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Brahms: Symphony No 2; Beethoven: Piano Concerto No 4 / Böhm, Backhaus

Beethoven / Bohm / Backhaus / Wiener Philarmonic
Release Date: 09/26/2006 
Label:  Euroarts   Catalog #: 2072058  
Composer:  Johannes BrahmsLudwig van Beethoven
Performer:  Wilhelm Backhaus
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna Philharmonic OrchestraVienna Symphony Orchestra
Number of Discs: 1 
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Notes and Editorial Reviews

WILHELM BACKHAUS & KARL BÖHM

Ludwig van Beethoven: Piano Concerto No.4
Wilhelm Backhaus, piano · Wiener Symphoniker
Johannes Brahms: Symphony No.2
Wiener Philharmoniker
Karl Böhm, conductor
Recorded at the Studio Rosenhügel, Vienna, 3-9 April 1967 (Beethoven) / Grosser Musikvereinssaal Vienna, 16-19 September 1970 (Brahms)

Picture format: NTSC 4:3 full screen
Sound format: PCM Stereo / Dolby Digital 5.1 / DTS 5.1
Region code: 0 (all)
Booklet notes: English, German, French
Running time: 73 mins
No. of DVDs: 1

* This DVD brings together two of the major musical figures of the 20th-century, Wilhelm
Read more Backhaus and Karl Böhm.
* Backhaus was regarded by many as the greatest interpreter of Beethoven.
* Backhaus and Böhm were friends of nearly forty years' standing and collaborated in concertos by both these composers on many occasions.
* The present performance was among their last. Two years later, Backhaus died, aged 85, after a career of some seventy years.
* Both men were technicians of exceptional brilliance.
* Böhm's command of orchestral ensemble, sonority, textural clarity and subtlety of rhythm was legendary. His musicianship was impeccable, his authority unquestioned.
* A marvellous testament to great Brahms conducting!

Perhaps this DVD will act as a reminder of the power of the medium. These are two fine performances by two great artists - and here we have the opportunity to study their most intimate movements in performance. Piano students will surely glean volumes from Backhaus's sovereign technique; conducting students may find less to admire in Böhm's rather staid manner and gestures, but nevertheless can observe a major podium figure of the past at close quarters.

The set-up in the studio is typical for the period, with the conductor rather isolated from his fellows. In these rather sterile conditions, Backhaus and his accompanists create a sense of wonder. There is a true inevitability about the first movement; on a straight play-through, though, the second movement begins far too abruptly. Instructive to compare this with Backhaus's much earlier performance of 1929/30 with the LSO under Sir Landon Ronald. I used the Andante transfer for this purpose. There the first movement takes 17:06 against the later performance's 17:52, and the orchestra is significantly recessed. There is more delectable impetuosity earlier on, it is true.

Backhaus sits very low, his contact with the piano seemingly enhanced by this. Most importantly, there is a tremendous weight of experience that shines through in 1967. Camera work is acceptable, although the shot of the piano's insides at the first movememt's cadenza is rather fanciful.

Backhaus's contributions to the famous slow movements are miracles of concentration. The piano sounds absolutely lovely although I remain aware some might find it very slightly muffled. The pianist's gentle approach bleeds into the finale. It is here the camera-work can be rather distracting, as it pans around. But most interesting of all is Backhaus's use of his own huge cadenza in this last movement.

Böhm's Brahms Second has a distinctly open-air feel about it. There is some glorious horn playing … and not only at the opening, either. What really marks out this Brahms is the fact that despite its intensity, one can still hear all the lines with an almost analytical clarity. This feeling of analysis in sound carries over very noticeably to the second movement, where the conductor seems intent on showing us Brahms' motivic workings. He also injects a substantial amount of drama into this Adagio non troppo before letting his Vienna soloists loose to reveal their delicacy in the Allegretto grazioso. Finest of all, perhaps, is the finale, fast but blessed with wonderful string definition and with real drive and excitement before the end.

These were originally Unitel films - directed by Herbert Seggelke and Arne Arnbom. They provide a TV screen-sized window onto another world, and we should be grateful to have the opportunity to relish these warm performances.

-- Colin Clarke, MusicWeb International
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Works on This Recording

1.
Symphony no 2 in D major, Op. 73 by Johannes Brahms
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: 1877; Austria 
Date of Recording: 9/1970 
Venue:   Grosser Musikvereinssaal Vienna 
2.
Concerto for Piano no 4 in G major, Op. 58 by Ludwig van Beethoven
Performer:  Wilhelm Backhaus (Piano)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna Symphony Orchestra
Period: Classical 
Written: 1806; Vienna, Austria 
Date of Recording: 4/1967 
Venue:  Studio Rosenhügel, Vienna 

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