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Strauss: Arabella / Solti, Della Casa, London


Release Date: 10/10/2006 
Label:  Decca   Catalog #: 000710502   Spars Code: ADD 
Composer:  Richard Strauss
Performer:  Waldemar KmenttHilde GuedenEberhard WächterWilhelm Lenninger,   ... 
Conductor:  Sir Georg Solti
Orchestra/Ensemble:  Vienna State Opera ChorusVienna Philharmonic Orchestra
Number of Discs: 2 
Recorded in: Mono 
Length: 2 Hours 25 Mins. 

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Notes and Editorial Reviews

Contains translated libretto and plot synopsis booklet.

3042350.az_R_STRAUSS_Arabella_Georg.html

R. STRAUSS Arabella Georg Solti, cond; Lisa Della Casa ( Arabella ); Otto Edelmann ( Graf Waldner ); Ira Malaniuk ( Adelaide ); Hilde Gueden ( Zdenka ); George London Read more ( Mandryka ); Anton Dermota ( Matteo ); Vienna PO DECCA 000710502 (2 CDs: 144:30 & )


This recording is a marvel! It was made back in 1957, right before Solti’s Wagner Ring cycle project. Being in the Decca catalog for many years, it has long since become a legendary recording. Although the sound is dated, it still stands as one of the very best. John Culshaw was Decca’s visionary young producer who not only worked on Solti’s Wagner studio recordings, but also on many others among which was this wonderful Arabella.


Arabella was the last collaboration between the composer and Hugo von Hofmannsthal, librettist of Strauss’s most successful operas. Strauss had left the path of modernism he followed earlier with Elektra or Salome in order to find a more lyrical, realistic (and less successful) style.


The cast is the real highlight here; Lisa Della Casa was a phenomenal Mozart and Strauss interpreter, ranking among the finest singers of her time. She performed and recorded the role of Arabella frequently, each time with great success. Here, she’s in the prime of her career; fresh and perceptive—without any unnecessary exaggerations. Otto Edelman is simply terrific as Graf Waldner, as is George London as Mandryka, the mistrustful, rich stranger. Both Hilde Gueden as Zdenka (Arabella’s sister) and Ira Malaniuk as Adelaide (their mother) sound very fresh, singing with astounding virtuosity.


Conductor and orchestra are in great shape, too. Georg Solti obviously feels comfortable with Strauss’s orchestration, and he leads the Vienna Philharmonic with fire and insight. His ever-forward pushing approach to the music works particularly well—bringing great passion and excitement. As always with Strauss, the score is tricky for both singers and orchestra; but isn’t that what we have the Vienna Philharmonic for? It produces a gorgeous sound with full basses and warm strings. However, this was recorded from the early days of stereo. At times, the woodwinds sound somewhat squeezed and the brass a bit harsh. Fortunately, the engineers provided us with a first-rate, 24-bit re-mastering.


There are not so many recordings of Arabella available on the market, but a performance that I still cherish personally is Joseph Keilberth’s live, stereo recording on DG. It was recently re-released at budget price, and you get Della Casa and Fischer-Dieskau in a similarly terrific performance. I find it has a bit more spontaneity and wit.


Given the fact that this performance has been so wonderfully re-mastered and re-released at budget price, with synopsis and libretto, it’s a real bargain.


FANFARE: Bart Verhaeghe
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Works on This Recording

1. Arabella, Op. 79 by Richard Strauss
Performer:  Waldemar Kmentt (Tenor), Hilde Gueden (Soprano), Eberhard Wächter (Baritone),
Wilhelm Lenninger (Spoken Vocals), Lisa Della Casa (Soprano), Judith Hellwig (Soprano),
Mimi Coertse (Soprano), Harald Pröglhöf (Bass), Fritz Sengl (Spoken Vocals),
Otto Vajda (Spoken Vocals), Karl Kolowratnik (Spoken Vocals), Anton Dermota (Tenor),
Ira Malaniuk (Mezzo Soprano), Otto Edelmann (Baritone), George London (Bass Baritone)
Conductor:  Sir Georg Solti
Orchestra/Ensemble:  Vienna State Opera Chorus,  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1929-1932; Germany 
Date of Recording: 1957 
Venue:  Sofiensaal, Vienna, Austria 
Length: 144 Minutes 30 Secs. 
Language: German 

Sound Samples

Arabella / Act 1: Die Karten fallen besser als das letzte Mal
Arabella / Act 1: Sie wollen alle Geld!
Arabella / Act 1: Matteo!
Arabella / Act 1: Ich danke, Fräulein
Arabella / Act 1: Er ist der Richtige nicht für mich!
Arabella / Act 1: Aber der Richtige, wenn's einen gibt für mich
Arabella / Act 1: Das ist der Schlitten vom Elemer
Arabella / Act 1: So triumphierend treten Sie herein?
Arabella / Act 1: Laßt uns allein, meine Kinder
Arabella / Act 1: Mandryka!
Arabella / Act 1: Herr Graf, Sie haben Ihrem werten Brief
Arabella / Act 1: Der Onkel ist dahin
Arabella / Act 1: Das ist der Fall von andrer Art
Arabella / Act 1: Mein Elemer! ... Nach dem Matteo sehnt sich
Arabella / Act 2: Das ist ein Engel
Arabella / Act 2: Sie sehn nicht aus wie jemand
Arabella / Act 2: Ich habe eine Frau gehabt
Arabella / Act 2: Sie wolln mich heiraten, sagt mein Vater
Arabella / Act 2: Und du wirst mein Gebieter sein
Arabella / Act 2: Die Wiener Herrn verstehn sich auf die Astronomie
Arabella / Act 2: Sind Sie allein?
Arabella / Act 2: Und jetzt sag ich Adieu
Arabella / Act 2: O Arabella, gibt es was Schöneres
Arabella / Act 2: Ein Feigling bin ich
Arabella / Act 2: Und wenn hier viele Arabella heissen
Arabella / Act 2: Ging durch einen Wald
Arabella / Act 3: Einleitung ... Über seine Felder
Arabella / Act 3: Sie hier? So muss ich fragen, Arabella
Arabella / Act 3: Welch ein erregtes Tête-à-tête
Arabella / Act 3: Papa, so schau mir ins Gesicht!
Arabella / Act 3: Ich gratuliere Ihnen, Herr Leutnant
Arabella / Act 3: Papa, Mama!
Arabella / Act 3: Sehr gut. Jetzt habe ich mein richtiges Vis-à-vis
Arabella / Act 3: Zdenkerl, du bist die Bessre von uns zweien
Arabella / Act 3: Mandryka!
Arabella / Act 3: Mit diesem Herrn da trete ich vor Ihnen
Arabella / Act 3: Sie gibt mir keinen Blick, sie sagt nicht gute Nacht
Arabella / Act 3: Das war sehr gut, Mandryka
Arabella / Act 3: Dann aber, wie ich Sie gespürt hab hier im Finstern

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