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Wagner: Der Ring Des Nibelungen / De Billy

Wagner / Zagrosek (11pc) / (Box)
Release Date: 11/21/2006 
Label:  Opus Arte   Catalog #: 962  
Composer:  Richard Wagner
Performer:  Graham ClarkKwangchul YounLioba BraunFalk Struckmann,   ... 
Conductor:  Bertrand De Billy
Orchestra/Ensemble:  Barcelona Teatro Liceu Orchestra
Number of Discs: 11 
Recorded in: Stereo 
Back Order: Usually ships in 2 to 3 weeks.  

Notes and Editorial Reviews

Filmed at Barcelona's Gran Teatre del Liceu in 2004.

Region Code: All regions
Picture format: 16:9 Anamorphic
Sound format: DTS Surround, PCM Stereo
Menu languages: English
SUBTITLES: English, French, German, Spanish, Italian.

R E V I E W S

DAS RHEINGOLD:

"May the gods be praised: a DVD Rheingold that works...we finally have a decent modern staging on DVD, recorded in vivid surround-sound..."
- GRAMOPHONE

"Das Rheingold can be a diverting presentation of the Ring’s back story, casually enjoyed before three more strenuous evenings—or it can get right to the heart of the matter. Harry Kupfer’s production is definitely of
Read more the latter variety. Kupfer is an experienced Wagnerian, having created a Ring at Bayreuth in the 1980s. The more recent production on this two-DVD set, filmed in 2004 at the Gran Teatre del Liceu in Barcelona, was originally introduced at the Deutsche Staatsoper Berlin. It begins, even before the low E flat sounds in the orchestra, with Wotan walking on stage to break off a branch from the ancient ash tree for his treaty-inscribed spear—Nature violated for the sake of society’s rules. What makes this Rheingold so compelling, though, is the representation of Alberich and Wotan as two more-or-less equal, ambiguous forces... As excellent as Struckmann and von Kannen are, the real spark plug for this Das Rheingold is Graham Clark as Loge. Clark...plays the trickster demigod to perfection... Bertrand de Billy keeps things moving along from the pit... Visually, the production is stunning, with evocative sets, imaginative costumes, and some striking lighting effects, as when the gold first gives off its light in the opening scene. The video transfer is excellent, with luminous colors. Audio-wise, in addition to PCM stereo, there’s a 5.1 DTS multichannel option but no Dolby Digital program. The surround sound is superb, with the voices seemingly embedded in the orchestral fabric, an experience approximating the unique acoustic of Bayreuth’s Festspielhaus. Voices are accurately positioned, in terms of where the singers are located on stage. There’s occasionally direct sound from behind—when Donner summons up some thunder in the final scene, for instance. Subtitles are available not only in English, German, French, Italian, and Spanish but also in Catalan."
- Andrew Quint, FANFARE

SIEGFRIED:

"The third installment of Harry Kupfer’s Ring, as performed in Barcelona at the Gran Theatre del Liceu during the 2003 and 2004 seasons, impresses with both musical and production values, as did the two previous releases... Falk Struckmann is a majestic yet calmly resigned Wanderer, Deborah Polaski a lyrically vulnerable Brünnhilde, Günter von Kannen a short-of-entirely-contemptible Alberich, and Andrea Bönig, entangled in glowing ropes, is a timelessly knowing Erde. Thankfully, Graham Clark, who stole the show as Loge in Das Rheingold, returns as Mime, here looking like that skanky auto mechanic who overcharged you for your last brake job. As always, his facial expressions are priceless and the gracefully mobile Clark is all over the set. Eric Halfvarson, Walküre’s Hunding, is back as Fafner. After Siegfried has mortally wounded him, he’s transformed back to his earlier incarnation as a giant and, as a result, his dying words to the clueless hero are more poignant than usual."
- Andrew Quint, FANFARE

GOTTERDAMMERUNG:

"With Siegfried and Götterdämmerung, the Liceu crowned the Ring cycle with complete success at all levels, beginning with Harry Kupfer’s clever production from Berlin. Bertrand de Billy, in his last performances as music director of the theatre, enjoyed a well-deserved personal triumph."
- OPERA, September 2004

"The final installment of director Harry Kupfer’s second Ring — the first was a Bayreuth production in the late 1980s — completes his vision of the dramas as an object lesson on how humankind destroys itself as it destroys the natural world. The giant ash tree from which Wotan appropriated a branch to fashion his treaty-inscribed spear has progressively dwindled and very little remains when the curtain comes up on the Norns. Instead, the stage is stark with hard, cold metallic surfaces and features suggesting an impersonal and heartless technology... The entire Ring is open to multiple interpretations but nothing is as ambiguous as the very end. Kupfer’s take is inspired and immensely satisfying—at least for those who see in Wagner’s work a glimmer of hope for humanity. For much of her final scene, Deborah Polaski sings with a firm tenderness, her finest moment in the three operas she’s been in. When the hall of the Gibichungs is swept away and the flames have consumed Valhalla, we find Alberich center-stage, having retrieved his ring and holding the prize at arms length to admire it in ecstatic triumph. Then, as the curtain descends, the ring crumbles in his hand, an event witnessed by two young children clutching onto a small, new sapling of an ash tree: the world has been reborn."
- Andrew Quint, FANFARE
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Works on This Recording

1.
Der Ring des Nibelungen by Richard Wagner
Conductor:  Bertrand De Billy
Orchestra/Ensemble:  Barcelona Teatro Liceu Orchestra
Period: Romantic 
Written: 1853-1874; Germany 
2.
Das Rheingold by Richard Wagner
Performer:  Graham Clark (Tenor), Kwangchul Youn (Bass), Lioba Braun (Alto),
Falk Struckmann (Baritone), Günter von Kannen (Bass)
Conductor:  Bertrand De Billy
Orchestra/Ensemble:  Barcelona Teatro Liceu Orchestra
Period: Romantic 
Written: 1854; Germany 
3.
Die Walküre by Richard Wagner
Performer:  Falk Struckmann (Baritone), Richard Berkeley-Steele (Tenor), Lioba Braun (Alto),
Deborah Polaski (Soprano), Linda Watson (Soprano), Eric Halfvarson (Bass)
Conductor:  Bertrand De Billy
Orchestra/Ensemble:  Barcelona Teatro Liceu Orchestra
Period: Romantic 
Written: 1856; Germany 
4.
Siegfried by Richard Wagner
Performer:  Falk Struckmann (Baritone), John Treleaven (Tenor), Graham Clark (Tenor),
Deborah Polaski (Soprano), Eric Halfvarson (Bass)
Conductor:  Bertrand De Billy
Orchestra/Ensemble:  Barcelona Teatro Liceu Orchestra
Period: Romantic 
Written: 1871; Germany 
5.
Götterdämmerung by Richard Wagner
Performer:  Leandra Overmann (Mezzo Soprano), Elisabete Matos (Mezzo Soprano), Matti Salminen (Bass),
Falk Struckmann (Baritone), Francisca Beaumont (Mezzo Soprano), Günter von Kannen (Bass),
Julia Juon (Mezzo Soprano), Deborah Polaski (Soprano), Cristina Obregón (Soprano),
John Treleaven (Tenor)
Conductor:  Bertrand De Billy
Orchestra/Ensemble:  Barcelona Teatro Liceu Orchestra
Period: Romantic 
Written: 1871-1874; Germany 

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