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Tchaikovsky: Violin Concerto, Etc; Mussorgsky: Pictures / Perlman, Ormandy

Tchaikovsky / Perlman / Phl / Ormandy
Release Date: 09/26/2006 
Label:  Euroarts   Catalog #: 2072128  
Composer:  Peter Ilyich TchaikovskyModest Mussorgsky
Performer:  Itzhak Perlman
Conductor:  Eugene Ormandy
Orchestra/Ensemble:  Philadelphia Orchestra
Number of Discs: 1 
Recorded in: Stereo 
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Notes and Editorial Reviews

Recorded live at the Academy of Music, Philadelphia, 1978/79

Picture format: NTSC 4:3 full screen
Sound format: PCM Stereo / Dolby Digital 5.1 / DTS 5.1
Region code: 0 (all)
Booklet notes: English, German, French
Running time: 89 mins

* Eugene Ormandy served as Musical Director of the Philadelphia Orchestra from 1936 until 1980. Under his direction, the orchestra became known for its warm, textured Romantic "Philadelphia Sound."
* The DVD features works from Ormandy's favourite Russian repertoire in the years just preceding his retirement.
* This recording of the concerto from Philadelphia, made when Itzhak Perlman was 34, corroborates violin expert Tully
Read more Potter's New Grove contention that Perlman is "one of the greatest musical talents to emerge since World War II" and that "he has dominated the last quarter of the 20th century with performances ranging from the scintillating to the Olympian."

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This DVD is a compilation of two films made by Unitel in the late 1970s. Both showcase the Philadelphia Orchestra and their long serving principal conductor Eugene Ormandy. It is also an entirely Russian programme. There appears, then, to be a logic to the combination. However, matters are not quite that simple.

The highlight of the disc is Perlman’s magnificent performance of the Tchaikovsky concerto. Collectors may already be familiar with his conception of the work from the audio recording that he made with the Israel Philharmonic under Zubin Mehta in Russia (now also available on DVD). The present performance is flawlessly played, the passage work excellent and the double - and occasionally triple - stopped chords precisely in tune. Just listen to the first movement cadenza. Perlman has a spiccato to die for and provides a generous quantity of portamenti. The first movement begins at a sensible tempo but as soon as Perlman and Ormandy see a piu mosso indication, the tension increases quite considerably. The final allegro giusto is similarly sensational, as is the ending of the movement. Ormandy was always an excellent accompanist in concerti, but here the orchestral tuttis have a certain stoicism to them; whilst Perlman generates considerable electricity, the moments when he is not playing tend to sag a little. Perhaps this was due to a disagreement over interpretation. Ormandy’s conducting is throughout noble, Perlman’s playing all fireworks and heart-on-sleeve emotion. The visuals emphasise this. Whilst Perlman is frequently smiling, the Philadelphia players simply look bored. Nevertheless the impact of this movement is incendiary, prompting the audience to prolonged applause.

Happily the rest of the concerto maintains the high standard set by the first movement. The central canzonetta is played at a swifter, more flowing tempo than usual and gains immeasurably for it. Perlman’s warm, burnished tone is an asset here. The final movement begins with a forceful, fearless solo and then settles into an astonishingly fast allegro. In short Perlman demonstrates some astoundingly good violin playing here, particularly when playing octaves (perfectly tuned) or harmonics. The Philadelphians provide some lovely wind details in the meno mosso sections, although some might find such moments a little too flexible. However, the final pages are electrifying, even the uninterested orchestral players galvanised to some fiery playing. Needless to say, Perlman gets a rapturous reception.

The rest of the programme is variable. Ormandy has always been an underrated conductor. Perhaps the sheer volume of his recorded legacy has tempted some to brand him a ‘hack’ conductor. He remained at the helm of the Philadelphia Orchestra for an incredible 42 years and the rapport between conductor and orchestra is evident throughout these performances. There are, however, problems. Romeo and Juliet probably comes off best. As the booklet notes point out, this is not a performance of extreme tempo contrasts. Rather, Ormandy varies the tempi only slightly. The result is somewhat less exciting than the norm, but all the more moving for it. The orchestra play magnificently, the wind particularly providing some lovely playing.

Pictures at an Exhibition continues the trend of sensible tempi and a lack of visceral excitement. This was an Ormandy speciality, and whilst there is a certain symphonic grandeur to the performance there is a definite lack of excitement. Suffice to say ‘The Great Gate of Kiev’ makes an awesome impression, due mostly to the impact of the Philadelphia brass. Indeed, all the works on this DVD are remarkably well-played. The Chicago Symphony are perhaps more renowned for their physical impact, but the Philadelphians as heard here are more than a match in terms of decibels for their neighbours to the west and can certainly boast of a superior tonal lustre.

EuroArts are to be commended on this release, and many others. Not only have they swiped a significant section of the Unitel catalogue - which was originally going to be released by Deutsche Grammophon - but their presentation is exemplary. The booklet contains a critique of the performances and the artwork is a vibrant combination of greens and oranges. Sound is generally good, though a little constricted in the concerto. The picture is typical of videotape recordings of the period - very clear but with frequent colour ‘spillage’ and interference. Eminently watchable nevertheless, and certainly worth investing in for the unbeatable combination of Ormandy, Perlman and Philadelphia. An absolute essential for violin fans, and certainly worth snapping up by the casual buyer.

-- Owen Walton, MusicWeb International
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Works on This Recording

1.
Concerto for Violin in D major, Op. 35 by Peter Ilyich Tchaikovsky
Performer:  Itzhak Perlman (Violin)
Conductor:  Eugene Ormandy
Orchestra/Ensemble:  Philadelphia Orchestra
Period: Romantic 
Written: 1878; Russia 
Date of Recording: 1978-1979 
Venue:  Academy of Music, Philadelphia 
2.
Romeo and Juliet Overture by Peter Ilyich Tchaikovsky
Conductor:  Eugene Ormandy
Orchestra/Ensemble:  Philadelphia Orchestra
Period: Romantic 
Written: 1869/1880; Russia 
Date of Recording: 1978-1979 
Venue:  Academy of Music, Philadelphia 
3.
Pictures at an Exhibition for Orchestra (orchestrated by Ravel) by Modest Mussorgsky
Conductor:  Eugene Ormandy
Orchestra/Ensemble:  Philadelphia Orchestra
Period: 20th Century 
Written: 1874/1922; Russia 
Date of Recording: 1978-1979 
Venue:  Academy of Music, Philadelphia 

Customer Reviews

Average Customer Review:  2 Customer Reviews )
 Great dvd June 18, 2014 By Denton Moers (Houston, TX) See All My Reviews "This one of the best dvds i have gotten. and is the first time i have seen Eugene Ormandy conduct the Philadelphia Orchestra. i have some of his lp recordings from the 1970's. i would very highly recommend this dvd to anyone who enjoys great classical music, and anyone who attends performances of the Philadelphia Orchestra.-------Denton Moers" Report Abuse
 Brilliant young Itzak Perlman June 25, 2012 By P. Bentham (Montreal, QC) See All My Reviews "The performance of the young soloist is mature and brilliant, There is little to compare with his technique and emotional insights into this exacting concerto. I highly recommend this recording. The performance of the "Pictures at an Exhibition" is also inventive and uses the full range of the orchestra to its full extent." Report Abuse
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