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Byrd: Laudibus In Sanctis, Etc / Carwood, Cardinall's Musick


Release Date: 01/16/2007 
Label:  Hyperion   Catalog #: 67568   Spars Code: DDD 
Composer:  William Byrd
Performer:  Rebecca OutramJulian StockerCaroline TrevorRobert Evans,   ... 
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 10 Mins. 

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Notes and Editorial Reviews



BYRD Quis est homo? Tribulatio proxima est. Apparebit in finem. Salve sancta parens. Alleluia Ave Maria. Alleluia Virga Jesse. Beata est virgo. Beata viscera. Regina caeli. Salve regina. Fac cum servo tuo. Ecce quam bonum. In manus tuas. Unam petii. Visita quaesumus. Domine exaudi orationem meam inclina. Laudibus in sanctis Andrew Carwood, dir; The Cardinal’s Musick HYPERION 67568 (69:45 & )


As the label has made clear, Andrew Carwood has moved Read more to Hyperion to continue his complete works of William Byrd after nine discs on ASV (Gaudeamus on the last two issues). In the same pattern as before, he has reached the Cantiones Sacrae of 1591, inserting a set of Mass Propers (the Ladymass in Eastertide) and five other motets from the Gradualia . It is already two decades since Edward Higginbottom recorded a selection of music from the 1591 book, but only three pieces are duplicated here. Not surprisingly, the book’s big hit, Laudibus in sanctis , began that program (as it led off the edition) and concludes this one. The other two, Tribulatio proxima est and Fac cum servo tuo , were first recordings there and apparently only their second here. For the rest of the 1591 selections, only the Salve regina à 5 has been recorded before. The Marian Mass Propers were part of Gavin Turner’s collection of Gradualia movements (14:5), a “Volume 1” on this label that never led to a second.


Hence Carwood continues his plan to distribute the Gradualia pieces sparingly through the series of discs, a wise choice (as Turner’s unfortunately tight concentration of those pieces proved). He is close to an ideal interpreter of this music, his insight into the music combining with his sympathy for the composer. The change of labels has no effect on the quality of the product, for the recordings continue to be made by the same staff. (Many other groups operate in the same way, delivering the completed disc for distribution.) The program is effectively arranged, for Quis est homo? is an appeal for right living drawn from Psalm 33 that opens the program as strongly as the masterly Laudibus in sanctis (a paraphrase of Psalm 150) closes it. We look forward eagerly to the completion of this project. If you have not heard the previous discs, this is as good a place as any to start. If you know the earlier issues, you will need no encouragement.


FANFARE: J. F. Weber
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Works on This Recording

1.
Salve regina by William Byrd
Performer:  Rebecca Outram (Soprano), Julian Stocker (Tenor), Caroline Trevor (Alto),
Robert Evans (Baritone), Robert [Bass Voice] MacDonald (Bass)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1591; England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 7 Minutes 7 Secs. 
Language: Latin 
2.
Liber secundus sacrarum cantionum: Laudibus in sanctis by William Byrd
Performer:  Robert Evans (Baritone), Cecilia Osmond (Soprano), Patrick Craig (Countertenor),
Jeremy Budd (Tenor), Carys-Anne Lane (Soprano)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1591; London, England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 5 Minutes 44 Secs. 
Language: Latin 
3.
Liber secundus sacrarum cantionum: Quis est homo? by William Byrd
Performer:  Patrick Craig (Countertenor), Cecilia Osmond (Soprano), Carys-Anne Lane (Soprano),
Jeremy Budd (Tenor), Robert [Bass Voice] MacDonald (Bass)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1591; London, England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 6 Minutes 19 Secs. 
Language: Latin 
4.
Liber secundus sacrarum cantionum: Tribulatio proxima est by William Byrd
Performer:  Julian Stocker (Tenor), Robert Evans (Baritone), Robert [Bass Voice] MacDonald (Bass),
Thomas Hobbs (Tenor), Caroline Trevor (Alto)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1591; London, England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 5 Minutes 28 Secs. 
Language: Latin 
5.
Liber secundus sacrarum cantionum: Apparebit in finem by William Byrd
Performer:  Robert [Bass Voice] MacDonald (Bass), Thomas Hobbs (Tenor), Julian Stocker (Tenor),
Carys-Anne Lane (Soprano), David Gould (Countertenor)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1591; London, England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 2 Minutes 33 Secs. 
Language: Latin 
6.
Liber secundum sacrarum cantionum: Fac cum servo tuo by William Byrd
Performer:  Carys-Anne Lane (Soprano), Patrick Craig (Countertenor), Andrew Carwood (Tenor),
Jeremy Budd (Tenor), Robert [Bass Voice] MacDonald (Bass)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1591; England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 4 Minutes 41 Secs. 
Language: Latin 
7.
Gradualia, Volume 1: Part 3 - Regina coeli by William Byrd
Performer:  Carys-Anne Lane (Soprano), David Gould (Countertenor), Thomas Hobbs (Tenor),
Robert [Bass Voice] MacDonald (Bass), Robert Evans (Baritone)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1605; England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 4 Minutes 48 Secs. 
Language: Latin 
8.
Gradualia, Volume 1: Part 1 - Salve sancta parens by William Byrd
Performer:  Robert [Bass Voice] MacDonald (Bass), Robert Evans (Baritone), Thomas Hobbs (Tenor),
David Gould (Countertenor), Carys-Anne Lane (Soprano)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1605; England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 4 Minutes 37 Secs. 
Language: Latin 
9.
Gradualia, volume 1: Part 1 - Beata es, Virgo Maria by William Byrd
Performer:  Robert Evans (Baritone), Robert [Bass Voice] MacDonald (Bass), Carys-Anne Lane (Soprano),
David Gould (Countertenor), Thomas Hobbs (Tenor)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1605; England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 2 Minutes 6 Secs. 
Language: Latin 
10.
Beata viscera Mariae Virginis by William Byrd
Performer:  Carys-Anne Lane (Soprano), David Gould (Countertenor), Thomas Hobbs (Tenor),
Robert [Bass Voice] MacDonald (Bass), Robert Evans (Baritone)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 1 Minutes 48 Secs. 
Language: Latin 
11.
Gradualia, Volume 1: Part 2 - Visita quaesumus, Domine by William Byrd
Performer:  Jeremy Budd (Tenor), Patrick Craig (Countertenor), Carys-Anne Lane (Soprano),
Cecilia Osmond (Soprano)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1605; England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 3 Minutes 19 Secs. 
Language: Latin 
12.
Gradualia, Volume 1: Part 1 - no 20, Alleluia, Ave Maria...reconcilians ima summis by William Byrd
Performer:  Robert [Bass Voice] MacDonald (Bass), Robert Evans (Baritone), Thomas Hobbs (Tenor),
David Gould (Countertenor), Carys-Anne Lane (Soprano)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1605; England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 3 Minutes 39 Secs. 
Language: Latin 
13.
Gradualia, Volume 1: Part 2 - no 9, Ecce quam bonum by William Byrd
Performer:  Rebecca Outram (Soprano), Caroline Trevor (Alto), Julian Stocker (Tenor),
Robert Evans (Baritone)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1605; England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 3 Minutes 41 Secs. 
Language: Latin 
14.
Gradualia, Volume 1: Part 2 - no 15, In manus tuas, Domine by William Byrd
Performer:  Robert [Bass Voice] MacDonald (Bass), Jeremy Budd (Tenor), Cecilia Osmond (Soprano),
Carys-Anne Lane (Soprano)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1605; England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 2 Minutes 14 Secs. 
Language: Latin 
15.
Gradualia, Volume 1: Part 1 - no 27, Unam petii a Domino by William Byrd
Performer:  Robert Evans (Baritone), Carys-Anne Lane (Soprano), Rebecca Outram (Soprano),
David Gould (Countertenor), Thomas Hobbs (Tenor)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1605; England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 3 Minutes 50 Secs. 
Language: Latin 
16.
Liber secundus sacrarum cantionum: Domine, exaudi orationem meam, inclina aurem by William Byrd
Performer:  Thomas Hobbs (Tenor), Rebecca Outram (Soprano), Robert Evans (Baritone),
Julian Stocker (Tenor), Robert [Bass Voice] MacDonald (Bass)
Conductor:  Andrew Carwood
Orchestra/Ensemble:  The Cardinall's Musick
Period: Renaissance 
Written: by 1591; London, England 
Date of Recording: 05/2006 
Venue:  Fitzalan Chapel, Arundel Castle, England 
Length: 6 Minutes 26 Secs. 
Language: Latin 

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