The four male singers who make up the Orlando Consort (here joined by occasional collaborator Robert MacDonald) have proven to be crafty programmers with such engaging releases as Medieval Gardens and Food, Wine, and Song (see Reviews), and here they manage to organize their careful selections in a way that both flows well and makes it easy to discern and appreciate the music's stylistic distinctions, from early polyphony to the almost crude-sounding secular rondeau of Dufay to the elegant Clemens non Papa motet Pastores loquebantur. Further, the program is divided into logical sections that relate to the music's function and association with the various feasts of Christmas, from the Masses for Christmas Day and St. Stephen to the Feasts of the Holy Innocents, St. Thomas, and the Circumcision (the First of January).

As we've come to expect, the singing is first-rate--vibrant, impeccably tuned, and with a strong rhythmic vitality, supported by ideal sound. And although it will be the rare listener who recognizes any of these works, that actually is a good thing: what can be wrong with stretching our knowledge and experience a little bit, especially when it comes to a tradition so comfortable and familiar as Christmas? [11/15/2006]