switzerland 
Date of Recording: 2/2000 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 2 Minutes 45 Secs. 
47.
Serie Americana for Guitar by Hector Ayala
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Date of Recording: 2/2000 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 17 Minutes 6 Secs. 
48.
Sonata for Guitar no 1 by Carlos Guastavino
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Written: 1967; Argentina 
Date of Recording: 2/2000 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 13 Minutes 58 Secs. 
49.
Concordancias by Walter Heinze
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Written: 1996; Argentina 
Date of Recording: 2/2000 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 9 Minutes 47 Secs. 
50.
De la raíz a la copa by Juan Falú
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Written: Argentina 
Date of Recording: 2/2000 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 1 Minutes 44 Secs. 
51.
Del buen riego by Juan Falú
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Written: Argentina 
Date of Recording: 2/2000 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 1 Minutes 48 Secs. 
52.
Chacarera Ututa by Juan Falú
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Written: Argentina 
Date of Recording: 2/2000 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 2 Minutes 27 Secs. 
53.
Sonidos de aquel día by Quique Sinesi
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Venue:  St John Chrysostom, Newmarket, Canada 
54.
Contramarea by Quique Sinesi
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Venue:  St John Chrysostom, Newmarket, Canada 
55.
Ciel abierto by Quique Sinesi
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Venue:  St John Chrysostom, Newmarket, Canada 
56.
Doña Carmen by Carlos Moscardini
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Venue:  St John Chrysostom, Newmarket, Canada 
57.
Elegía por la muerte de un tanguero by Maximo Diego Pujol
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Written: 1992; Argentina 
Venue:  St John Chrysostom, Newmarket, Canada 
58.
Mate dulce by Sergio Natali
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Venue:  St John Chrysostom, Newmarket, Canada 
59.
Mate caliente by Sergio Natali
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Venue:  St John Chrysostom, Newmarket, Canada 
60.
Hora libre by Victor Villadangos
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Venue:  St John Chrysostom, Newmarket, Canada 
61.
Tucututá by Victor Villadangos
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Venue:  St John Chrysostom, Newmarket, Canada 
62.
El Felipe by Pepe Ferrer
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Venue:  St John Chrysostom, Newmarket, Canada 
63.
Imaginario popular Argentino: no 1, Pachamama by Marcelo Coronel
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Venue:  St John Chrysostom, Newmarket, Canada 
64.
Imaginario popular Argentino: no 2, Salamanca by Marcelo Coronel
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Venue:  St John Chrysostom, Newmarket, Canada 
65.
Imaginario popular Argentino: no 3, Coquena by Marcelo Coronel
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Venue:  St John Chrysostom, Newmarket, Canada 
66.
Imaginario popular Argentino: no 5, Velando al angelito by Marcelo Coronel
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Venue:  St John Chrysostom, Newmarket, Canada 
67.
Estudio for Guitar no 4 "Mal ando" by Julio Santillan
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Venue:  St John Chrysostom, Newmarket, Canada 
68.
Sonata for Guitar no 3 by Carlos Guastavino
Performer:  Victor Villadangos (Guitar)
Period: 20th Century 
Written: 1973; Argentina 
Venue:  St John Chrysostom, Newmarket, Canada 
69.
Divertimentos (6) for Guitar, Op. 13: no 1, Tempo di Minuetto in A major by Fernando Sor
Performer:  Marc Teicholz (Guitar)
Period: Romantic 
Written: by 1819 
Date of Recording: 2/1995 
Venue:  St. John's Church, Newmarket, Ontario 
Length: 1 Minutes 20 Secs. 
70.
Sonata for Guitar in D major, Op. 14 "Grand Solo" by Fernando Sor
Performer:  Marc Teicholz (Guitar)
Period: Romantic 
Written: by 1823; London, England 
Date of Recording: 2/1995 
Venue:  St. John's Church, Newmarket, Ontario 
Length: 9 Minutes 35 Secs. 
71.
Sonata for Guitar in C major, Op. 15b by Fernando Sor
Performer:  Marc Teicholz (Guitar)
Period: Romantic 
Written: by 1823; London, England 
Date of Recording: 2/1995 
Venue:  St. John's Church, Newmarket, Ontario 
Length: 8 Minutes 32 Secs. 
72.
Variations for Guitar in C major, Op. 15c by Fernando Sor
Performer:  Marc Teicholz (Guitar)
Period: Romantic 
Date of Recording: 2/1995 
Venue:  St. John's Church, Newmarket, Ontario 
Length: 8 Minutes 15 Secs. 
73.
Divertimentos (6) for Guitar, Op. 13: no 2, Waltz in G major by Fernando Sor
Performer:  Marc Teicholz (Guitar)
Period: Romantic 
Written: by 1819 
Date of Recording: 2/1995 
Venue:  St. John's Church, Newmarket, Ontario 
Length: 1 Minutes 44 Secs. 
74.
Divertimentos (6) for Guitar, Op. 13: no 3, Andantino in C major by Fernando Sor
Performer:  Marc Teicholz (Guitar)
Period: Romantic 
Written: by 1819 
Date of Recording: 2/1995 
Venue:  St. John's Church, Newmarket, Ontario 
Length: 2 Minutes 43 Secs. 
75.
Divertimentos (6) for Guitar, Op. 13: no 4, Cantabile in F major by Fernando Sor
Performer:  Marc Teicholz (Guitar)
Period: Romantic 
Written: by 1819 
Date of Recording: 2/1995 
Venue:  St. John's Church, Newmarket, Ontario 
Length: 1 Minutes 46 Secs. 
76.
Divertimentos (6) for Guitar, Op. 13: no 5, Andante pastorale in E major by Fernando Sor
Performer:  Marc Teicholz (Guitar)
Period: Romantic 
Written: by 1819 
Date of Recording: 2/1995 
Venue:  St. John's Church, Newmarket, Ontario 
Length: 4 Minutes 17 Secs. 
77.
Divertimentos (6) for Guitar, Op. 13: no 6, March in G major by Fernando Sor
Performer:  Marc Teicholz (Guitar)
Period: Romantic 
Written: by 1819 
Date of Recording: 2/1995 
Venue:  St. John's Church, Newmarket, Ontario 
Length: 3 Minutes 1 Secs. 
78.
Las Folias d'España, Op. 15a by Fernando Sor
Performer:  Marc Teicholz (Guitar)
Period: Romantic 
Written: by 1823 
Date of Recording: 2/1995 
Venue:  St. John's Church, Newmarket, Ontario 
Length: 5 Minutes 50 Secs. 
79.
Variations for Guitar on Paisiello's "Nel cor più non mi sento", Op. 16 by Fernando Sor
Performer:  Marc Teicholz (Guitar)
Period: Romantic 
Written: by 1823; London, England 
Date of Recording: 2/1995 
Venue:  St. John's Church, Newmarket, Ontario 
Length: 25 Minutes 49 Secs. 
80.
Divertimentos (6) for Guitar, Op. 1 by Fernando Sor
Performer:  Norbert Kraft (Guitar)
Period: Romantic 
Date of Recording: 2/1998 
Venue:  St John Chrysostom Church, Newmarket 
81.
Divertimentos (6) for Guitar, Op. 2 by Fernando Sor
Performer:  Norbert Kraft (Guitar)
Period: Romantic 
Written: by 1823; London, England 
Date of Recording: 2/1998 
Venue:  St John Chrysostom Church, Newmarket 
82.
Thème varié et menuet, Op. 3 by Fernando Sor
Performer:  Norbert Kraft (Guitar)
Period: Romantic 
Written: by 1816 
Date of Recording: 2/1998 
Venue:  St John Chrysostom Church, Newmarket 
83.
Cendrillon: March by Fernando Sor
Performer:  Norbert Kraft (Guitar)
Period: Romantic 
Written: 1822 
Date of Recording: 2/1998 
Venue:  St John Chrysostom Church, Newmarket 
84.
Fantasia for Guitar, Op. 4 by Fernando Sor
Performer:  Norbert Kraft (Guitar)
Period: Romantic 
Date of Recording: 2/1998 
Venue:  St John Chrysostom Church, Newmarket 
85.
Pétites Pièces (6) for Guitar, Op. 5 by Fernando Sor
Performer:  Norbert Kraft (Guitar)
Period: Romantic 
Written: by 1814 
Date of Recording: 2/1998 
Venue:  St John Chrysostom Church, Newmarket 
86.
Danza característica by Leo Brouwer
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: 1957; Cuba 
Date of Recording: 8/1995 
Venue:  Newmarket, Canada 
87.
Estudios sencillos (20) for Guitar by Leo Brouwer
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: Cuba 
Date of Recording: 8/1995 
Venue:  Newmarket, Canada 
88.
Preludio for Guitar by Leo Brouwer
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: 1956; Cuba 
Date of Recording: 8/1995 
Venue:  Newmarket, Canada 
89.
Piezas (3) sin título by Leo Brouwer
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: by 1972; Cuba 
Date of Recording: 8/1995 
Venue:  Newmarket, Canada 
90.
Temas populares cubanos (3): Guajira criolla by Leo Brouwer
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: Cuba 
Date of Recording: 8/1995 
Venue:  Newmarket, Canada 
91.
Tres apuntes by Leo Brouwer
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: 1959; Cuba 
Date of Recording: 8/1995 
Venue:  Newmarket, Canada 
92.
Canción de cuna by Leo Brouwer
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: by 1978; Cuba 
Date of Recording: 8/1995 
Venue:  Newmarket, Canada 
93.
Ojos brujos by Leo Brouwer
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: 1978; Cuba 
Date of Recording: 8/1995 
Venue:  Newmarket, Canada 
94.
Fuga for Guitar no 1 by Leo Brouwer
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: Cuba 
Date of Recording: 8/1995 
Venue:  Newmarket, Canada 
95.
Elogio de la Danza by Leo Brouwer
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: 1964; Cuba 
Date of Recording: 8/1995 
Venue:  Newmarket, Canada 
96.
Temas populares cubanos (3): Zapateado by Leo Brouwer
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: Cuba 
Venue:  Newmarket, Canada 
97.
Vespertina by Manuel Ponce
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: Mexico 
Date of Recording: 1/1996 
Venue:  St. John Chrystostom Church, Newmarket 
98.
Matinal by Manuel Ponce
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: Mexico 
Date of Recording: 1/1996 
Venue:  St. John Chrystostom Church, Newmarket 
99.
Canciones (3) populares mexicanas by Manuel Ponce
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: Mexico 
Date of Recording: 1/1996 
Venue:  St. John Chrystostom Church, Newmarket 
100.
Preludes (24) for Guitar by Manuel Ponce
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1929; Mexico 
Date of Recording: 1/1996 
Venue:  St. John Chrystostom Church, Newmarket 
101.
Piezas (4) for Guitar by Manuel Ponce
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1925-1933; Mexico 
Date of Recording: 1/1996 
Venue:  St. John Chrystostom Church, Newmarket 
102.
Scherzino mexicano by Manuel Ponce
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1909; Mexico 
Date of Recording: 1/1996 
Venue:  St. John Chrystostom Church, Newmarket 
103.
Postlude for Guitar by Manuel Ponce
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: by 1930; Mexico 
Date of Recording: 1/1996 
Venue:  St. John Chrystostom Church, Newmarket 
104.
Alborada for Guitar by Manuel Ponce
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1927; Paris, France 
Date of Recording: 1/1996 
Venue:  St. John Chrystostom Church, Newmarket 
105.
Canción popular Gallega by Manuel Ponce
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1927; Mexico 
Date of Recording: 1/1996 
Venue:  St. John Chrystostom Church, Newmarket 
106.
Prelude for Guitar in B minor by Manuel Ponce
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1925; Mexico 
Date of Recording: 1/1996 
Venue:  St. John Chrystostom Church, Newmarket 
107.
Courante for Guitar by Manuel Ponce
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: Mexico 
Date of Recording: 1/1996 
Venue:  St. John Chrystostom Church, Newmarket 
108.
Preludes (6) for Guitar by Manuel Ponce
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: Mexico 
Date of Recording: 1/1996 
Venue:  St. John Chrystostom Church, Newmarket 
109.
Estrellita by Manuel Ponce
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1912; Mexico 
Date of Recording: 1/1996 
Venue:  St. John Chrystostom Church, Newmarket 
110.
Prelude(s) for Guitar by Manuel Ponce
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: Mexico 
Date of Recording: 1/1996 
Venue:  St. John Chrystostom Church, Newmarket 
111.
Maxixa by Agustín Barrios Mangoré
Performer:  Antigoni Goni (Guitar)
Period: 20th Century 
Written: Paraguay 
Date of Recording: 4/1999 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 3 Minutes 18 Secs. 
112.
Un sueño en la floresta by Agustín Barrios Mangoré
Performer:  Antigoni Goni (Guitar)
Period: 20th Century 
Written: 1918; Paraguay 
Date of Recording: 4/1999 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 7 Minutes 10 Secs. 
113.
Waltzes (6) for Guitar, Op. 8: no 4 in G major by Agustín Barrios Mangoré
Performer:  Antigoni Goni (Guitar)
Period: 20th Century 
Written: 1923; Paraguay 
Date of Recording: 4/1999 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 4 Minutes 13 Secs. 
114.
Humoresque by Agustín Barrios Mangoré
Performer:  Antigoni Goni (Guitar)
Period: 20th Century 
Written: Paraguay 
Date of Recording: 4/1999 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 3 Minutes 16 Secs. 
115.
Sarita by Agustín Barrios Mangoré
Performer:  Antigoni Goni (Guitar)
Period: 20th Century 
Written: Paraguay 
Date of Recording: 4/1999 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 3 Minutes 35 Secs. 
116.
Waltzes (6) for Guitar, Op. 8: no 1, Junto a tu corazon by Agustín Barrios Mangoré
Performer:  Antigoni Goni (Guitar)
Period: 20th Century 
Written: Paraguay 
Date of Recording: 4/1999 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 3 Minutes 58 Secs. 
117.
Mabelita by Agustín Barrios Mangoré
Performer:  Antigoni Goni (Guitar)
Period: 20th Century 
Written: Paraguay 
Date of Recording: 4/1999 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 2 Minutes 0 Secs. 
118.
Tu y Yo by Agustín Barrios Mangoré
Performer:  Antigoni Goni (Guitar)
Period: 20th Century 
Written: Paraguay 
Date of Recording: 4/1999 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 4 Minutes 18 Secs. 
119.
Villancico de Navidad by Agustín Barrios Mangoré
Performer:  Antigoni Goni (Guitar)
Period: 20th Century 
Written: 1943; Paraguay 
Date of Recording: 4/1999 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 2 Minutes 33 Secs. 
120.
Waltzes (6) for Guitar, Op. 8: no 6, Pepita by Agustín Barrios Mangoré
Performer:  Antigoni Goni (Guitar)
Period: 20th Century 
Written: Paraguay 
Date of Recording: 4/1999 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 5 Minutes 54 Secs. 
121.
Suite Andina by Agustín Barrios Mangoré
Performer:  Antigoni Goni (Guitar)
Period: 20th Century 
Written: 1923; Paraguay 
Date of Recording: 4/1999 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 12 Minutes 35 Secs. 
122.
Gavota Madrigal by Agustín Barrios Mangoré
Performer:  Antigoni Goni (Guitar)
Period: 20th Century 
Written: 1918; Paraguay 
Date of Recording: 4/1999 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 3 Minutes 38 Secs. 
123.
Vidalita con variaciones by Agustín Barrios Mangoré
Performer:  Antigoni Goni (Guitar)
Period: 20th Century 
Written: Paraguay 
Date of Recording: 4/1999 
Venue:  St. John Chrysostom Church, Newmarket 
Length: 3 Minutes 41 Secs. 
124.
La muerte del Angel by Astor Piazzolla
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: 1962; Argentina 
125.
Las estaciones porteñas (4): Primavera porteña by Astor Piazzolla
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: 1970; Argentina 
126.
Se ela perguntar by Dilermando Reis
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
127.
A don Agustin Bardi by Horacio Salgán
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: Argentina 
128.
El Choclo by Angel Villoldo
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
129.
Stella australis by Maximo Diego Pujol
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: Argentina 
130.
Elegía por la muerte de un tanguero by Maximo Diego Pujol
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: 1992; Argentina 
131.
Milonga Oriental by Abel Carlevaro
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
132.
Danza for Guitar in E minor by Jorge Morel
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
133.
Un Dia de Noviembre by Leo Brouwer
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
134.
Martha by Marco Pereira
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: Brazil 
135.
Promessa by Dilermando Reis
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
Written: Brazil 
136.
Little Rhapsody by Jorge Morel
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
137.
Milonga del viento by Jorge Morel
Performer:  Ricardo Cobo (Guitar)
Period: 20th Century 
138.
Giulio Regondi: Nocturne Reverie, Op. 19 by Giulio Regondi
Performer:  Ricardo Gallén (Guitar)
139.
Etudes (10) for Guitar: no 4 in E major, Adagio cantabile by Giulio Regondi
Performer:  Ricardo Gallén (Guitar)
Period: Romantic 
Written: London, England 
140.
Bardenklänge, Op. 13: Excerpt(s) by Johann Kaspar Mertz
Performer:  Ricardo Gallén (Guitar)
Period: Romantic 
Written: Vienna, Austria 
141.
Bardenklänge, Op. 13: Polonaise no 5 by Johann Kaspar Mertz
Performer:  Ricardo Gallén (Guitar)
Period: Romantic 
Written: Vienna, Austria 
142.
Bardenklänge, Op. 13: Polonaise no 6 by Johann Kaspar Mertz
Performer:  Ricardo Gallén (Guitar)
Period: Romantic 
Written: Vienna, Austria 
143.
Bardenklänge, Op. 13: Rondino by Johann Kaspar Mertz
Performer:  Ricardo Gallén (Guitar)
Period: Romantic 
Written: Vienna, Austria 
144.
Air varie no 1, Op. 21 by Giulio Regondi
Performer:  Ricardo Gallén (Guitar)
Period: Romantic 
145.
Air varie no 2, Op. 22 by Giulio Regondi
Performer:  Ricardo Gallén (Guitar)
Period: Romantic 
146.
Scherzo-Waltz by Miguel Llobet
Performer:  Lorenzo Micheli (Guitar)
Period: 20th Century 
Written: 1909; Spain 
147.
Etude Caprice in D major by Miguel Llobet
Performer:  Lorenzo Micheli (Guitar)
Period: 20th Century 
Written: 1899; Spain 
148.
Mazurka for Guitar by Miguel Llobet
Performer:  Lorenzo Micheli (Guitar)
Period: 20th Century 
Written: 1901; Spain 
149.
Respuesta Impromptu by Miguel Llobet
Performer:  Lorenzo Micheli (Guitar)
Period: 20th Century 
Written: 1922; Spain 
150.
Etude for Guitar in E major by Miguel Llobet
Performer:  Lorenzo Micheli (Guitar)
Period: 20th Century 
Written: 1899; Spain 
151.
Canciones (10) populares catalanas by Miguel Llobet
Performer:  Lorenzo Micheli (Guitar)
Period: 20th Century 
Written: 1899-1918; Spain 
152.
Preludio for Guitar by Miguel Llobet
Performer:  Lorenzo Micheli (Guitar)
Period: 20th Century 
Written: 1935 
153.
Prelude for Guitar in E by Miguel Llobet
Performer:  Lorenzo Micheli (Guitar)
Period: 20th Century 
Written: 1935; Spain 
154.
Prelude for Guitar in D major by Miguel Llobet
Performer:  Lorenzo Micheli (Guitar)
Period: 20th Century 
Written: 1935; Spain 
155.
Prelude for Guitar in A major by Miguel Llobet
Performer:  Lorenzo Micheli (Guitar)
Period: 20th Century 
Written: 1935; Spain 
156.
Prelude Original by Miguel Llobet
Performer:  Lorenzo Micheli (Guitar)
Period: 20th Century 
Written: 1912; Spain 
157.
Folksongs (4) by Miguel Llobet
Performer:  Lorenzo Micheli (Guitar)
Period: 20th Century 
Written: circa 1910; Spain 
158.
Romanza for Guitar in C minor by Miguel Llobet
Performer:  Lorenzo Micheli (Guitar)
Period: 20th Century 
Written: 1896; Spain 
159.
Variations for Guitar on a theme by Sor, Op. 15 by Miguel Llobet
Performer:  Lorenzo Micheli (Guitar)
Period: 20th Century 
Written: 1908; Spain 
160.
Introduction and Caprice for Guitar, Op. 23 by Giulio Regondi
Performer:  John Holmquist (Guitar)
Period: Romantic 
Written: by 1864; London, England 
161.
Etudes (10) for Guitar by Giulio Regondi
Performer:  John Holmquist (Guitar)
Period: Romantic 
Written: London, England 
162.
Fête villageoise, Op. 20: Rondo caprice by Giulio Regondi
Performer:  John Holmquist (Guitar)
Period: Romantic 
Written: Italy 
163.
Concerto for Guitar no 1 in A major, Op. 30 by Mauro Giuliani
Performer:  Dagoberto Linhares (Guitar)
Conductor:  Johannes Wildner
Orchestra/Ensemble:  Camerata Cassovia
Period: Romantic 
Written: by 1808; Vienna, Austria 
Date of Recording: 2/1991 
Venue:  House of Arts, Kosice, Czechoslovakia 
Length: 24 Minutes 54 Secs. 
164.
Trio Sonata for Violin, Lute and Basso Continuo in C major, RV 82 by Antonio Vivaldi
Performer:  Dagoberto Linhares (Guitar)
Conductor:  Johannes Wildner
Orchestra/Ensemble:  Camerata Cassovia
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 2/1991 
Venue:  House of Arts, Kosice, Czechoslovakia 
Length: 13 Minutes 30 Secs. 
165.
Concerto for Guitar in D major by Antonio Vivaldi
Performer:  Dagoberto Linhares (Guitar)
Conductor:  Johannes Wildner
Orchestra/Ensemble:  Camerata Cassovia
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 2/1991 
Venue:  House of Arts, Kosice, Czechoslovakia 
Length: 11 Minutes 12 Secs. 
166.
Concerto for 2 Mandolins in G major by Antonio Vivaldi
Performer:  Raymond Migy (Guitar), Dagoberto Linhares (Guitar)
Conductor:  Johannes Wildner
Orchestra/Ensemble:  Camerata Cassovia
Period: Baroque 
Date of Recording: 2/1991 
Venue:  House of Arts, Kosice, Czechoslovakia 
Length: 11 Minutes 56 Secs. 
167.
Sonatina for Guitar in A major by Federico Moreno-Torroba
Performer:  Dagoberto Linhares (Guitar)
Conductor:  Johannes Wildner
Orchestra/Ensemble:  Camerata Cassovia
Period: 20th Century 
Written: 1965; Spain 
Date of Recording: 2/1991 
Venue:  House of Arts, Kosice, Czechoslovakia 
Length: 11 Minutes 47 Secs. 
168.
Duet for 2 Guitars, Op. 34 "L'encouragement" by Fernando Sor
Performer:  Robert Kubica (Guitar), Wilma Van Berkel (Guitar)
Period: Romantic 
Written: after 1826; Paris, France 
Date of Recording: 1994 
Venue:  St. John's Church, Newmarket, Canada 
Length: 13 Minutes 35 Secs. 
169.
Divertimento for 2 Guitars, Op. 38 by Fernando Sor
Performer:  Wilma Van Berkel (Guitar), Robert Kubica (Guitar)
Period: Romantic 
Written: after 1826; Paris, France 
Date of Recording: 1994 
Venue:  St. John's Church, Newmarket, Canada 
Length: 8 Minutes 46 Secs. 
170.
Waltzes (6) for 2 Guitars, Op. 39 by Fernando Sor
Performer:  Wilma Van Berkel (Guitar), Robert Kubica (Guitar)
Period: Romantic 
Written: after 1826; Paris, France 
Date of Recording: 1994 
Venue:  St. John's Church, Newmarket, Canada 
Length: 14 Minutes 57 Secs. 
171.
Fantasia for 2 Guitars, Op. 41 "Les deux amis" by Fernando Sor
Performer:  Wilma Van Berkel (Guitar), Robert Kubica (Guitar)
Period: Romantic 
Written: after 1826; Paris, France 
Date of Recording: 1994 
Venue:  St. John's Church, Newmarket, Canada 
Length: 17 Minutes 18 Secs. 
172.
Waltzes (6) for 2 Guitars, Op. 44a by Fernando Sor
Performer:  Robert Kubica (Guitar), Wilma Van Berkel (Guitar)
Period: Romantic 
Written: Paris, France 
Date of Recording: 1994 
Venue:  St. John's Church, Newmarket, Canada 
Length: 11 Minutes 56 Secs. 
173.
Duet for 2 Guitars, Op. 49 "Divertimento militaire" by Fernando Sor
Performer:  Wilma Van Berkel (Guitar), Robert Kubica (Guitar)
Period: Romantic 
Written: after 1826; Paris, France 
Date of Recording: 1994 
Venue:  St. John's Church, Newmarket, Canada 
Length: 12 Minutes 19 Secs. 
174.
Duet for 2 Guitars, Op. 62 by Fernando Sor
Performer:  Robert Kubica (Guitar), Wilma Van Berkel (Guitar)
Period: Romantic 
Written: after 1825; Paris, France 
Date of Recording: 4/1995 
175.
Duets (3) for 2 Guitars, Op. 55 by Fernando Sor
Performer:  Wilma Van Berkel (Guitar), Robert Kubica (Guitar)
Period: Romantic 
Written: after 1825; Paris, France 
Date of Recording: 4/1995 
176.
Fantaisie for 2 Guitars, Op. 63 "Souvenir de Russie" by Fernando Sor
Performer:  Wilma Van Berkel (Guitar), Robert Kubica (Guitar)
Period: Romantic 
Written: after 1825; Paris, France 
Date of Recording: 4/1995 
177.
Le premier pas vers moi, Op. 53 by Fernando Sor
Performer:  Wilma Van Berkel (Guitar), Robert Kubica (Guitar)
Date of Recording: 4/1995 
178.
Divertimentos (3) for 2 Guitars, Op. 61 by Fernando Sor
Performer:  Robert Kubica (Guitar), Wilma Van Berkel (Guitar)
Period: Romantic 
Written: Paris, France 
Date of Recording: 4/1995 
179.
Fantasy for 2 Guitars, Op. 54a by Fernando Sor
Performer:  Wilma Van Berkel (Guitar), Robert Kubica (Guitar)
Period: Romantic 
Written: Paris, France 
Date of Recording: 4/1995 
180.
Chôros no 1 for Guitar by Heitor Villa-Lobos
Performer:  Norbert Kraft (Guitar)
Period: 20th Century 
Written: 1920; Brazil 
Date of Recording: 1998-99 
Venue:  St John Chrysostom Church, Canada 
Length: 4 Minutes 46 Secs. 
181.
Suite populaire brésilienne, W 20 by Heitor Villa-Lobos
Performer:  Norbert Kraft (Guitar)
Period: 20th Century 
Written: 1908-1912; Brazil 
Date of Recording: 1998-99 
Venue:  St John Chrysostom Church, Canada 
Length: 21 Minutes 29 Secs. 
182.
Etudes (12) for Guitar, W 235 by Heitor Villa-Lobos
Performer:  Norbert Kraft (Guitar)
Period: 20th Century 
Written: 1929; Paris, France 
Date of Recording: 1998-99 
Venue:  St John Chrysostom Church, Canada 
Length: 27 Minutes 51 Secs. 
183.
Preludes (5) for Guitar, W 419 by Heitor Villa-Lobos
Performer:  Norbert Kraft (Guitar)
Period: 20th Century 
Written: 1940; Brazil 
Date of Recording: 1998-99 
Venue:  St John Chrysostom Church, Canada 
Length: 16 Minutes 52 Secs. 
184.
Partita for Flute solo in A minor, BWV 1013 by Johann Sebastian Bach
Performer:  Enno Voorhorst (Guitar)
Period: Baroque 
Written: ?1720s; ?Cöthen, Germany 
185.
Concerto in D minor after Alessandro Marcello, BWV 974 by Johann Sebastian Bach
Performer:  Enno Voorhorst (Guitar)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
186.
Sonata for Violin solo no 1 in G minor, BWV 1001 by Johann Sebastian Bach
Performer:  Enno Voorhorst (Guitar)
Period: Baroque 
Written: 1720; Cöthen, Germany 
187.
Well-Tempered Clavier, Book 1: Prelude and Fugue no 9 in E major, BWV 854 - Prelude by Johann Sebastian Bach
Performer:  Enno Voorhorst (Guitar)
Period: Baroque 
Written: 1722; Cöthen, Germany 
188.
Prelude in C major, BWV 939 by Johann Sebastian Bach
Performer:  Enno Voorhorst (Guitar)
Period: Baroque 
189.
Capriccio in B flat major on the Departure of his Most Beloved Brother, BWV 992: 3rd movement, Adagissimo by Johann Sebastian Bach
Performer:  Enno Voorhorst (Guitar)
Period: Baroque 
Written: by 1705 
190.
Joropo by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
191.
María Carolina by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: Venezuela 
192.
Adiós a Ocumare by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: Venezuela 
193.
Papelón by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: Venezuela 
194.
Nelly by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: Venezuela 
195.
El niño by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: Venezuela 
196.
La Gatica by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: Venezuela 
197.
Triptico for Guitar by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1964; Venezuela 
198.
Zulay by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: Venezuela 
199.
Valses (6) venezolanos for Guitar: no 1, El marabiño by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1968; Venezuela 
200.
Valses (6) venezolanos for Guitar: no 4, Maria Luisa by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1968; Venezuela 
201.
Valses (6) venezolanos for Guitar: no 6, Angostura by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1968; Venezuela 
202.
Suite venezolana for Guitar by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1963; Argentina 
203.
Valses (4) venezolanos for Guitar: no 1, Tatiana by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1963; Venezuela 
204.
Valses (4) venezolanos for Guitar: no 2, Andreina by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1963; Venezuela 
205.
Valses (4) venezolanos for Guitar: no 3, Natalia/Criolla by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1963; Venezuela 
206.
Valses (4) venezolanos for Guitar: no 4, Yacambú by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1963; Venezuela 
207.
Valses (6) venezolanos for Guitar: no 2, El negrito by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1968; Venezuela 
208.
Variations for Guitar on a Venezuelan children's song by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1969; Venezuela 
209.
Valses (6) venezolanos for Guitar: no 5, Carora by Antonio Lauro
Performer:  Adam Holzman (Guitar)
Period: 20th Century 
Written: 1968; Venezuela 
210.
Concerto for Violin in E minor, Op. 11 no 2/RV 277 "Il favorito" by Antonio Vivaldi
Performer:  Gerald Garcia (Guitar)
Conductor:  Peter Breiner
Orchestra/Ensemble:  Camerata Cassovia
Period: Baroque 
Written: 1729; Venice, Italy 
Date of Recording: 6/1990 
Venue:  House of Arts, Kosice 
211.
Trio Sonata for Violin, Lute and Basso Continuo in C major, RV 82 by Antonio Vivaldi
Performer:  Karol Petroczi (Viola d'amore), Gerald Garcia (Guitar), Maria Licková (Harpsichord),
Pavol Gimcik (Cello)
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 6/1990 
Venue:  House of Arts, Kosice 
212.
Trio Sonata for Violin, Lute and Basso Continuo in G minor, RV 85 by Antonio Vivaldi
Performer:  Karol Petroczi (Viola d'amore), Gerald Garcia (Guitar), Pavol Gimcik (Cello),
Maria Licková (Harpsichord)
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 12/1990 
Venue:  House of Arts, Kosice 
213.
Concerto for Guitar in D major by Antonio Vivaldi
Performer:  Gerald Garcia (Guitar)
Conductor:  Peter Breiner
Orchestra/Ensemble:  Camerata Cassovia
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 6/1990 
Venue:  House of Arts, Kosice 
214.
Concerto for Harpsichord in D minor, BWV 1052 by Johann Sebastian Bach
Performer:  Gerald Garcia (Guitar)
Conductor:  Peter Breiner
Orchestra/Ensemble:  Camerata Cassovia
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
Date of Recording: 6/1990 
Venue:  House of Arts, Kosice 
Length: 25 Minutes 32 Secs. 
215.
Sonata for Guitar, Op. 21 no 1 by Ferdinando Carulli
Performer:  Richard Savino (Guitar)
Period: Romantic 
216.
Sonata for Guitar, Op. 21 no 2 by Ferdinando Carulli
Performer:  Richard Savino (Guitar)
Period: Romantic 
217.
Sonata for Guitar, Op. 21 no 3 by Ferdinando Carulli
Performer:  Richard Savino (Guitar)
Period: Romantic 
218.
Sonata for Guitar, Op. 5 by Ferdinando Carulli
Performer:  Richard Savino (Guitar)
Period: Romantic 
219.
Suite del recuerdo for Guitar by José Luis Merlin
Performer:  Jason Vieaux (Guitar)
Period: 20th Century 
Written: 1990; Argentina 
220.
Preludios (5) for Guitar: no 2, Preludio Tristón by Maximo Diego Pujol
Performer:  Jason Vieaux (Guitar)
Period: 20th Century 
Written: 1977-1979; Argentina 
221.
Preludio y Danza for Guitar by Julian Orbón
Performer:  Jason Vieaux (Guitar)
Period: 20th Century 
Written: 1950-1951; Cuba 
222.
Variations on a Moldavian Hora by Ian Krouse
Performer:  Jason Vieaux (Guitar)
Period: 20th Century 
Written: USA 
223.
Waltzes (6) for Guitar, Op. 8: no 3 in A minor by Agustín Barrios Mangoré
Performer:  Jason Vieaux (Guitar)
Period: 20th Century 
Written: circa 1919; Paraguay 
224.
Julia Florida by Agustín Barrios Mangoré
Performer:  Jason Vieaux (Guitar)
Period: 20th Century 
Written: 1938; Paraguay 
225.
Waltzes (6) for Guitar, Op. 8: no 4 in G major by Agustín Barrios Mangoré
Performer:  Jason Vieaux (Guitar)
Period: 20th Century 
Written: 1923; Paraguay 
226.
Chôro for Guitar by Jorge Morel
Performer:  Jason Vieaux (Guitar)
Period: 20th Century 
227.
Danza Brasilera by Jorge Morel
Performer:  Jason Vieaux (Guitar)
Period: 20th Century 
228.
Danza for Guitar in E minor by Jorge Morel
Performer:  Jason Vieaux (Guitar)
Period: 20th Century 
229.
Misionera by Fernando Bustamante
Performer:  Jason Vieaux (Guitar)
Period: 20th Century 
230.
Preludios (5) for Guitar: no 3, Tristango en vos by Maximo Diego Pujol
Performer:  Jason Vieaux (Guitar)
Period: 20th Century 
Written: 1977-1979; Argentina 
231.
Preludios (5) for Guitar: no 5, Candombe en mi by Maximo Diego Pujol
Performer:  Jason Vieaux (Guitar)
Period: 20th Century 
Written: 1977-1979; Argentina 
232.
Partita for Lute in E major, BWV 1006a by Johann Sebastian Bach
Performer:  Ana Vidovic (Guitar)
Period: Baroque 
Written: after 1720; Germany 
233.
Sonata romántica "Hommage à Franz Schubert" by Manuel Ponce
Performer:  Ana Vidovic (Guitar)
Period: 20th Century 
Written: 1929; Paris, France 
234.
Danza mora by Francisco Tarrega
Performer:  Ana Vidovic (Guitar)
Period: Romantic 
Written: Spain 
235.
Capricho árabe by Francisco Tarrega
Performer:  Ana Vidovic (Guitar)
Period: Romantic 
Written: Spain 
236.
Vals for Guitar by Francisco Tarrega
Performer:  Ana Vidovic (Guitar)
Period: Romantic 
Written: Spain 
237.
The Troubadours Three by Stjepan Sulek
Performer:  Ana Vidovic (Guitar)
Period: 20th Century 
238.
Bagatelles (5) for Guitar by Sir William Walton
Performer:  Ana Vidovic (Guitar)
Period: 20th Century 
Written: 1972; England 
239.
Fantasy for Guitar, Op. 107 by Malcolm Arnold
Performer:  Dejan Ivanovic (Guitar)
Period: 20th Century 
Written: 1971; England 
Date of Recording: 05/2002 
Venue:  Holy Martyrs of Japan Church, Ontario 
Length: 12 Minutes 9 Secs. 
240.
Recuerdos de la Alhambra by Francisco Tarrega
Performer:  Dejan Ivanovic (Guitar)
Period: Romantic 
Written: circa 1880-1905; Spain 
Date of Recording: 05/2002 
Venue:  Holy Martyrs of Japan Church, Ontario 
Length: 5 Minutes 52 Secs. 
241.
Homentage a Mistral by Matilde Salvador
Performer:  Dejan Ivanovic (Guitar)
Period: 20th Century 
Written: Spain 
Date of Recording: 05/2002 
Venue:  Holy Martyrs of Japan Church, Ontario 
Length: 9 Minutes 15 Secs. 
242.
Preludios (3) for Guitar "Urbanios" by Antón Garcia Abril
Performer:  Dejan Ivanovic (Guitar)
Period: 20th Century 
Written: Spain 
Date of Recording: 05/2002 
Venue:  Holy Martyrs of Japan Church, Ontario 
Length: 13 Minutes 38 Secs. 
243.
Cançons i dansas (14): no 13, El cant dels ocells/El bon caçador by Federico Mompou
Performer:  Dejan Ivanovic (Guitar)
Period: 20th Century 
Written: 1972; Spain 
Date of Recording: 05/2002 
Venue:  Holy Martyrs of Japan Church, Ontario 
Length: 4 Minutes 29 Secs. 
244.
Sonata for Guitar by Richard Rodney Bennett
Performer:  Dejan Ivanovic (Guitar)
Period: 20th Century 
Written: 1983; England 
Date of Recording: 05/2002 
Venue:  Holy Martyrs of Japan Church, Ontario 
Length: 19 Minutes 18 Secs. 
245.
Study in moto perpetuo "Brevity Can Save the Nation" by Gordon McPherson
Performer:  Dejan Ivanovic (Guitar)
Period: 20th Century 
Written: 1997; Scotland 
Date of Recording: 05/2002 
Venue:  Holy Martyrs of Japan Church, Ontario 
Length: 4 Minutes 0 Secs. 

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